After being told that their children never existed, a man and woman soon discover there is a much bigger enemy at work.After being told that their children never existed, a man and woman soon discover there is a much bigger enemy at work.After being told that their children never existed, a man and woman soon discover there is a much bigger enemy at work.
- Awards
- 7 nominations total
P.J. Morrison
- Cop
- (as PJ Morrison)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAfter Julianne Moore runs through a grocery store and an alley, she stops in front of white graffiti on a wall. It's the logo of Revolution Studios, which produced the movie.
- GoofsWhen Ash and Telly enter the Long Island house it is daylight, but as they go through the house it is night (Ash is in the dining room with a lantern and there is complete blackness in the windows).
- Quotes
Telly Paretta: Do you get drunk every night?
Ash Correll: No. Sometimes I'm drunk by noon.
- Alternate versionsThe movie has two endings; one for the theatrical release, and an alternate version included in the movie's DVD. In the first, after a brief dialogue with Telly, the man creates an illusion of Sam which Telly chases through the hangar, and then confronts her again. He reveals that the purpose of the experiment is not to investigate the children, but rather the bond that exists between a parent and child, and that he believes it can be broken. He admits, however, that the experiment has so far produced no positive results with regards to Telly, and that it will fail soon if she doesn't forget, and he will be responsible for that failure. However, despite him revealing himself as an alien and almost succeeding by stealing the memory of Sam's birth, Telly can still remember her son, and he is whisked away by an unseen force, presumably to face the consequences of failure. Reality is restored to normal, and Telly is the only one who can remember the events that transpired. The alternate version is very similar, except that Telly is faced with a facsimile of Sam's room. She tries to force her way in, but cannot reach Sam. The alien scientist tries to convince her to forget Sam, but fails. He then accepts that the experiment has failed, and explains that she will be the only one who remembers what transpired there. Reality is again restored to normal.
- ConnectionsFeatured in Remembering 'the Forgotten' (2005)
Featured review
It has been over a year since Telly Pretta's son died in a plane crash; she is in therapy and daily lingers over his pictures and possessions. When the pictures start to disappear she gets angry at her husband for hiding them but her husband doesn't know what she is talking about while her doctor starts to consider putting her in hospital because she is not getting over this fictional "son" that she claims she had. Telly's memories are so strong and she knows she isn't crazy a belief only confirmed when she meets another person who can't remember the daughter he lost in the same crash. As they dig for proof they find so much more than they ever suspected they would.
From the trailer for this movie things looked good (apart from ruining the most impacting moment of the film) and I decided to give it a go. The film is a strange mix because bits of it are so intriguing and gripping but then other bits are rather unsatisfying and it cannot keep the urgent tone up consistently. It is a bit annoying but something about the second half niggles is it because it is all a bit too neat? Is it because it keeps suggesting bigger things that we never get into? Or is it just because the first half had such a simple and interesting idea that opening it out was never going to be able to match the first half? I'm not sure but the film only sporadically hits the right note and will suddenly (very suddenly) show us how big this thing is and how high the stakes are but then seconds later we're back into a slower scene that almost feels like a step back. That said, the central premise and the bit of the story we get told is still interesting and the urgent moments are enough to keep it going.
The direction is good; drab colours are an obvious contrast with the bright colours of the memories but generally Ruben helps keep the tension up. The effects are good and they make the "big" moments really surprising and impacting. Moore is convincing throughout and she manages to give her usual high quality. The support cast is cluttered with names, which I assume was meant to be a load of red herrings; most of them are OK but have very little time although a cast including Edwards, Roache, Sinise, Woodard and a few others is probably worth a look.
Overall this is an OK film but not as good as the basic plot summary suggests. A good trailer will have you asking questions and interested before the film comes out, but it needs the film to answer these and still have us feel the same. I enjoyed the film and all, but by the end I was left with none of the intrigue and interest that I had had at the start and it is unlikely I'd ever chose to watch it again.
From the trailer for this movie things looked good (apart from ruining the most impacting moment of the film) and I decided to give it a go. The film is a strange mix because bits of it are so intriguing and gripping but then other bits are rather unsatisfying and it cannot keep the urgent tone up consistently. It is a bit annoying but something about the second half niggles is it because it is all a bit too neat? Is it because it keeps suggesting bigger things that we never get into? Or is it just because the first half had such a simple and interesting idea that opening it out was never going to be able to match the first half? I'm not sure but the film only sporadically hits the right note and will suddenly (very suddenly) show us how big this thing is and how high the stakes are but then seconds later we're back into a slower scene that almost feels like a step back. That said, the central premise and the bit of the story we get told is still interesting and the urgent moments are enough to keep it going.
The direction is good; drab colours are an obvious contrast with the bright colours of the memories but generally Ruben helps keep the tension up. The effects are good and they make the "big" moments really surprising and impacting. Moore is convincing throughout and she manages to give her usual high quality. The support cast is cluttered with names, which I assume was meant to be a load of red herrings; most of them are OK but have very little time although a cast including Edwards, Roache, Sinise, Woodard and a few others is probably worth a look.
Overall this is an OK film but not as good as the basic plot summary suggests. A good trailer will have you asking questions and interested before the film comes out, but it needs the film to answer these and still have us feel the same. I enjoyed the film and all, but by the end I was left with none of the intrigue and interest that I had had at the start and it is unlikely I'd ever chose to watch it again.
- bob the moo
- Apr 21, 2005
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Забуте
- Filming locations
- Park Slope, Brooklyn, New York City, New York, USA(Park scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $42,000,000 (estimated)
- Gross US & Canada
- $67,133,509
- Opening weekend US & Canada
- $21,022,111
- Sep 26, 2004
- Gross worldwide
- $117,592,831
- Runtime1 hour 31 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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