Two men awaken to find themselves on the opposite sides of a dead body, each with specific instructions to kill the other or face consequences. These two are the latest victims of the Jigsaw... Read allTwo men awaken to find themselves on the opposite sides of a dead body, each with specific instructions to kill the other or face consequences. These two are the latest victims of the Jigsaw Killer.Two men awaken to find themselves on the opposite sides of a dead body, each with specific instructions to kill the other or face consequences. These two are the latest victims of the Jigsaw Killer.
- Awards
- 9 wins & 10 nominations
Alexandra Bokyun Chun
- Carla
- (as Alexandra Chun)
Oren Koules
- Dead Cellmate
- (uncredited)
Hans Raith
- Detective
- (uncredited)
Storyline
Did you know
- TriviaIn order to make the actors feel what the characters were going through, all of the bathroom scenes were shot in chronological order.
- Goofs(at around 59 mins) After Lawrence and Adam find the box with the cellphone and cigarettes, Lawrence tries to call 911. Three different tones can be heard and he says that the cellphone has been blocked from making calls. However, FCC rules require every telephone that can access the network to be able to dial 911, regardless of any reason that normal service may have been disconnected (including deactivated or blocked phones).
- Crazy creditsThe opening title ripples as if it was underwater.
- Alternate versionsThe song "Bite The Hand That Bleeds" by Fear Factory that originally played over the end credits was replaced on the uncut version of the film by an original piece of music by Charlie Clouser entitled "Zepp Overture".
- ConnectionsEdited into Saw II (2005)
- SoundtracksYou Make Me Feel So Dead
Performed by Pitbull Daycare
Written by Stephen Ladd Bishop, Charles Todd Conally and Don Van Stavern
Published by Dimension Gate Music (BMI)/FEC Music (ASCAP)
Courtesy of Cleopatra Records
Featured review
Two seemingly unrelated people (Cary Elwes and Leigh Whinnell) wake up in a secluded, dingy bathroom, chained to the wall. With nothing but their wits, a few clues, and a hacksaw, they must figure out who put them in their predicament and how to get out. Well, assuming they're able to get out. For an added bonus, one of the men has a kidnapped family on the outside.
Falsely categorized as "torture porn" (the violence and gore here are more in line with "Seven" than "Hostel"), this film was the first smart horror film of the 2000s. Intelligent horror fans not only got the blood they wanted, but a clever villain and a mystery to solve. Later sequels would get more complicated than episodes of "Lost", and the series loses something as it goes (all franchises do), but this original stands as one of the modern greats. And, luckily, you can watch it without any of the sequels and it makes sense.
There has been an effort in recent years to academically analyze "Saw", injecting a false connotation on to the film. One scholarly article points to the "militarization" of Jigsaw in a post-9/11 world. Jigsaw, like the military, carries out violent acts, but has found ways to rationalize them with moral justifications (saving the worthy, letting the undeserving die). The author makes various other parallels about a "military" setting, mentioning IEDs and the industrial setting of Jigsaw's workshop. I find this to be largely silly, and not at all the creators' intention. I see a much more obvious line of progression from "Silence of the Lambs" to "Seven" to "Saw" with the advent of the brilliant, self-moralizing serial killer. Even Hitchcock's "Rope" offered a justification for murder, albeit a poor one. Terrorism or not, the horror film will go on.
You can make complaints, sure. But for young writers and directors, this was a blockbuster and deserved the massive success it got. As someone who pays close attention to a film's writing and plot, I was stunned. My only real concern is at the very end, when the key's location is revealed. I can't discuss this in a review, but let's just say I found that to be uncharacteristic and unfair of the killer.
If you haven't seen "Saw" yet, see it. And see the second film. After that, they start to go downhill. But the first two are quite good and must-see viewing for all horror fans.
Falsely categorized as "torture porn" (the violence and gore here are more in line with "Seven" than "Hostel"), this film was the first smart horror film of the 2000s. Intelligent horror fans not only got the blood they wanted, but a clever villain and a mystery to solve. Later sequels would get more complicated than episodes of "Lost", and the series loses something as it goes (all franchises do), but this original stands as one of the modern greats. And, luckily, you can watch it without any of the sequels and it makes sense.
There has been an effort in recent years to academically analyze "Saw", injecting a false connotation on to the film. One scholarly article points to the "militarization" of Jigsaw in a post-9/11 world. Jigsaw, like the military, carries out violent acts, but has found ways to rationalize them with moral justifications (saving the worthy, letting the undeserving die). The author makes various other parallels about a "military" setting, mentioning IEDs and the industrial setting of Jigsaw's workshop. I find this to be largely silly, and not at all the creators' intention. I see a much more obvious line of progression from "Silence of the Lambs" to "Seven" to "Saw" with the advent of the brilliant, self-moralizing serial killer. Even Hitchcock's "Rope" offered a justification for murder, albeit a poor one. Terrorism or not, the horror film will go on.
You can make complaints, sure. But for young writers and directors, this was a blockbuster and deserved the massive success it got. As someone who pays close attention to a film's writing and plot, I was stunned. My only real concern is at the very end, when the key's location is revealed. I can't discuss this in a review, but let's just say I found that to be uncharacteristic and unfair of the killer.
If you haven't seen "Saw" yet, see it. And see the second film. After that, they start to go downhill. But the first two are quite good and must-see viewing for all horror fans.
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Juego macabro
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,200,000 (estimated)
- Gross US & Canada
- $56,000,369
- Opening weekend US & Canada
- $18,276,468
- Oct 31, 2004
- Gross worldwide
- $104,004,218
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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