User reviews

I had wanted to see this movie for sometime now. I have finally gotten to see it and can tell you it is no disappointment. This movie had a particular touch that gave a genuine and authentic feeling to it. Ben Affleck has a way of writing about life on the streets in Boston that just grabs you. Good Will Hunting was a fine example of that but Gone Baby Gone displayed his directing abilities as well. This movie appeared that it could fall apart any second but yet the story held up and managed to get its message out. Ben Affleck seems to be very creative and knows how to get your attention right when he want you to.

I had not expected Casey Affleck to play as well either because there were so many compliments made toward his performance I expected something totally different. Yet he also brought this authenticity in his acting like Ben did in his directing. Youn could just see the look in his eyes that he was totally into it, he was it. He gave a great portrayal of a detective that should have earned him an Oscar nomination. Also a great supporting cast was put in place with Morgan Freeman, Ed Harris and Amy Ryan. All of them gave engaging performances as well. Amy Ryan especially with her performance as the mother of her girl who is the centerpiece of this story. I believe if it was not for her this movie could have very easily fallen into an ordinary movie.

What really made up the movie was the message. After all what is a movie without a message. This movie did not try to pretend to be deep or try to impress. It did what it had to do, asking the a very tough question. Is the right thing to do always the right decision to make and do the ends justify the means? I advise you not to miss this movie and definitely watch this with a friend or family member.

When I went into the theater to see Gone Baby Gone, Casey Affleck was not what I pictured when I read Dennis Lehane's Patrick Kenzie novels. But he won me over and will now forever be Kenzie as far as I'm concerned.

Gone Baby Gone is a tough and gritty movie about a child abduction and the lives it destroys. You can see the end coming a little too early in the movie, but it's still fascinating watching Kenzie slog through a lot of awful stuff before you get there. Ben Affleck has proved that he can direct a movie with the best of them. There was nothing slack or boring for the entire running time, and the ending will give you something to argue about over dinner after watching the movie.

The best detective movie I've seen in a while.

Anytime a movie can get you to pause and consider a moral dilemma (what would I have done?) while watching it definitely deserves a high mark in my book!! This movie showed the very raw, mean streets of Boston's underbelly and didn't sugar-coat anything. I liked that it was real and not made all pretty for film as in so many other films of late. I have/will recommend this movie to all my friends. Kudos to Casey Affleck, Morgan Freeman and Ed Harris. This was, so far, the best movie I've seen in 2007. I haven't been impressed with Ben Affleck in front of the camera, but maybe he's found his niche - behind the camera? Just go see it.

I would consider myself to be a movie buff and I live and grew up in Massachusetts. I must tell you that Ben Affleck has done an outstanding job in his directorial debut. In casting his brother Casey you may think that it's just nepotism or giving his brother a break. No. He is the absolute perfect person to play this role. Because they know the area they have made one of the most authentic movies I've ever seen. And it's not just some Boston movie either. I heard a woman as I was leaving saying it's just like The Departed. No it's not, it's much better and the fact is, I loved The Departed. But that was flashier. As great as it was you could tell people were acting. Not here. They seemed exactly like the degenerates and handful of decent folk I see every day of my life. The woman who plays the girl's mother, I don't know who see is, but I've met her about 1000 times.

As far as the story goes I'd never spoil it for you but it's complex, not confusing. There is a lot going on and it's so real. I don't know what's happened in this area but people have become so lousy. So lousy that if you're a good person you just don't know what can be done anymore. There seems to be no answer sometimes and this film is set in that world. If you have the brains and heart to try you don't even know what will come of it.

Who should see this? Intelligent people. People who want to come out of a movie thinking about what they just saw. People who want to see an incredibly well made film. And anyone who ever liked Ben Affleck even for half a second. He should be very proud of this movie. As far as content there are loads of curse words, some drug use, but no nudity that I can remember, and there is some gun violence, but nothing too bad. Put it high on your movie going list.

Ben Affleck's impressive directorial debut features some remarkably naturalistic performances, a genuine sense of locale, and an atmosphere of despair and hopelessness that becomes a major antagonist. An honestly downbeat film, it portrays a mode of existence where nothing is black or white, and it is that gray area that the film explores so effectively even if I find the story from Dennis Leheane's novel to be a bit far-fetched and convoluted. More than The Departed, Mystic River, and Peter Yates' The Friends of Eddie Coyle, Gone, Baby, Gone understands the inter-relationship among cops, criminals, and a neighborhood as they search for a missing child. Though the boyish Casey Affleck is arguably miscast as Patrick, a character who was more mature in the novel, his performance cannot be faulted and by the end he has won us over. The last scene is particularly resonant. Though well-known actors such as Ed Harris and Morgan Freeman are expectedly good, it is the performances of an unknown supporting cast that gives the film a disturbing authenticity. And Amy Ryan as the child's mother gives a trenchant performance. Director Affleck maintains an admirable tone of objectivity and compassion throughout, and he has made a film that is worthy of your time. Go!Baby!Go!

Every once in a while, amid the dross that reviewers have to sit through, comes a movie that hits like a sucker punch to the gut and haunts you long after you've left the theater. Such is the case with Gone Baby Gone.

Based on the book by Dennis Lehane (Mystic River), Gone Baby Gone marks the directorial debut of Ben Affleck, who also penned the screenplay in tandem with Aaron Stockard, and easily puts him at the front of the line for Oscar contention.

Casey Affleck and Michelle Monaghan star as a pair of private investigators based in the rough working class Dorchester district of Boston. The two are hired by the family of a missing four-year-old girl to assist the police investigation because of their street connections and ability to get people to talk who otherwise would never open up to a cop. As they navigate through the neighborhood's seamy underbelly of pimps, drug dealers and crack whores they uncover an ever-expanding mystery that takes on the added dimension of provoking the question of just what is right and what is wrong, firmly pitting both story and viewer in a struggle between situational ethics and moral absolutes.

Morgan Freeman and Ed Harris round out an impressive cast, but it's the younger Affleck who takes this movie on his back and runs with it, easily surpassing his director brother in terms of acting breadth and range. This is no slight to Ben, however. It's been a long time since I was this impressed with a directorial debut, and even longer since I was given cause to reflect upon the values that we hold dear as individuals and a society, and the moral foundations upon which they are based. Gone Baby Gone manages both, and wraps it up in a hard-hitting detective story that serves as much to satisfy the baser urges of bar fights and gun play, as it does tackling bigger issues.

It's also one of those rare movies in which it can easily be said that the less you know about the story going in, the richer the experience. There's no clear twist ending to give away, but rather a layered story that unfolds like a Russian stacking doll with a moral dilemma at its core.

One thing I do feel comfortable revealing, however, is that this movie comes about as close as any can to being a bonafide lock come Academy Award time. Congrats Ben, you may well have redeemed yourself from your J-Lo/Gigli reputation at last.

It is now largely forgotten that Ben Affleck's big break was not as an actor in but as a writer of "Good Will Hunting". His career has never lived up to the promise of his performance in that film (a quiet and subtle display) and has been overshadowed by the success of his friend and co-Oscar-winner, Matt Damon. With "Gone Baby Gone", Affleck moves back behind the camera, directing and writing, whilst his brother Casey, who really impressed in "The Assassination of Jesse James by the Coward Robert Ford", takes the lead.

The film is a gritty thriller at first, with a quite masterful opening which is engrossing and effective. The sense of location is evident from the start and both Afflecks demonstrate their talents. Casey is an interesting screen presence, and Ben is an unfussy director with an eye for location and images.

The film is served well be the stellar cast. Ed Harris is very good, as is Michelle Monaghan and the Oscar nominated Amy Ryan is fantastic, whilst Morgan Freeman is Morgan Freeman, which is nice. They do make the film easy to watch, even though the subject matter, focussing on child abduction, is difficult to deal with.

However, although the subject matter is treated well throughout most of the film, its fatal flaw is that it lets itself go in the third act. The plot twists and turns three times toward the end to lose nearly all credibility and then loses any that it had left by landing on a truly unbelievable conclusion. Its focus on character is not lost, but it is still a disappointment to see such a tightly played drama unwind at the end.

Nevertheless, this film has much promise. Its subject matter should be a consideration for anyone who is thinking of seeing this, but it is an intelligent and interesting film which is worth watching, mainly because of what it might be the precursor of.

Being retired I have all the time in the world to do what pleases me. And seeing movies pleases me a lot, so much that I see almost everything, good, regular, bad and really baaaad. Seeing a movie for me is being at the cinema showing it, paying for my ticket, and I hardly ever watch a movie in TV, direct or recorded. This means that in order to keep up with my statement of seeing almost everything I go to see movies a minimum of five and a maximum of seven days per week, and some days I attend several movies (this is not an exaggeration), meaning that I do get to see 250 to 300+ movies every year.

Today, 10/20/07 I was trying to decide what to see and Gone Baby Gone was not in my menu, as even though I go so often to the movies I had not seen any trailer for this movie nor heard anything about it. Perusing the newspaper the synopsis attracted me and I decided to see it. As Gone Baby Gone progressed I found myself being really pull into the story, living it together with the characters, through the splendid direction, editing and camera work. As the movie ended I thought to myself: "This is why you go see so many bad and regular movies, so you will not miss the occasional good one and the rare excellent movie".

"Gone Baby Gone" is easily the best movie I have seen this year. And that includes most of the art, foreign or indie movies that I also attend religiously. Unless something out of this world comes out in the next six weeks, this is my candidate for the Oscar to the best picture and Ben Affleck should also be nominated for best Director.

I love Ben Affleck as director. This film is one of good motives. Because it is an impecable moral/ religious film. A great one, in fact. A film about apparences and cold fair decision. About parenthood and its profound meanings. About naivety or innocence or acceptance of tough decision consequences. An admirable cast, impressive acting and the wise way to tell the perfect story because, in so many senses, it is the story of the viewer. And , sure, the beautiful job of Cassey Affleck is the axis of a film who, in fact, represents more than a masterpiece but a challenge to the public.

A somewhat entertaining morality drama of the Hollywood variety, this baby doesn't really get going until the convoluted first and second acts are played out, culminating in a more emotionally involving conclusion. Speckled with much homegrown Bah-stonian flavor, the newfound directorial talents of big bro Ben Affleck to portray the city he loves with a notion of gritty integrity perhaps overwhelms with some shiftily stereotypical minor characters- both in look and delivery, but the core cast remain strong enough to let the overcooked plot come to a gentle simmer when we finally are able to understand what all the messy details add up to. The result is certainly far shy of the riveting, infinitely ponderous conclusion some have suggested, but still absolutely enough to make for a decent night of serious entertainment for mainstream American audiences.

It's become a hobby of mine this past year to watch IMDb's top 250, AFI's top 100 and all Oscar winning (and most nominated) films. I've seen over 100 films in just the past year alone, but I am struggling to think of a film that I enjoyed more.

The performances are outstanding. All of the characters- including the city itself - are filled with depth and ambiguity. Like a previous post mentioned, Amy Ryan did a phenomenal job as Helene, not only do I know many people like her, I'm related to some. I didn't even recognize her from her wonderful performance in the Wire.

The questions that this movie asks as it unfolds do not get answered in by the closing credits, and they still aren't answered as I type. Who was right? Is there a right answer? Morgan Freeman- the greatest actor alive- and Ed Harris give standard upper echelon performances. But I was surprised by Michelle Monaghan and especially Casey Affleck. He didn't flinch, and he didn't compromise his ideals, but in the end compromised nonetheless. I hope he gets a nomination.

Ben Affleck lost my favor somewhere around the time he began to cry in Armageddon, and I haven't taken him seriously since. But his achievement here, the pace, the mood, the spot on capturing of the desolate neighborhood, and the overall story leads me to anxiously await his next directorial effort.

The best film I've seen in years.

Ben Affleck's debut as a director was a decent start. Gone Baby Gone is a crime thriller with significant surprises and twists. The excellent cast and performances accentuated the emotional toll of working on a kidnapping case, and that emotional weight saturates every aspect of the film. Unfortunately, that heavy tone makes the movie a little challenging to enjoy. The dismal and somber mood throughout left me just feeling sad at the end. That poignant hopeless nature was clearly the goal and was well executed but keeps it from being a traditionally "enjoyable" film.

"Gone Baby, Gone" is one of the best films of the year. It is being compared to "Mystic River" and "The Departed" because it takes place in Boston, but I actually liked it better than either of those films.

The opening credits start with the camera showing close ups of people's faces. The close ups are a recurring theme throughout the movie. It's because this is not just a film about a child kidnapping. It is a film about people and that is what lifts this film above so many others.

Director Ben Affleck shows confidence and style in his first film. After this, he does not need to perform in any more films. He is a much better writer and director than he is an actor.

All the performances in the film are superb. Casey Affleck has to carry the film and he does a great job. He is a stoic, deadpan, detective. But unlike the Noir detectives of the past, he is not a loner. He has a lot of friends and he has his girlfriend played by Michelle Monaghan help with the investigation. He uses his connections to find out things the police cannot.

Beyond that, the less you know the better.

If you like crime dramas that also work as character studies, you should run out and see "Gone Baby, Gone."

It was.. eh good. I understand the hype. I do. I get it. Not gonna explain the story but there are WAY TOO MANY NAMES. Let's keep things simple but maintain a simple storyboard. A cop, a detective, a convict, a voluntary detective, a detectives drugged best friend, a drug king, a drug mule, a drug captive, a homocide detective, a grieving mother, a brother in law, a sister in law, a police chief, a blah blah Jesus Christ. WAY too many people. I got lost after 39 minutes. Ben you have done great in a lot of films but keep it simple like Mystic River like old times(:

In his directorial debut, Ben Affleck has completely morphed himself into an emerging artist and even more challenging director. Gone Baby Gone might be the most innovative and moral challenging film of recent years. This is the story of young Amanda, a little girl who mysteriously disappears from her home and the activity and dangers that befall upon the people involved in her finding.

The film stars Affleck's brother Casey as Patrick, in his most challenging and engrossing performance to date. Not since Sean Penn in Mystic River has a role been so subdued yet immensely victorious and depth defying in choice of delivery and spot on emotions. Casey Affleck has paved the way for himself in roles that demonstrate the actor's showcase and give the performer range. It's a bit odd what to make of the younger Affleck in the upcoming awards season. He fairs a better shot for his earlier raved performance in The Assassination of Jesse James by the Coward Robert Ford for a nomination, but his performance in Gone Baby Gone is far more superior. Especially with upcoming prospects such as Daniel Day-Lewis, Johnny Depp and other big name talents, it'll be a tough road ahead for him.

Ed Harris, who's been long "overdue" for Oscar recognition is purely haunting in his role as Remy, a hard-nosed cop looking for young Amanda. In one scene in particular, Harris shines and gives his best portrayal since The Hours. Although his character is a bit one-dimensional, Harris elevates the material and turns it into his show and steals frame after frame in a role easily lost in a picture like this.

Morgan Freeman, in a role we have not seen him in before, plays Captain Jack Doyle, the head of the missing persons unit with personal experience in the loss of a child. Freeman, although absent for most of the narrative, sugar coats the top acting talent in the picture. Freeman's agenda into more range projects in his older career is reaffirming his Oscar win in 2003 for Million Dollar Baby, but now with the more rewarding films worthy of consideration.

Michelle Monaghan who's a bit of an unknown face, plays Angie, Patrick's significant other who's personal fears interfere with her involvement in the case. To be honest, Monaghan gets lost in the shuffle and while the audience empathizes with her throughout the latter of the film, she's placed into a role easily overshadowed by stronger characters. Perhaps being the only strong woman role would have gave us something to awe at, but not with the guns at full blaze at the hands of Amy Ryan.

Ryan plays Amanda's mother Helene, definitely not the most likable of characters but tragic in character arc. It's like a full on tennis match going back and forth with Ryan and audience; the viewer is hating her one moment and then needing to hold her the next. Helene is multi-layered and grasps her own importance of parenting and the whole film it becomes a fallen angel lost in the fire. That is the tragedy of the film, a film not only about the loss of a little girl, but the loss of innocence and the torment that betrayal, guilt and corruption can weigh on our souls.

Ben Affleck is completely in control of this film, which he has lacked in his performances often. He knows what the mission is of this picture and would gladly take a spot amongst some bigger, older talents among Oscar prospects this year. Along with Co-adapting the film with Aaron Stockard, if Oscar is feeling like inviting Affleck to the Kodak, the screenplay category seems like a better fit, especially with an already win for Good Will Hunting. Other possibilities for consideration is wonderful cinematography by John Toll and a great musical score by Harry Gregson-Williams.

Comparisons to Mystic River are all about, being done by the same author how could we expect no less. Mystic River had more of the message of the domino effect of one's actions on others, Gone Baby Gone brings it to a new level. This film is about a society, a society who has lost the importance of innocence and the beauty of life. It focuses on the beauty of children and rest assure, when the film is over, if you're not yearning to be a better parent of embrace a child as a blessing, there is probably emptiness in your chest. This film is marvelous, beautiful and spectacular. A must-see film of the year and a pleasant surprise coming from Ben Affleck.

Grade: ****/****

Well, am i the only one that was disappointed with this movie?

Yeah the storyline was good, a little all to familiar with the world today! And i did enjoy it. BUT it looked like it was made for TV! The acting was not great, and i think this was in some part due to the script. The worst was Mr Affleck. Sorry but this boy just can't act! Every time he spoke he seemed to wear one expression!! Even when he was trying to be menacing or angry it didn't feel genuine. I always read the reviews on here before i watch any movie, (none that contain spoilers!)and i have never wrote a review before myself, but i felt compelled to to comment on this film after so many people talked it up!! For me both Freeman and Harris were good but seemed restricted. Harris more so. Trust me, there will be no awards for this film, which is a shame because there is some bravery in the ending of the film, which shows us all something that we really know anyhow, but is rarely shown in this type of film............and that is that ultimately, people don't change!

"I will hate you for doing this, and I don't want to."

There have been a lot of solid movies set in Boston in recent years, but Gone Baby Gone tops even The Departed and Mystic River, as good as they both were. What starts off as a story about a missing child evolves into one of the most thought provoking and genuinely compelling movies that I've seen.

Ben Affleck has real talent as a director, and did an excellent job of maintaining the authenticity of both the story of the Dennis Lehane novel and the neighborhood that it's set in. Casey Affleck, Michelle Monaghan, Ed Harris, Morgan Freeman, and Amy Ryan were all perfectly cast, and give stellar performances.

Gone Baby Gone is just one of those movies that it's hard to find a flaw with. It's expertly made, sticks with you, and doesn't offer any easy answers. Highly recommended.