IMDb RATING
6.6/10
3.3K
YOUR RATING
Several scary black-and-white animated segments in different styles appeal to our fear(s) of the dark.Several scary black-and-white animated segments in different styles appeal to our fear(s) of the dark.Several scary black-and-white animated segments in different styles appeal to our fear(s) of the dark.
- Awards
- 1 win & 5 nominations total
Aure Atika
- Laura
- (voice)
Guillaume Depardieu
- Eric
- (voice)
Nicole Garcia
- Narrator
- (voice)
François Creton
- The teacher
- (voice)
Christian Hecq
- The doctor
- (voice)
- …
Louisa Pili
- Sumako
- (voice)
Brigitte Sy
- Eric's mother
- (voice)
Storyline
Featured review
Macabre anthology Fear(s) Of The Dark showcases the animated work of several international designers, comic book artists, and illustrators, all working within the confines of a black-and-white palette.
The first tale, instantly recognisable as the work of celebrated illustrator Charles Burns, tells of an introverted young man who overcomes his shyness to romance classmate Laura, only for his new girlfriend to become host to a freaky mantis-like insect that alters her personality. Burns' unmistakable bold graphic style is brought to life with the use of 3D computer animation.
Next up is Marie Caillou's anime-style ghost story that sees a young Japanese girl repeatedly sedated so that she can finish a freaky dream in which she is menaced by the spirit of a samurai and several Yōkai monsters.
Story number three, by Lorenzo Mattottifrom, revolves around a small French town that is plagued by a mysterious man-eating creature which lurks in the marshes.
Richard McGuire makes excellent use of high contrast light and shadows for the final chapter, which features a traveller seeking refuge from a blizzard in an abandoned house where he is haunted by the ghosts of the previous occupant.
As a fan of bizarre movies, comic art, anthologies and animation, I was quite excited to see this weird little film, but other than demonstrating an interesting range of creative styles and techniques, I wasn't particularly impressed: the wholly unrelated segments are atmospheric but lack narrative cohesion, a severe case of style over substance. A framing narrative, in which a creepy man unleashes his vicious hounds on a series of unfortunate innocent victims has no bearing at all on the tales it bookends, while a pretentious narrator who philosophises between tales as abstract shapes morph before our eyes only serves to bore and irritate.
The first tale, instantly recognisable as the work of celebrated illustrator Charles Burns, tells of an introverted young man who overcomes his shyness to romance classmate Laura, only for his new girlfriend to become host to a freaky mantis-like insect that alters her personality. Burns' unmistakable bold graphic style is brought to life with the use of 3D computer animation.
Next up is Marie Caillou's anime-style ghost story that sees a young Japanese girl repeatedly sedated so that she can finish a freaky dream in which she is menaced by the spirit of a samurai and several Yōkai monsters.
Story number three, by Lorenzo Mattottifrom, revolves around a small French town that is plagued by a mysterious man-eating creature which lurks in the marshes.
Richard McGuire makes excellent use of high contrast light and shadows for the final chapter, which features a traveller seeking refuge from a blizzard in an abandoned house where he is haunted by the ghosts of the previous occupant.
As a fan of bizarre movies, comic art, anthologies and animation, I was quite excited to see this weird little film, but other than demonstrating an interesting range of creative styles and techniques, I wasn't particularly impressed: the wholly unrelated segments are atmospheric but lack narrative cohesion, a severe case of style over substance. A framing narrative, in which a creepy man unleashes his vicious hounds on a series of unfortunate innocent victims has no bearing at all on the tales it bookends, while a pretentious narrator who philosophises between tales as abstract shapes morph before our eyes only serves to bore and irritate.
- BA_Harrison
- May 5, 2015
- Permalink
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Details
- Release date
- Country of origin
- Language
- Also known as
- Strah(ovi) od mraka
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $77,876
- Opening weekend US & Canada
- $6,103
- Oct 26, 2008
- Gross worldwide
- $450,813
- Runtime1 hour 23 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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