Harvard symbologist Robert Langdon works with a nuclear physicist to solve a murder and prevent a terrorist act against the Vatican during one of the significant events within the church.Harvard symbologist Robert Langdon works with a nuclear physicist to solve a murder and prevent a terrorist act against the Vatican during one of the significant events within the church.Harvard symbologist Robert Langdon works with a nuclear physicist to solve a murder and prevent a terrorist act against the Vatican during one of the significant events within the church.
- Awards
- 1 win & 5 nominations
- Cardinal Baggia
- (as Marco Fiorini)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaCrew members visited Vatican City as tourists and extensively photographed the city to capture as much detail as possible, knowing they were unlikely to be allowed to film there, so that they could recreate the sets as faithfully as possible.
- Goofs(at around 1h 5 mins) When Langdon is in the Vatican library, he passes the book he is reading over to Chartrand and asks him to look for any reference to fire. Chartrand glances at the book and mentions the word "seraphim". Directly above this is a far stronger reference to fire, "di fuoco", which actually is Italian for fire.
- Quotes
Camerlengo Patrick McKenna: Christianity's most sacred codices are in that archive. Given your recent... entanglement with the Church, there is a question I'd like to ask you first here in-in the office of His Holiness.
[Walks towards Robert Langdon]
Camerlengo Patrick McKenna: Do you believe in God, sir?
Robert Langdon: [pause] Father, I simply believe that religion...
Camerlengo Patrick McKenna: I did not ask if you believe what man says about God. I asked if you believe in God.
Robert Langdon: [pause] I'm an academic. My mind tells me I will never... understand God.
Camerlengo Patrick McKenna: And your heart?
Robert Langdon: [pause] Tells me I'm not meant to. Faith is a gift... that I have yet to receive.
Camerlengo Patrick McKenna: [pauses to consider his words] Be delicate with our treasures.
- Crazy creditsAt the very beginning, when the Columbia girl is standing holding aloft the torch, it flickers like the anti-matter.
- Alternate versionsThe UK release was cut, this film was originally shown to the BBFC in an unfinished version. The BBFC advised the distributor that the film was likely to receive a 15 classification but that the requested 12A classification could be obtained by making reductions in four scenes. In particular the BBFC suggested that sight of blood splattering onto a character's face, sight of a character screaming in pain as he burns, sight of a wound being injected and sight of a character self-immolating and burning should all be reduced. When the finished version of the film was submitted, all these reductions had been made satisfactorily and the film was classified 12A.
- ConnectionsEdited into Yoostar 2: In the Movies (2011)
- SoundtracksGregorian Chant: Requiem Aeternam-Introitus (VI)
from "Liturgia Defunctorum, Missae Pro Defunctis"
Traditional
Performed by Schola of the Hofburgkapelle, Vienna
Hubert Dopf S.J.
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises
With a cast of award winning actors, Ron Howard does a good job of directing a story that was easy to follow and even easier to accept. The Da Vinci code threw so many angles at you in such a short time that a quick bathroom break would leave you a bit confused on return. I didn't feel this was with Angels and Demons, the plot was straight-forward and the action kept the interest level peaked throughout.
Cardinal Strauss (Armin Mueller-Stahl) was easily my favorite character in the movie. His portrayal of the elitist, yet misunderstood rank of the Catholic Church was very good and combined with the victim of his treatment Camerlengo Patrick McKenna (Ewan McGregor), you will find yourself choosing sides immediately upon introduction. There isn't a great amount of Tom Hanks time as the film focuses more on story than character development and this did well with me being that I had more than enough introduction from the first movie.
Unfortunately I found Ayelet Zurer's character Vittoria Vetra to be an unnecessary femme assistant in the quest since her lines were a bit limited and seemed much like an afterthought. She does play a key role in the beginning of things but she soon fades into the background of being Langdon's "familiar" more-so than a necessary partner.
The plot is as such, one of the organizations that the Catholic Church wronged in the past (there have been quite a few) has sought revenge in a most artistic manner. Some men of the church are kidnapped and are set to be executed at specific times until an ultimate end to the church itself will happen. Dr. Robert Landon is brought in to help decipher the clues and teams up with the beautiful Vittoria Vetra, a scientist who witnessed a colleague die at the hands of the church's enemy.
Music staying relevant and the cinematography beautiful, I could chime on about this menial things but what makes Angels and Demons absolutely work is it's conclusion. It was by far one of the most amazingly surprising endings I have seen in a movie and I was impressed at how off-guard I was when it hit me. Like anyone else I appreciate a great wrap-up and this movie wraps it up quite tight and drops a pretty bow on it. Needless to say I left the theater pleased at the movie in it's entirety.
If you are religious and unsure if this movie will offend your Catholic principles. I can say that where The DaVinci code painted Catholicism as a shady cover-up group of sadists, Angels and Demons paints them with a much lighter brush. The church is shown as being a collective of good men who are made to suffer for the sins of evil and misguided men who wore their colors and even a few who have infiltrated their modern ranks.
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Ángeles y demonios
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $150,000,000 (estimated)
- Gross US & Canada
- $133,375,846
- Opening weekend US & Canada
- $46,204,168
- May 17, 2009
- Gross worldwide
- $485,930,816
- Runtime2 hours 18 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1