Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the... Read allArmed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
- Awards
- 1 win & 7 nominations
Luis Guzmán
- Phil Ramos
- (as Luis Guzman)
Ramón Rodríguez
- Delgado
- (as Ramon Rodriguez)
Aunjanue Ellis-Taylor
- Therese (Garber's Wife)
- (as Aunjanue Ellis)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJohn Travolta chose not to promote the film with the rest of the cast because he was still reeling from the loss of his son Jett.
- GoofsWhen Garber is instructed by Lt. Staley in the use of the Walther PPK .380 he is told that the safety is on when the lever is up and off when it is down. This is the opposite of the safety's actual operation. When the lever is up, exposing a red dot, the safety is off. When down it is in the SAFE position.
- Crazy creditsThe film starts with the picture way in the distance and it slowly approaches, making it appear as if the audience is in a subway tunnel.
- ConnectionsFeatured in The 81st Annual Academy Awards (2009)
- Soundtracks99 Problems
Written by Leslie West (as Leslie Weinstein), John Ventura, Norman Smart (as Norman Landsberg), Felix Pappalardi, Billy Squier, Ice-T (as Ice T), Alphonso Henderson and George Clinton (as George Clinton, Jr.)
Performed by Jay-Z
Courtesy of Roc-A-Fella Records/The Island Def Jam Music Group
Under license from Universal Music Enterprises
Contains a sample of "Long Red"
Performed by Mountain
Courtesy of Columbia Records
By Arrangement with Sony Music Entertainment
Also contains a sample of "The Big Beat"
Performed by Billy Squier
Courtesy of Capitol Records
Under license from EMI Film & Television Music
Featured review
THE TAKING OF PELHAM 123 is Tony Scott's flashy and expensive remake of a stone-cold classic of 1970s cinema. The original had Walter Matthau and Robert Shaw as hero and villain respectively, while this remake sees Scott regular Denzel Washington and bad-guy-for-hire John Travolta stepping into those lofty shoes. And, unsurprisingly enough, this turns out to be a redundant remake that can't hope to better - or, indeed, even come close - to the quality of the original.
I'm not a hater of remakes per se. Occasionally certain films will be flawed or dated and the remake works better than the original; I found this with THE HILLS HAVE EYES. However, the original PELHAM is a great film and anyone who's seen it will end up just watching this version and criticising it by comparison. I'm sure if the original didn't exist I would have enjoyed the updated PELHAM a lot more, but as it stands it's a waste of time.
It's not all bad. Washington is the slick master of professionalism as always and never disappoints this viewer. Travolta gives another fun villainous turn, following on from FACE/OFF and BROKEN ARROW. Scott certainly knows how to make a fast-paced movie and this is a thriller that's never dull. But compared to the original, it's vapid, shallow, and way too superficial.
I'm not a hater of remakes per se. Occasionally certain films will be flawed or dated and the remake works better than the original; I found this with THE HILLS HAVE EYES. However, the original PELHAM is a great film and anyone who's seen it will end up just watching this version and criticising it by comparison. I'm sure if the original didn't exist I would have enjoyed the updated PELHAM a lot more, but as it stands it's a waste of time.
It's not all bad. Washington is the slick master of professionalism as always and never disappoints this viewer. Travolta gives another fun villainous turn, following on from FACE/OFF and BROKEN ARROW. Scott certainly knows how to make a fast-paced movie and this is a thriller that's never dull. But compared to the original, it's vapid, shallow, and way too superficial.
- Leofwine_draca
- Jul 28, 2016
- Permalink
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Rescate del metro 1 2 3
- Filming locations
- Lower Bay Station, Toronto, Ontario, Canada(as several different NYC subway stations)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $100,000,000 (estimated)
- Gross US & Canada
- $65,452,312
- Opening weekend US & Canada
- $23,373,102
- Jun 14, 2009
- Gross worldwide
- $150,166,126
- Runtime1 hour 46 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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