Rosie and Alex have been best friends since they were 5, so they couldn't possibly be right for each other--or could they? When it comes to love, life and making the right choices, these two... Read allRosie and Alex have been best friends since they were 5, so they couldn't possibly be right for each other--or could they? When it comes to love, life and making the right choices, these two are their own worst enemies.Rosie and Alex have been best friends since they were 5, so they couldn't possibly be right for each other--or could they? When it comes to love, life and making the right choices, these two are their own worst enemies.
Sadhbh Malin
- Clare
- (as Sadbh Malin)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaUnlike the novel, the film is set over 12 years instead of 45 years
- GoofsRosie applies to Boston College but receives an acceptance letter from Boston University, a totally different higher-learning institute.
- Quotes
Dick: [Rosie sees the doctor for the stuck condom in her vagina] Hi, I'm Dick.
Rosie Dunne: Of course you are.
- Alternate versionsA very heavily-edited version of the film is shown on some in-flight entertainment systems (e.g. Etihad). The early part of the film is cut down so much that it is not clear who Katie's father is until roughly halfway through the film, when Greg returns to find Rosie at the hotel.
- ConnectionsFeatured in Projector: Serena/Love, Rosie (2014)
- SoundtracksI'll Never Fall In Love Again
Written by Burt Bacharach and Hal David
Performed by Iba featuring Martin Gallop
Featured review
First of all i would not judge this film to strongly, since we're dealing with a sort of coming-of-age drama (although not being a real good excuse, right? producers..?).
When the drama starts of we land in a cliché high school, teenage drama with shy kissing and flat expositions of insecureness etc... The two protagonists are portrayed in their childhood. fair enough. but flat. really flat.
The initial moment of miscommunication between the two protagonists, which is supposed to serve as a foundation for the rest of the drama, is just one single moment of 'both-are-too-shy- to-speak-out-their-love'. It's just one moment, not very dramatic and way too thin to make them be insecure to each other for the rest of their twenties and thirties. From there they loose me...
Important moments, where drama could be cooking and ambivalent moments and intentions - which are the key element for drama - could be exposed, the writer just jumps over those moments and continues the story with only the consequences of that drama... and leaving me dissatisfied. It gives the film very irrational time-leaps. It's like me looking at my girlfriend saying: ...ehh...what just happened? Did i miss something? Contributing to this feeling is the horrible make-up. At some point the story takes a jump of 5 and guess what? Nobody changed. Literally. a few scenes further the make-up must have thought: 'shit, we forgot something!!' and suddenly, out of the blue, Collins has a few gray hairs behind the ears...
Altogether, this makes the flow of the movie slow and unbelievable. It makes the actors being mere puppets then initiators.
With that comes the very dissatisfying acting of Claflin and his love-affairs, as most of the other extra's. Collins stands alone and stands. She is, as far as i can judge, ready for a strong character drama. Promising lady!!
When the drama starts of we land in a cliché high school, teenage drama with shy kissing and flat expositions of insecureness etc... The two protagonists are portrayed in their childhood. fair enough. but flat. really flat.
The initial moment of miscommunication between the two protagonists, which is supposed to serve as a foundation for the rest of the drama, is just one single moment of 'both-are-too-shy- to-speak-out-their-love'. It's just one moment, not very dramatic and way too thin to make them be insecure to each other for the rest of their twenties and thirties. From there they loose me...
Important moments, where drama could be cooking and ambivalent moments and intentions - which are the key element for drama - could be exposed, the writer just jumps over those moments and continues the story with only the consequences of that drama... and leaving me dissatisfied. It gives the film very irrational time-leaps. It's like me looking at my girlfriend saying: ...ehh...what just happened? Did i miss something? Contributing to this feeling is the horrible make-up. At some point the story takes a jump of 5 and guess what? Nobody changed. Literally. a few scenes further the make-up must have thought: 'shit, we forgot something!!' and suddenly, out of the blue, Collins has a few gray hairs behind the ears...
Altogether, this makes the flow of the movie slow and unbelievable. It makes the actors being mere puppets then initiators.
With that comes the very dissatisfying acting of Claflin and his love-affairs, as most of the other extra's. Collins stands alone and stands. She is, as far as i can judge, ready for a strong character drama. Promising lady!!
- ingmarbeldman-753-927212
- Oct 25, 2015
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Tal vez es para siempre
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $20,431
- Opening weekend US & Canada
- $14,893
- Feb 8, 2015
- Gross worldwide
- $25,574,387
- Runtime1 hour 42 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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