Metacritic reviews

Lee seems less interested in capturing how people of color talk than in capturing how people talk. He coaxes us to step in and listen, and the very casualness of his invitation is the key to the joyousness of The Best Man Holiday, flaws be damned.

The Best Man Holiday goes whole hog on the holiday cheese, and there’s something admirable about an adult feature that doesn’t balk at real feelings, especially around the holidays (sex montages notwithstanding).

The Best Man Holiday is an eggnog that's sticky-sweet and heavy at the same time.

An amusing, well-acted and sharply-timed holiday comedy, old friends getting together to prove that careers, families and kids aside, they’ve still got their R-rated edge, just as they did in college.

The script’s sporadic silliness makes every plot turn questionable; how the talent deftly negotiates such goofiness makes the film near-impossible to resist.

The Best Man Holiday takes advantage of the actors' pre-existing chemistry to add zing to standard tropes of midlife crisis and melodrama.

All of the cast members deliver smooth, capable performances, but this sequel clarifies why Howard has become the biggest star from the original ensemble. (He also gave one of the strongest performances in Lee Daniels’ The Butler this past summer.)

It might be overlong, overstuffed, and occasionally operatic, but that doesn't mean that it can wring the tears out of you.

The cluttered, overlong narrative never really finds its footing.

The sexism isn't quite as noxious as one might find in Tyler Perry's films, but that's as far as the compliments go when it comes to this overextended and deeply crude sermon.