70
Metascore
14 reviews · Provided by Metacritic.com
- 90Los Angeles TimesKenneth TuranLos Angeles TimesKenneth TuranLong Way North is a complete pleasure, a gorgeous piece of wide-screen animation that is as delightful as it is unexpected.
- 80The GuardianLeslie FelperinThe GuardianLeslie FelperinIt’s a proper animation buff’s piece of work, and admittedly a little slow to get its yarn ripping, but mesmerising and moving in the later stretches.
- 80The Hollywood ReporterSheri LindenThe Hollywood ReporterSheri LindenYou don’t have to be an animation buff to appreciate the chances this stirring saga takes.
- 70Village VoiceRob StaegerVillage VoiceRob StaegerWhere most post-Shrek animated films are manic and all too eager to please, Rémi Chayé's deliberately paced Long Way North tells its story with clarity and an urgent calm.
- 70The New York TimesNeil GenzlingerThe New York TimesNeil GenzlingerThe frosty landscapes have a subtle beauty, pale and sometimes shrouded in mist, giving the film a very different look from what often comes out of the big studios — somber, which is appropriate to the story.
- 63Slant MagazineKeith WatsonSlant MagazineKeith WatsonEven if Long Way North's narrative makes for a bland frame, there’s no denying the beauty of the picture it holds.
- 63RogerEbert.comNick AllenRogerEbert.comNick AllenLong Way North is a different vision, using clear-defined colors, shapes and shadows for hand-drawn beauty, giving the film a bold, intricately-cut-construction-paper look. Especially as the characters are surrounded by ice and cold, the stark white images prove simple yet expressive.
- If the storytelling and English-language voice work are a bit functional, the visuals dazzle.
- 60TheWrapClaudia PuigTheWrapClaudia PuigLovely visuals are key for the success of any animated film, arguably more so even than for live-action movies. But a compelling story is also essential, and that’s where “Long Way North” trips up.
- 40Time Out LondonTom HuddlestonTime Out LondonTom HuddlestonThe visual style here is pleasingly simple, with round, Moomin-ish faces and washes of icy pastel colour. But the story is pretty flat, spending ages setting up a rivalry between aristocrats that turns out to have no bearing on the story at all.