The story of Oscar Grant III, a 22-year-old Bay Area resident, who crosses paths with friends, enemies, family, and strangers on the last day of 2008.The story of Oscar Grant III, a 22-year-old Bay Area resident, who crosses paths with friends, enemies, family, and strangers on the last day of 2008.The story of Oscar Grant III, a 22-year-old Bay Area resident, who crosses paths with friends, enemies, family, and strangers on the last day of 2008.
- Awards
- 36 wins & 58 nominations
Marjorie Crump-Shears
- Grandma Bonnie
- (as Marjorie Shears)
Bianca Rodriguez III
- Vanessa
- (as Bianca Rodriguez)
Kenny Grimm
- Jason
- (as Kenny Griffin)
Tommy Wright
- Tim
- (as Thomas Wright)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAfter funding fell through, Octavia Spencer offered to forgo her salary to help Ryan Coogler keep to his budget.
- GoofsWhen Oscar's mother visits him in prison, the text on-screen reads "New Year's 2007." Oscar mentions seeing WALL·E (2008) with his daughter. That film was released in June 2008.
- Quotes
Oscar Grant: You shot me. I got a daughter...
- ConnectionsFeatured in Maltin on Movies: Pacific Rim (2013)
Featured review
I don't usually bother writing reviews, but this is a good little film that I feel has been unfairly maligned by a few uninformed reviewers here, so I'll add my two cents:
Fruitvale Station is a solid film, well paced and edited, with a strong lead performance by Michael B. Jordan and some standout work by Octavia Spencer. The sound design is particularly noteworthy. The cinema verite camera-work (No, "M. Brand," the visual style here was a choice; well made student films, even cheap ones, generally look better than this) left me underwhelmed for most of the film (and honestly, the mistimed focus pulls were pretty distracting) but paid off big time in the Fruitvale sequence. There the cinematography, editing, sound design, and score combined to create the most gripping ten minutes of film I've seen in a year. I'd recommend Fruitvale on the strength of this sequence alone.
Ryan Coogler admittedly takes some dramatic license with the story. Some of it (the Katie character) works, some (the bit with the dog) comes off heavy-handed. None of it gave me any reason to question the film's "fidelity" to the facts. The unfettered access to Oscar's family, legal documents from the criminal and civil case (including all the video taken on the scene), and the tacit approval of BART (They were allowed to film on the actual BART platform and in their cars!) gives me no reason to believe this film takes any more narrative license with the facts of the Fruitvale incident than many documentaries would.
The film is not perfect. Some of the performances are subpar, some of the improvised dialogue bumps, and the day-in-the-life conceit, while not ignoring Oscar's spotty past, does paint him in an unrealistically rosy light. But by and large this is a moving, gripping, at times infuriating film that will stick with you after the credits roll. Congratulations to Coogler and his team.
**As for the troll who called this film "socially irresponsible," your opinion and the reasoning behind it are so abhorrent I struggle to imagine any person, no matter how ignorant or loathsome they might be, taking you seriously.
Fruitvale Station is a solid film, well paced and edited, with a strong lead performance by Michael B. Jordan and some standout work by Octavia Spencer. The sound design is particularly noteworthy. The cinema verite camera-work (No, "M. Brand," the visual style here was a choice; well made student films, even cheap ones, generally look better than this) left me underwhelmed for most of the film (and honestly, the mistimed focus pulls were pretty distracting) but paid off big time in the Fruitvale sequence. There the cinematography, editing, sound design, and score combined to create the most gripping ten minutes of film I've seen in a year. I'd recommend Fruitvale on the strength of this sequence alone.
Ryan Coogler admittedly takes some dramatic license with the story. Some of it (the Katie character) works, some (the bit with the dog) comes off heavy-handed. None of it gave me any reason to question the film's "fidelity" to the facts. The unfettered access to Oscar's family, legal documents from the criminal and civil case (including all the video taken on the scene), and the tacit approval of BART (They were allowed to film on the actual BART platform and in their cars!) gives me no reason to believe this film takes any more narrative license with the facts of the Fruitvale incident than many documentaries would.
The film is not perfect. Some of the performances are subpar, some of the improvised dialogue bumps, and the day-in-the-life conceit, while not ignoring Oscar's spotty past, does paint him in an unrealistically rosy light. But by and large this is a moving, gripping, at times infuriating film that will stick with you after the credits roll. Congratulations to Coogler and his team.
**As for the troll who called this film "socially irresponsible," your opinion and the reasoning behind it are so abhorrent I struggle to imagine any person, no matter how ignorant or loathsome they might be, taking you seriously.
- harris1078
- Jun 28, 2013
- Permalink
- How long is Fruitvale Station?Powered by Alexa
Details
Box office
- Budget
- $900,000 (estimated)
- Gross US & Canada
- $16,101,339
- Opening weekend US & Canada
- $386,291
- Jul 14, 2013
- Gross worldwide
- $17,385,830
- Runtime1 hour 25 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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