Directed by
Writing Credits (in alphabetical order)
| Gabriela Amaral | ||
| Guy Debord | ... | (text) (segment "Pietro Marcello") |
| Haile Gerima | ... | (segment) (segment "Haile Gerima") |
| Nathalia Guinet | ... | (collaborating writer) |
| Monte Hellman | ... | (segment) (segment ": "Vive L'Amour") |
| Shekhar Kapur | ... | (segment) (segment "Shekhar Kapur") |
| Milcho Manchevski | ... | (segment) (segment ": "Thursday") |
| Hong Sang-soo | ... | (written by) (segment "50") |
Cast
Produced by
| Michael Cody | ... | producer |
| Cecilia Garizoain | ... | assistant producer |
| Haile Gerima | ... | producer (segment "Haile Gerima") |
| Nariman Hamed | ... | producer |
| Melissa Hellman | ... | producer (segment ": "Vive L'Amour") |
| Semih Kaplanoglu | ... | producer (segment "Devran") |
| Shekhar Kapur | ... | producer (segment "Shekhar Kapur") |
| Mihir Lath | ... | executive producer (segment "Shekhar Kapur") |
| Leandro Marini | ... | producer (segment "Vive L'Amour") |
| Nikos Smpiliris | ... | assistant producer |
| Laura Terruso | ... | producer (segment ": "3013") |
| Christopher Zitterbart | ... | producer |
Music by
| Valerio Camporini Faggioni | ... | (segment "Untitled") (as Valerio C. Faggioni) |
Cinematography by
| Kristoffer Carrillo | ... | (segment ": "Vive L'Amour") |
| Jure Cernec | ... | (segment ": "I Was a Child") |
| Federico Cesca | ... | (segment "3013") |
| Vincenzo Condorelli | ... | (segment "L'ultimo leone") |
| Ali Olcay Gözkaya | ... | (as Ali Olay Gözkaya) (cinematography by) |
| Tobias Hochstein | ... | segment cinematographer |
| Eunah Lee | ... | (segment "Thursday") (as Eun-ah Lee) |
| Pietro Marcello | ... | (segment "Pietro Marcello") |
| M. Abdülgafur Sahin | ... | (segment "Devran") |
| Bakul Sharma | ... | (segment "Shekhar Kapur") |
| Monica Stambrini | ... | (segment "Scarpette rosse") |
| Bradford Young | ... | (segment "Haile Gerima") |
Editing by
| Paolo Cottignola | ... | (segment "la moviola") |
| Santiago Esteves | ||
| Sara Fgaier | ... | (segments "L'ultimo leone", "Pietro Marcello") |
| Nariman Hamed | ||
| Jon Kadocsa | ||
| Jacopo Quadri | ... | (segment "Scarpette rosse") |
| Krystian Ramlogan | ... | (segment "Haile Gerima") |
| Federica Ravera | ... | (segment "la moviola") |
| Graham Taylor | ||
Casting By
| Dixie Chassay | ||
Production Design by
| Cesare Inzerillo | ... | (segment "L'ultimo leone") |
| Arad Sawat | ... | (segment "The End") |
Costume Design by
| Cesare Inzerillo | ... | (segment "L'ultimo leone") |
| Vassilia Rozana | ... | (segment "''24 Frames per Century") (as Vasileia Rozana) |
Makeup Department
| Daniel Babek | ... | hair stylist (segment "''24 Frames per Century") |
| Alenka Nahtigal | ... | makeup artist (segment ": : "I Was a Child") |
Production Management
| Martín Emanuel Kleiman | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Fabrizio Cattani | ... | assistant director (segment "La moviola") |
| Francesco Guttuso | ... | first assistant director (segment "L'ultimo leone") |
| Giuliano La Franca | ... | second assistant director (segment "L'ultimo leone") |
| Tommaso Maresco | ... | second assistant director (segment "L'ultimo leone") |
| Florencia Scarano | ... | assistant director |
Sound Department
| François Abdelnour | ... | boom operator (segment ": "Catherine Breillat") |
| Daniela Bassani | ... | sound editor (segment "Scarpette rosse") |
| Ambessa Jir Berhe | ... | sound recordist (segment "Haile Gerima") |
| Luca Bertolin | ... | sound (segment "L'ultimo leone") |
| Alex Claude | ... | sound designer (segment "The End") |
| Piergiuseppe Fancellu | ... | sound mixer |
| Stefano Grosso | ... | foley artist (segment "Scarpette rosse") |
| Jon Kadocsa | ... | sound |
| Francesco Liotard | ... | sound (segment "La moviola") |
| Federico Maresco | ... | boom operator (segment "L'ultimo leone") |
| Leandros Ntounis | ... | sound designer (segments "24 Frames per Century", "Necktie") (as Leandros Dounis) |
| Giancarlo Rutigliano | ... | sound mixer (segment "Scarpette rosse") |
| Marco Saitta | ... | re-recording mixer (segment ": "Transumanza") / sound editor (segment ": "Transumanza") |
| Edson Secco | ... | re-recording mixer / sound designer (segment "Vaticano") |
| Riccardo Spagnol | ... | sound editor (segment "Pietro Marcello") |
| María Fernanda Sáenz | ... | sound editor (segment "Celina Murga") |
Visual Effects by
| Antonis Kotzias | ... | visual effects supervisor |
Camera and Electrical Department
| Bernardo Giannone | ... | electrician (segment "L'ultimo leone") |
| T.L. Lankford | ... | second assistant camera (segment "Vive L'Amour") |
| Andrew Marsden | ... | camera trainee: Necktie |
Editorial Department
| Marco Amaral | ... | colorist |
| Fabrizio Federico | ... | post-production (segment "L'ultimo leone" and Pietro Marcello") |
| Elia Fofi | ... | assistant editor (segment "Pietro Marcello") |
| Nicolò Tettamanti | ... | assistant editor (segment "Scarpette rosse") |
Music Department
| Edson Secco | ... | composer: theme music (segment "Vaticano") |
Script and Continuity Department
| Ioanna Tsoucala | ... | script supervisor (segment "24 Frames per Century") |
Additional Crew
| Ashitey Akomfrah | ... | production coordinator (segment ": "Three Degrees of Proximity to the Diaster") |
| Eddie Chebbi | ... | production coordinator |
| Sara Fgaier | ... | archival research (segment "Pietro Marcello") |
