Faye Dunaway reflects on her life and candidly discusses the triumphs and challenges of her illustrious career.Faye Dunaway reflects on her life and candidly discusses the triumphs and challenges of her illustrious career.Faye Dunaway reflects on her life and candidly discusses the triumphs and challenges of her illustrious career.
- Awards
- 2 nominations
Liam O'Neill
- Self - Son of Faye and Terry O'Neill
- (as Liam Dunaway O'Neill)
Dave Itzkoff
- Self - Author, Mad as Hell
- (as David Itzkoff)
Storyline
Did you know
- Quotes
Self - Director, Network: I had said to Faye, when I first met her, "I know what the first question is gonna be from you
[about her character in]
Self - Director, Network: [link=tt0074958] ] , and that you're gonna ask me, where is her vulnerability? And I'm gonna tell you right now, she has none. And if you try to get any in
[laughs]
Self - Director, Network: , I'll cut it out of the movie."
- ConnectionsFeatures A Streetcar Named Desire (1951)
Featured review
Faye Dunaway is a true movie star. I thought that when she exploded onscreen in "Bonnie and Clyde" in 1967, and still think that now 57 years later at age 83. Director Laurent Bouzereau covers both ends of her career spectrum and makes a valid attempt to uncover Dunaway's austere persona and explore the person underneath in this 2024 documentary. The problem though is that he doesn't do enough to counterbalance the personal revelations with her impressive career accomplishments, at least in ways that help us understand how she achieved such legendary work beyond a generalized level of commitment. For instance, it would've been good to hear Dunaway's side of Bette Davis' vitriolic comment about her on The Tonight Show rather than showing it as evidence of her difficult reputation. Instead we get clips that illustrate anecdotes about the filming process behind a classic like "Chinatown" (my favorite of her performances): a stray hair plucked by director Roman Polanski, the classic revelation scene with costar Jack Nicholson. The contrasting remembrances of her castmates on "Mommie Dearest" best illustrate the extreme opinions on Dunaway's uncompromising approach to character. The personal revelations are plentiful though sometimes cursory: her bipolar disorder and alcoholism (which explains several infamous episodes), the secrecy of her son Liam's adoption, various high-profile relationships with the likes of Marcello Mastroianni. Her cosmetic surgeries are unsurprisingly not mentioned, but the changes in her appearance are hard to ignore. Bouzereau illustrates that Dunaway was overdue for a bio documentary. I think an extra half-hour focused on her work beyond the film's ninety-minute running time would've improved it substantially.
Details
- Runtime1 hour 31 minutes
- Color
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