4 reviews
Weird... creepy... but good... but freaked me out a little... but I did drop as tear... heavy... excellently done...whew.
- Antrah0323
- Oct 9, 2021
- Permalink
In Episode 11 of The Good Doctor, titled "Islands: Part One," the show explores the profound impact of personal decisions on professional lives. The episode opens with Dr. Shaun Murphy deciding to take an impromptu road trip with his friend Lea, leaving the hospital and his responsibilities behind for the first time. This decision shocks his colleagues, particularly Dr. Aaron Glassman, who is concerned about the potential consequences of Shaun's sudden departure. Meanwhile, back at the hospital, the team faces a challenging case involving conjoined twins who must undergo a risky separation surgery.
This episode marks a significant turning point for Shaun, as he begins to explore life outside the confines of the hospital and the rigid routines that have defined his existence. Freddie Highmore delivers an exceptional performance, portraying Shaun's excitement and anxiety as he experiences new things for the first time. The chemistry between Highmore and Paige Spara, who plays Lea, is palpable, adding depth to their friendship and hinting at a possible romantic connection. The direction by Bill D'Elia is sensitive to the nuances of Shaun's journey, using wide shots to capture the freedom he feels on the open road, contrasting sharply with the sterile, confined spaces of the hospital.
The script by Thomas L. Moran effectively balances Shaun's personal journey with the high-stakes medical drama unfolding at the hospital. The conjoined twins' case is both medically complex and emotionally charged, as the surgeons must navigate the ethical dilemmas of separating the twins while preserving their quality of life. The pacing of the episode is well-handled, alternating between the intensity of the surgery and the quieter, more introspective moments of Shaun's road trip.
One of the standout scenes in this episode occurs when Shaun and Lea visit an abandoned warehouse, where Shaun experiences true freedom and joy, dancing to loud music in a way he never could in his structured life. This scene is beautifully shot, with dynamic camera movements and vibrant lighting that capture the euphoria of the moment. It's a rare glimpse into Shaun's ability to find happiness outside of his work, adding layers to his character that have not been explored before.
However, the episode is not without its shortcomings. The cliffhanger ending, which leaves viewers in suspense about the outcome of the twins' surgery and Shaun's future, feels somewhat abrupt, with the episode's various storylines left dangling in midair. Additionally, while the road trip subplot is engaging, it momentarily detracts from the medical drama that has been the series' cornerstone, making it feel somewhat disconnected from the main narrative.
Overall, "Islands: Part One" is a compelling episode that deepens the exploration of Shaun's character while maintaining the show's trademark medical drama. The episode's focus on personal growth, coupled with a complex medical case, makes it a standout installment that sets the stage for an emotionally charged continuation.
This episode marks a significant turning point for Shaun, as he begins to explore life outside the confines of the hospital and the rigid routines that have defined his existence. Freddie Highmore delivers an exceptional performance, portraying Shaun's excitement and anxiety as he experiences new things for the first time. The chemistry between Highmore and Paige Spara, who plays Lea, is palpable, adding depth to their friendship and hinting at a possible romantic connection. The direction by Bill D'Elia is sensitive to the nuances of Shaun's journey, using wide shots to capture the freedom he feels on the open road, contrasting sharply with the sterile, confined spaces of the hospital.
The script by Thomas L. Moran effectively balances Shaun's personal journey with the high-stakes medical drama unfolding at the hospital. The conjoined twins' case is both medically complex and emotionally charged, as the surgeons must navigate the ethical dilemmas of separating the twins while preserving their quality of life. The pacing of the episode is well-handled, alternating between the intensity of the surgery and the quieter, more introspective moments of Shaun's road trip.
One of the standout scenes in this episode occurs when Shaun and Lea visit an abandoned warehouse, where Shaun experiences true freedom and joy, dancing to loud music in a way he never could in his structured life. This scene is beautifully shot, with dynamic camera movements and vibrant lighting that capture the euphoria of the moment. It's a rare glimpse into Shaun's ability to find happiness outside of his work, adding layers to his character that have not been explored before.
However, the episode is not without its shortcomings. The cliffhanger ending, which leaves viewers in suspense about the outcome of the twins' surgery and Shaun's future, feels somewhat abrupt, with the episode's various storylines left dangling in midair. Additionally, while the road trip subplot is engaging, it momentarily detracts from the medical drama that has been the series' cornerstone, making it feel somewhat disconnected from the main narrative.
Overall, "Islands: Part One" is a compelling episode that deepens the exploration of Shaun's character while maintaining the show's trademark medical drama. The episode's focus on personal growth, coupled with a complex medical case, makes it a standout installment that sets the stage for an emotionally charged continuation.
- fernandoschiavi
- Aug 24, 2024
- Permalink
- panagiotis1993
- Feb 24, 2024
- Permalink
In this "on the road" episode, unbearably cheerful Lea drags Shaun around and teaches him how to have fun in life.
Nothing wrong with that, except that Lea is over-cheerful... like cheerful on drugs and liquor, even before drinking.
A perennial smile is stamped to her pretty vacant face, because Lea is totally self-centered and unaware of what goes on around her, such as Shaun 's condition (wildly underplayed) and his professional obligations.
The cherry on the cake is the compulsory statement made by any such characters that they "don't care about the money, they just want to do what they love". Coming from the most materialistic country on Earth, that statement sound like SciFi.
Nothing wrong with that, except that Lea is over-cheerful... like cheerful on drugs and liquor, even before drinking.
A perennial smile is stamped to her pretty vacant face, because Lea is totally self-centered and unaware of what goes on around her, such as Shaun 's condition (wildly underplayed) and his professional obligations.
The cherry on the cake is the compulsory statement made by any such characters that they "don't care about the money, they just want to do what they love". Coming from the most materialistic country on Earth, that statement sound like SciFi.