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Saint Rose is a Lebanese short film that tells the story of the titular character who is preparing for her daughter’s engagement ceremony. But with each passing moment, it becomes clear that her abusive husband isn’t content with the arrangements for reasons only known to him. Unable to deal with this situation, she seeks shelter in her bathroom where she smokes away her sorrows. The only person in the palatial house is the Kenyan housekeeper, Becky, who shares her bottle of vodka with her so that they can numb themselves to the pain they’ve to endure. I sat down for a virtual chat with director Zayn Alexandre about Saint Rose, what compelled him to tell this story, and why patriarchal norms are on the rise again.

What’s the story behind the title of the film, Saint Rose?

Anyone who quietly endures for the sake of their...

Exclusive: Vertical has acquired North American rights to the neo-noir The Long Game, based on the acclaimed short story by New York Times bestselling author Janet Fitch (White Oleander), slating it for release in theaters and on demand in 2025.

Marking the directorial debut of Jace Anderson, who wrote the script with husband Adam Gierasch, The Long Game sees Oscar nom Kathleen Turner return to the genre in which she burst upon the scene with Body Heat, alongside Oscar nominee Jackie Earle Haley (Little Children), and newcomer Sekai Abenì.

Abenì plays Holly Sloan, who needs a break. When she meets and falls for grifter Richard Metzger (Haley), it’s not quite love at first sight, but perhaps an opportunity to help her career. And all Holly has to do is pull a little con on ’80s starlet Mariah McKay (Turner), a rich recluse who has faded into a Norma Desmond-like obscurity.

The New York-based distributor Bleecker Street is ten years old – and affirmed its ongoing commitment to films for “grown-ups”.

At ten years old, and with more than 70 films under its belt, the American distributor Bleecker Street has backed a whole host of films that others may not have put the same heft and care behind.

In its first few years, it was involved with the likes of Eye In The Sky, Captain Fantastic, The Lost City Of Z and Beasts Of No Nation. And in more recent times, it’s brought films such as Mass, The Assistant and Breaking to the screen. On the surface, it’s looking tougher and tougher to get the films it’s backing to break through at the box office, but thankfully, that’s not stopping the Bleecker Street team from trying.

In a new interview at Variety, Kent Sanderson (president of the company), Andrew Karpen...

Exclusive: Oscar-nominated singer-songwriter Björk previewed her manifesto from her new movie Cornucopia at Climate Week today.

The 16x Grammy nominee and Cannes Film Festival-winning actress is the creative director on the feature which is in post. The Cornucopia concert was filmed live in Lisbon, Portugal, and it illustrates the singer’s activism to address the climate crisis. Most recently, she collaborated with Rosalía on a song titled “Oral” and dedicated 100% of the proceeds to fund a series of legal actions aimed at combating intensive farm fishing. Level Forward shared the news today at their Soho House More to Talk About Residency.

Cornucopia is produced by Snowstorm, S101, Level Forward and Foobar.

The singer told Deadline, in her own words the following about the project:

“it is an emergency

in order to survive as a species we need to define our utopia

the Paris climate accord is a modern utopia impossible...

Palme d’Or winning director Ruben Östlund’s next film The Entertainment System Is Down has been awarded €500,000 in production support from Berlin-Brandenburg’s regional film fund.

It is one of 30 feature films and series projects, from directors such as David Wnendt and Ulrike Ottinger, to share more than €7.2m in Medienboard Berlin-Brandenburg (Mbb)’s latest funding round.

Phlippe Bober’s Berlin-based Essential Filmproduktion received the €500,000 for Östlund’s second English-language production The Entertainment System Is Down, starring Daniel Brühl, Kirsten Dunst and Keanu Reeves. The long gestating project is set on a long-haul flight whose inflight entertainment system breaks down.

If you’re going to remake a classic Stephen King adaptation, you’d better do it right. Nobody’s ever topped Brian De Palma’s original “Carrie,” no matter how hard they tried. “It: Chapter One” knocked it out of the park, but “It: Chapter Two” brought it back into the park and poured manure on it, so they more-or-less cancel each other out. The TV mini-series remake of “The Shining” isn’t as bad as everyone remembers, but let’s not go nuts. It’s pretty grim when the 2019 version of “Pet Sematary” is your gold standard, since quality-wise even that’s just a lateral move.

Gary Dauberman’s remake of “Salem’s Lot,” however, raises the bar. It may be the only Stephen King remake that gets it right. Tobe Hooper’s classic mini-series adaptation from 1979 is still scary, and it’s a heck of a lot more insidious than Dauberman’s,...

"There's something wrong with these people..." Paramount+ has revealed an official trailer for new horror thriller titled Apartment 7A, the official or sort of unofficial prequel to Rosemary's Baby. This detail is barely mentioned in the marketing, though it is adapted from the same book that the classic 1968 horror movie is based on as well. The highly anticipated prequel will debut at this year's Fantastic Fest. Set in 1965 New York City, the film tells the story prior to the legendary horror classic Rosemary's Baby, exploring what happened in the infamous Bramford building before Rosemary moved in. Julia Garner stars as Terry Gionoffrio, joined by Dianne Wiest, Jim Sturgess, and Kevin McNally, plus Marli Siu, Andrew Buchan, Rosy McEwen, and Kobna Holdbrook-Smith. As much as a horror prequel like this should be a bigger deal, sadly this one is getting a direct-to-streaming debut because it seems like direct-to-video quality. Not the...

Julia Garner’s new home is not quite what she expected in the first trailer for Paramount+’s Rosemary’s Baby prequel feature, Apartment 7A.

The psychological horror movie from director Natalie Erika James hits the streaming service and digital VOD on Sept. 27. The cast includes Dianne Wiest, Kevin McNally, Jim Sturgess, Marli Siu, Andrew Buchan, Rosy McEwen and Kobna Holdbrook-Smith.

Apartment 7A focuses on Terry Gionoffrio (Garner), an aspiring dancer in New York City who suffers an injury and moves into a luxury apartment building called the Bramford with an affluent couple (Wiest and McNally). After a Broadway producer (Sturgess) offers her a path to fame, Terry has an evening she can’t quite remember and suspects that something evil inhabits her apartment and the building itself.

“There’s something wrong with these people,” Garner says ominously in the trailer that shows her character’s concerns mounting.

James (Relic...

Tubi, Fox’s free streaming service, has announced its list of September titles. The Tubi September 2024 slate features new Tubi Originals and numerous action, art house, Black cinema, comedy, documentary, drama, horror, kids and family, romance, sci-fi and fantasy, thriller, and Western titles.

As a leading ad-supported video-on-demand service, the company engages diverse audiences through a personalized experience and the world’s largest content library: over 200,000 movies and TV episodes, a growing collection of Tubi Originals, and nearly 250 Fast channels.

You can watch the Tubi September 2024 lineup for free on Android and iOS mobile devices, Amazon Echo Show, Google Nest Hub Max, Comcast Xfinity X1, and Cox Contour.

You can also watch the service on connected television devices such as Amazon Fire TV, Vizio TVs, Sony TVs, Samsung TVs, Roku, Apple TV, Chromecast, Android TV, PlayStation 5, Xbox Series X|S, and on the Tubi site.

Tubi Originals

Action

Hazard – 9/6

Noah really loves his girlfriend,...

Good One is a movie that should be seen in a theater. Not because of its grand scale; it’s actually very modest in that way. The reason writer/director India Donaldson’s debut feature needs to be absorbed in the most immersive environment possible is that it hinges on...

Three German regional film funds - Film- und Medienstiftung Nrw, Fff Bayern and Hessen Film & Medien - have allocated more than €12m to new film and TV series projects in their latest funding sessions.

The fifth and final season of Babylon Berlin, scheduled to start production this autumn, received the largest sum of €2m from the funding committee of Düsseldorf-based Film- und Medienstiftung Nrw.

In total, the fund distributed €5.3m to 12 projects including Coin Film’s production of writer-director Jutta Brückner’s drama The Assistant, starring Corinna Harfouch and Sandra Hüller; Heimatfilm and Amour Fou’s co-production of Ulrike Ottinger...

Sundance’s Kim Yutani, and Directors’ Fortnight’s Gabriella Trujillo, along with execs from sales companies. including mK2, Coproduction Office, Reel Suspects and Be For Films will be among the industry execs taking part in Polish Days, the industry platform of the New Horizons International Film Festival, taking place in Wroclaw from July 21-23.

The event will showcase new films by Polish directors Aga Woszczyńska, Lukasz Ronduda and Damian Kocur.

Additionally, there will be closed screenings of four completed Polish films.

They are Jan P. Matuszyński’s Minghun, starring Marcin Dorocinski and Daxing Zhang shot in Polish, English and Chinese...

Portrait Of A Lady On FireImage: Neon

Hulu, like all streaming services, adds and loses titles every month. If you see something that you want to stream, don’t assume that it will still be there two weeks or two months later when you get around to it. That show...

There are several similarities between the Catholic Church and the film industry. Among them is a tendency to let powerful people get away with unconscionable behavior. In that insidious overlap, director Joshua John Miller finds the heart of “The Exorcism,” an ambitious social commentary that commingles Hollywood’s penchant for wrongdoing with the abuses of the Vatican for a unique portrait of an actor unraveled.

On the one hand, it’s a mediocre genre movie with a title as mundane as it is misleading. On the other hand, even as a muddy character study making only the weakest attempts to scare, “The Exorcis-m” is still a bigger treat for fans of “The Exorcis-t” than its recent flop sequel, “The Exorcist: Believer.”

Why? In a year that’s already seen two major horror movies competing for the title of Best Virgin Nun to Give Birth to the Antichrist, Miller and co-writer...

Exclusive: Carmelyn P. Malalis has been appointed as the first Head of Impact at the production company and financier Level Forward, Deadline has learned, bringing with her three decades’ experience working to advance civil and human rights.

Appointed as a member of Level Forward’s Impact Advisory Group in 2023, Malalis will now oversee all aspects of the company’s impact work including impact partnerships, activations, programming and learning workshops, impact measurement, and the Level Forward Impact Advisory Group. She reports to Adrienne Becker, Level Forward’s CEO.

Malalis is the former Chair and Commissioner of the New York City Commission on Human Rights, the agency tasked with combating discrimination and harassment in employment, housing, and public accommodations in New York City. During her tenure, the NYC Human Rights Law was amended over 20 times to expand protections in the City, and the Commission was known for its aggressive law enforcement; creative...

“Satan is his father and his name is Adrian!” shouts the coven leader Roman Castevet at the end of 1968’s. Rosemary’s Baby. “He shall overthrow the mighty and lay waste their temples. He shall redeem the despised and wreak vengeance in the name of the burned and the tortured.”

Even when making allowances for Roman’s (Sidney Blackmer) understandable delight at seeing his plan come to fruition, that’s a lot of expectation to put on a newborn, no matter who his father might be. Unfortunately, the sequels chronicling Adrian’s rise to power didn’t quite live up to those expectations. Neither the 1976 TV movie Look What’s Happened to Rosemary’s Baby, in which Patty Duke subs in for Mia Farrow, nor original author Ira Levin’s follow-up book Son of Rosemary (1997) manages to deliver what Roman promised.

But for the next film branching out of Rosemary’s Baby,...

Few horror movies in the last several decades have left quite as much a psychological scar as "Rosemary's Baby" from 1968, a widespread cultural obsession among genre fans that has now led to a prequel film called "Apartment 7A," which has long been in the works and finally has a release window.

We first heard about "Apartment 7A" back in 2022, which was meant to tell the story of the eponymous apartment before Rosemary Woodhouse ever moved in and experienced the story's awful events. First told in author Ira Levin's best-selling novel, the main setting of that old, eerie-looking building on Central Park West ranks high among the likes of the Overlook Hotel from "The Shining," the Nostromo in "Alien," and other famous horror locales. Now, we're finally getting an origin story -- of sorts -- with ties going all the way back to the controversial Roman Polanski-directed classic.

Today,...

Three-time Emmy winner Julia Garner is boarding New Line’s Weapons opposite Josh Brolin. The pic comes from writer-director Zach Cregger. who made the 2022 New Regency horror film Barbarian.

Barbarian, released via 20th Century Studios, opened at No. 1 after pulling in a 93% Rotten Tomatoes critics score. The pic grossed 10 times its production budget of $4.5 million totaling more than $45M worldwide.

Garner won three Supporting Actress Drama Emmys for her turn as Ruth Langmore in the Netflix series Ozark. She is currently in production opposite Christopher Abbott on Blumhouse/Universal’s Wolf Man from filmmaker Leigh Whannell. Garner also stars in Paramount’s upcoming psychological thriller Apartment 7A.

Deadline recently scooped that she was joining the cast of Marvel Studios’ Fantastic Four as the iconic comic book character Silver Surfer opposite Pedro Pascal, Vanessa Kirby, Joseph Quinn and Ebon Moss-Bachrach.

Her other feature credits count Bleecker Street’s The Assistant, Neon...

On its 10th Anniversary, independent film studio Bleecker Street is celebrating its past while looking towards its future. Huzzah! Woohoo! The vibrant film distributor company has revealed a video to celebrate their 10th anniversary, featuring a look at their upcoming 2024 slate. Bleecker Street was formed in August 2014 by CEO Andrew Karpen, who is the former co-ceo of Focus Features. His new company is based in New York City and it was named after 65 Bleecker Street, the street address of Karpen's other company Focus Features. This brand new studio was established with the goal to distribute "smart house" films that combine the entertainment of studio blockbusters with the artistic indie allure. Even if you don't know them by name, you definitely know some of the films they've released over the last 10 years: I'll See You In My Dreams, Arctic, The Art of Self-Defense, Logan Lucky, Eye in the Sky, Leave No Trace,...

“Rumours” is on the way. In celebration of its 10th anniversary, Bleecker Street, the indie film studio, has released a new highlight sizzle reel emphasizing their greatest hits film accomplishments and a tease of what’s to come with never-before-seen footage. Some of Bleecker Street’s most notable titles include Steven Soderbergh’s “Logan Lucky,” “Eye in the Sky,” “Kitty Green’s “The Assistant,” Debra Granik’s “Leave No Trace” and “Captain Fantastic” (which earned Viggo Mortensen a Best Actor Oscar nomination), and many more, but it’s the upcoming titles that are the most compelling.

Continue reading Bleecker Street Gives First Look At Guy Maddin’s ‘Rumours’ With Cate Blanchett & Alicia Vikander & More Upcoming Titles at The Playlist.

Exclusive: In celebration of its 10th anniversary, Bleecker Street has unveiled a reel showcasing both where the company has been and where it’s headed, unveiling never-before-seen footage from numerous upcoming titles.

Titles nearest on the horizon that are teased include Nathan and David Zellner’s acclaimed Sundance pic Sasquatch Sunset, starring Jesse Eisenberg and Riley Keough, which opens in select theaters April 12, and Tony Goldwyn’s family dramedy Ezra, out May 31. Others include Julia von Heinz’s Treasure (June 14), starring Lena Dunham and Stephen Fry; Jocelyn Moorhouse’s comedy The Fabulous Four (July 26), starring Susan Sarandon, Bette Midler, Megan Mullally and Sheryl Lee Ralph; Mikael Håfström’s sci-fi pic Slingshot (August 23), starring Casey Affleck, Laurence Fishbourne and Emily Beecham; and Mike Leigh’s Hard Truths (October 18), starring Marianne Jean-Baptiste.

Then, there’s Uberto Pasolini’s The Return, starring Ralph Fiennes, Juliette Binoche and Charlie Plummer, and the film Rumours with Cate Blanchett,...

Fly Me To The Moon Guide. (Photo Credit – IMDb)

Scarlett Johansson and Channing Tatum have teamed up for a romantic comedy-drama film, Fly Me to the Moon. The film’s trailer just hit the social media platforms. The Apple Originals film is set to hit the screens within a few days, but before the film’s release, here is everything you need to know about the upcoming movie.

Cast –

The movie has brought together the fresh pairing of Scarlett Johansson and Channing Tatum. Besides them, the film will also feature Nick Dillenburg (Orange Is The New Black fame), Superstore star Anna Garcia, Jim Rash, best known for NBC sitcom Community, Noah Robbins of The Assistant fame, and I Love America star Colin Woodell.

Also, Shameless actor Christian Zuber, Donald Elise Watkins of Emergency fame, Primetime Emmy Winner Ray Romano, and Woody Harrelson will also be in the film as the supporting cast.

Ozark actor Julia Garner has reportedly signed a deal to play Silver Surfer in Matt Shakman’s take on Marvel’s Fantastic Four.

For a long time, there were lots of questions about which four actors would be lined up to fill the iconic blue onesies worn by the Fantastic Four, Marvel’s family of superheroes due to make their MCU debut next summer. Matt Shakman, the mind behind Marvel Studios’ WandaVision is directing the project, which might just relaunch the MCU as ‘must watch’ moviegoing following two or three years where over-saturation and questionable levels of quality control have seen the films and TV shows dip in popularity.

Back in February that casting would be confirmed and much like the studio’s choice of director, there was a feeling of real promise regarding the actors that had been selected to embody one of Marvel’s most iconic set of characters.

Matt Shakman’s The Fantastic Four is reported to have hired Ozark star Julia Garner in the film. The film already has an ensemble cast in the form of Pedro Pascal, Vanessa Kirby, Joseph Quinn, and Ebon-Moss Bachrach. It will be the first depiction of the characters in the MCU and is rumored to be set in an alternate reality. The characters have had two iterations before.

Julia Garner has been cast as the Silver Surfer in the upcoming film, which seemingly has not gone down well with fans. Though it is speculated that she would be playing the role of Shalla-Bal, a female version of the supervillain in another reality, fans seem to be extremely upset with the gender-swapped role and criticized Marvel for the move.

Julia Garner To Play Silver Surfer In The Fantastic Four A still from the MCU’s The Fantastic Four

The popular Marvel characters...

After seemingly eons of rumours, Marvel recently finally unveiled its official cast for the new, MCU take on the Fantastic Four. And now we know who will be joining leads Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach and Joseph Quinn in the cast. That person is Julia Garner, who will bring the Silver Surfer to life.

"But Empire," we hear some of you prepared to argue, "I think you'll find the Silver Surfer is Norrin Radd, as portrayed by Doug Jones in the 2007 Rise Of The Silver Surfer film." And you would be right… from a certain point of view. But comic book variants are many and, well, varied, and there is a character named Shalla-Bal, a woman who was a love interest for Radd, and ended up taking over the mantle of the Surfer.

What this means for the plot of the film remains to seen, though it could certainly...

Emmy and Golden Globe winner Julia Garner is joining Marvel’s “The Fantastic Four” as Shalla-Bal, a version of Silver Surfer from the Marvel comics.

She will star alongside Pedro Pascal as Reed Richards (aka Mr. Fantastic), Vanessa Kirby as Sue Storm (aka the Invisible Woman), Joseph Quinn as Johnny Storm (aka the Human Torch) and Ebon Moss-Bachrach as Ben Grimm (aka the Thing).

Matt Shakman will direct “Fantastic Four,” from a screenplay by Josh Friedman, Jeff Kaplan, Ian Springer and Eric Pearson. Production on the film is set to begin this summer, with a planned release on July 25, 2025.

The Silver Surfer was previously portrayed by Doug Jones and voiced by Laurence Fishburne in 2007’s “Fantastic Four: Rise of the Silver Surfer”

Garner starred as Ruth Langmore on “Ozark” alongside Jason Bateman and Laura Linney, earning three Emmys and a Golden Globe for her work on the series. Other television credits include “The Americans,...

Star of 2022’s The Royal Hotel, Julia Garner will now play opposite Christopher Abbott in Leigh Whannell’s planned take on Wolf Man.

It feels like we’ve been waiting forever for this one to come together, but the pieces finally seem to be falling into place for a new version of Wolf Man at Universal. What’s more, with each new nugget of information, things look more and more promising for the project.

All the way back in 2021, we heard that a new take on Universal’s werewolf character was coming, with Leigh Whannell, director of The Invisible Man in the director’s chair. However, a year later, Ryan Gosling was in the title role and Whannell was out, replaced by regular Gosling collaborator, Derek Cianfrance.

Following that announcement, things went quiet for a long time until last month, we heard that Gosling and Cianfrance had exited the project...

Emmy and Golden Globe-winning actress Julia Garner has been signed on to star in Leigh Whannell’s ‘Wolf Man’.

The movie reunites Julia — playing a mother whose family is being terrorised by a lethal predator — with Christopher Abbott, with whom she starred in 2011’s ‘Martha, Marcy, May, Marlene’, her first professional acting role, reports Variety.

Since then, Julia has gone on to become a major player in both film and television, winning three Emmy awards for her standout performance as Ruth Langmore in ‘Ozark’, and garnering multiple nominations for her portrayal of real-life con artist Anna Delvey in Shonda Rhimes’ limited series ‘Inventing Anna’.

As per Variety, in the film, Julia earned an Independent Spirit Award nomination for her impressive lead turn in Kitty Green’s ‘The Assistant’. Last year, the pair teamed up again for another critically acclaimed feature, ‘The Royal Hotel’, which Julia also produced through her Alma Margo production banner.

Julia Garner is set to headline Blumhouse and Universal’s Wolf Man from Invisible Man filmmaker Leigh Whannell.

Wolf Man will reunite Garner with Christopher Abbott, who was previously announced as starring in the movie, with whom she starred alongside in Martha, Marcy, May, Marlene; Garner’s first professional acting role.

The movie is set to be released via Universal on Friday, October 25, 2024.

Wolf Man, scripted by Whannell & Corbett Tuck and Lauren Schuker Blum & Rebecca Angelo (Dumb Money), stars Garner as a mother whose family is being terrorized by a lethal predator.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

Garner is a 3x Primetime Emmy Award winner and Golden Globe Winner for her turn as “Ruth Langmore” in the award-winning series Ozark. She’s also a multiple nominee for...

Emmy and Golden Globe winner Julia Garner has set her next role, signing on to star in Leigh Whannell’s “Wolf Man.”

The movie reunites Garner — playing a mother whose family is being terrorized by a lethal predator — with Christopher Abbott, with whom she starred in 2011’s “Martha, Marcy, May, Marlene,” her first professional acting role.

Since then, Garner has gone on to become a major player in both film and television, winning three Emmy awards for her standout performance as Ruth Langmore in “Ozark,” and garnering multiple nominations for her portrayal of real-life con artist Anna Delvey in Shonda Rhimes’ limited series “Inventing Anna.”

In film, Garner earned an Independent Spirit Award nomination for her impressive lead turn in Kitty Green’s “The Assistant.” Last year, the pair teamed up again for another critically acclaimed feature, “The Royal Hotel,” which Garner also produced through her Alma Margo production banner.

On the heels of the celebrated season one finale, Apple TV+ has announced a season two renewal for “The Buccaneers,” the acclaimed drama from The Forge inspired by Pulitzer Prize-winning author Edith Wharton’s unfinished final novel of the same name. The series stars Kristine Frøseth as Nan St. George, Alisha Boe as Conchita Closson, Josie Totah (“Saved by the Bell”) as Mabel Elmsworth, Aubri Ibrag (“Dive Club”) as Lizzy Elmsworth and Imogen Waterhouse as Jinny St. George. Emmy Award winner Christina Hendricks (“Mad Men”) is Mrs. St. George, with Mia Threapleton as Honoria Marable. The complete first season of “The Buccaneers” is now streaming on Apple TV+. Since its global premiere on November 8, “The Buccaneers” has been hailed as a “lavish period drama that feels fresh and modern, with a fast-paced, twisting narrative” that is a “decadent and delicious” “shot of adrenaline” and “a ton of fun to watch.

Apple TV+ is returning to its Bridgerton-esque period drama The Buccaneers.

Based on the unfinished Edith Wharton novel, the high-end series launched last month. It stars Christina Hendricks, Mia Threapleton (I Am Ruth), Kristine Frøseth (The Assistant), Alisha Boe (When You Finish Saving The World), Josie Totah (Saved by the Bell), Aubri Ibrag (Dive Club) and Imogen Waterhouse (The Outpost).

The Buccaneers charts goings-on in the late 19th century as a group of fun-loving young American girls explode into the tightly corseted London season, kicking off an Anglo-American culture clash as the land of the stiff upper lip is infiltrated by a refreshing disregard for centuries of tradition. Sent to secure husbands and titles, their hearts are set on much more than that, and saying “I do” is just the beginning.

The show has been compared in scope and tone to Netflix smash Bridgerton, although speaking to Deadline several weeks ago,...

“The Buccaneers” has been renewed for a second season at Apple TV+.

The 19th century period drama from U.K. scripted production company The Forge is based on Edith Wharton’s unfinished novel of the same name. It tells the story of a group of party-loving American girls in 1870 who descend upon London to bag a husband and inadvertently find themselves navigating an Anglo-American culture clash.

“Sent to secure husbands and titles, the buccaneers’ hearts are set on much more than that, and saying ‘I do’ is just the beginning…” reads the logline.

Leading the cast are Kristine Frøseth (“The Assistant”) as Nan St. George, Alisha Boe (“13 Reasons Why”) as Conchita Closson, Josie Totah (“Saved by the Bell”) as Mabel Elmsworth, Aubri Ibrag (“Dive Club”) as Lizzy Elmsworth and Imogen Waterhouse (“Nocturnal Animals”) as Jinny St. George.

Also starring are Christina Hendricks (“Mad Men”) as Mrs. St. George while...

Exclusive: Kristine Froseth (The Buccaneers) has been set to star alongside Richard Gere and Jacob Elordi in Oh, Canada, the newest feature written and directed by Academy Award nominee Paul Schrader (First Reformed).

Based on the 2021 novel Foregone by the late Russell Banks, the film tells the story of Leonard Fife (Gere), a famed documentary filmmaker who takes stock of his life, with not long to go after being stricken with cancer at 80 years old. The most unreliable of narrators — and of men — Fife offers the viewer a look at his home life, as a draft dodging artist who abandoned one family for another, consistently evading any sense of responsibility for actions as he starts a new life in Canada.

As previously announced, Elordi plays a young Fife, seen from his late teens through his mid-twenties. Froseth shares 1968-set scenes with the Saltburn star as his second wife, the conservative Virginian Alicia,...

Exclusive: Veteran British director Susanna White has revealed she’s working on a feature film based on her teenage life set against changes in the fashion world, as she gears up for today’s launch of Apple TV+ period drama The Buccaneers.

White is developing an untitled script for the BFI, the first time she has written a feature script herself, and the plot is based on her personal coming of age story. “It’s the story of me at 13, set in the world of fashion in early 1970s,” she told Deadline in an interview. “It’s very fun, sexy and hopefully moving.”

We hear the film will follow 13-year-old Gingernut as she grows up with the fur trade’s decline playing out in the background. The plot will see her trying to make sense of her parents’ dysfunctional relationship and include themes of family, growing up, betrayal, love and loss.

(Welcome to Under the Radar, a column where we spotlight specific movies, shows, trends, performances, or scenes that caught our eye and deserved more attention ... but otherwise flew under the radar. In this edition: director Kitty Green and star Julia Garner keep the bad times rolling in "The Royal Hotel," the late, great William Friedkin says goodbye with one last banger in "The Caine Mutiny Court-Martial," and Maggie Betts' "The Burial" delivers a very different kind of courtroom drama.)

Oftentimes, there can be a certain kind of temptation with columns like these. In our enthusiasm to shine a light on the under-seen gems that not enough viewers may be aware of, writers like yours truly can go a little too far in singing the praises of movies that were never meant to be held up as "perfect" or "award-worthy" in the first place -- whatever your definition of those highly subjective terms may be.

Studiocanal has Samuel Beckett biopic ‘Dance First’.

Molly Manning Walker’s How To Have Sex, Emma Seligman’s Bottoms and Kitty Green’s The Royal Hotel are all opening in UK-Ireland cinemas, on a weekend with several well-reviewed films by and about women.

Starting in 150 cinemas through Mubi, How To Have Sex is the debut feature of Screen 2021 Star of Tomorrow Walker. The film follows three British teenage girls on a clubbing holiday in Malia, where one of the group has her first experiences with sex. The cast includes fellow Screen Stars Mia McKenna-Bruce and Samuel Bottomley, with casting director...

Kitty Green’s film stars Julia Garner and Jessica Henwick as backpackers forced to take a dodgy-sounding job dealing with the boozy miners in the dusty middle of nowhere

A weak and anticlimactic ending sadly deflates this movie from Australian director Kitty Green, who gave us the gripping #MeToo drama The Assistant from 2019. It’s a shame, as The Royal Hotel had been developing as a very tense and well acted psychological thriller and outback noir, but the ultimate scares somehow go missing along with any satisfying plot resolutions.

As co-writer with Oscar Redding, Green takes her inspiration from Hotel Coolgardie, a tough and disturbing documentary about a chaotically rough pub in remote Western Australia which periodically hires female backpackers to work behind the bar. But the young women who do the job soon realise that this isn’t a wacky place like the one in Crocodile Dundee, but the...

What’s the top film on VOD this week? Actually, there are three different #1s on iTunes, Google Play, and Vudu. And what makes it weirder is those films don’t rank as high as #2 anywhere they don’t top.

“Mission: Impossible — Dead Reckoning: Part One” (Paramount), “The Equalizer 3” (Sony), and “The Exorcist: Believer” (Universal), all $19.99 are #1 at iTunes, Google Play, and Vudu respectively. To confuse things even more, three other different films rank #2 — “Barbie” (Warner Bros.), “Saw X” (Lionsgate), and “Talk to Me” (A24). That’s six different titles total ranking in the top two of the three lists. That’s unprecedented.

It’s the third week out for “Mission,” and though it clearly is getting revenue, it is not nearly the dominant force it might have been had it been released 60, not 90, days after hitting theaters. As always, without actual numbers but only rankings to analyze,...

The director has followed up Weinstein drama The Assistant with The Royal Hotel, about two backpackers forced to work in a toxically male Australian bar. Warning: contains spoilers

In October 2017, when the New York Times first published allegations against Harvey Weinstein, Australian director Kitty Green was on campus at Stanford University interviewing students for a film about sexual assault. “I had friends at the Weinstein Company so I immediately started texting them.” Within months she was shooting The Assistant, a drama about working for a movie mogul. It followed a day in the life of Jane, played by Julia Garner, whose boss is a sexual predator with a volcanic temper. He was never seen, only ever referred to as “him”, but was without a doubt modelled on Weinstein.

The Assistant became the definitive film of the #MeToo era: a horribly realistic portrait and a forensic examination of how a culture...

We probably won’t see this week’s streaming debuts on the Oscars’ nomination roster come January, but they offer a variety of genres that will satisfy whatever mood you find yourself in this weekend.

The contender to watch this week: “Pain Hustlers“

The opioid epidemic has fueled a wave of movie and TV shows in the last few years, from “Dopesick” and “Ben Is Back” to the gorgeous Oscar-nominated documentary “All the Beauty and the Bloodshed.” Hollywood’s latest Big Pharma indictment is a star-studded dramedy directed by “Harry Potter” alum David Yates. Based on a book by journalist Evan Hughes, “Pain Hustlers” features Emily Blunt, Chris Evans, Catherine O’Hara, and Andy Garcia in a crime saga revolving around a pharmaceutical start-up whose founder served two years in prison. Reviews have been tepid, but “Hustlers” is now streaming on Netflix following a limited theatrical release.

Other contenders:

“My Sailor, My Love...

‘Adapt to survive’ is a fitting mantra for the latest tense drama from The Assistant writer-director Kitty Green. This time, she places the star of her #MeToo-styled 2019 film, actor Julia Garner, in the heart of the Australian Outback to serve drinks to booze-addled patrons of a dysfunctional pub.

Inspired by fascinating 2016 documentary Hotel Coolgardie, The Royal Hotel takes a compelling look at ingrained toxic masculinity and the dominance of alcohol culture, as well as sobering isolation through the eyes of two backpacking female foreigners. An uneasy, maddening decline into the inevitable, Green’s film explores the effects of the unhealthy environment on two independent young women and the choices they must make for their well-being.

‘Gen Z’ Americans Hanna (Garner) and Liv (Jessica Henwick of Glass Onion fame) reluctantly take live-in bartending jobs fund the rest of their Australian trip after finances run out. Dropped off at the rundown Royal...

Director Kitty Green is interested in stories of microaggressions, mostly because she doesn’t have the budget for anything bigger. And on her latest feature, “The Royal Hotel,” Green dealt with all manner of issues working on a film far bigger and more ambitious than her debut feature, 2019’s “The Assistant.”

The film, which follows two young women who take a job at a shady bar in the Australian outback, had a production schedule of only 25 days. This left Green having to be incredibly precise during pre-production, and with a film that boasted 14 different speaking parts, it was a far more unwieldy project than her first film.

Add to that the film generally takes place in one location, the Australian pub known as “The Royal,” and some of the film’s big bar sequences were a Master Class in filmmaking.

“I ended up being more like this conductor of technical things,...

Writer/director Kitty Green made a big splash with her searing and smart drama The Assistant, which starred Julia Garner as a young woman toiling away in the office of a powerful executive who grows increasingly aware of the insidious abuse that threatens every aspect of her position. Green and Garner are back with a new movie that looks at power dynamics between men and women, this time set against the dusty backdrop of a small Australian Outback mining town. With the new film – The Royal Hotel – making its UK debut at the BFI London Film Festival, we now have the full UK trailer. Take a look…

The Royal Hotel, for which Green drew inspiration from documentary Hotel Coolgardie, sees Garner and Jessica Henwick as Hanna and Liv, best friends backpacking in Australia.

After they run out of money, Liv, looking for an adventure, persuades Hanna to take a temporary...

Kitty Green returns to her native Australia for her latest film. Like her last, The Assistant, it was inspired by a true story - then Harvey Weinstein, this time, a documentary about a pair of Scandinavian backpackers, Hotel Coolgardie - and again she zeroes in on toxic masculinity, although not to quite such efficient effect.

Hanna (Julia Garner) and Liv (Jessica Henwick) are on tour when we meet them, but on finding themselves low on cash decide to head to the Outback to make some money doing live-in bar work. Pretending to be Canadian because “everyone loves Canadians” seems like a laugh until they get there but soon they’re subject to micro-aggressions that feel as though they could kick-off into full blown violence at any time.

The bar is run by the rough-and-ready, and thanks to alcohol, none-too-steady Billy (Hugo Weaving) and his no-nonsense other half Carol (Ursula...

It wasn’t her intention, but Taylor Swift saved this weekend as well as ones still to come.

“The Era Tour” concert film opens Friday with over $100 million in estimated presales, but it already forced “The Exorcist: Believer” (Universal), originally set for October 13, to move up a week and get out of the way.

As a result, the sequel to William Friedkin’s smash hit dominated this weekend with $27.2 million. That’s more than double the #2 title, “Paw Patrol: The Mighty Movie” (Paramount), with $11.8 million.

All told, this weekend grossed around $75 million. Without “Exorcist,” and assuming other titles would pick up some of the slack, that number would have been closer to $55 million — and close to the worst of 2023. Instead, it improved $16 million (27 percent) over last year, which also included Indigenous Peoples’/Columbus Day on Monday. Year to date remains up about 26 percent.

Another way to find a positive spin...

Exclusive: Ozark and Inventing Anna star Julia Garner has signed with Lbi Entertainment for management.

Garner won three Supporting Actress in a Drama Series Emmy Awards for her role as Ruth Langmore in the popular Netflix drama series Ozark. Her third Emmy came in 2022 when she was also nominated in the Lead Actress in a Limited or Anthology Series or Movie category for playing the title role in another Netflix hit, the limited series Inventing Anna.

Garner’s latest movie, The Royal Hotel, premiered at the Toronto Film Festival last month. It re-teams the actress with director Kitty Green, who helmed The Assistant, the 2019 film which earned Garner an Independent Spirit Award nomination.

Upcoming for Garner is the Paramount psychological horror film Apartment 7A directed by Natalie Erika James. The actress, who was previously at Anonymous Content, continues to be repped by UTA, Sloane, Offer, Weber & Dern and Shelter PR.

If there’s a theme cutting across Kitty Green’s work, it’s the dangers that lurk in everyday society for young, idealistic women. Whether using the tools of re-enactment in the hybrid documentary Casting JonBenet or a process-focused minimalism in the #MeToo workplace drama The Assistant, she never approaches the shared subject in the same way.

With The Royal Hotel, Green further expands her toolkit by drawing on the conventions of genre filmmaking. She doesn’t overtly tip her hand as to what kind of situation Hanna (Julia Garner) and Liv (Jessica Henwick) walk into when they gain employment at the titular bar. As two broke Americans in desperate need of cash on a work-tourism trip in Australia, they have little choice but to take a gig bartending at the lone watering hole in a desolate mining town.

The film unnervingly aligns our experience with that of Hanna and Liv.

This post contains spoilers for "The Royal Hotel."

In early 2019, writer/director Kitty Green made "The Assistant," a small movie starring "Ozark" breakout Julia Garner as a junior assistant who works at the office of a Harvey Weinstein-like figure who has cultivated a culture of abuse. Now she's back with "The Royal Hotel," a very different, more ambitious film that nonetheless feels like she's exploring somewhat similar thematic territory. In a recent interview with /Film, Green described both films as "sort of like the gateway or entry point to sexual misconduct. What kind of behavior should we put up with? When should we say no? When should we put a stop to things? When should we speak up for ourselves?"

"The Royal Hotel" reunites Green with Julia Garner, who stars alongside Jessica Henwick as a pair of American women who run out of money while on vacation and take a...

Following a similar vein to Kitty Green’s The Assistant, Fair Play tackles misogyny in a highly competitive, male-dominated hedge fund firm.

The debut feature from Chloe Domont revolves around happily engaged couple Emily and Luke who both work at the same firm, though they keep their relationship a secret from their boss and colleagues. When Emily is promoted over Luke, however, their whole world begins to crumble as jealousy strikes and cracks into their once stable foundation.

Though billed as an erotic thriller, Fair Play is more akin to an upsetting fast-paced drama which, at the height of its powers, is uncomfortable and upsetting. Domont starts her career strong with this exceptionally well-put together film which attempts to untangle the messy world of hedge funds and the centric couple mangled into the core of it.

What works best for Fair Play is its premise – how supposedly good men are...