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Reviews
Donnie Darko (2001)
"Why are you wearing that stupid man suit?"
FILM: 10.0
Rewatching Donnie Darko reminds me why I've loved this film since day one. Every so often, a director comes along and nails the perfect mix of story, cast, and tone, and Richard Kelly absolutely achieves that here. It's hard to believe this was his feature-length debut with such a modest budget, because everything just clicks. I wouldn't change a thing.
Sci-fi is totally my jam, and Donnie Darko is a brilliant blend of sci-fi, 80s nostalgia, and this dark, almost absurd humour. It's a strange, unsettling mix that shouldn't work as well as it does, but somehow Kelly pulls it off. The themes of destiny, time travel, and a guy in a creepy bunny suit sound bizarre, but they're woven together so tightly that I find myself drawn in every single time. It jumped into my top ten films on my first viewing, and that hasn't changed.
Jake Gyllenhaal is perfection as Donnie, capturing that mix of teenage angst and existential dread like no one else could. The supporting cast doesn't miss a beat either-each of them adds depth to this weird, atmospheric world. And then there's the music. Michael Andrews' score, along with that haunting Mad World cover by Gary Jules, is just sublime. It stays with me long after the credits roll.
I've got a lot of respect for Kelly, and while I understand why he might have wanted to tweak things later, the theatrical cut is still my favourite. There's something about the limitations of that first version, whether it's the song choices or the pacing, that makes it feel more impactful. It leaves room for interpretation, rather than spoon-feeding everything.
Donnie Darko isn't just a cult classic-it's a straight-up classic. At 23 years old, it's only getting better with age. Perfection.
FORMAT: 4K Ultra HD Blu-ray
VIDEO: 8.0
Native 2160/24p presentation
Detail level: Good
Colour reproduction: Good
Level accuracy: Good
Encode: Excellent
Master condition: Excellent
AUDIO: 10.0
DTS-HD MA 5.1 audio
Dialogue reproduction: Excellent
Soundtrack & effects clarity: Excellent
Dynamics: Excellent
Surround sound presentation: Excellent
LFE content: Excellent
MOOFIEMETER: 10.0.
The Howling (1981)
"You can't tame what's meant to be wild, doc. It just ain't natural."
FILM: 7.0
Watching The Howling for the first time, I can see why it's considered a cult classic in the horror genre. Joe Dante brings his signature dark humour to the mix, and it adds an extra layer of fun to what could have been a standard werewolf flick. The plot itself is pretty straightforward-nothing too complicated-but honestly, that works in its favour. Dante knows how to keep things entertaining, and even when the story feels predictable, I'm still enjoying the ride.
The cast does a decent job, though I wouldn't say any of the performances stand out as amazing. What does grab my attention, though, are all the cameos from familiar faces in the horror world. It's like a who's who of horror actors, which adds a fun element for genre fans. You can tell Dante has a deep love for classic horror, and it really shines through in the way he structures the film and drops in these little nods to the genre's history.
A big highlight for me has to be the special effects. Rob Bottin's make-up work is impressive, especially for its time. Knowing he'd go on to work on The Thing the following year makes it even more exciting to see the practical effects in The Howling. The werewolf transformations still look great and give the film that extra punch.
While it's not a masterpiece, The Howling does exactly what I want from a horror film-delivers thrills, a bit of humour, and some great creature effects. It's a solid genre flick, and I can see myself rewatching it down the line, especially for that mix of old-school horror charm and Dante's playful approach. If you're a fan of the genre, it's definitely worth checking out.
FORMAT: 4K Ultra HD Blu-ray
VIDEO: 8.5
Native 2160/24p presentation
Detail level: Excellent
Colour reproduction: Good
Level accuracy: Excellent
Encode: Excellent
Master condition: Excellent
AUDIO: 8.0
DTS-HD MA 5.1 & 2.0 audio
Dialogue reproduction: Good
Soundtrack & effects clarity: Good
Dynamics: Good
Surround sound presentation: Moderate
LFE content: Good
MOOFIEMETER: 7.0.
Addams Family Values (1993)
"To mirth, to merriment... to manslaughter."
FILM: 7.0
Rewatching Addams Family Values, I'm pleasantly surprised by how well it holds up as a sequel. Finding one that matches or even surpasses the original isn't always easy, but this one comes pretty close. After the success of the first film, it's no shock that they quickly moved on with a follow-up, and I'm glad they did.
What stands out to me this time is the shift in tone. The first movie had a zanier vibe, more in line with the 60s TV series, but this one leans into much darker comedy, which I find still manages to keep its family-friendly charm. The returning cast is just as good as ever-Raul Juliá especially, who, despite facing health challenges at the time, gives everything he's got as Gomez.
But honestly, it's Christina Ricci who steals the show for me again. She was great as Wednesday in the first film, but here she's flawless. Every scene she's in is gold, and I think this performance is what really cemented her as an iconic part of the Addams family legacy.
That said, the whole Uncle Fester storyline feels a bit too familiar. I remember thinking it worked better in the original, but this time around, it starts to grate on me a little. It's not a dealbreaker, though, just something that stood out more on rewatch.
All in all, I think Addams Family Values is easily on par with the first film, and depending on my mood, I might even say it edges out the original. For me, it's fun, dark, and full of the weirdness that makes the Addams family so loveable. I still enjoy the ride, even if a few moments feel recycled.
FORMAT: Blu-ray
VIDEO: 5.0
1080/24p presentation
Detail level: Poor
Colour reproduction: Good
Level accuracy: Good
Encode: Moderate
Master condition: Poor
AUDIO: 8.0
DTS-HD MA 5.1 audio
Dialogue reproduction: Excellent
Soundtrack & effects clarity: Good
Dynamics: Good
Surround sound presentation: Moderate
LFE content: Moderate
MOOFIEMETER: 7.0.
The Addams Family (1991)
"Don't torture yourself, Gomez. That's my job."
FILM: 7.0
Rewatching The Addams Family from 1991 takes me right back to the wave of remakes that seemed to dominate the 90s and 2000s. Of all the classic properties to get a reboot, Barry Sonnenfeld's take on the Addams family might be the most faithful. There's a real respect for Charles Addams' comics and the 60s TV show, which I appreciate, especially when so many adaptations from that era tried to modernise or change things up too much.
I definitely feel the Tim Burton influence in this film. At the time, gothic stylings were all the rage, and The Addams Family leans into those vibes hard. It works, though, and there's something comfortable about the way the film embraces its macabre, quirky tone. The casting is pitch-perfect too. Raul Juliá and Anjelica Huston are fantastic as Gomez and Morticia, their chemistry is flawless, and I still get a kick out of watching them together. Christina Ricci is also a standout for me-she was just 10 when this film came out, but her portrayal of Wednesday is unforgettable.
I've got to give Sonnenfeld credit, especially since this was his first time directing. There were a lot of production issues behind the scenes, but you wouldn't know it watching the final product. The story is pretty basic, but most Addams Family plots are just there to set up strange and funny moments. And that's exactly what we get here-plenty of dark humour, oddball situations, and gothic weirdness.
That said, it's not a home run. I think the pacing feels a little rushed, especially towards the end. The whole Uncle Fester storyline bogs down some of the lighter moments, and the film wraps up super quickly. Still, it's a fun rewatch.
FORMAT: 4K Ultra HD Blu-ray
VIDEO: 9.5
Native 2160/24p presentation
Detail level: Excellent
Colour reproduction: Good
Level accuracy: Excellent
Encode: Excellent
Master condition: Excellent
AUDIO: 9.0
DTS-HD MA 5.1 audio
Dialogue reproduction: Excellent
Soundtrack & effects clarity: Excellent
Dynamics: Excellent
Surround sound presentation: Good
LFE content: Good
MOOFIEMETER: 7.0.
Central Intelligence (2016)
"Yeah, well, you're still shorter than my cat."
FILM: 6.5
Central Intelligence turns out to be more fun than I expect, even if the plot feels paper-thin. I go into it not expecting much, and to be fair, the film doesn't really offer anything groundbreaking. It's your standard buddy cop-style movie, with all the usual tropes, but I still find myself chuckling at a few moments.
Dwayne Johnson and Kevin Hart aren't a perfect match right away, though. At first, their chemistry feels a bit off, like they're still trying to find their groove. But by the end, I have to admit they start working pretty well together. Johnson plays the overly enthusiastic, quirky agent, and Hart's usual fast-talking, easily flustered routine is pretty much what I expect. They're not reinventing the wheel, but they do manage to pull off some decent laughs here and there.
For a movie titled Central Intelligence, though, I can't help but think it's missing a fair bit of actual intelligence. The plot doesn't exactly keep me guessing, and it's pretty clear from the get-go where things are headed. But the film doesn't really promise anything more than a light, goofy ride, so I'm not too disappointed when it delivers just that.
I think what works best is that it's harmless fun. It's not trying to shake things up or be anything more than it is, and in that sense, it's decent entertainment. I don't feel like my time's wasted, but I also don't see myself rushing to rewatch it anytime soon. Central Intelligence does its job, keeps things breezy, and doesn't ruffle any feathers. It's enjoyable enough, but it's not something I'll be talking about down the road.
FORMAT: Blu-ray
VIDEO: 9.0
1080/24p presentation
Detail level: Excellent
Colour reproduction: Good
Level accuracy: Good
Encode: Excellent
Master condition: Excellent
AUDIO: 10.0
DTS-HD MA 5.1 audio
Dialogue reproduction: Excellent
Soundtrack & effects clarity: Excellent
Dynamics: Excellent
Surround sound presentation: Excellent
LFE content: Excellent
MOOFIEMETER: 6.0.
The Substance (2024)
"There's been a slight misuse of the Substance."
FILM: 9.0
The Substance is one of those films that really grabs you from the start and refuses to let go. I've always appreciated a mix of horror, satire, and black comedy, and this film delivers all three with a sharp edge. I was particularly impressed by Demi Moore, who absolutely nails her return to the big screen. It's hands down the best performance of her career, and watching her go all-in as a fading star is both captivating and heartbreaking.
Coralie Fargeat, the director, is really making her mark as the spiritual successor to old-school body horror masters. There's an undeniable 80s vibe throughout the film, especially with Elisabeth Sparkle's character. She's got that Jane Fonda, leg-warmer energy, and it feels ripped straight out of an 80s workout video, which only adds to the film's satirical punch.
I love how the movie pokes fun at Hollywood's obsession with younger models and "upgrades." Casting a 61-year-old Moore as the 50-year-old Sparkle is a stroke of genius, turning the industry's own weird standards against itself. And Margaret Qualley as Sue? Brilliant. Her character's journey of getting hooked on something she just can't quit is both relatable and horrifying. I'm also a big fan of Dennis Quaid's portrayal of a sleazy Hollywood exec. He's the perfect embodiment of superficiality, and Fargeat really leans into all his disgusting antics with just the right amount of flair.
I can't stop thinking about one particular scene where Moore's character is obsessively reassessing her appearance before a date. It's a heartbreaking but funny moment, capturing the pressure Hollywood places on women. It perfectly shows how external pressures can turn a happy life into one of misery. Fargeat's ability to balance these tones is impressive, especially as the film shifts from drama to full-on body horror and then into crazy comedy that feels like something Sam Raimi would love.
It's one of the most unique cinematic experiences I've had in a while, and I wish we got more films like this nowadays. Honestly, The Substance is a must-watch if you love horror with a sharp satirical edge.
FORMAT: Cinema
VIDEO: 10.0
4K theatrical presentation
Detail level: Excellent
Colour reproduction: Excellent
Level accuracy: Excellent
Encode: Excellent
Master condition: Excellent
AUDIO: 10.0
Dolby Digital theatrical audio
Dialogue reproduction: Excellent
Soundtrack & effects clarity: Excellent
Dynamics: Excellent
Surround sound presentation: Excellent
LFE content: Excellent
MOOFIEMETER: 9.0.
A Few Good Men (1992)
"YOU CAN'T HANDLE THE TRUTH!"
FILM: 9.5
Rewatching A Few Good Men reminds me why this film is where my love for Aaron Sorkin truly began. I've never been shy about my fandom for his work, and this movie is a big reason why. It's one of the greatest courtroom dramas of all time, and that's largely thanks to Sorkin's flawless screenplay, with some extra polish from William Goldman. The story is gripping from the start, and every character is so perfectly matched to the actors playing them that it's hard to imagine anyone else in these roles.
Rob Reiner's direction is understated, but that's what makes it so effective. He doesn't try to get flashy with the camera; instead, he lets the actors own their roles and simply captures their performances. It's a smart move, especially with a cast this strong. Tom Cruise brings just the right amount of cockiness to Kaffee, making his character's arc all the more satisfying. Then there's Jack Nicholson as Jessep, who is larger than life and serves as the perfect antagonist. And while Demi Moore's Galloway is a bit awkward at times, it works for her character's earnestness.
Of course, everyone remembers Nicholson's iconic line, but I think the real brilliance comes right after that. The final confrontation between Cruise and Nicholson is packed with Sorkin's signature rapid-fire dialogue, and both actors are on fire. The back-and-forth is electric, and it's one of those scenes that reminds me just how good courtroom dramas can be when the writing and acting are this strong.
A Few Good Men is the perfect introduction to the world of Aaron Sorkin, and even after multiple viewings, it holds up as an absolute classic.
FORMAT: 4K Ultra HD Blu-ray
VIDEO: 9.5
Native 2160/24p presentation
Detail level: Excellent
Colour reproduction: Excellent
Level accuracy: Good
Encode: Excellent
Master condition: Excellent
AUDIO: 8.5
Dolby Atmos audio
Dialogue reproduction: Excellent
Soundtrack & effects clarity: Good
Dynamics: Excellent
Surround sound presentation: Good
LFE content: Good
MOOFIEMETER: 10.0.
The Batman (2022)
"I'm vengeance."
FILM: 9.0
The Batman is a fantastic ride, and Matt Reeves brings a fresh, grounded take on the character that really hooked me. While Nolan's trilogy set a high bar, Reeves manages to dive even deeper into a darker, more brooding world. I love how the film borrows from Fincher's Zodiac and Seven, blending in some elements from Daniel Craig's Bond films. It feels gritty, realistic, and yet still very much a Batman film.
Robert Pattinson's portrayal surprised me. He brings a lot of vulnerability to both Bruce Wayne and Batman, which I didn't expect but really enjoyed. He's in almost every frame of the film, and while his physique might not be as bulky as past Batmen, and I still think his cowl is the weakest of the lot, he rises above these small gripes with a solid performance. His action scenes are pretty strong, which kept me engaged throughout the nearly three-hour runtime.
Zoë Kravitz is excellent as Catwoman, bringing a slick and confident energy to the role. But it's Paul Dano who really steals scenes as The Riddler. He gives a completely unique spin on the character, making him far more terrifying than I anticipated. Jeffrey Wright also stands out as Gordon, playing a much more integral role than any previous version, which I thought was a nice touch.
The action set pieces are great, with the Batmobile chase being a clear standout. But I appreciate how they never overshadow the story; they're there to serve it, not replace it. Gotham itself looks fantastic, drenched in rain and shadows, creating a perfect setting for this darker Batman. Giacchino's score, while a bit simple, does the job effectively.
Overall, The Batman is a promising start to what I hope will be an exciting new era for the character. I can't wait to see where Reeves takes the story next.
FORMAT: 4K Ultra HD Blu-ray
VIDEO: 10.0
Native 2160/24p presentation
Detail level: Excellent
Colour reproduction: Excellent
Level accuracy: Excellent
Encode: Excellent
Master condition: Excellent
AUDIO: 10.0
Dolby Atmos audio
Dialogue reproduction: Excellent
Soundtrack & effects clarity: Excellent
Dynamics: Excellent
Surround sound presentation: Excellent
LFE content: Excellent
MOOFIEMETER: 9.0.
Kalifornia (1993)
"Early don't eat breakfast. He thinks its a conspiracy put together by the cereal people."
FILM: 7.5
Watching Kalifornia for the first time, I can definitely say it's a brutal look at the consequences of wanton violence. Dominic Sena's debut doesn't shy away from showing how dark things can get, and while it plays into certain stereotypes, I never feel like it leans into them too hard. We've got the contrast between the trailer trash couple and the arty city folk, but it doesn't come off as clichéd-it works to highlight the tension between these two worlds.
Juliette Lewis, in particular, nails her role as Adele. She plays this sunny, seemingly naive character, but there's a darker layer underneath that makes her performance stand out. She gives Adele a depth that's really moving, showing the trauma behind her smiles. I can't help but feel for her as the film progresses, and she's a huge part of what keeps me invested.
But, let's be honest, the film really hinges on Brad Pitt's performance as Early Grayce. He's terrifying and magnetic at the same time, and whenever he's on screen, I'm completely drawn in. He's unpredictable and makes the whole thing feel charged with this sense of danger. In comparison, David Duchovny and Michelle Forbes, playing the arty couple, feel like they're just there to keep the story moving. They're fine, but when they're the focus, it's so clear just how much Pitt's presence is elevating the film.
I know some critics thought Kalifornia was glorifying violence, but I don't get that impression. If anything, the film shows how detached people can be from the reality of violence until they're thrown into it. There's a big difference between seeing it from afar and living through it, and Kalifornia really brings that point home. Overall, it's dark and unsettling, but definitely engaging.
FORMAT: Blu-ray
VIDEO: 8.0
1080/24p presentation
Detail level: Good
Colour reproduction: Good
Level accuracy: Good
Encode: Excellent
Master condition: Good
AUDIO: 8.0
DTS-HD MA 5.1 audio
Dialogue reproduction: Excellent
Soundtrack & effects clarity: Good
Dynamics: Good
Surround sound presentation: Moderate
LFE content: Good
MOOFIEMETER: 7.0.
Ned Kelly (1970)
"Such is life."
FILM: 5.0
Watching the 1970 film Ned Kelly for the first time, I can't help but feel a bit underwhelmed. Mick Jagger takes on the role of the infamous bushranger, and while I know he was cast to capitalise on the popularity of The Rolling Stones at the time, his performance just doesn't connect. It's almost like he's checked out before the film even starts. Knowing that Jagger himself later called the project "a load of sh*t" makes a lot of sense. His lack of enthusiasm really shows, and it's hard to see what director Tony Richardson was going for.
That said, Richardson does try to take the material seriously, and I think he's a bit hard on himself when it comes to blaming the film's missteps on the mismatch between actor and project. The film's saving grace for me is the cinematography, which does a beautiful job of capturing Australia's outback. There's something about those wide, open spaces that feels iconic, but it's not enough to lift the whole film.
One of the strangest choices in the film is the music. I'm baffled by the decision to use American country singers to narrate parts of the story, which could have easily been told through the characters themselves. It just feels out of place. The pacing is another issue. The first half drags, making it a bit of a slog to get through. When things finally pick up in the second half, the film starts to show potential, but by then it's almost too late. The ending is confusing, and I'm left wondering how things went off the rails.
With a different lead actor, this could have been a very different film. As it stands, Ned Kelly feels middling at best. There are some redeeming qualities, but they fail to make the project rise above its flaws.
FORMAT: Blu-ray
VIDEO: 6.0
1080/24p presentation
Detail level: Moderate
Colour reproduction: Moderate
Level accuracy: Good
Encode: Good
Master condition: Moderate
AUDIO: 7.5
LPCM 2.0 audio
Dialogue reproduction: Good
Soundtrack & effects clarity: Good
Dynamics: Moderate
Surround sound presentation: N/A
LFE content: N/A
MOOFIEMETER: 5.0.
L.A. Confidential (1997)
"Go back to Jersey, sonny. This is the City of the Angels, and you haven't got any wings."
FILM: 10.0
It's safe to say I've been a fan of L. A. Confidential since day one, 27 years ago. From the moment I first saw it, I knew this film was something special. As an Aussie, I was instantly thrilled to see two local talents, Guy Pearce and Russell Crowe, in lead roles, and I've been a fan of both ever since. Pearce's portrayal of Ed Exley is captivating, with his character's ambition and complexity pulling me in. Between this and his role in Ravenous a couple of years later, Pearce cemented himself as one of my favourite up-and-coming actors.
Crowe's Bud White is another highlight. His performance is layered, revealing a man whose moral code is shaped by brutal acts, but also a deep sense of justice when it comes to protecting women from violence. Watching these two actors spar on screen is electric, and the rest of the cast doesn't disappoint either. Kevin Spacey, James Cromwell, Kim Basinger, Danny DeVito, and David Strathairn all deliver stunning performances. Director Curtis Hanson pulls the best out of each of them, and no one puts a foot wrong.
The film's script, adapted by Brian Helgeland and Hanson, is a masterpiece. I'm a big fan of James Ellroy's novel, but I find the film's ability to distill such an expansive story into a tightly crafted narrative to be flawless. The balance of classic film-noir elements with a more modern (for 1997) cinematic style makes the film feel timeless. Jerry Goldsmith's score is pitch-perfect, adding just the right amount of atmosphere.
I can't help but think of how this film was overshadowed by Titanic at the Oscars. Like The Shawshank Redemption before it, L. A. Confidential deserved more recognition and the loss cemented my lack of interest in what the academy thought about cinema. Without a doubt, it's my favourite film of 1997, and I love it more with every rewatch. Perfection.
FORMAT: Blu-ray
VIDEO: 8.0
1080/24p presentation
Detail level: Good
Colour reproduction: Good
Level accuracy: Excellent
Encode: Good
Master condition: Good
AUDIO: 8.0
DTS-HD MA 5.1 audio
Dialogue reproduction: Excellent
Soundtrack & effects clarity: Excellent
Dynamics: Good
Surround sound presentation: Good
LFE content: Good
MOOFIEMETER: 10.0.
The Fall Guy (2024)
"You gotta wrap the message in sexy bacon."
FILM: 7.0
Watching The Fall Guy is a fun, popcorn-worthy experience that doesn't take itself too seriously, and neither should you. It's a love letter to the unsung heroes of film-the stunt performers who make everything look effortless. While the plot is ludicrously simple, that's not really the point. This film is all about action, humour, and paying tribute to the people who put their bodies on the line for our entertainment.
Loosely based on the 80s TV series, it's been reimagined as a big-budget action rom-com, and I think it works. The cast clearly has a blast, and that energy is infectious. Ryan Gosling and Aaron Taylor-Johnson know exactly what kind of film they're in, delivering great comedic moments with a healthy dose of cheese. Emily Blunt, on the other hand, seems slightly out of place at times, going for a more serious approach when the rest of the cast has their tongues firmly in their cheeks. But it's a minor gripe in an otherwise enjoyable ensemble.
The action choreography is top-notch, and it really does make a case for why there should be a Stunts category at the Oscars. These performers are risking it all, and the sequences are impressive. I also loved seeing Sydney pop up throughout the film-living an hour north of the city, it's always a treat to spot familiar locations on screen.
If you're expecting a deep, thought-provoking story, this isn't the film for you. But if you want to sit back, munch on some popcorn, and appreciate the artistry of in-camera action, you'll have a good time. The Fall Guy is an entertaining and fun ride that's a nice homage to the unsung heroes of Hollywood.
FORMAT: 4K Ultra HD Blu-ray
VIDEO: 10.0
Native 2160/24p presentation
Detail level: Excellent
Colour reproduction: Excellent
Level accuracy: Excellent
Encode: Excellent
Master condition: Excellent
AUDIO: 9.5
Dolby Atmos audio
Dialogue reproduction: Excellent
Soundtrack & effects clarity: Excellent
Dynamics: Excellent
Surround sound presentation: Good
LFE content: Excellent
MOOFIEMETER: 7.0.
Undead (2003)
"I'll f@!kin' finish you off faster than a f#?kin' birthday cake at a fat chick's f$&kin' birthday party."
FILM: 6.0
Rewatching Undead, I'm reminded of just how much fun I had with it back in 2003 when I caught a limited screening in Sydney. This low-budget Aussie horror comedy felt like Ed Wood got reanimated by Sam Raimi and let loose in the Outback. Now, 21 years later, it still delivers that same bizarre charm, even if some of the warts are more noticeable.
Yes, the performances are rough around the edges, but they're also hilarious, and you can tell the Spierig Brothers had their tongues firmly in cheek the whole time. The film's got a real Army of Darkness vibe with its kitsch, slapstick humour, and over-the-top moments. It's amateurish, and I reckon the Spierig Brothers would admit that themselves. But that's also part of its charm.
What really impresses me is the ingenuity behind the scenes. They built their own camera equipment, created the visual effects themselves, and funded the whole thing with the help of family and friends. It's a shining example of indie filmmaking done right, even if it doesn't always hit the mark.
Undead may "only" be a 6/10, but it's a gloriously fun 6/10. It's the kind of movie that knows exactly what it is and doesn't take itself too seriously, which makes it easy to enjoy for what it is. Plus, it paved the way for the Spierig Brothers' later, more polished films. So, while it might not be a masterpiece, it's a blast to revisit, and I've still got a soft spot for it all these years later.
FORMAT: Blu-ray
VIDEO: 6.0
1080/24p presentation
Detail level: Moderate
Colour reproduction: Moderate
Level accuracy: Good
Encode: Good
Master condition: Good
AUDIO: 7.5
DTS-HD MA 5.1 audio
Dialogue reproduction: Excellent
Soundtrack & effects clarity: Good
Dynamics: Good
Surround sound presentation: Moderate
LFE content: Moderate
MOOFIEMETER: 6.0.
The Gambler (1974)
"Forty-four thousand dollars, Axel. It ain't just numbers."
FILM: 7.5
Watching The Gambler feels like diving into the mind of someone who's deeply addicted, and I can't help but get drawn in by James Caan's portrayal of Alex Freed. Freed's religion is gambling, and no matter how many warnings he gets or how far in debt he falls, he keeps doubling down, wading deeper into the obsession. The film, based loosely on the experiences of screenwriter James Toback, really hones in on that compulsive behaviour, and I find myself both fascinated and frustrated by Alex's decisions.
Caan is brilliant in this role. It's one of his best, no doubt. His performance still packs a punch, even after all these years. I genuinely feel his desperation, but I also understand his need to keep pushing his luck, always testing the limits. It's the kind of film that sticks with you because it's more of a character study than just a story about gambling.
While the film moves at its own pace, it's not about high-energy action. Instead, it's about watching Alex spiral and seeing how far he's willing to go. The intensity lies in his choices, not in fast-paced scenes, which might be a bit slow for some viewers. But if you're into films that explore human nature, this is a solid watch.
I enjoy the gritty 70s vibe, and while it's not perfect, The Gambler delivers a raw look at addiction. It might not be for everyone, but it's definitely one of those films that's worth watching for Caan's performance alone.
FORMAT: Blu-ray
VIDEO: 6.0
1080/24p presentation
Detail level: Moderate
Colour reproduction: Good
Level accuracy: Good
Encode: Good
Master condition: Moderate
AUDIO: 8.0
LPCM 2.0 audio
Dialogue reproduction: Good
Soundtrack & effects clarity: Moderate
Dynamics: Good
Surround sound presentation: N/A
LFE content: N/A
MOOFIEMETER: 7.0.
Sneakers (1992)
"You know, I could have been in the NSA, but they found out my parents were married."
FILM: 10.0
I've loved Sneakers since day dot. I've owned it on VHS, DVD, and Blu-ray, and since 1992, I reckon I've watched it over 25 times. What I love most is that it has something for everyone: action, drama, crime, thrills, romance, and even comedy! The characters might seem familiar-like the guy with a shady past, the ex-cop, the conspiracy theorist, the tech wizard, the young kid, the old flame-but they're so well written that I don't care. And the cast? Absolutely stellar.
Robert Redford, Sidney Poitier, Dan Aykroyd, and River Phoenix and more are just the "good guys," with Ben Kingsley and James Earl Jones adding their own gravitas. They create the perfect ensemble, each actor bringing something unique to the table. The story itself feels timeless, and no matter how many times I've seen it, it's still endlessly watchable.
James Horner's score is another highlight-it sounds wonderful and complements the film's tone perfectly. Director Phil Alden Robinson nails the dramatic moments, too. Even though the movie runs over two hours, there's no over-the-top action or unnecessary CGI. He doesn't need it. Between the brilliant script, incredible cast, and Robinson's tight direction, every moment feels sharp, and the tension and excitement are just right.
For me, Sneakers is pure perfection.
FORMAT: Blu-ray
VIDEO: 6.5
1080/24p presentation
Detail level: Moderate
Colour reproduction: Excellent
Level accuracy: Good
Encode: Good
Master condition: Moderate
AUDIO: 8.0
DTS-HD MA 5.1 audio
Dialogue reproduction: Excellent
Soundtrack & effects clarity: Excellent
Dynamics: Good
Surround sound presentation: Moderate
LFE content: Good
MOOFIEMETER: 10.0.
3:10 to Yuma (2007)
"For God's sake, he's killed more men than the drought!"
FILM: 8.5
Rewatching 3:10 to Yuma, I find myself impressed by how well James Mangold handles his first remake. I've been a fan of his earlier work, so when he teamed up with Russell Crowe and Christian Bale, it felt like a must-see. Both Crowe and Bale bring understated performances that really allow the film to stand on its own. It's a simple story, but Mangold unfolds it with excellent pacing, showcasing his talent for taking on different genres.
Ben Foster, though, is a standout. He had already built up quite the resume by then, but this performance in particular really solidifies his credentials. He plays the role with such intensity, and I find myself drawn to every scene he's in. The bond that forms between Crowe's outlaw, Wade, and Bale's rancher, Evans, is fascinating to watch. The way the characters evolve as the story progresses gives the film a deeper emotional weight than you might expect.
The finale, while thrilling, does stretch believability a bit. I couldn't help but feel like it undermines some of the film's more grounded moments. That said, it doesn't take away from my overall enjoyment of the movie. Mangold's direction keeps everything tightly focused, and the chemistry between the leads, along with Foster's brilliant supporting turn, makes this a solid watch.
Overall, 3:10 to Yuma holds up well for me on rewatch. It's a well-paced, character-driven Western that shows Mangold's skill at handling established material while still making it feel fresh. It's definitely one of the better remakes out there.
FORMAT: Blu-ray
VIDEO: 9.0
1080/24p presentation
Detail level: Excellent
Colour reproduction: Excellent
Level accuracy: Good
Encode: Good
Master condition: Excellent
AUDIO: 10.0
LPCM 7.1 audio
Dialogue reproduction: Excellent
Soundtrack & effects clarity: Excellent
Dynamics: Excellent
Surround sound presentation: Excellent
LFE content: Excellent
MOOFIEMETER: 8.0.
Beetlejuice Beetlejuice (2024)
"The juice is loose!"
FILM: 6.5
Watching Beetlejuice Beetlejuice, I find it a decent return to the character, but it's definitely a mixed bag. Tim Burton brings Beetlejuice back 36 years later, and while there's fun to be had, the film feels overstuffed with too many subplots and new characters.
The good news is that the returning cast members-Keaton, Ryder, and O'Hara-still have it. O'Hara, in particular, steals the show for me, making her scenes a real highlight. Justin Theroux is fine, but honestly, his character feels unnecessary. Jeffrey Jones is understandably absent given his real-life actions, but the frequent presence of his character is a surprising decision. The choice to have his funeral song performed by a boys' choir is certainly a choice. Wow.
Monica Bellucci's appearance, though brief, is effective, and while Jenna Ortega delivers a solid performance, her character's relationship with a new addition seems to contribute to the film's overloaded story. I find the black-and-white flashback inventive, and there are a few moments that stand out for doing something different from the original. However, the middle of the film drags a bit, getting bogged down by dated ideas like the Soul Train sequence, which feels out of place.
One thing I notice is how rushed the third act feels, which isn't entirely surprising since the first film had the same issue. A few subplots get wrapped up too quickly, leaving me wishing for a more streamlined narrative. There's definitely a better, tighter story in there somewhere. Overall, while it's enjoyable in parts, Beetlejuice Beetlejuice struggles to balance everything it throws at the audience. It's fun but flawed.
FORMAT: Cinema
VIDEO: 10.0
4K theatrical presentation
Detail level: Excellent
Colour reproduction: Excellent
Level accuracy: Excellent
Encode: Excellent
Master condition: Excellent
AUDIO: 10.0
Dolby Atmos theatrical audio
Dialogue reproduction: Excellent
Soundtrack & effects clarity: Excellent
Dynamics: Excellent
Surround sound presentation: Excellent
LFE content: Excellent
MOOFIEMETER: 6.0.
Malcolm (1986)
"Hands up you ar$eholes! Nobody move!"
FILM: 7.0
Watching Malcolm for the first time, I can't help but appreciate how quirky and original it is. This odd but charming Aussie film centres on Malcolm, a socially awkward man with a deep love for trams. Colin Friels is excellent in the lead, bringing a certain warmth to his character that's hard not to like. After losing his job, Malcolm takes in a few boarders to make some extra cash, but things soon take a turn when they discover his passion for building mechanical contraptions. Before long, Malcolm's whimsical life of crime kicks off, and I find myself enjoying the ride.
The performances really stand out, particularly Friels, who anchors the film with his unique portrayal of Malcolm. The script is punchy, and Nadia Tass's direction is tight, keeping the film moving along at a good pace. What I really love, though, is how Melbourne becomes almost a character in the film. The way it leans into the city's architecture and tram culture adds such a unique flavour, making it feel distinctly Australian in a way that feels natural.
The score by the Penguin Cafe Orchestra is another highlight, adding to the film's quirky vibe. I'll admit, if you're not familiar with Aussie films, it might take some getting used to, but it's definitely worth it. Malcolm is odd, but that's part of its charm, and while it might not be perfect, it's a fun and offbeat watch. I'm glad I finally got around to seeing it.
FORMAT: Blu-ray
VIDEO: 8.0
1080/24p presentation
Detail level: Good
Colour reproduction: Good
Level accuracy: Good
Encode: Good
Master condition: Good
AUDIO: 8.0
DTS-HD MA 2.0 mono audio
Dialogue reproduction: Good
Soundtrack & effects clarity: Good
Dynamics: Good
Surround sound presentation: N/A
LFE content: N/A
MOOFIEMETER: 7.0.
The Man from Hong Kong (1975)
"No torture, no thumbscrews - this is Australia. We're not allowed to get into that sort of thing, mate."
FILM: 7.0
Rewatching The Man from Hong Kong is always a bit of a wild ride for me. If you haven't seen it before, you're definitely missing out on one of the more entertaining pieces of 70s Ozploitation. I've caught this film a few times over the years, and it's always a blast. It's got that perfect mix of over-the-top action and cheesy dialogue that keeps me coming back for more. As director Brian Trenchard-Smith once pointed out, the film is 106 minutes of non-stop action with only 18 minutes of dialogue-and you can tell.
The dialogue is hilariously bad, but honestly, that's part of the fun. It gives the film a certain charm, especially when paired with the action scenes. One of my favourite moments is the kitchen fight, which is pure gold. It's the kind of scrappy, old-school fight choreography that feels both brutal and fun at the same time. Then there's the introduction to Wilton-what a scene. We meet him absolutely wailing on a group of students, complete with some gloriously over-the-top dubbing of grunts and groans as bodies get slammed to the ground in slow motion. It's ridiculous in the best way possible.
What I really like about this film is that it doesn't take itself too seriously. Sure, it's rough around the edges, and the story is pretty thin, but that's not why I'm watching it. It's all about the fun, the action, and the sense of chaos that only 70s Ozploitation films seem to capture.
If you haven't seen The Man from Hong Kong before, you're definitely missing out. It's not the kind of film you watch for deep storytelling or nuanced performances, but if you're in the mood for some non-stop action and a bit of Aussie flair, it's worth a watch. It may not be perfect, but it's a wild ride!
FORMAT: Blu-ray
VIDEO: 7.0
1080/24p presentation
Detail level: Moderate
Colour reproduction: Good
Level accuracy: Good
Encode: Moderate
Master condition: Good
AUDIO: 8.0
DTS-HD MA 5.1 & LPCM mono audio
Dialogue reproduction: Good
Soundtrack & effects clarity: Good
Dynamics: Good
Surround sound presentation: Moderate
LFE content: Moderate
MOOFIEMETER: 7.0.
Avengers: Endgame (2019)
"I love you 3000."
FILM: 8.5
Rewatching Avengers: Endgame, I'm struck by how well the Russo Brothers pull off the enormous task of giving each character their due. This film had a lot riding on it, and I still find it incredibly well-made, immensely enjoyable, and ultimately satisfying. The drama is especially well done here-Marvel finally nails it after a string of more digestible, lighter stories. The weight of the stakes is felt throughout, and it's a welcome change.
The drama is where this film really shines for me. After several years of Marvel playing it safe with more easily digestible stories, Endgame takes a much-needed dive into heavier emotional territory. It's clear that Marvel finally got it right, delivering drama that feels earned and impactful. Downey Jr, Evans, and Renner are the standout beneficiaries of this approach, with the film both opening and closing with some of their best moments. Their performances anchor the story, making it feel grounded even amidst all the superhero spectacle.
The action is, as expected, top-notch, but what surprises me is the level of violence-there's a bit more edge here than I'm used to seeing in a Marvel film. It's refreshing to see some real variation and consequence in the battles, something Marvel has tried to smooth over a bit too much in the past. Watching these characters face real stakes is immensely rewarding, and it adds a layer of intensity that makes the film all the more compelling.
Comedy still has its place in Endgame, providing much-needed relief from the drama-heavy narrative. Thor and Rocket handle most of the humour, and while I enjoy their banter, I do feel that Thor's storyline pushes the comedy a bit too far. It sometimes feels like it's making light of what should be serious moments, which can be a bit jarring.
After 11 years, Marvel truly delivered a fitting end to this saga. Seeing how successful it was, and how the franchise has failed to reach similar heights over the past five years, is a testament to just how well they wrapped things up.
FORMAT: 4K Ultra HD Blu-ray
VIDEO: 9.0
Upscaled 2160/24p presentation
Detail level: Good
Colour reproduction: Good
Level accuracy: Excellent
Encode: Excellent
Master condition: Excellent
AUDIO: 9.0
Dolby Atmos audio
Dialogue reproduction: Excellent
Soundtrack & effects clarity: Excellent
Dynamics: Good
Surround sound presentation: Excellent
LFE content: Good
MOOFIEMETER: 9.0.
Avengers: Infinity War (2018)
"Chill the eff out. I'm gonna ask you this one time: Where is Gamora?"
FILM: 8.5
Rewatching Avengers: Infinity War, I'm struck by just how ambitious this film is. After a decade of build-up, the expectations were sky-high, and I find myself liking about 90% of what it delivers. The performances are stellar across the board, and the sheer scope of the film is impressive. There's a real sense of weight to the story, and the direction keeps everything moving at a brisk pace without losing sight of the characters. The action is top-notch, with some truly memorable sequences that still hold up on repeat viewings.
Characterisation is another strength of the film. With so many heroes and villains in play, it's no small feat that most of them get their moments to shine. I'm always impressed by how well the film balances its massive ensemble, giving us enough time with each character to remind us why we care about them.
However, the foreshadowing remains a sticking point for me. With so many characters and plot points to juggle, the film doesn't have much room for subtlety. The twists and turns in the story are set up so clearly that they lose some of their impact when they finally play out. I can't help but feel that the predictability takes away from the suspense, and repeat viewings only reinforce this issue.
The ending is another point of contention for me. It's clear that it's setting up for a reset of sorts, and that takes away some of the emotional weight of the sacrifices made during the film. As someone familiar with the Infinity Gauntlet comics, I wasn't surprised by this, but it still feels like it devalues the impact of what came before.
Despite these flaws, Avengers: Infinity War is still massively entertaining. The good far outweighs the bad, and I find myself enjoying the ride each time I revisit it. It's a film that knows how to deliver on its promises, even if it doesn't always stick the landing.
FORMAT: 4K Ultra HD Blu-ray
VIDEO: 9.0
Upscaled 2160/24p presentation
Detail level: Good
Colour reproduction: Good
Level accuracy: Excellent
Encode: Excellent
Master condition: Excellent
AUDIO: 8.5
Dolby Atmos audio
Dialogue reproduction: Excellent
Soundtrack & effects clarity: Excellent
Dynamics: Moderate
Surround sound presentation: Good
LFE content: Good
MOOFIEMETER: 8.0.
Avengers: Age of Ultron (2015)
"And for gosh's sake, watch your language!"
FILM: 7.0
Rewatching Avengers: Age of Ultron, I find myself with mixed feelings. It's definitely not a terrible film, but it's not quite great either-it's the very definition of "meh." There are some moments that really shine, but overall, it feels like it misses the mark of what it could have been.
One of the highlights for me is the pit stop at Clint's house. I've always found those scenes to be some of the best in the film, offering a nice break from the action and giving us some much-needed character development. Ironically, it's Hawkeye, who's my least favourite Avenger, who ends up being the conduit for these great moments. It's funny how that works out, but it's a credit to the film that it can turn my opinion of him around, even if just for a bit.
James Spader as the voice of Ultron is another strong point. He brings a certain gravitas to the character that makes Ultron more than just another villain. However, I can't help but feel that somewhere in the story and screenplay, there was a great film waiting to come out. We get glimpses of it when the Avengers face their greatest fears-those scenes have so much potential for a deeper, darker narrative. An exploration of that would have been fantastic, but instead, we're handed another army of robots to deal with.
This is where the film starts to feel a bit repetitive for me. Coming right after Iron Man 3, with its endless suits of armour, the constant onslaught of robotic enemies feels like more of the same. Age of Ultron had the potential to be something more, but as it stands, it ends up being the weakest of the Avengers films. That said, it's still enjoyable in parts, and I find myself appreciating those small character-driven moments, even if the film as a whole doesn't quite hit the heights I'd hoped for.
FORMAT: 4K Ultra HD Blu-ray
VIDEO: 9.0
Upscaled 2160/24p presentation
Detail level: Good
Colour reproduction: Excellent
Level accuracy: Good
Encode: Good
Master condition: Excellent
AUDIO: 7.5
Dolby Atmos audio
Dialogue reproduction: Excellent
Soundtrack & effects clarity: Excellent
Dynamics: Moderate
Surround sound presentation: Good
LFE content: Moderate
MOOFIEMETER: 7.0.
The Avengers (2012)
"If we can't protect the Earth, you can be damned well sure we'll avenge it!"
FILM: 8.0
Rewatching The Avengers, I'm reminded just how big of a deal it was when this film first brought all the heroes together. Four years into the Marvel journey, seeing them finally assemble on screen is still pretty exciting, even if it's not my absolute favourite of phase one.
The first hour of the film is what really grabs me. I love the way the characters interact as they meet for the first time-there's something fun about watching these larger-than-life personalities clash and try to figure each other out. Stark and Banner, in particular, have a great dynamic that I always enjoy. The expansion of SHIELD's role in the story also adds some nice layers to the film, giving it more scope and a sense of a bigger world beyond just the superheroes.
That said, the extended battle at the end just doesn't do much for me. It's visually impressive, sure, but I find myself less engaged with the non-stop action. It also feels like this is where the franchise starts down a path of needing to constantly up the ante with bigger and bigger stakes. While it's exciting, I think it sometimes comes at the cost of more interesting character moments.
One thing that stands out to me, even on rewatch, is how much friction there is between the characters in the beginning. Everyone seems to be at each other's throats, which can be a bit much at times. I get that it's meant to build up to that big "assemble" moment, and it does make that payoff feel earned, but I've always felt the conflict was a bit forced.
Still, The Avengers is quite the achievement in bringing all these characters together in a way that feels cohesive and fun. It's a solid film that I still enjoy watching, even if I do find myself more drawn to the quieter, character-driven moments than the explosive action.
FORMAT: 4K Ultra HD Blu-ray
VIDEO: 9.0
Upscaled 2160/24p presentation
Detail level: Good
Colour reproduction: Excellent
Level accuracy: Excellent
Encode: Good
Master condition: Excellent
AUDIO: 9.0
Dolby Atmos audio
Dialogue reproduction: Excellent
Soundtrack & effects clarity: Excellent
Dynamics: Good
Surround sound presentation: Excellent
LFE content: Good
MOOFIEMETER: 8.0.
Jing wu men (1972)
"I have come here to avenge my teacher. This doesn't concern you. I'll allow you to leave. Out."
FILM: 7.5
Watching Fist of Fury for the first time, I'm immediately struck by Bruce Lee's magnetic presence. This 1972 film is another showcase of his talents, and I can see why it played a big part in his meteoric rise to global fame. Even though the storyline is pretty straightforward, centred around a classic tale of revenge, it doesn't take away from the entertainment value one bit.
Now, I have to admit, the plot isn't exactly ground-breaking. Like many films in this genre, it's all about getting back at those who have wronged you. But what makes Fist of Fury stand out is Bruce Lee himself. The intensity he brings to his role is undeniable, and his fighting skills are truly something to behold. I find myself marvelling at how fast and precise his movements are, and the choreography is top-notch. Every fight scene is like a masterclass in martial arts, and it's clear that Bruce Lee is in a league of his own.
Of course, as with many martial arts films from this era, there are a few quirks that add to its charm. The dubbing, for instance, is notoriously bad, and I can't help but laugh at how it adds a unique flavour to the whole experience. It's part of what makes these films so memorable, even if it does take you out of the moment every now and then.
Despite these quirks, Fist of Fury is still a blast to watch. Let's be real-what I'm really here for is Bruce Lee kicking some serious ass, and he absolutely delivers. His fighting skills are nothing short of phenomenal, and I'm blown away by the precision and intensity he brings to every scene. The choreography is sharp, with each move executed so flawlessly that I can't help but admire the sheer athleticism on display. Watching him in action, I'm reminded of why Bruce Lee is such an icon in martial arts cinema.
Overall, Fist of Fury is a solid entry in Bruce Lee's filmography. Sure, the story might not break new ground, and the dubbing can be a bit distracting, but these quirks add to the charm. I can see why this film is so well-regarded, and it's one that I'm glad to have finally watched.
FORMAT: Blu-ray
VIDEO: 6.0
1080/24p presentation
Detail level: Moderate
Colour reproduction: Moderate
Level accuracy: Moderate
Encode: Good
Master condition: Moderate
AUDIO: 6.0
DTS-HD MA 5.1 audio
Dialogue reproduction: Moderate
Soundtrack & effects clarity: Moderate
Dynamics: Moderate
Surround sound presentation: Poor
LFE content: Moderate
MOOFIEMETER: 7.0.
Enter the Dragon (1973)
"Your style is unorthodox."
FILM: 8.5
Rewatching Enter the Dragon, I'm reminded why it's the pinnacle of classic martial arts films. It's not just a film; it's an experience that captures everything Bruce Lee stood for, and it's easy to see why it's considered the finest representation of his work, especially given his tragic passing at just 32.
From the moment I hit play, I'm drawn back into its world, where Lee's intensity, charisma, and raw power dominate every scene. Sure, the story isn't anything groundbreaking, even for the 70s. Lee's earlier films often had him up against a crime boss, usually driven by some personal vendetta. Enter the Dragon doesn't stray far from this formula, but what sets it apart is its scale and execution. The film feels bigger, bolder, and more polished than its predecessors.
The cast is solid, with each actor bringing something unique to the table, but let's be honest-this is Bruce Lee's show. Watching him move, it's impossible not to be in awe of his speed and precision. The fight choreography is on another level, and the famous hall of mirrors sequence? Still just as thrilling as ever, with its clever use of reflections building tension in a way that few action scenes manage to do.
The soundtrack by Lalo Schifrin also deserves a mention. It's drenched in 70s style, and I absolutely love how it sets the tone for the entire film. Schifrin's music helps to distinguish Enter the Dragon from Bruce Lee's other work, giving it a unique flair that complements the action perfectly.
Overall, rewatching Enter the Dragon reminds me why it's not just a classic, but *the* classic martial arts film. Bruce Lee's talent, coupled with the film's style and execution, make it a must-watch. It's a film that's earned its place in cinematic history.
FORMAT: 4K Ultra HD Blu-ray
VIDEO: 8.5
Native 2160/24p presentation
Detail level: Good
Colour reproduction: Excellent
Level accuracy: Good
Encode: Good
Master condition: Excellent
AUDIO: 9.0
Dolby Atmos & DTS-HD MA Mono audio
Dialogue reproduction: Excellent
Soundtrack & effects clarity: Good
Dynamics: Excellent
Surround sound presentation: Good
LFE content: Good
MOOFIEMETER: 9.0.