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Reviews16
severe_td's rating
I was 9 years old in 1981 when this show debuted. Though I watched Gimme a Break from the start, it goes without saying that I lacked the maturity at that age to fully understand the adult humor and social issues being explored.
As Gimme a Break only enjoyed average ratings at the time, it was not a big candidate for syndication. As a result, it has been decades since I last saw the show.
I caught it again recently on YouTube, and I was pleasantly surprised. It was better than I remembered as a kid, perhaps because I could fully understand everything now. It's funny, charming, well-written, and even manages to tackle some serious issues. Most notably, it holds up surprisingly well today, which can't be said for many of the more popular sitcoms at the time.
The show was also fairly unusual in that its strongest episodes were in the first two years. Most successful shows take some time to find themselves, but Gimme a Break hit its stride early. Sadly, the show started to slip starting from season 3. Nell Harper's increased creative control was part of the problem. She was a very talented actress and singer, but not so much on the creative side. The series really took a nosedive in its final season when the girls left and the setting moved to New York.
Even so, this was a good show, and in fact deserved better ratings when it was on the air. Try watching it again, and I bet you'll enjoy it more the second time around.
As Gimme a Break only enjoyed average ratings at the time, it was not a big candidate for syndication. As a result, it has been decades since I last saw the show.
I caught it again recently on YouTube, and I was pleasantly surprised. It was better than I remembered as a kid, perhaps because I could fully understand everything now. It's funny, charming, well-written, and even manages to tackle some serious issues. Most notably, it holds up surprisingly well today, which can't be said for many of the more popular sitcoms at the time.
The show was also fairly unusual in that its strongest episodes were in the first two years. Most successful shows take some time to find themselves, but Gimme a Break hit its stride early. Sadly, the show started to slip starting from season 3. Nell Harper's increased creative control was part of the problem. She was a very talented actress and singer, but not so much on the creative side. The series really took a nosedive in its final season when the girls left and the setting moved to New York.
Even so, this was a good show, and in fact deserved better ratings when it was on the air. Try watching it again, and I bet you'll enjoy it more the second time around.
"Rockford" showed up on the small screen nearly 35 years ago. That's a long time, and the world has changed a lot since then. This makes it even more satisfying to see how well the show has held up over the years. While the cars, hairstyles, and clothing are noticeably dated, the endearing characters, intelligent writing, and clever story lines aren't.
Jim Rockford is an atypical TV hero, especially for the 1970s. He is often cranky and impatient, and he usually wants nothing to do with a case unless it's going to put his usual $200/day plus expenses in his pocket. However, after being talked into reluctant participation into many of his capers, Rockford displays an unusual sense of morality. Once he finds someone getting the short end of the stick, he can't turn his back on them until he puts things right -- even at his own life's peril.
The supporting cast really makes this show. All have a complex, sometimes unexplained relationship with Rockford that is often unconventional. Angel Martin is an extremely shady ex-con who constantly lies to Rockford and gets him into trouble, yet the viewer comes to eventually understand their strange friendship, as Jim begrudgingly takes the good with the bad. Beth Davenport's relationship with Rockford is never clarified. It's implied they had or have some sort of romantic involvement, but the relationship seems open, and at times, just a friendship. However, the viewer gets the sense that the two care about one another very much, and the strong, educated Ms. Davenport is a refreshing departure from damsel-in-distress characters of the time. Sgt. Dennis Becker is Jim's friend, but he isn't shy to share his suspicions that Rockford is often using him for information and police protection, nor is he reluctant to complain that Jim's ever-presence is preventing his advancement within the LAPD. Even Rockford's own father has an unconventional relationship with him, as Jim refers to him as "Rocky" and treats him as more of a best friend than a father. Rocky is more trusting and happy-go-lucky than his cranky, cynical son, but the two of them have an excellent chemistry that is even touching at times. It helped that Noah Beery and James Garner had a physical resemblance, as well.
The show had a few mainstays that were present in nearly every episode. It always had its share of humor, though often subtle. There were always a few exciting car chase scenes, however improbable that they could take place on L.A. streets without ever running into traffic. Someone always seemed to find a way to break into Rockford's trailer and either tear the place up, attack him, or both. Apparently he never learned his lesson about investing in some better locks. Regardless of these patterns, however, the show remained fresh and interesting throughout its entire run, especially with the creative writers they were fortunate enough to employ.
The Rockford Files was one of the most expensive shows to produce at the time, given its extensive use of on-location shooting throughout Los Angeles and its surrounding cities. While I'm sure this made things tougher on the staff, it especially enhances the show now, as one now has an excellent look at 1970s Los Angeles. It's especially invigorating for me to see this, as memories of my childhood there come rushing back with every scene change.
I did not start watching this series until 2007. It has been a pleasant surprise, and I recommend it to anyone who is looking for some great TV from 3 decades ago.
Jim Rockford is an atypical TV hero, especially for the 1970s. He is often cranky and impatient, and he usually wants nothing to do with a case unless it's going to put his usual $200/day plus expenses in his pocket. However, after being talked into reluctant participation into many of his capers, Rockford displays an unusual sense of morality. Once he finds someone getting the short end of the stick, he can't turn his back on them until he puts things right -- even at his own life's peril.
The supporting cast really makes this show. All have a complex, sometimes unexplained relationship with Rockford that is often unconventional. Angel Martin is an extremely shady ex-con who constantly lies to Rockford and gets him into trouble, yet the viewer comes to eventually understand their strange friendship, as Jim begrudgingly takes the good with the bad. Beth Davenport's relationship with Rockford is never clarified. It's implied they had or have some sort of romantic involvement, but the relationship seems open, and at times, just a friendship. However, the viewer gets the sense that the two care about one another very much, and the strong, educated Ms. Davenport is a refreshing departure from damsel-in-distress characters of the time. Sgt. Dennis Becker is Jim's friend, but he isn't shy to share his suspicions that Rockford is often using him for information and police protection, nor is he reluctant to complain that Jim's ever-presence is preventing his advancement within the LAPD. Even Rockford's own father has an unconventional relationship with him, as Jim refers to him as "Rocky" and treats him as more of a best friend than a father. Rocky is more trusting and happy-go-lucky than his cranky, cynical son, but the two of them have an excellent chemistry that is even touching at times. It helped that Noah Beery and James Garner had a physical resemblance, as well.
The show had a few mainstays that were present in nearly every episode. It always had its share of humor, though often subtle. There were always a few exciting car chase scenes, however improbable that they could take place on L.A. streets without ever running into traffic. Someone always seemed to find a way to break into Rockford's trailer and either tear the place up, attack him, or both. Apparently he never learned his lesson about investing in some better locks. Regardless of these patterns, however, the show remained fresh and interesting throughout its entire run, especially with the creative writers they were fortunate enough to employ.
The Rockford Files was one of the most expensive shows to produce at the time, given its extensive use of on-location shooting throughout Los Angeles and its surrounding cities. While I'm sure this made things tougher on the staff, it especially enhances the show now, as one now has an excellent look at 1970s Los Angeles. It's especially invigorating for me to see this, as memories of my childhood there come rushing back with every scene change.
I did not start watching this series until 2007. It has been a pleasant surprise, and I recommend it to anyone who is looking for some great TV from 3 decades ago.
"Head of the Class" is very dated to the late 1980s. From the big hair to the clunky IBM terminals in the classroom, there's no doubt you're watching a show produced nearly 20 years ago. However, that actually adds to the program's charm -- especially for those of us who were in high school ourselves during that time period.
For 3 seasons, Head of the Class had a lot going for it. While lighthearted and often requiring a suspension of disbelief, the show was funny, entertaining, and charming. There was an excellent chemistry among cast members, and Howard Hesseman was perfect for the part of wise teacher Charlie Moore. Even the New York setting of the sitcom was well done, from the fascinating city imagery in the opening song to many different exterior shots shown between scenes. I saw the show at a taping in Burbank, California in 1986. Despite having actually been on the California set, I had to constantly remind myself that it wasn't actually shot in New York. That's unusual for a sitcom.
Unfortunately, things started to unravel in season 4. Too many of the original student cast members were lost, and the new ones replacing them were uninteresting and flat. How much do you really remember about Viki, Aristotle, Alex, T.J., and Jasper? You probably remember their faces, but they were simply cardboard replacements for the vibrant and quirky Janice, Jawaharalal, and Maria. This was already a sign that the show was slipping.
In Hesseman's final year, there were also a surprising number of "musicals" performed on the show. The first one was an interesting change, but this repeated theme made it clear that the writers were running of out ideas.
Finally, Hesseman left (probably sensing the end being near), and Billy Connolly replaced him. That was the truly the beginning of the end. Like the replacement students of the previous year, Connolly's character lacked the substance and depth that made Hesseman's so great. Between the boring new teacher and the tired-looking, modified class of students, this show ceased to hold many people's interest. It was mercifully put down at the end of the '90-91 season.
I would like to see Head of the Class back somewhere on television. Nick at Nite ran it for awhile in a horrible time slot (something like 4:30am), but eventually it vanished. It can't be found anywhere, which I think is a shame. This fun show deserves better than to rot in some syndication company's archive room.
For 3 seasons, Head of the Class had a lot going for it. While lighthearted and often requiring a suspension of disbelief, the show was funny, entertaining, and charming. There was an excellent chemistry among cast members, and Howard Hesseman was perfect for the part of wise teacher Charlie Moore. Even the New York setting of the sitcom was well done, from the fascinating city imagery in the opening song to many different exterior shots shown between scenes. I saw the show at a taping in Burbank, California in 1986. Despite having actually been on the California set, I had to constantly remind myself that it wasn't actually shot in New York. That's unusual for a sitcom.
Unfortunately, things started to unravel in season 4. Too many of the original student cast members were lost, and the new ones replacing them were uninteresting and flat. How much do you really remember about Viki, Aristotle, Alex, T.J., and Jasper? You probably remember their faces, but they were simply cardboard replacements for the vibrant and quirky Janice, Jawaharalal, and Maria. This was already a sign that the show was slipping.
In Hesseman's final year, there were also a surprising number of "musicals" performed on the show. The first one was an interesting change, but this repeated theme made it clear that the writers were running of out ideas.
Finally, Hesseman left (probably sensing the end being near), and Billy Connolly replaced him. That was the truly the beginning of the end. Like the replacement students of the previous year, Connolly's character lacked the substance and depth that made Hesseman's so great. Between the boring new teacher and the tired-looking, modified class of students, this show ceased to hold many people's interest. It was mercifully put down at the end of the '90-91 season.
I would like to see Head of the Class back somewhere on television. Nick at Nite ran it for awhile in a horrible time slot (something like 4:30am), but eventually it vanished. It can't be found anywhere, which I think is a shame. This fun show deserves better than to rot in some syndication company's archive room.