ccthemovieman-1
Joined Dec 2004
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This review is primarily for the people who have watched the famous 1959 version of Ben-Hur. and are wondering if it is worth viewing the 2016 remake. How did it compare to the 1959 film? I would say the '59 film is better because it draws out the story more and so it flows nicely. It makes Judah Ben-Hur's history more easily understood, from his relationship to childhood friend and adult villain "Messala, " to his being sent to the galleys and how he finally escapes from there, to how he became friends with a man who had four magnificent white horses and how Ben-Hur taught them how to work together, to the famous chariot race in Rome, and then witnessing Christ carrying his cross and being crucified and his mother and sister are healed from leprosy.
In the new two-hour movie, things move faster because it is almost an hour-and-a-half shorter than the William Wyler-directed '59 film. There is less time to tell the story. Also there are changes in the new modern version and some might be a little confusing if you didn't know the story. I didn't mind most of the changes but I just thought the '59 film told the story better. Also. Charleton Heston was better as the lead character, slightly more convincing because he looked bigger and stronger and more able to endure five long years rowing in the bottom of a battleship. I also feel the famous chariot race was actually better in the old film and the leprosy angle involving Hur's family was much more dramatic in the '59 movie.
Having said all that, this 2016 movie was still very good. I enjoyed the updated camera-work on the sea battle and on the chariot race, the two dramatic action scenes in the film. I really appreciated Jesus being shown more often with the final scene of him on the cross done better than the earlier film. It was well done and true to the biblical account of Jesus last words on the cross.
Morgan Freeman is the only actor I was familiar with here and he plays his normal likable character role. The women in Judah's family, his mother and sisters, were more beautiful than the actresses in the prior movie but not more memorable. Haya Harareet, Martha Scott and Cathy O'Donnell all came across as more vulnerable and more believable as "Esther, "Miriam" and Tirzah," respectively. Finally, Jesus message of forgiveness is brought out more here in this movie and he is shown more often than in the previous movie. He should be, as the title of Lew Wallace's book these films came from is "Ben-Hur: A Tale Of The Christ."
In summary, I'd say both movies are "keepers" but I give the advantage to Wyler's movie (which also had a far superior musical score; one of the best ever). I could go on and on but I think I've said enough. If you are a big fan of the Heston flick, check this one out, too. It's interesting to compare the differences.
In the new two-hour movie, things move faster because it is almost an hour-and-a-half shorter than the William Wyler-directed '59 film. There is less time to tell the story. Also there are changes in the new modern version and some might be a little confusing if you didn't know the story. I didn't mind most of the changes but I just thought the '59 film told the story better. Also. Charleton Heston was better as the lead character, slightly more convincing because he looked bigger and stronger and more able to endure five long years rowing in the bottom of a battleship. I also feel the famous chariot race was actually better in the old film and the leprosy angle involving Hur's family was much more dramatic in the '59 movie.
Having said all that, this 2016 movie was still very good. I enjoyed the updated camera-work on the sea battle and on the chariot race, the two dramatic action scenes in the film. I really appreciated Jesus being shown more often with the final scene of him on the cross done better than the earlier film. It was well done and true to the biblical account of Jesus last words on the cross.
Morgan Freeman is the only actor I was familiar with here and he plays his normal likable character role. The women in Judah's family, his mother and sisters, were more beautiful than the actresses in the prior movie but not more memorable. Haya Harareet, Martha Scott and Cathy O'Donnell all came across as more vulnerable and more believable as "Esther, "Miriam" and Tirzah," respectively. Finally, Jesus message of forgiveness is brought out more here in this movie and he is shown more often than in the previous movie. He should be, as the title of Lew Wallace's book these films came from is "Ben-Hur: A Tale Of The Christ."
In summary, I'd say both movies are "keepers" but I give the advantage to Wyler's movie (which also had a far superior musical score; one of the best ever). I could go on and on but I think I've said enough. If you are a big fan of the Heston flick, check this one out, too. It's interesting to compare the differences.
Wow, what a pleasant surprise.
I think this is one of the best James Bond films ever made. I wasn't a fan of Daniel Craig's "Bond" before this.....but I am now. He was outstanding, as was the whole cast. So was the photography (Roger Deakins - one of the best cinematographers in the business) and the action scenes were extremely entertaining. Sure, some - like the opening - were over-the-top but that's what we've all come to expect and enjoy with the Bond movies. This opening scene ranks among the most astounding.
Javier Bardem ("No Country For Old Men") makes a fascinating villain, even though he doesn't appear for the first hour of the film.
I've watched the movie three times in just over a year - which is unusual for me - and enjoyed it each time.
I think this is one of the best James Bond films ever made. I wasn't a fan of Daniel Craig's "Bond" before this.....but I am now. He was outstanding, as was the whole cast. So was the photography (Roger Deakins - one of the best cinematographers in the business) and the action scenes were extremely entertaining. Sure, some - like the opening - were over-the-top but that's what we've all come to expect and enjoy with the Bond movies. This opening scene ranks among the most astounding.
Javier Bardem ("No Country For Old Men") makes a fascinating villain, even though he doesn't appear for the first hour of the film.
I've watched the movie three times in just over a year - which is unusual for me - and enjoyed it each time.
James Stewart, Walter Brennan, John McIntire, Ruth Roman, Jay C. Flippen, Corinne Calvet, Steve Brodie, Harry Morgan, Robert Wilke, Jack Elam, Kathleen Freeman - lots of familiar names and faces in this western.
It was my first look at THE FAR COUNTRY (1954) and I was very impressed. The story was terrific, acting solid and the scenery excellent (on location in Alberta, Canada). It was great story-telling. with the twist or two to surprise you. The ending featured a couple of more surprises. It didn't hurt that Anthony Mann was directing, too. He and Stewart worked a number of movies together.
Here's an interesting tidbit: the horse in this movie was the same one that Stewart used in 16 other movies!!!!! He and this horse were great pals and the horse was an excellent actor. Really.....that's what I read, and I thought that was kinda cool. In fact, there is an example of it in the final dramatic scene in this film.
It was my first look at THE FAR COUNTRY (1954) and I was very impressed. The story was terrific, acting solid and the scenery excellent (on location in Alberta, Canada). It was great story-telling. with the twist or two to surprise you. The ending featured a couple of more surprises. It didn't hurt that Anthony Mann was directing, too. He and Stewart worked a number of movies together.
Here's an interesting tidbit: the horse in this movie was the same one that Stewart used in 16 other movies!!!!! He and this horse were great pals and the horse was an excellent actor. Really.....that's what I read, and I thought that was kinda cool. In fact, there is an example of it in the final dramatic scene in this film.