Journal Description
Heritage
Heritage
is an international, peer-reviewed, open access journal of cultural and natural heritage science published monthly by MDPI.
- Open Access— free for readers, with article processing charges (APC) paid by authors or their institutions.
- High Visibility: indexed within Scopus, ESCI (Web of Science), and other databases.
- Journal Rank: JCR - Q2 (Multidisciplinary Sciences) / CiteScore - Q1 (Conservation)
- Rapid Publication: manuscripts are peer-reviewed and a first decision is provided to authors approximately 17.7 days after submission; acceptance to publication is undertaken in 4 days (median values for papers published in this journal in the first half of 2024).
- Recognition of Reviewers: reviewers who provide timely, thorough peer-review reports receive vouchers entitling them to a discount on the APC of their next publication in any MDPI journal, in appreciation of the work done.
Impact Factor:
2.0 (2023);
5-Year Impact Factor:
1.9 (2023)
Latest Articles
Qarasiña Culinary Tradition: Conserving Quinoa (Chenopodium quinoa) as an Intangible Cultural Heritage in Jach’a Puni (Andean Community), Bolivia
Heritage 2024, 7(10), 5390-5412; https://doi.org/10.3390/heritage7100254 (registering DOI) - 29 Sep 2024
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Heritage encompasses features integral to the culture of a particular society, such as traditional foods that have historical significance and continue to be part of the community’s identity. These culinary traditions must be preserved to sustain cultural identity and community well-being. This study
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Heritage encompasses features integral to the culture of a particular society, such as traditional foods that have historical significance and continue to be part of the community’s identity. These culinary traditions must be preserved to sustain cultural identity and community well-being. This study aims to document the role of qarasiña, along with other ancestral foods, in establishing quinoa (Chenopodium quinoa) as a cultural keystone species in the Jach’a Puni community. Primary data were gathered through in-depth interviews with local experts and community observations, supplemented by a comprehensive literature review. Findings reveal that in Jach’a Puni, all food is considered sacred. Three main types of qarasiña are identified: jupha qarasiña, ajara qarasiña, and kita qarasiña. The primary ingredients are domesticated quinoa (jupha) flour (Chenopodium quinoa var. quinoa) and wild quinoa (ajara) flour (Chenopodium quinoa var. melanospermum and C. hircinum). Qarasiña is integral to community banquets and social events. Although quinoa is celebrated globally as the “golden grain”, there is a risk that qarasiña may disappear and quinoa could be replaced by wheat or maize, threatening its status as a cornerstone species in the Bolivian Altiplano.
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Open AccessArticle
In Search of New Dimensions for Religious Tourism: The Case of the Ancient City of Nessebar
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Sonia Mileva and Milena Krachanova
Heritage 2024, 7(10), 5373-5389; https://doi.org/10.3390/heritage7100253 (registering DOI) - 28 Sep 2024
Abstract
Religious tourism is a growing phenomenon that is increasingly intertwined with cultural tourism, particularly in countries like Bulgaria, which possesses a wealthy heritage of religious interest. The Ancient City of Nessebar, a UNESCO World Heritage site with a rich religious history, provides a
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Religious tourism is a growing phenomenon that is increasingly intertwined with cultural tourism, particularly in countries like Bulgaria, which possesses a wealthy heritage of religious interest. The Ancient City of Nessebar, a UNESCO World Heritage site with a rich religious history, provides a unique case study for examining this dynamic. This study employed a mixed-methods approach, including documentary analysis and case study methodology, to investigate the current state of religious tourism in Nessebar. The research revealed the underutilization of Nessebar’s religious sites for tourism purposes, despite their potential value. A complex interplay between mass tourism, cultural preservation, and the decline of traditional religious practices was identified.
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(This article belongs to the Special Issue Heritage Tourism and Sustainable City Dynamics)
Open AccessArticle
Seismic Vulnerability Assessment of Historic Centers with Two Fast Methods Based on CARTIS Survey Methodology and Fragility Curves
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Giuliana Cardani and Elsa Garavaglia
Heritage 2024, 7(10), 5356-5372; https://doi.org/10.3390/heritage7100252 (registering DOI) - 28 Sep 2024
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After an earthquake, legislation tends to permit the rapid demolition of damaged buildings, including the built heritage, for safety reasons, as was the case for many small historic centers after the 2016 earthquake in central Italy. A balance should, of course, be struck
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After an earthquake, legislation tends to permit the rapid demolition of damaged buildings, including the built heritage, for safety reasons, as was the case for many small historic centers after the 2016 earthquake in central Italy. A balance should, of course, be struck between safety and preservation. There must be a willingness to engage in continuous interaction with the various bodies involved in post-earthquake management, particularly in the preventive phase of the complex activities regarding the issues of the seismic vulnerability of historic built. The widespread historical built heritage in Italy requires fast and reliable assessment procedures that allow a large-scale evaluation of the vulnerability of historical buildings before a seismic event. To this end, a proposal is presented here for the inverse use of the protocol for the seismic vulnerability survey of historic centers by means of a system called CARTIS form, coordinated since 2015 by the Italian consortium of Seismic and Structural Engineering Laboratories (ReLUIS). This rapid assessment is compared with an equally fast method for constructing fragility curves, based only on the information available in the ReLUIS–CARTIS database, defining the relationship between the probability of reaching a level of loss of structural safety or a vulnerability index as a function of the seismic acceleration PGA and the ground orography. The methodology outlined could be considered to be progress in cultural heritage diagnostics on a large scale, considering cultural heritage to be the diffuse historical residential masonry buildings that form the historic centers.
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(This article belongs to the Special Issue Recent Progress in Cultural Heritage Diagnostics)
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Terrorism Risk Assessment for Historic Urban Open Areas
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Elena Cantatore, Enrico Quagliarini and Fabio Fatiguso
Heritage 2024, 7(10), 5319-5355; https://doi.org/10.3390/heritage7100251 - 26 Sep 2024
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Making cities resilient and secure remains a central goal in urban policy strategies, where established methods, technologies, and best experiences are applied or replicated when the knowledge of a threat is already well established. The scientific community and specialized bodies are invited to
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Making cities resilient and secure remains a central goal in urban policy strategies, where established methods, technologies, and best experiences are applied or replicated when the knowledge of a threat is already well established. The scientific community and specialized bodies are invited to comprehend and evaluate disastrous events that are still not well explored to broaden the concept of resilient cities. Among these, terrorism in the European-built environment remains an underexplored topic, despite various studies assessing its economic, social, and political dimensions, exploring the radicalist matrix, or examining the post-effects of high-impact disastrous events. Within this framework, this work presents an algorithm for the risk assessment of historic urban open areas (uOAs) in Europe, combining theories of the terrorism phenomenon, the normative experiences, and the phenomenological results of violent acts in uOAs. Specifically, the algorithm is determined by studying physical qualities/properties and elements that usually feature the uOAs, using a limited set of descriptors. The descriptors and their formulation are set starting from their qualification, in compliance with the risk determinant (Hazard, Vulnerability, and Exposure), and discussed starting from participatory methods (Delphi and AHP). The algorithm is finally applied to Italian historic squares, testing the mathematical approach, verifying theories of the phenomenon, and setting up a comprehensive three-dimensional risk matrix for both soft and hard targets. This latest constitutes an operative tool to assess the investigated built environment exposed to terrorist threats aimed at developing more detailed mitigative strategies.
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(This article belongs to the Special Issue Heritage under Threat. Endangered Monuments and Heritage Sites)
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Tradition in Action-Traditional Costume Innovations
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Lorraine Portelli, Zoi Arvanitidou, Kathryn McSweeney and Riikka Räisänen
Heritage 2024, 7(10), 5307-5318; https://doi.org/10.3390/heritage7100250 - 26 Sep 2024
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Traditional costumes and crafts are a basic form and element of local culture and a vital pathway for perpetuating traditional art and design culture. They are an artistic form of historical and cultural significance. This paper focuses on three traditional costumes from Malta,
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Traditional costumes and crafts are a basic form and element of local culture and a vital pathway for perpetuating traditional art and design culture. They are an artistic form of historical and cultural significance. This paper focuses on three traditional costumes from Malta, Ireland, and Finland. The għonnella, worn by Maltese women of different social classes, consisted of a voluminous cape-like covering reinforced with whalebone and cardboard and was worn over the head and shoulders, reaching ankle length. Irish costumes were adorned with beautiful Irish lace, crochet, and embroidery. Celtic embroidery was added to clothing to develop a distinctive Irish dress style during the great cultural revival of the early 20th century. The Karelian costume from Finland was constructed using wool and linen. Ladies in Karelia wore handcrafted, highly embroidered gowns, and traditions were passed down from older ladies, including mothers and grandmothers. These costumes were collected in the late nineteenth and early twentieth centuries when Finnish Karelia was known as ‘The Old Finland’. This paper delves into the origins of these costumes and how social and cultural events, with their intriguing influence, shaped their styles, features, colors, and fabrics.
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(This article belongs to the Section Cultural Heritage)
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Health and Heritage: The Bioarchaeological Discovery of a Probable Case of Developmental Dysplasia in an Adult Subject
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Nicol Rossetti, Roberta Fusco, Carmelo Messina, Arianna Vanni and Marta Licata
Heritage 2024, 7(10), 5295-5306; https://doi.org/10.3390/heritage7100249 - 24 Sep 2024
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Imagining life before the advent of modern medical treatments is challenging. Today, congenital dysplasia is typically diagnosed within the first months of a child’s life, allowing for timely intervention. In the past, however, this condition often went unrecognized and untreated, as evidenced by
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Imagining life before the advent of modern medical treatments is challenging. Today, congenital dysplasia is typically diagnosed within the first months of a child’s life, allowing for timely intervention. In the past, however, this condition often went unrecognized and untreated, as evidenced by archaeological findings that document the presence of congenital dysplasia persisting into adulthood. We present the case of the individual recovered from the hypogeal cemetery of Santa Maria Maggiore in Vercelli, Italy, a funerary context dated from the 18th to the 19th century. Using macroscopic and radiographic analyses, various morphological irregularities were identified, consistent with the characteristics of developmental hip dysplasia. The skeletal remains identified as FU12 SU151 include a right os coxa and femur, belonging to an adult female. The femur features a 90-degree femoral head angle and a shortened neck with nodules. The acetabulum shows significant morphological changes, including a triangular shape and absence of lunate surfaces, deviating from the normal structure for femoral articulation. CT scans revealed a void within the acetabulum, indicating an absence of material. Despite preservation challenges that restrict the identification of definitive signs, our findings offer valuable insights into possible developmental dysplasia in historic skeletal remains. This research provides insights into the impact of untreated congenital conditions on past populations, underscoring the importance of preserving and studying such remains to enhance our understanding of historical health issues.
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New Insights into the Materials and Painting Techniques of Ancient Wall Paintings from the Roman Province of Dacia: A Minimally Invasive Multi-Method Approach
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Ioana Maria Cortea, Luminița Ghervase, Lucian Ratoiu, Ovidiu Țentea and Monica Dinu
Heritage 2024, 7(9), 5268-5294; https://doi.org/10.3390/heritage7090248 - 21 Sep 2024
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A group of wall painting fragments discovered at Ulpia Traiana Sarmizegetusa, an important Roman archeological site located in the former Roman province of Dacia (Romania), have been investigated with the aim of defining the material composition of their pictorial layers and exploring the
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A group of wall painting fragments discovered at Ulpia Traiana Sarmizegetusa, an important Roman archeological site located in the former Roman province of Dacia (Romania), have been investigated with the aim of defining the material composition of their pictorial layers and exploring the pictorial technology used. In order to preserve the integrity of the murals and minimize sampling, an array of non- and micro-invasive techniques has been employed, including X-ray fluorescence, laser-induced breakdown spectroscopy, Fourier transform infrared spectroscopy, and hyperspectral imaging. In accordance with previous studies, the identified color palette was mainly based on iron-rich earth pigments (red and yellow ochres, green earth) and carbon-based blacks (soot/charcoal, bone black). Egyptian blue, lazurite, some lead-based pigments, and potentially indigo were also identified (in complex mixtures) on the uppermost paint layers, typically applied a secco over the a fresco background. The presence of expensive pigments and the existence of a red preparatory drawing, documented for the first time in the region, indicate that the original wall paintings had elaborate schemes and, secondly, reflect the patron’s wealth and social status. Hyperspectral imaging was able to retrieve some faded paint layers in certain cases, helping to recover lost decorative details, an indicator of a more complex polychromy compared to what we see today. The obtained results add important contributions to the limited corpus of data regarding the technical know-how of decorative polychrome painting on plaster found in Roman archeological sites in Romania.
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(This article belongs to the Special Issue Non-invasive and Micro-invasive Techniques for the Analysis of Historical Murals)
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Harnessing Vernacular Knowledge for Contemporary Sustainable Design through a Collaborative Digital Platform
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Letizia Dipasquale, Jacopo Ammendola, Lucia Montoni, Edoardo Paolo Ferrari and Matteo Zambelli
Heritage 2024, 7(9), 5251-5267; https://doi.org/10.3390/heritage7090247 - 18 Sep 2024
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Vernacular architecture offers valuable technological and typological solutions rooted in knowledge systems that connect environmental, social, economic, and cultural contexts. This paper introduces the Heritage for People Platform, a collaborative digital tool developed under the VerSus+ project (Creative Europe Program), aimed at organising
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Vernacular architecture offers valuable technological and typological solutions rooted in knowledge systems that connect environmental, social, economic, and cultural contexts. This paper introduces the Heritage for People Platform, a collaborative digital tool developed under the VerSus+ project (Creative Europe Program), aimed at organising and disseminating vernacular architectural knowledge with a focus on sustainable practices that are both culturally and environmentally conscious. The platform builds upon lessons learned from similar projects, offering key improvements such as the adoption of a Case-Based Reasoning methodology, which organises examples by geographic location, materials, and intervention types. A structured classification system based on sustainability principles and strategies enables cross-disciplinary research and comparison. The design process was highly participatory, incorporating user feedback at every stage to ensure the platform is accessible to a wide range of users, including designers, scholars, craftspeople, and the general public. A cross-device, user-centered approach further broadens its accessibility. The platform provides a public, web-based geospatial repository where users can create, update, and explore a dynamic collection of artefacts, design models, people, and institutions from across the globe. This tool marks a significant advance in promoting and preserving both physical and intangible heritage, with strong educational and practical applications for sustainable architecture. The paper details the theoretical framework and real-world potential of the platform as a critical resource for promoting sustainability in the built environment.
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(This article belongs to the Special Issue Conservation of Vernacular Heritage: Materials, Techniques and Project Management)
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The Influence of Heritage on the Revealed Comparative Advantage of Tourism—A Worldwide Analysis from 2011 to 2022
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Zsuzsanna Bacsi
Heritage 2024, 7(9), 5232-5250; https://doi.org/10.3390/heritage7090246 - 18 Sep 2024
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A country’s development is crucially determined by its cultural and natural heritage, and it is reflected in its industrial structure and its success in the global marketplace. The present paper looks at the global performance of tourism, comparing its performance measured by the
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A country’s development is crucially determined by its cultural and natural heritage, and it is reflected in its industrial structure and its success in the global marketplace. The present paper looks at the global performance of tourism, comparing its performance measured by the Normalised Revealed Comparative Advantage (NRCA) index to the components of natural and cultural heritage, analysing 117 countries of the world. Natural and cultural heritage indicators were derived from the tourism competitiveness reports of the World Economic Forum for the years 2011–2013–2015–2017–2019–2022. Panel regression analysis was applied, with NRCA as the dependent variable and eight indicators of natural and cultural heritage as independent variables, comparing regions of the world. The main findings show considerably differing patterns between regions; Europe and Eurasia being similar to the Americas, with decreasing competitive advantage associated with more focus on endangered species and observance of environmental treaties, while the Middle East and North Africa show a strongly opposite pattern. Cultural heritage has a positive impact only in Sub-Saharan Africa, while Asia and the Pacific benefit mainly from the increase of protected areas and abundance of species. These differences shed light on differences in tourism competitiveness in the global market and may guide policymakers towards utilising heritage items for improving tourism performance.
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(This article belongs to the Special Issue Heritage Tourism and Sustainable City Dynamics)
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Unveiling Vernacular Features: Interdisciplinary Knowledge for the Conservation of Villa Murat in the Sorrento Peninsula
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Andrea Pane, Raffaele Catuogno and Maria Parente
Heritage 2024, 7(9), 5210-5231; https://doi.org/10.3390/heritage7090245 - 17 Sep 2024
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The Sorrento Peninsula is characterized by a significant occurrence of examples of vernacular architecture, which exhibit distinctive morphological and constructive features. These have been the subject of numerous studies. However, some buildings have undergone a process of transformation over time, the details of
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The Sorrento Peninsula is characterized by a significant occurrence of examples of vernacular architecture, which exhibit distinctive morphological and constructive features. These have been the subject of numerous studies. However, some buildings have undergone a process of transformation over time, the details of which have yet to be investigated. Architectures that initially held a rural character were enlarged and ennobled, thereby becoming what could be termed as “villas of delights”. However, these clearly manifest their origin based on the permanence of some vernacular features. This paper focuses on the analysis of a case study, Villa Murat, which is exemplary in illustrating this process. This thorough interdisciplinary research combines historical investigation, based mainly on archival documents, with a direct examination of the Villa. This has enabled the retracing of the building’s evolution and of the events that occurred in it. An integrated survey, which employed photogrammetry and laser scanning, enabled the assessment of the current state of conservation. The ultimate objective of this research is to propose conservative interventions which, in conjunction with the suggested new intended use, could ensure the preservation of the Villa.
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(This article belongs to the Special Issue Conservation of Vernacular Heritage: Materials, Techniques and Project Management)
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Domestic and Productive Earthen Architecture Conserved In Situ in Archaeological Sites of the Iberian Peninsula
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Sergio Manzano-Fernández, Camilla Mileto, Fernando Vegas López-Manzanares and Valentina Cristini
Heritage 2024, 7(9), 5174-5209; https://doi.org/10.3390/heritage7090244 - 14 Sep 2024
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For past societies on the Iberian Peninsula, one of the most prolific architectures was earthen construction, with a wealth of typologies and solutions derived from the legacy of local construction and materials. However, its study within the field of archaeology has been limited.
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For past societies on the Iberian Peninsula, one of the most prolific architectures was earthen construction, with a wealth of typologies and solutions derived from the legacy of local construction and materials. However, its study within the field of archaeology has been limited. The challenges posed by conservation, archaeological identification and social recognition have traditionally limited the dissemination of this type of architecture. Its low profile is perceived as fragile once the original protections collapse. The ethnological information preserved and linked to past ways of life and societies is crucial to the interpretation of the cultural development handed down over generations by different communities and now transmitted to the general public through archaeological sites. This research aims to provide an overview of the main earthen vestiges from domestic, productive and funerary architecture dating from the prehistoric, protohistoric, Roman and medieval periods. For this, a bibliographical review and data collection through fieldwork were conducted for numerous case studies. These included the classification of materials, compositions and construction techniques, creating an integrated comprehensive database with information on geography, measurements and the general state of conservation.
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(This article belongs to the Special Issue Conservation of Vernacular Heritage: Materials, Techniques and Project Management)
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Applying Classic Literature to Facilitate Cultural Heritage Tourism for Youth through Multimedia E-Book
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Kittichai Kasemsarn
Heritage 2024, 7(9), 5148-5173; https://doi.org/10.3390/heritage7090243 - 13 Sep 2024
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The majority of cultural heritage tourism globally lacks the diversity of young tourists since there is a universal trend among youth worldwide considering that cultural and heritage stories are unrelated to their lifestyles and not designed for them. This research therefore makes use
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The majority of cultural heritage tourism globally lacks the diversity of young tourists since there is a universal trend among youth worldwide considering that cultural and heritage stories are unrelated to their lifestyles and not designed for them. This research therefore makes use of classic Thai literature that the target group (grade 12) has studied, “Khun Chang Khun Phaen (KCKP)”, which includes actual heritage places in the province of Suphan Buri. It aims to create and evaluate design guidelines applying classic literature to facilitate cultural heritage tourism and interest in learning classic literature and history, specifically for youth, in three phases. In Phase 1, design guidelines are developed based on the answers of on-site questionnaires distributed to 600 young people. In Phase 2, a multimedia KCKP e-book is created, and in Phase 3, this multimedia KCKP e-book is evaluated using the results from 100 on-site questionnaires—serving as the research’s success criterion. The findings indicate that this e-book may spark a strong interest in youth for KCKP literature (mean = 4.53/5), cultural heritage tourism (mean = 4.56/5), and history (mean = 4.72/5). These findings affirm that the design guidelines effectively engage young tourists and promote an appreciation for cultural heritage, history, and classic literature.
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Open AccessFeature PaperArticle
Interdisciplinary Analysis and the Role of Experiments in Raw Materials and Technology Identification for Prehistoric Pottery in the Bistrița River Basin (Romania)
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Ana Drob, Neculai Bolohan, Viorica Vasilache, Bogdan-Gabriel Rățoi and Mihai Brebu
Heritage 2024, 7(9), 5120-5147; https://doi.org/10.3390/heritage7090242 - 13 Sep 2024
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The paper presents an interdisciplinary study based on an experimental model for investigating clay sources to identify prehistoric human behavior regarding resources. The study focuses on the Middle Bronze Age (1955/1773–1739/1614 cal. BC) settlement of Siliştea-Pe Cetățuie in eastern Romania, where archaeological
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The paper presents an interdisciplinary study based on an experimental model for investigating clay sources to identify prehistoric human behavior regarding resources. The study focuses on the Middle Bronze Age (1955/1773–1739/1614 cal. BC) settlement of Siliştea-Pe Cetățuie in eastern Romania, where archaeological materials from the Costișa and Monteoru cultures were discovered. Standard criteria for macroscopic analysis and analytical techniques, such as optical microscopy (OM), Scanning Electron Microscopy with Energy Dispersive X-ray Spectroscopy (SEM-EDX), Micro-Fourier Transform Infrared Spectroscopy (µ-FTIR), and thermal analysis (DTA and TG), were used to investigate the ceramic material from multiple points of view. The results showed that there were no significant differences between the ceramics of the two communities. Putting together the data obtained from macroscopic and physico-chemical analyses helped in partially reconstructing ancient human behaviors related to the production and use of ceramic vessels.
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(This article belongs to the Special Issue Recent Progress in Cultural Heritage Diagnostics)
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Measuring the Primary and Secondary Bioreceptivity of Stone and Their Implications for Heritage Conservation
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Philip J. A. Skipper and Lynda K. Skipper
Heritage 2024, 7(9), 5103-5119; https://doi.org/10.3390/heritage7090241 - 13 Sep 2024
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Bioreceptivity measures the ability of a surface to develop and maintain a permanent ecosystem of microorganisms. In the historic built environment, this is characterised visually by the greening of monuments and other outdoor heritage. Primary and secondary bioreceptivity refer to the potential for
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Bioreceptivity measures the ability of a surface to develop and maintain a permanent ecosystem of microorganisms. In the historic built environment, this is characterised visually by the greening of monuments and other outdoor heritage. Primary and secondary bioreceptivity refer to the potential for biological growth on fresh and weathered stone, respectively. Measuring bioreceptivity helps us understand biological growth rates and allows researchers to characterise the impact of stone conservation treatments on colonisation. Understanding the relative bioreceptivity of stones allows heritage professionals to make more informed selection of replacement stone types for repairs to existing structures. The primary bioreceptivity of stones from different geographical areas cannot currently be easily compared due to a lack of consistency in approaches to measurement. We propose a repeatable lab-based methodology for measuring colour and chlorophyll a levels from a standard algal culture grown on the stone surface as a standardised testing protocol for primary and secondary bioreceptivity. This protocol controls for the effects of mineralogical colour change during testing, which is something that has not been addressed in other methodologies. This method was successfully applied to case studies measuring the bioreceptivity of English granite, sandstone and limestone, determining their position in a bioreceptivity index. Our results demonstrated that for the stones tested, primary bioreceptivity was categorised as very low or low. Secondary bioreceptivity was increased compared to primary bioreceptivity. This research is the first to fully categorise any stones for secondary bioreceptivity and provides the first primary and secondary bioreceptivity data for any UK stones. We encourage others to follow this standard protocol to add additional data and build an international bioreceptivity database accessible to heritage practitioners.
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(This article belongs to the Special Issue Deterioration and Conservation of Materials in Built Heritage)
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The Representation of Vernacular Architecture in the Gates of Paradise by Lorenzo Ghiberti
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Alessandro Merlo and Gaia Lavoratti
Heritage 2024, 7(9), 5084-5102; https://doi.org/10.3390/heritage7090240 - 12 Sep 2024
Abstract
Often, artists of all time periods have unintentionally crystallized in their works the image of landscapes distant in time; of those landscapes, sometimes only faint traces remain, adding to the collection of so-called indirect sources. In many cases, a critical analysis carried out
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Often, artists of all time periods have unintentionally crystallized in their works the image of landscapes distant in time; of those landscapes, sometimes only faint traces remain, adding to the collection of so-called indirect sources. In many cases, a critical analysis carried out using the comparative method of those iconographic sources allows the inference of the relevant information regarding the layout of places, the structures housed there, and the practice of arts and crafts, or about customs and habits (e.g., dressing, eating, etc.); it is possible to recompose the so-called ‘buried landscapes’ by combining it with, and thanks to, the substantial contributions of other disciplines (such as history, archaeology, and anthropology). This contribution shows the first outcomes of research carried out within the Ghibertiana Project by CHMlab of DIDA (UNIFI), which aims to analyze the ‘landscape characterised by cultivated areas’ from the Florentine countryside in the early fifteenth century. In particular, it is maintained that Lorenzo Ghiberti (Pelago, 1378–Florence, 1455), just like other contemporary artists, depicted territories and architectures he had first experienced in some of the ten bronze panels of the Gates of Paradise of the Baptistery of Florence. He described in great detail the flora, fauna, and anthropic structures of the extra moenia territory. The focus of the early stage of analysis and this contribution is mainly on shelters: temporary structures functional to agricultural work. The encouraging results obtained may give rise to new research on other Florentine landscape elements artfully chiseled in Ghiberti’s workshop.
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(This article belongs to the Special Issue Conservation of Vernacular Heritage: Materials, Techniques and Project Management)
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Provenance Studies of a Set of Pick-Up Glass Fragments Found in Portugal and Dated to the 17th Century
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Francisca Pulido Valente, Inês Coutinho, Teresa Medici, Bernard Gratuze, Luís C. Alves, Ana Cadena and Márcia Vilarigues
Heritage 2024, 7(9), 5048-5083; https://doi.org/10.3390/heritage7090239 - 12 Sep 2024
Abstract
One of the most recognized decorations of the pick-up technique is the millefiori glass, which has been commonly attributed to Venetian production. However, Portugal is the country where the largest known assemblage of this type of glass artefact has been studied and published.
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One of the most recognized decorations of the pick-up technique is the millefiori glass, which has been commonly attributed to Venetian production. However, Portugal is the country where the largest known assemblage of this type of glass artefact has been studied and published. In this work, two important archeological contexts were selected: (1) Santa Clara-a-Velha monastery (SCV) and (2) São João de Tarouca monastery (SJT). The fragments selection was made based on the diversity of decorative motifs, colors, and original forms that has been associated with Portuguese production. The compositional characterization was conducted by performing micro-particle-induced X-ray emission (µ-PIXE) mapping, which facilitated the visualization of the distribution of different oxides across the different glass layers and laser ablation inductively coupled plasma mass spectrometry (LA-ICP-MS) to obtain the major, minor, and trace elements composition, including rare earth elements (REEs) to determine which kind of raw materials were used. Additionally, µ-Raman spectroscopy was employed to investigate the opacifiers, while UV–Visible spectroscopy was used to study which chromophores are presented in the glass samples. All the analyzed glass layers can be considered to be of a soda–lime–silica type, and four different geological patterns (from GP1 to GP4) were detected and reported. This result can indicate that these objects were made by using silica sources taken from four different geological settings. Interestingly, the GP3 represents about 41% of the analyzed glass fragments and is compatible with the pattern detected in some production wastes found in two different archeological contexts located in Lisbon, which reinforces the veracity of the theory that this GP can be attributed to a Portuguese production. On the other hand, GP1 was probably attributed Granada provenance.
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(This article belongs to the Special Issue The Significance of Things beyond Materiality. Archaeological Glass and Glazes as Archives of Knowledge from the Past)
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Beyond Barniz de Pasto Mopa-Mopa Objects: Artisans and Harvesters in the 21st Century
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Giovany Paolo Arteaga Montes and María Mercedes Figueroa Fernández
Heritage 2024, 7(9), 5032-5047; https://doi.org/10.3390/heritage7090238 - 12 Sep 2024
Abstract
This article intends to highlight and reconstruct the relationships between humans (harvesters, woodworkers and master artisans) and non-humans (raw materials, tools, places, products, etc.) in the Barniz de Pasto mopa-mopa tradition. These relationships were lost when the focus came to be primarily on
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This article intends to highlight and reconstruct the relationships between humans (harvesters, woodworkers and master artisans) and non-humans (raw materials, tools, places, products, etc.) in the Barniz de Pasto mopa-mopa tradition. These relationships were lost when the focus came to be primarily on the objects, as happens in most popular art forms worldwide. This text is organised in ethnographic overviews: the home workshops of masters of Barniz de Pasto; woodworker workshops; montañas-selvas (Andean rainforest highlands) and mopa-mopa harvesters; until we reach the objects. Unlike a conventional article, it does not end with firm and immutable conclusions. Our reflections from our eleven years (2013–2024) of accompanying men and women artisans and collectors, during the process of including the traditional knowledge and techniques associated with Barniz de Pasto mopa-mopa as Intangible Cultural Heritage (patrimonialización) and its safeguarding, are always open for discussion.
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(This article belongs to the Special Issue Lacquer in the Americas)
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Open AccessArticle
A Multidisciplinary Study for the Recognition of Fault-Induced Instability Conditions on Cultural Heritage: The Case of Paternò (Sicily, Italy)
by
Gloria Maria Ristuccia, Pietro Bonfanti, Orazio Caruso and Salvatore Giammanco
Heritage 2024, 7(9), 5007-5031; https://doi.org/10.3390/heritage7090237 - 11 Sep 2024
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The 16th century AD St. Barbara’s Church in Paternò, a town located at the SW foot of Mt. Etna volcano (Sicily, Italy), has since 2009 showed evident signs of structural instability and collapse. This is causing great concern among the local population and
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The 16th century AD St. Barbara’s Church in Paternò, a town located at the SW foot of Mt. Etna volcano (Sicily, Italy), has since 2009 showed evident signs of structural instability and collapse. This is causing great concern among the local population and poses a growing hazard to the attendees to the masses. After precautionary closure of the church, we carried out geological, seismic, geophysical and geochemical surveys in order to shed light on the possible causes of the phenomenon. From the results of all surveys above, the presence of a hidden fault was hypothesized. The fault would prove to cross the west side of the church, parallel to its front portal, and continue both to the north and to the south of the edifice. It is part of a more complex system of faults that crosses the whole town of Paternò and is likely a result of the complex dynamics of Mt. Etna. This fault seems to also be a pathway for the upward flow of saline hydrothermal fluids, similar in composition to those emitted in nearby areas and whose corrosive action possibly contributed to the weakening of the rocks beneath the church. Temporal monitoring of several hydrological parameters (water temperature, water level and CO2 content) in some sites in and around the church allowed a better understanding both of the fault dynamics and of the extent of hydrothermal influence in the studied area.
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Open AccessArticle
Development of a Scanning Protocol for Anthropological Remains: A Preliminary Study
by
Matteo Orsi, Roberta Fusco, Alessandra Mazzucchi, Roberto Taglioretti, Maurizio Marinato and Marta Licata
Heritage 2024, 7(9), 4997-5006; https://doi.org/10.3390/heritage7090236 - 10 Sep 2024
Abstract
Structured-light scanning is a fast and efficient technique for the acquisition of 3D point clouds. However, the extensive and daily application of this class of scanners can be challenging because of the technical know-how necessary to validate the low-cost instrumentation. This challenge is
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Structured-light scanning is a fast and efficient technique for the acquisition of 3D point clouds. However, the extensive and daily application of this class of scanners can be challenging because of the technical know-how necessary to validate the low-cost instrumentation. This challenge is worth accepting because of the large amount of data that can be collected accurately with the aid of specific technical protocols. This work is a preliminary study of the development of an acquisition protocol for anthropological remains performing tests in two opposite and extreme contexts: one characterised by a dark environment and one located in an open area and characterised by a very bright environment. This second context showed the influence of sunlight in the acquisition process, resulting in a colourless point cloud. It is a first step towards the development of a technical protocol for the acquisition of anthropological remains, based on the research of limits and problems associated with an instrument.
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(This article belongs to the Section Archaeological Heritage)
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Disclosing Colors and Pigments on Archaeological Objects from the Aga Khan Necropolis (West Aswan Egypt) through On-Site Analytical Methods: Preliminary Results
by
Paola Fermo, Chiara Andrea Lombardi, Alfonsina D’Amato, Vittoria Guglielmi, Benedetta Giudici, Alice Tomaino, Massimiliana Pozzi, Valeria Comite, Andrea Bergomi, Lorenzo Guardiano and Patrizia Piacentini
Heritage 2024, 7(9), 4980-4996; https://doi.org/10.3390/heritage7090235 - 9 Sep 2024
Abstract
The present study is aimed at the characterization of artifacts excavated in the necropolis surrounding the mausoleum of the Aga Khan in Aswan (Egypt), as part of the Mummies Investigations Anthropological & Scientific West Aswan Necropolis (MIASWAN) project. Four cartonnages and some pottery
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The present study is aimed at the characterization of artifacts excavated in the necropolis surrounding the mausoleum of the Aga Khan in Aswan (Egypt), as part of the Mummies Investigations Anthropological & Scientific West Aswan Necropolis (MIASWAN) project. Four cartonnages and some pottery shards were investigated on-site by means of non-destructive and micro-destructive techniques, such as attenuated total reflection/Fourier transform infrared spectroscopy (ATR/FTIR) and visible reflectance spectroscopy Vis-RS). Thanks to the use of these techniques, several pigments employed in the creation of the artifacts were identified. Due to the impossibility of transporting the investigated objects out of Egypt, a first-ever on-site characterization of the artifacts from this important excavation was carried out through scientific methodologies. These extreme conditions made the use of analytical instrumentation very challenging. Nevertheless, several characteristic pigments and hues were successfully identified.
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(This article belongs to the Section Archaeological Heritage)
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