Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
The second half of the 1970s was a prolific era for Bob Marley, at the peak of his glory days, during which he was releasing an album a year. After Rastaman Vibration in 1976, Exodus in 1977, the Jamaican artist released this Kaya in 1978, with tracks originating from the same session as Exodus, recorded during the first few months of his exile in London, in early 1977. The album is widely considered as his lightest, no doubt because of its theme, as Kaya means marijuana in Jamaican slang. The album starts off with Easy Skanking’s“Excuse me while I light my spliff”, as if Marley was totally at ease with the B-side nature of these songs. But it would be a mistake to underestimate the hit machines that were the Wailers, as this album features two of their discography’s biggest successes, Is This Love and Satisfy My Soul – certified double platinum in France and gold disc in the USA. Bob Marley also used these sessions to revisit his Lee Perry period, first with the title song Kaya, for which he wrote a chiselled version without Scratch’s wacky flamenco guitar, like a symbol of Island’s influence – some would say to the detriment of romanticism… –, while Sun Is Shining, more ethereal than its original, rose to new heights and spiciness with Junior Marvin’s electric guitar. On the B-side at the time, one could find She’s Gone, a song about an ousted lover, Crisis, which sounds like a spin-off born out of a rehearsal for Is This Love, or the “rastaman chant” Time Will Tell, cadenced by Nyabinghi drumming. The album ends in a deadpan way with Smile Jamaica, a title composed for its namesake concert on December 5th, 1976 at the National Heroes Park in Kingston, Jamaica, in which Bob Marley took part two days after being shot… © Smaël Bouaici/Qobuz
More infoYou are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
From $16.65/month
Alex Sadkin, Engineer, StudioPersonnel - Bob Marley, ComposerLyricist - CHRIS BLACKWELL, Mixer, StudioPersonnel - Karl Pitterson, Engineer, StudioPersonnel - Bob Marley & The Wailers, Producer, MainArtist - Robert Ash, Mixer, StudioPersonnel - Terry Barham, Asst. Recording Engineer, StudioPersonnel
℗ 1978 UMG Recordings, Inc.
Alex Sadkin, Engineer, StudioPersonnel - Bob Marley, ComposerLyricist - CHRIS BLACKWELL, Producer, Mixer, Executive Producer, StudioPersonnel - Karl Pitterson, Engineer, StudioPersonnel - Bob Marley & The Wailers, Producer, MainArtist - Robert Ash, Mixer, StudioPersonnel - Terry Barham, Asst. Recording Engineer, StudioPersonnel
℗ 1978 UMG Recordings, Inc.
Bob Marley, ComposerLyricist - CHRIS BLACKWELL, Mixer, StudioPersonnel - Karl Pitterson, Engineer, StudioPersonnel - Bob Marley & The Wailers, Producer, MainArtist - Robert Ash, Mixer, StudioPersonnel - Terry Barham, Asst. Recording Engineer, StudioPersonnel
℗ 1978 UMG Recordings, Inc.
Alex Sadkin, Engineer, StudioPersonnel - Bob Marley, ComposerLyricist - CHRIS BLACKWELL, Mixer, StudioPersonnel - Karl Pitterson, Engineer, StudioPersonnel - Bob Marley & The Wailers, Producer, MainArtist - Robert Ash, Mixer, StudioPersonnel - Terry Barham, Asst. Recording Engineer, StudioPersonnel
℗ 1978 UMG Recordings, Inc.
Alex Sadkin, Engineer, StudioPersonnel - Bob Marley, ComposerLyricist - CHRIS BLACKWELL, Producer, Mixer, Executive Producer, StudioPersonnel - Karl Pitterson, Engineer, StudioPersonnel - Bob Marley & The Wailers, Producer, MainArtist - Robert Ash, Mixer, StudioPersonnel - Terry Barham, Asst. Recording Engineer, StudioPersonnel
℗ 1978 UMG Recordings, Inc.
Alex Sadkin, Engineer, StudioPersonnel - Bob Marley, ComposerLyricist - CHRIS BLACKWELL, Producer, Mixer, Executive Producer, StudioPersonnel - Karl Pitterson, Engineer, StudioPersonnel - Bob Marley & The Wailers, Producer, MainArtist - Robert Ash, Mixer, StudioPersonnel - Terry Barham, Asst. Recording Engineer, StudioPersonnel
℗ 1978 UMG Recordings, Inc.
Alex Sadkin, Engineer, StudioPersonnel - Bob Marley, ComposerLyricist - CHRIS BLACKWELL, Mixer, StudioPersonnel - Karl Pitterson, Engineer, StudioPersonnel - Bob Marley & The Wailers, Producer, MainArtist - Robert Ash, Mixer, StudioPersonnel - Terry Barham, Asst. Recording Engineer, StudioPersonnel
℗ 1978 UMG Recordings, Inc.
Alex Sadkin, Engineer, StudioPersonnel - Bob Marley, ComposerLyricist - CHRIS BLACKWELL, Mixer, StudioPersonnel - Karl Pitterson, Engineer, StudioPersonnel - Bob Marley & The Wailers, Producer, MainArtist - Robert Ash, Mixer, StudioPersonnel - Terry Barham, Asst. Recording Engineer, StudioPersonnel
℗ 1978 UMG Recordings, Inc.
Alex Sadkin, Engineer, StudioPersonnel - Bob Marley, ComposerLyricist - CHRIS BLACKWELL, Mixer, StudioPersonnel - Karl Pitterson, Engineer, StudioPersonnel - Bob Marley & The Wailers, Producer, MainArtist - Robert Ash, Mixer, StudioPersonnel - Terry Barham, Asst. Recording Engineer, StudioPersonnel
℗ 1978 UMG Recordings, Inc.
Bob Marley, ComposerLyricist - Bob Marley & The Wailers, MainArtist - The Wailers, Producer
℗ 1978 UMG Recordings, Inc.
Bob Marley, Producer, ComposerLyricist - Lee Perry, Producer - Bob Marley & The Wailers, MainArtist
℗ 1978 The Island Def Jam Music Group
Album review
The second half of the 1970s was a prolific era for Bob Marley, at the peak of his glory days, during which he was releasing an album a year. After Rastaman Vibration in 1976, Exodus in 1977, the Jamaican artist released this Kaya in 1978, with tracks originating from the same session as Exodus, recorded during the first few months of his exile in London, in early 1977. The album is widely considered as his lightest, no doubt because of its theme, as Kaya means marijuana in Jamaican slang. The album starts off with Easy Skanking’s“Excuse me while I light my spliff”, as if Marley was totally at ease with the B-side nature of these songs. But it would be a mistake to underestimate the hit machines that were the Wailers, as this album features two of their discography’s biggest successes, Is This Love and Satisfy My Soul – certified double platinum in France and gold disc in the USA. Bob Marley also used these sessions to revisit his Lee Perry period, first with the title song Kaya, for which he wrote a chiselled version without Scratch’s wacky flamenco guitar, like a symbol of Island’s influence – some would say to the detriment of romanticism… –, while Sun Is Shining, more ethereal than its original, rose to new heights and spiciness with Junior Marvin’s electric guitar. On the B-side at the time, one could find She’s Gone, a song about an ousted lover, Crisis, which sounds like a spin-off born out of a rehearsal for Is This Love, or the “rastaman chant” Time Will Tell, cadenced by Nyabinghi drumming. The album ends in a deadpan way with Smile Jamaica, a title composed for its namesake concert on December 5th, 1976 at the National Heroes Park in Kingston, Jamaica, in which Bob Marley took part two days after being shot… © Smaël Bouaici/Qobuz
About the album
- 1 disc(s) - 11 track(s)
- Total length: 00:42:18
- Main artists: Bob Marley & The Wailers
- Composer: Bob Marley
- Label: Island Records
- Genre: World Reggae
© 2013 The Island Def Jam Music Group ℗ 2013 The Island Def Jam Music Group
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.