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Bia|Carmin

Carmin

Bia
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Brazilian music went emphatically back into fashion in the mid-'90s, partially as a result of the short-lived lounge revival's interest in '60s bossa nova. That the interest in Brazilian music from all decades has long outlived that pop-cultural blip is testament to the fundamental appeal of this mixture of acoustic guitar, jazz phrasing, and captivating rhythms. Many of the best practitioners in this Brazilian jazz revival aren't even Brazilian, in fact. (There's a huge Brazilian jazz scene in, of all places, Copenhagen!) One of these artists is the singer/songwriter Bia, who hails from the decidedly non-tropical climes of Montreal, Quebec, and sings most of her songs in Quebecois French. Her third album, Carmin, blends influences from the '60s and '70s (there's quite a bit of Gal Costa in Bia's husky, murmuring phrasing) with more modern elements. Unlike, say, Bebel Gilberto, however, Bia's Brazilian roots don't get lost in a mélange of trip-hop rhythms and down-tempo keyboards: there's a hint of electronica lurking in the background of songs like "Je N'Aime Pas," but the tunes themselves are proud successors to the traditions of Antonio Carlos Jobim, Caetano Veloso, and Baden Powell. Carmin is an excellent example of the pleasures of old wine in new bottles.

© Stewart Mason /TiVo

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1
Carmin Intro
00:00:53

Bia, MainArtist - Bia Krieger, Lyricist - Robson Galdino, Composer - Erik West, Composer

2002 Editions Saravah 2002 Editions Saravah

2
Mariana
00:03:12

Bia, MainArtist - Bia Krieger, Composer, Lyricist

2002 Editions Saravah 2002 Editions Saravah

3
Polvere di gesso
00:04:03

Gianmaria Testa, Composer, Lyricist - Bia, MainArtist

2002 Editions Saravah 2002 Editions Saravah

4
Helena
00:02:39

Bia, MainArtist - Bia Krieger, Composer, Lyricist

2002 Editions Saravah 2002 Editions Saravah

5
Eu vi (J'ai vu)
00:03:37

Henri Salvador, Composer - Bia, MainArtist - Michel Goi, Lyricist - Bia Krieger, Lyricist

2002 Editions Saravah 2002 Editions Saravah

6
Je n'aime pas
00:02:41

Bia, MainArtist - Bia Krieger, Composer, Lyricist

2002 Editions Saravah 2002 Editions Saravah

7
Lobo (Le loup)
00:02:59

Bia, MainArtist - Bia Krieger, Composer, Lyricist

2002 Editions Saravah 2002 Editions Saravah

8
Andrei procurando
00:03:26

Bia, MainArtist - Bia Krieger, Composer, Lyricist

2002 Editions Saravah 2002 Editions Saravah

9
Sabio rei
00:03:52

Bia, MainArtist - Bia Krieger, Lyricist - Michelino Silvano, Composer

2002 Editions Saravah 2002 Editions Saravah

10
Endereço
00:03:24

Bia, MainArtist - Bia Krieger, Composer, Lyricist

2002 Editions Saravah 2002 Editions Saravah

11
Ilhabela
00:03:57

Bia, MainArtist - Bia Krieger, Composer, Lyricist

2002 Editions Saravah 2002 Editions Saravah

12
Dans mon coeur (Terezinha)
00:02:44

Chico Buarque, Composer - Bia, MainArtist - Bia Krieger, Lyricist

2002 Editions Saravah 2002 Editions Saravah

13
Inti
00:11:41

Bia, MainArtist - Texte Traditionnel, Lyricist - Musique Traditionnel, Composer

2002 Editions Saravah 2002 Editions Saravah

Resenha do Álbum

Brazilian music went emphatically back into fashion in the mid-'90s, partially as a result of the short-lived lounge revival's interest in '60s bossa nova. That the interest in Brazilian music from all decades has long outlived that pop-cultural blip is testament to the fundamental appeal of this mixture of acoustic guitar, jazz phrasing, and captivating rhythms. Many of the best practitioners in this Brazilian jazz revival aren't even Brazilian, in fact. (There's a huge Brazilian jazz scene in, of all places, Copenhagen!) One of these artists is the singer/songwriter Bia, who hails from the decidedly non-tropical climes of Montreal, Quebec, and sings most of her songs in Quebecois French. Her third album, Carmin, blends influences from the '60s and '70s (there's quite a bit of Gal Costa in Bia's husky, murmuring phrasing) with more modern elements. Unlike, say, Bebel Gilberto, however, Bia's Brazilian roots don't get lost in a mélange of trip-hop rhythms and down-tempo keyboards: there's a hint of electronica lurking in the background of songs like "Je N'Aime Pas," but the tunes themselves are proud successors to the traditions of Antonio Carlos Jobim, Caetano Veloso, and Baden Powell. Carmin is an excellent example of the pleasures of old wine in new bottles.

© Stewart Mason /TiVo

Sobre o álbum

  • 1 disco(s) - 13 faixa(s)
  • Duração total: 00:49:08

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