Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Released in 2007, Wild Mountain Nation, Blitzen Trapper's third collection of misty, lo-fi, Americana-infused art pop, drew critical acclaim as fast as it switched keys, setting the eclectic Pacific Northwest outfit up for a possible breakthrough with its impending follow-up. One of the many benefits of having your own recording studio (no matter how grand or rickety) is the ability to churn out an album whenever you feel like it, which is why 2008's Furr is so remarkable. The 21st century indie rock D.I.Y. method of record production has a tendency to hold speed and cost over sound quality, but Blitzen Trapper's first release for Sub Pop doesn't just improve upon the promise of WMN, it expands its sonic horizons as well, narrowing the mixtape glee that fueled its predecessor with just enough maturity to lend it considerable weight -- the title track alone, an instantly memorable tale of a boy raised by wolves, seduced by a girl, then returned to the wild, feels timeless in a way few modern songs ever achieve. Fans who were drawn in by the group's manic Of Montreal-meets-Grateful Dead backwoods effusiveness will rally around leadoff tracks "Sleepytime in the Western World" and "Gold for Bread," both of which mine familiar Blitzen Trapper pop territory, but it's the late-'60s/early-'70s sundown vibe of artists like Neil Young, Bob Dylan, and the Nitty Gritty Dirt Band (especially the latter's experimental Symphonion Dream album) that the majority of these new songs bask in.
© James Christopher Monger /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
À partir de 10,83 $ CA/mois
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2008 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2008 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2008 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2008 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2008 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2008 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2008 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2008 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2008 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2008 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2008 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2008 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2008 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2018 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2018 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist, Producer, Mixer, Instruments
© 2018 Sub Pop Records ℗ 2018 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2018 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2018 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2018 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2018 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2018 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2018 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2018 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2018 Sub Pop Records
Blitzen Trapper, MainArtist - Eric Earley, Composer, Lyricist
© 2018 Sub Pop Records ℗ 2018 Sub Pop Records
Chronique
Released in 2007, Wild Mountain Nation, Blitzen Trapper's third collection of misty, lo-fi, Americana-infused art pop, drew critical acclaim as fast as it switched keys, setting the eclectic Pacific Northwest outfit up for a possible breakthrough with its impending follow-up. One of the many benefits of having your own recording studio (no matter how grand or rickety) is the ability to churn out an album whenever you feel like it, which is why 2008's Furr is so remarkable. The 21st century indie rock D.I.Y. method of record production has a tendency to hold speed and cost over sound quality, but Blitzen Trapper's first release for Sub Pop doesn't just improve upon the promise of WMN, it expands its sonic horizons as well, narrowing the mixtape glee that fueled its predecessor with just enough maturity to lend it considerable weight -- the title track alone, an instantly memorable tale of a boy raised by wolves, seduced by a girl, then returned to the wild, feels timeless in a way few modern songs ever achieve. Fans who were drawn in by the group's manic Of Montreal-meets-Grateful Dead backwoods effusiveness will rally around leadoff tracks "Sleepytime in the Western World" and "Gold for Bread," both of which mine familiar Blitzen Trapper pop territory, but it's the late-'60s/early-'70s sundown vibe of artists like Neil Young, Bob Dylan, and the Nitty Gritty Dirt Band (especially the latter's experimental Symphonion Dream album) that the majority of these new songs bask in.
© James Christopher Monger /TiVo
À propos
- 1 disque(s) - 25 piste(s)
- Durée totale : 01:13:07
- Artistes principaux : Blitzen Trapper
- Compositeur : Eric Earley
- Maison de disque : Sub Pop Records
- Genre : Pop/Rock Rock Alternatif et Indé
© 2018 Sub Pop Records ℗ 2018 Sub Pop Records
Pourquoi acheter sur Qobuz ?
-
Écoutez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de musique en continu en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.
