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Fresh from the sudden success of Jazz Samba and "Desafinado," Stan Getz asked the 28-year-old, strikingly gifted Gary McFarland to arrange a bossa nova album for big band as a follow-up. Getz is always his debonair, wistful, freely-floating self, completely at home in the Brazilian idiom that he'd adopted only a few months before. McFarland usually keeps things nice and spare (although "One Note Samba" is uncharacteristically cluttered and a bit too discordant for the material), letting his pungent voicings stab the air now and then, while allowing the soloists all the room they want within the confines of producer Creed Taylor's tight timings. Four of the eight songs are by McFarland (none of which would become standards), and Getz makes relaxed impressions with "Manha de Carnival" and "Chega de Saudade." Jim Hall takes the role of acoustic guitarist from Charlie Byrd with his usual fluidity, and Hank Jones ruminates in a boppish way on piano. This album also charted quite respectably (number 13) in the first flush of the bossa nova boom.
© Richard S. Ginell /TiVo
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Luiz Bonfa, Composer - Stan Getz, MainArtist
1962 Vinyle Numérique 1962 Vinyle Numérique
Stan Getz, MainArtist - GARY MCFARLAND, Composer
1962 Vinyle Numérique 1962 Vinyle Numérique
Stan Getz, MainArtist - GARY MCFARLAND, Composer
1962 Vinyle Numérique 1962 Vinyle Numérique
Stan Getz, MainArtist - GARY MCFARLAND, Composer
1962 Vinyle Numérique 1962 Vinyle Numérique
António Carlos Jobim, Composer - Stan Getz, MainArtist
1962 Vinyle Numérique 1962 Vinyle Numérique
Stan Getz, MainArtist - GARY MCFARLAND, Composer
1962 Vinyle Numérique 1962 Vinyle Numérique
António Carlos Jobim, Composer - Stan Getz, MainArtist
1962 Vinyle Numérique 1962 Vinyle Numérique
Joao Gilberto, Composer - Stan Getz, MainArtist
1962 Vinyle Numérique 1962 Vinyle Numérique
Album review
Fresh from the sudden success of Jazz Samba and "Desafinado," Stan Getz asked the 28-year-old, strikingly gifted Gary McFarland to arrange a bossa nova album for big band as a follow-up. Getz is always his debonair, wistful, freely-floating self, completely at home in the Brazilian idiom that he'd adopted only a few months before. McFarland usually keeps things nice and spare (although "One Note Samba" is uncharacteristically cluttered and a bit too discordant for the material), letting his pungent voicings stab the air now and then, while allowing the soloists all the room they want within the confines of producer Creed Taylor's tight timings. Four of the eight songs are by McFarland (none of which would become standards), and Getz makes relaxed impressions with "Manha de Carnival" and "Chega de Saudade." Jim Hall takes the role of acoustic guitarist from Charlie Byrd with his usual fluidity, and Hank Jones ruminates in a boppish way on piano. This album also charted quite respectably (number 13) in the first flush of the bossa nova boom.
© Richard S. Ginell /TiVo
About the album
- 1 disc(s) - 8 track(s)
- Total length: 00:33:37
- Main artists: Stan Getz
- Composer: Various Composers
- Label: Vinyle Numérique
- Genre: World Brazil
1962 Vinyle Numérique 1962 Vinyle Numérique
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