The 4.2 ka Event and the End of the Maltese “Temple Period”

The small size and relatively challenging environmental conditions of the semi-isolated Maltese archipelago mean that the area offers an important case study of societal change and human-environment interactions. Following an initial phase of Neolithic settlement, the ‘Temple Period’ in Malta began ~5.8 thousand years ago (ka), and came to a seemingly abrupt end ~4.3 ka, and was followed by Bronze Age societies with radically different material culture. Various ideas concerning the reasons for the end of the Temple Period have been expressed. These range from climate change, to invasion, to social conflict resulting from the development of a powerful ‘priesthood’. Here, we explore the idea that the end of the Temple Period relates to the 4.2 ka event. The 4.2 ka event has been linked with several examples of significant societal change around the Mediterranean, such as the end of the Old Kingdom in Egypt, yet its character and relevance have been debated. We explore archaeological and environmental data from the Maltese islands to elucidate the end of the Temple Period. The Maltese example offers a fascinating case study for understanding issues such as chronological uncertainty, disentangling cause and effect when several different processes are involved, and the role of abrupt environmental change in impacting human societies. Ultimately, it is suggested that the 4.2 ka event may have played a role in the end of the Temple Period, but that other factors seemingly played a large, and possibly predominant, role. As well as our chronological modelling indicating the decline of Temple Period society in the centuries before the 4.2 ka event, we highlight the possible significance of other factors such as a plague epidemic.

<p>The compact size of the semi-isolated Maltese archipelago and its relatively challenging environmental conditions, with limited soil cover and variable precipitation averaging around 600 mm a year, mean that the area offers an important case study of human-environment interactions. Following an initial phase of Neolithic settlement, the ‘Temple Period’ in Malta began from around 5.8 ka and within a few hundred years the spectacular ‘temples’ which characterize the period and are among the oldest buildings in the world began to be constructed. After over a thousand years this long-lived culture came to a seemingly abrupt end at ca. 4.4 to 4.2 ka, and was followed by Bronze Age societies with radically different material culture, funerary behaviour, and architecture. Various ideas concerning the reasons for the end of the Temple Period have been expressed. These range from climate change, to invasion, to social conflict resulting from the development of a powerful ‘priesthood’. Here, the idea that the end of the Temple Period was caused by aridity induced by the 4.2 ka event is tested. The 4.2 ka event is a classic example of an abrupt climate episode, and while it has been linked with several examples of significant societal change, such as the end of the Old Kingdom in Egypt, its details and relevance have been debated. To evaluate the Maltese example, archaeological data is fused with an understanding of the geology and palaeoenvironment of Malta, as well as consideration of the wider regional situation at this time in terms of demography and material culture, as well as the possible role of factors such as disease epidemics. The Maltese example forms a fascinating case study for understanding issues such as chronological uncertainty, disentangling cause and effect when several different processes are involved, and the role of abrupt environmental change in impacting human societies. Ultimately, it is suggested that the 4.2 ka event played a significant role in the end of the Temple Period, but this has to be understood within the specific geological and societal circumstances of the Maltese islands.</p>

This article explores the relationship between the making of things and the making of people at the Bronze Age tell at Százhalombatta, Hungary. Focusing on potters and potting, we explore how the performance of non-discursive knowledge was critical to the construction of social categories. Potters literally came into being as potters through repeated bodily enactment of potting skills. Potters also gained their identity in the social sphere through the connection between their potting performance and their audience. We trace degrees of skill in the ceramic record to reveal the material articulation of non-discursive knowledge and consider the ramifications of the differential acquisition of non-discursive knowledge for the expression of different kinds of potter's identities. The creation of potters as a social category was essential to the ongoing creation of specific forms of material culture. We examine the implications of altered potters' performances and the role of non-discursive knowledge in the construction of social models of the Bronze Age.

The last three years of archaeological investigations at the site Ru`ana in Banjsko Polje, in the immediate vicinity of Bor, have provided new evidence regarding the role of non-ferrous metallurgy in the economy of the prehistoric communities of north-eastern Serbia. The remains of metallurgical furnaces and a large amount of metallic slags at two neighbouring sites in the mentioned settlement reveal that locations with many installations for the thermal processing of copper ore existed in the Bronze Age. We believe, judging by the finds of material culture, that metallurgical activities in this area also continued into the Iron Age and, possibly, into the 4th century AD.

An informative example of the conscious act of naval hero-making are the commemorative medals struck in 1768 by the brother of George Anson. Anson had died in 1762, so these medals were not only a memorial to his life, but also a deliberate attempt to control his legacy. What the medals include, and omit, offers a fascinating opportunity to examine what some thought worthy of commemoration in eighteenth-century British culture. This chapter uses the medals as a prism through which to examine the interconnections between naval careers, material culture, and the process of commemoration. In addition, the paper offers a revaluation of the historiographical role of exploration in the eighteenth century and re-positions exploration as an explicitly naval activity in the British context.

<p>The Archaic Potnia Theron schema depicts a central female figure grasping an animal in each hand. She is often associated with the goddess Artemis. Yet, evidence from the early Archaic period indicates that she was not yet associated with the goddess. The identity of the schema has been the subject of a number of studies, and the connection of the figure with Artemis is well ingrained in scholarship. The identification of the figure as Artemis relies heavily on a brief description from Pausanias’s Perigesis, and the epithet Ποτνία Θηρῶν given to Artemis once in the Iliad (Hom. Il. 21.470). Furthermore, the image was later attributed to the goddess Artemis on account of her affiliations to wild animals. However, this thesis investigates the identification of the figure and examines the evidence (or lack thereof) for the attribution of the figure to Artemis in the Archaic period.  Chapter One will investigate the Potnia Theron schema and its use in the Bronze Age. It will consider the possible contribution that the Bronze Age schema may have had on the image in the Archaic period, acknowledging possible influence from the Near East. It will also discuss problems with Archaic source material, the fluidity of Archaic Greek religion, and the characteristics of the Archaic Potnia Theron schema. Chapter Two will analyse the sanctuary of Artemis Orthia in Sparta as the main case study for the use of the Archaic schema in a sanctuary context. The chronology at the site, and its examples of the schema make it particularly useful for this investigation. Chapter Three will follow with an analysis of the schema on items lacking contexts, as it was used for decorative purposes on vases, jewelry, and plaques. Finally, Chapter Four will examine the role of Artemis, how the Potnia Theron pose has since been interpreted to represent the goddess. This thesis will determine when the schema became associated with Artemis and investigate evidence for its use prior to this association.</p>

The current study's topic is the summary of the roles of art colonies in the local example. The theoretical basis of the study was given by the international scientific literature of art colonies and the role of culture in the life of settlements. The matter of research is relevant as an investigation based on a case study has not been made yet on this topic; moreover, it consists of important results for the professionals. On this basis, it can be determined that which factors affect positively the human and natural environment through an art colony. A further advantage of the study can conclude to the possible development ways of culture in the life of villages. The current research, regarding the future, is an ideal starting point to know the role of art in local (and regional) development. The main results of the case study are the tangible effects of the colony on the (natural and human) environment.

This study focuses on the role of cultural policy in the rise of multiculturalism with a case study of the Indonesian Art Exhibition, Pameran Seni Rupa Nusantara (PSRN) 2000s, which was initiated by a cultural institution, the National Gallery of Indonesia (GNI). PSRN exhibition is one of the important programs of GNI because it gives space to the artists of the archipelago - not just Java and Bali - to present works of modern-contemporary art rooted in local wisdom. As a nation that has the characteristics of pluralism, the spirit of multiculturalism in art has become very significant, especially in the middle of the Disruption era which is "full of uncertainty". This article uses qualitative research with a historical method approach: heuristics, verification, interpretation and historiography, namely the process of writing history based on proven facts. Material Culture analysis approach, shows how history may be read and interpreted through objects/ artefacts/findings used by artists in their works. The results show that the Cultural Policy implemented by GNI is a combination of cultural policies that are authoritarian with the cultural policies of the Command, with an emphasis on the strength of the Potential Localization owned by the Indonesian people.

Metal has been widely argued as playing a decisive role in the development of Mycenae, which became one of the foremost centers on the Late Bronze Age Greek mainland. Yet, little is understood as to how metals were integrated into the lives of the inhabitants. Most scholarship has concentrated on the relationship between the ruling class and metal artifacts, drawing much of the evidence from the Linear B archives and top-down models of trade, society and internal redistribution that are increasingly considered untenable within the study of other aspects of Mycenaean life. This paper presents a new project, which uses a practice-orientated approach based around object biographies to study the use of metal across the entire social spectrum of the Late Bronze Age community at Mycenae (approximately 1700–1050 BC). The benefits of such an approach are discussed through a case study that examines the unexpected absence of gold vessels from the Palatial period archaeological record from the perspective of social practice and demonstrates how the holistic use of evidence from multiple sources can help overcome the difficulties inherent in the study of the use of metal in past societies.