Jeeves and the Chump Cyril

You know, the longer I live, the more clearly I see that half the trouble in this bally world is caused by the light-
hearted and thoughtless way in which chappies dash off letters of introduction and hand them to other chappies
to deliver to chappies of the third part. It's one of those things that make you wish you were living in the Stone
Age. What I mean to say is, if a fellow in those days wanted to give anyone a letter of introduction, he had to
spend a month or so carving it on a large-sized boulder, and the chances were that the other chappie got so sick
of lugging the thing round in the hot sun that he dropped it after the first mile. But nowadays it's so easy to write
letters of introduction that everybody does it without a second thought, with the result that some perfectly
harmless cove like myself gets in the soup.

Mark you, all the above is what you might call the result of my riper experience. I don't mind admitting that in
the first flush of the thing, so to speak, when Jeeves told me--this would be about three weeks after I'd landed in
America--that a blighter called Cyril Bassington-Bassington had arrived and I found that he had brought a letter
of introduction to me from Aunt Agatha ... where was I? Oh, yes ... I don't mind admitting, I was saying, that
just at first I was rather bucked. You see, after the painful events which had resulted in my leaving England I
hadn't expected to get any sort of letter from Aunt Agatha which would pass the censor, so to speak. And it was
a pleasant surprise to open this one and find it almost civil. Chilly, perhaps, in parts, but on the whole quite
tolerably polite. I looked on the thing as a hopeful sign. Sort of olive-branch, you know. Or do I mean orange
blossom? What I'm getting at is that the fact that Aunt Agatha was writing to me without calling me names
seemed, more or less, like a step in the direction of peace.

And I was all for peace, and that right speedily. I'm not saying a word against New York, mind you. I liked the
place, and was having quite a ripe time there. But the fact remains that a fellow who's been used to London all
his life does get a trifle homesick on a foreign strand, and I wanted to pop back to the cosy old flat in Berkeley
Street--which could only be done when Aunt Agatha had simmered down and got over the Glossop episode. I
know that London is a biggish city, but, believe me, it isn't half big enough for any fellow to live in with Aunt
Agatha when she's after him with the old hatchet. And so I'm bound to say I looked on this chump Bassington-
Bassington, when he arrived, more or less as a Dove of Peace, and was all for him.

He would seem from contemporary accounts to have blown in one morning at seven-forty-five, that being the
ghastly sort of hour they shoot you off the liner in New York. He was given the respectful raspberry by Jeeves,
and told to try again about three hours later, when there would be a sporting chance of my having sprung from
my bed with a glad cry to welcome another day and all that sort of thing. Which was rather decent of Jeeves, by
the way, for it so happened that there was a slight estrangement, a touch of coldness, a bit of a row in other
words, between us at the moment because of some rather priceless purple socks which I was wearing against his
wishes: and a lesser man might easily have snatched at the chance of getting back at me a bit by loosing Cyril
into my bedchamber at a moment when I couldn't have stood a two-minutes' conversation with my dearest pal.
For until I have had my early cup of tea and have brooded on life for a bit absolutely undisturbed, I'm not much
of a lad for the merry chit-chat.

So Jeeves very sportingly shot Cyril out into the crisp morning air, and didn't let me know of his existence till
he brought his card in with the Bohea.

"And what might all this be, Jeeves?" I said, giving the thing the glassy gaze.

"The gentleman has arrived from England, I understand, sir. He called to see you earlier in the day."

"Good Lord, Jeeves! You don't mean to say the day starts earlier than this?"

"He desired me to say he would return later, sir."

"I've never heard of him. Have you ever heard of him, Jeeves?"

"I am familiar with the name Bassington-Bassington, sir. There are three branches of the Bassington-Bassington
family--the Shropshire Bassington-Bassingtons, the Hampshire Bassington-Bassingtons, and the Kent
Bassington-Bassingtons."

"England seems pretty well stocked up with Bassington-Bassingtons."

"Tolerably so, sir."

"No chance of a sudden shortage, I mean, what?"

"Presumably not, sir."

"And what sort of a specimen is this one?"

"I could not say, sir, on such short acquaintance."

"Will you give me a sporting two to one, Jeeves, judging from what you have seen of him, that this chappie is
not a blighter or an excrescence?"

"No, sir. I should not care to venture such liberal odds."

"I knew it. Well, the only thing that remains to be discovered is what kind of a blighter he is."

"Time will tell, sir. The gentleman brought a letter for you, sir."

"Oh, he did, did he?" I said, and grasped the communication. And then I recognised the handwriting. "I say,
Jeeves, this is from my Aunt Agatha!"

"Indeed, sir?"

"Don't dismiss it in that light way. Don't you see what this means? She says she wants me to look after this
excrescence while he's in New York. By Jove, Jeeves, if I only fawn on him a bit, so that he sends back a
favourable report to head-quarters, I may yet be able to get back to England in time for Goodwood. Now is
certainly the time for all good men to come to the aid of the party, Jeeves. We must rally round and cosset this
cove in no uncertain manner."

"Yes, sir."

"He isn't going to stay in New York long," I said, taking another look at the letter. "He's headed for Washington.
Going to give the nibs there the once-over, apparently, before taking a whirl at the Diplomatic Service. I should
say that we can win this lad's esteem and affection with a lunch and a couple of dinners, what?"

"I fancy that should be entirely adequate, sir."

"This is the jolliest thing that's happened since we left England. It looks to me as if the sun were breaking
through the clouds."

"Very possibly, sir."

He started to put out my things, and there was an awkward sort of silence.

"Not those socks, Jeeves," I said, gulping a bit but having a dash at the careless, off-hand tone. "Give me the
purple ones."

"I beg your pardon, sir?"

"Those jolly purple ones."

"Very good, sir."

He lugged them out of the drawer as if he were a vegetarian fishing a caterpillar out of the salad. You could see
he was feeling deeply. Deuced painful and all that, this sort of thing, but a chappie has got to assert himself
every now and then. Absolutely.

* * * * * * *

I was looking for Cyril to show up again any time after breakfast, but he didn't appear: so towards one o'clock I
trickled out to the Lambs Club, where I had an appointment to feed the Wooster face with a cove of the name of
Caffyn I'd got pally with since my arrival--George Caffyn, a fellow who wrote plays and what not. I'd made a
lot of friends during my stay in New York, the city being crammed with bonhomous lads who one and all
extended a welcoming hand to the stranger in their midst.

Caffyn was a bit late, but bobbed up finally, saying that he had been kept at a rehearsal of his new musical
comedy, "Ask Dad"; and we started in. We had just reached the coffee, when the waiter came up and said that
Jeeves wanted to see me.

Jeeves was in the waiting-room. He gave the socks one pained look as I came in, then averted his eyes.

"Mr. Bassington-Bassington has just telephoned, sir."

"Oh?"

"Yes, sir."

"Where is he?"

"In prison, sir."

I reeled against the wallpaper. A nice thing to happen to Aunt Agatha's nominee on his first morning under my
wing, I did not think!

"In prison!"

"Yes, sir. He said on the telephone that he had been arrested and would be glad if you could step round and bail
him out."

"Arrested! What for?"

"He did not favour me with his confidence in that respect, sir."

"This is a bit thick, Jeeves."

"Precisely, sir."

I collected old George, who very decently volunteered to stagger along with me, and we hopped into a taxi. We
sat around at the police-station for a bit on a wooden bench in a sort of ante-room, and presently a policeman
appeared, leading in Cyril.

"Halloa! Halloa! Halloa!" I said. "What?"

My experience is that a fellow never really looks his best just after he's come out of a cell. When I was up at
Oxford, I used to have a regular job bailing out a pal of mine who never failed to get pinched every Boat-Race
night, and he always looked like something that had been dug up by the roots. Cyril was in pretty much the
same sort of shape. He had a black eye and a torn collar, and altogether was nothing to write home about--
especially if one was writing to Aunt Agatha. He was a thin, tall chappie with a lot of light hair and pale-blue
goggly eyes which made him look like one of the rarer kinds of fish.

"I got your message," I said.

"Oh, are you Bertie Wooster?"

"Absolutely. And this is my pal George Caffyn. Writes plays and what not, don't you know."

We all shook hands, and the policeman, having retrieved a piece of chewing-gum from the underside of a chair,
where he had parked it against a rainy day, went off into a corner and began to contemplate the infinite.

"This is a rotten country," said Cyril.

"Oh, I don't know, you know, don't you know!" I said.

"We do our best," said George.

"Old George is an American," I explained. "Writes plays, don't you know, and what not."

"Of course, I didn't invent the country," said George. "That was Columbus. But I shall be delighted to consider
any improvements you may suggest and lay them before the proper authorities."

"Well, why don't the policemen in New York dress properly?"

George took a look at the chewing officer across the room.

"I don't see anything missing," he said

"I mean to say, why don't they wear helmets like they do in London? Why do they look like postmen? It isn't
fair on a fellow. Makes it dashed confusing. I was simply standing on the pavement, looking at things, when a
fellow who looked like a postman prodded me in the ribs with a club. I didn't see why I should have postmen
prodding me. Why the dickens should a fellow come three thousand miles to be prodded by postmen?"

"The point is well taken," said George. "What did you do?"

"I gave him a shove, you know. I've got a frightfully hasty temper, you know. All the Bassington-Bassingtons
have got frightfully hasty tempers, don't you know! And then he biffed me in the eye and lugged me off to this
beastly place."
"I'll fix it, old son," I said. And I hauled out the bank-roll and went off to open negotiations, leaving Cyril to talk
to George. I don't mind admitting that I was a bit perturbed. There were furrows in the old brow, and I had a
kind of foreboding feeling. As long as this chump stayed in New York, I was responsible for him: and he didn't
give me the impression of being the species of cove a reasonable chappie would care to be responsible for for
more than about three minutes.

I mused with a considerable amount of tensity over Cyril that night, when I had got home and Jeeves had
brought me the final whisky. I couldn't help feeling that this visit of his to America was going to be one of those
times that try men's souls and what not. I hauled out Aunt Agatha's letter of introduction and re-read it, and
there was no getting away from the fact that she undoubtedly appeared to be somewhat wrapped up in this
blighter and to consider it my mission in life to shield him from harm while on the premises. I was deuced
thankful that he had taken such a liking for George Caffyn, old George being a steady sort of cove. After I had
got him out of his dungeon-cell, he and old George had gone off together, as chummy as brothers, to watch the
afternoon rehearsal of "Ask Dad." There was some talk, I gathered, of their dining together. I felt pretty easy in
my mind while George had his eye on him.

I had got about as far as this in my meditations, when Jeeves came in with a telegram. At least, it wasn't a
telegram: it was a cable--from Aunt Agatha--and this is what it said:----

Has Cyril Bassington-Bassington called yet? On no account introduce him into theatrical circles. Vitally
important. Letter follows.

I read it a couple of times.

"This is rummy, Jeeves!"

"Yes, sir."

"Very rummy and dashed disturbing!"

"Will there be anything further to-night, sir?"

Of course, if he was going to be as bally unsympathetic as that there was nothing to be done. My idea had been
to show him the cable and ask his advice. But if he was letting those purple socks rankle to that extent, the good
old noblesse oblige of the Woosters couldn't lower itself to the extent of pleading with the man. Absolutely not.
So I gave it a miss.

"Nothing more, thanks."

"Good night, sir."

"Good night."

He floated away, and I sat down to think the thing over. I had been directing the best efforts of the old bean to
the problem for a matter of half an hour, when there was a ring at the bell. I went to the door, and there was
Cyril, looking pretty festive.

"I'll come in for a bit if I may," he said. "Got something rather priceless to tell you."

He curveted past me into the sitting-room, and when I got there after shutting the front door I found him reading
Aunt Agatha's cable and giggling in a rummy sort of manner. "Oughtn't to have looked at this, I suppose.
Caught sight of my name and read it without thinking. I say, Wooster, old friend of my youth, this is rather
funny. Do you mind if I have a drink? Thanks awfully and all that sort of rot. Yes, it's rather funny, considering
what I came to tell you. Jolly old Caffyn has given me a small part in that musical comedy of his, 'Ask Dad.'
Only a bit, you know, but quite tolerably ripe. I'm feeling frightfully braced, don't you know!"

He drank his drink, and went on. He didn't seem to notice that I wasn't jumping about the room, yapping with
joy.

"You know, I've always wanted to go on the stage, you know," he said. "But my jolly old guv'nor wouldn't stick
it at any price. Put the old Waukeesi down with a bang, and turned bright purple whenever the subject was
mentioned. That's the real reason why I came over here, if you want to know. I knew there wasn't a chance of
my being able to work this stage wheeze in London without somebody getting on to it and tipping off the
guv'nor, so I rather brainily sprang the scheme of popping over to Washington to broaden my mind. There's
nobody to interfere on this side, you see, so I can go right ahead!"

I tried to reason with the poor chump.

"But your guv'nor will have to know some time."

"That'll be all right. I shall be the jolly old star by then, and he won't have a leg to stand on."

"It seems to me he'll have one leg to stand on while he kicks me with the other."

"Why, where do you come in? What have you got to do with it?"

"I introduced you to George Caffyn."

"So you did, old top, so you did. I'd quite forgotten. I ought to have thanked you before. Well, so long. There's
an early rehearsal of 'Ask Dad' to-morrow morning, and I must be toddling. Rummy the thing should be called
'Ask Dad,' when that's just what I'm not going to do. See what I mean, what, what? Well, pip-pip!"

"Toodle-oo!" I said sadly, and the blighter scudded off. I dived for the phone and called up George Caffyn.

"I say, George, what's all this about Cyril Bassington-Bassington?"

"What about him?"

"He tells me you've given him a part in your show."

"Oh, yes. Just a few lines."

"But I've just had fifty-seven cables from home telling me on no account to let him go on the stage."

"I'm sorry. But Cyril is just the type I need for that part. He's simply got to be himself."

"It's pretty tough on me, George, old man. My Aunt Agatha sent this blighter over with a letter of introduction
to me, and she will hold me responsible."

"She'll cut you out of her will?"

"It isn't a question of money. But--of course, you've never met my Aunt Agatha, so it's rather hard to explain.
But she's a sort of human vampire-bat, and she'll make things most fearfully unpleasant for me when I go back
to England. She's the kind of woman who comes and rags you before breakfast, don't you know."

"Well, don't go back to England, then. Stick here and become President."

"But, George, old top----!"

"Good night!"

"But, I say, George, old man!"

"You didn't get my last remark. It was 'Good night!' You Idle Rich may not need any sleep, but I've got to be
bright and fresh in the morning. God bless you!"

I felt as if I hadn't a friend in the world. I was so jolly well worked up that I went and banged on Jeeves's door.
It wasn't a thing I'd have cared to do as a rule, but it seemed to me that now was the time for all good men to
come to the aid of the party, so to speak, and that it was up to Jeeves to rally round the young master, even if it
broke up his beauty-sleep.

Jeeves emerged in a brown dressing-gown.

"Sir?"

"Deuced sorry to wake you up, Jeeves, and what not, but all sorts of dashed disturbing things have been
happening."

"I was not asleep. It is my practice, on retiring, to read a few pages of some instructive book."

"That's good! What I mean to say is, if you've just finished exercising the old bean, it's probably in mid-season
form for tackling problems. Jeeves, Mr. Bassington-Bassington is going on the stage!"

"Indeed, sir?"

"Ah! The thing doesn't hit you! You don't get it properly! Here's the point. All his family are most fearfully
dead against his going on the stage. There's going to be no end of trouble if he isn't headed off. And, what's
worse, my Aunt Agatha will blame me, you see."

"I see, sir."

"Well, can't you think of some way of stopping him?"

"Not, I confess, at the moment, sir."

"Well, have a stab at it."

"I will give the matter my best consideration, sir. Will there be anything further to-night?"

"I hope not! I've had all I can stand already."

"Very good, sir."

He popped off.

* * * * * * *

The part which old George had written for the chump Cyril took up about two pages of typescript; but it might
have been Hamlet, the way that poor, misguided pinhead worked himself to the bone over it. I suppose, if I
heard him his lines once, I did it a dozen times in the first couple of days. He seemed to think that my only
feeling about the whole affair was one of enthusiastic admiration, and that he could rely on my support and
sympathy. What with trying to imagine how Aunt Agatha was going to take this thing, and being woken up out
of the dreamless in the small hours every other night to give my opinion of some new bit of business which
Cyril had invented, I became more or less the good old shadow. And all the time Jeeves remained still pretty
cold and distant about the purple socks. It's this sort of thing that ages a chappie, don't you know, and makes his
youthful joie-de-vivre go a bit groggy at the knees.

In the middle of it Aunt Agatha's letter arrived. It took her about six pages to do justice to Cyril's father's
feelings in regard to his going on the stage and about six more to give me a kind of sketch of what she would
say, think, and do if I didn't keep him clear of injurious influences while he was in America. The letter came by
the afternoon mail, and left me with a pretty firm conviction that it wasn't a thing I ought to keep to myself. I
didn't even wait to ring the bell: I whizzed for the kitchen, bleating for Jeeves, and butted into the middle of a
regular tea-party of sorts. Seated at the table were a depressed-looking cove who might have been a valet or
something, and a boy in a Norfolk suit. The valet-chappie was drinking a whisky and soda, and the boy was
being tolerably rough with some jam and cake.

"Oh, I say, Jeeves!" I said. "Sorry to interrupt the feast of reason and flow of soul and so forth, but----"

At this juncture the small boy's eye hit me like a bullet and stopped me in my tracks. It was one of those cold,
clammy, accusing sort of eyes--the kind that makes you reach up to see if your tie is straight: and he looked at
me as if I were some sort of unnecessary product which Cuthbert the Cat had brought in after a ramble among
the local ash-cans. He was a stoutish infant with a lot of freckles and a good deal of jam on his face.

"Hallo! Hallo! Hallo!" I said. "What?" There didn't seem much else to say.

The stripling stared at me in a nasty sort of way through the jam. He may have loved me at first sight, but the
impression he gave me was that he didn't think a lot of me and wasn't betting much that I would improve a great
deal on acquaintance. I had a kind of feeling that I was about as popular with him as a cold Welsh rabbit.

"What's your name?" he asked.

"My name? Oh, Wooster, don't you know, and what not."

"My pop's richer than you are!"

That seemed to be all about me. The child having said his say, started in on the jam again. I turned to Jeeves.

"I say, Jeeves, can you spare a moment? I want to show you something."

"Very good, sir." We toddled into the sitting-room.

"Who is your little friend, Sidney the Sunbeam, Jeeves?"

"The young gentleman, sir?"

"It's a loose way of describing him, but I know what you mean."

"I trust I was not taking a liberty in entertaining him, sir?"

"Not a bit. If that's your idea of a large afternoon, go ahead."

"I happened to meet the young gentleman taking a walk with his father's valet, sir, whom I used to know
somewhat intimately in London, and I ventured to invite them both to join me here."

"Well, never mind about him, Jeeves. Read this letter."

He gave it the up-and-down.

"Very disturbing, sir!" was all he could find to say.

"What are we going to do about it?"

"Time may provide a solution, sir."

"On the other hand, it mayn't, what?"

"Extremely true, sir.".

We'd got as far as this, when there was a ring at the door. Jeeves shimmered off, and Cyril blew in, full of good
cheer and blitheringness.

"I say, Wooster, old thing," he said, "I want your advice. You know this jolly old part of mine. How ought I to
dress it? What I mean is, the first act scene is laid in an hotel of sorts, at about three in the afternoon. What
ought I to wear, do you think?"

I wasn't feeling fit for a discussion of gent's suitings.

"You'd better consult Jeeves," I said.

"A hot and by no means unripe idea! Where is he?"

"Gone back to the kitchen, I suppose."

"I'll smite the good old bell, shall I? Yes? No?"

"Right-o!"

Jeeves poured silently in.

"Oh, I say, Jeeves," began Cyril, "I just wanted to have a syllable or two with you. It's this way--Hallo, who's
this?"

I then perceived that the stout stripling had trickled into the room after Jeeves. He was standing near the door
looking at Cyril as if his worst fears had been realised. There was a bit of a silence. The child remained there,
drinking Cyril in for about half a minute; then he gave his verdict:
"Fish-face!"

"Eh? What?" said Cyril.

The child, who had evidently been taught at his mother's knee to speak the truth, made his meaning a trifle
clearer.

"You've a face like a fish!"

He spoke as if Cyril was more to be pitied than censured, which I am bound to say I thought rather decent and
broad-minded of him. I don't mind admitting that, whenever I looked at Cyril's face, I always had a feeling that
he couldn't have got that way without its being mostly his own fault. I found myself warming to this child.
Absolutely, don't you know. I liked his conversation.

It seemed to take Cyril a moment or two really to grasp the thing, and then you could hear the blood of the
Bassington-Bassingtons begin to sizzle.

"Well, I'm dashed!" he said. "I'm dashed if I'm not!"

"I wouldn't have a face like that," proceeded the child, with a good deal of earnestness, "not if you gave me a
million dollars." He thought for a moment, then corrected himself. "Two million dollars!" he added.

Just what occurred then I couldn't exactly say, but the next few minutes were a bit exciting. I take it that Cyril
must have made a dive for the infant. Anyway, the air seemed pretty well congested with arms and legs and
things. Something bumped into the Wooster waistcoat just around the third button, and I collapsed on to the
settee and rather lost interest in things for the moment. When I had unscrambled myself, I found that Jeeves and
the child had retired and Cyril was standing in the middle of the room snorting a bit.

"Who's that frightful little brute, Wooster?"

"I don't know. I never saw him before to-day."

"I gave him a couple of tolerably juicy buffets before he legged it. I say, Wooster, that kid said a dashed odd
thing. He yelled out something about Jeeves promising him a dollar if he called me--er--what he said."

It sounded pretty unlikely to me.

"What would Jeeves do that for?"

"It struck me as rummy, too."

"Where would be the sense of it?"

"That's what I can't see."

"I mean to say, it's nothing to Jeeves what sort of a face you have!"

"No!" said Cyril. He spoke a little coldly, I fancied. I don't know why. "Well, I'll be popping. Toodle-oo!"

"Pip-pip!"
It must have been about a week after this rummy little episode that George Caffyn called me up and asked me if
I would care to go and see a run-through of his show. "Ask Dad," it seemed, was to open out of town in
Schenectady on the following Monday, and this was to be a sort of preliminary dress-rehearsal. A preliminary
dress-rehearsal, old George explained, was the same as a regular dress-rehearsal inasmuch as it was apt to look
like nothing on earth and last into the small hours, but more exciting because they wouldn't be timing the piece
and consequently all the blighters who on these occasions let their angry passions rise would have plenty of
scope for interruptions, with the result that a pleasant time would be had by all.

The thing was billed to start at eight o'clock, so I rolled up at ten-fifteen, so as not to have too long to wait
before they began. The dress-parade was still going on. George was on the stage, talking to a cove in shirt-
sleeves and an absolutely round chappie with big spectacles and a practically hairless dome. I had seen George
with the latter merchant once or twice at the club, and I knew that he was Blumenfield, the manager. I waved to
George, and slid into a seat at the back of the house, so as to be out of the way when the fighting started.
Presently George hopped down off the stage and came and joined me, and fairly soon after that the curtain went
down. The chappie at the piano whacked out a well-meant bar or two, and the curtain went up again.

I can't quite recall what the plot of "Ask Dad" was about, but I do know that it seemed able to jog along all right
without much help from Cyril. I was rather puzzled at first. What I mean is, through brooding on Cyril and
hearing him in his part and listening to his views on what ought and what ought not to be done, I suppose I had
got a sort of impression rooted in the old bean that he was pretty well the backbone of the show, and that the
rest of the company didn't do much except go on and fill in when he happened to be off the stage. I sat there for
nearly half an hour, waiting for him to make his entrance, until I suddenly discovered he had been on from the
start. He was, in fact, the rummy-looking plug-ugly who was now leaning against a potted palm a couple of feet
from the O.P. side, trying to appear intelligent while the heroine sang a song about Love being like something
which for the moment has slipped my memory. After the second refrain he began to dance in company with a
dozen other equally weird birds. A painful spectacle for one who could see a vision of Aunt Agatha reaching for
the hatchet and old Bassington-Bassington senior putting on his strongest pair of hob-nailed boots. Absolutely!

The dance had just finished, and Cyril and his pals had shuffled off into the wings when a voice spoke from the
darkness on my right.

"Pop!"

Old Blumenfield clapped his hands, and the hero, who had just been about to get the next line off his
diaphragm, cheesed it. I peered into the shadows. Who should it be but Jeeves's little playmate with the
freckles! He was now strolling down the aisle with his hands in his pockets as if the place belonged to him. An
air of respectful attention seemed to pervade the building.

"Pop," said the stripling, "that number's no good." Old Blumenfield beamed over his shoulder.

"Don't you like it, darling?"

"It gives me a pain."

"You're dead right."

"You want something zippy there. Something with a bit of jazz to it!"

"Quite right, my boy. I'll make a note of it. All right. Go on!"

I turned to George, who was muttering to himself in rather an overwrought way.

"I say, George, old man, who the dickens is that kid?"

Old George groaned a bit hollowly, as if things were a trifle thick.

"I didn't know he had crawled in! It's Blumenfield's son. Now we're going to have a Hades of a time!"

"Does he always run things like this?"

"Always!"

"But why does old Blumenfield listen to him?"

"Nobody seems to know. It may be pure fatherly love, or he may regard him as a mascot. My own idea is that
he thinks the kid has exactly the amount of intelligence of the average member of the audience, and that what
makes a hit with him will please the general public. While, conversely, what he doesn't like will be too rotten
for anyone. The kid is a pest, a wart, and a pot of poison, and should be strangled!"

The rehearsal went on. The hero got off his line. There was a slight outburst of frightfulness between the stage-
manager and a Voice named Bill that came from somewhere near the roof, the subject under discussion being
where the devil Bill's "ambers" were at that particular juncture. Then things went on again until the moment
arrived for Cyril's big scene.

I was still a trifle hazy about the plot, but I had got on to the fact that Cyril was some sort of an English peer
who had come over to America doubtless for the best reasons. So far he had only had two lines to say. One was
"Oh, I say!" and the other was "Yes, by Jove!"; but I seemed to recollect, from hearing him read his part, that
pretty soon he was due rather to spread himself. I sat back in my chair and waited for him to bob up.

He bobbed up about five minutes later. Things had got a bit stormy by that time. The Voice and the stage-
director had had another of their love-feasts--this time something to do with why Bill's "blues" weren't on the
job or something. And, almost as soon as that was over, there was a bit of unpleasantness because a flower-pot
fell off a window-ledge and nearly brained the hero. The atmosphere was consequently more or less hotted up
when Cyril, who had been hanging about at the back of the stage, breezed down centre and toed the mark for his
most substantial chunk of entertainment. The heroine had been saying something--I forget what--and all the
chorus, with Cyril at their head, had begun to surge round her in the restless sort of way those chappies always
do when there's a number coming along.

Cyril's first line was, "Oh, I say, you know, you mustn't say that, really!" and it seemed to me he passed it over
the larynx with a goodish deal of vim and je-ne-sais-quoi. But, by Jove, before the heroine had time for the
come-back, our little friend with the freckles had risen to lodge a protest.

"Pop!"

"Yes, darling?"

"That one's no good!"

"Which one, darling?"

"The one with a face like a fish."

"But they all have faces like fish, darling."

The child seemed to see the justice of this objection. He became more definite.

"The ugly one."

"Which ugly one? That one?" said old Blumenfield, pointing to Cyril.

"Yep! He's rotten!"

"I thought so myself."

"He's a pill!"

"You're dead right, my boy. I've noticed it for some time."

Cyril had been gaping a bit while these few remarks were in progress. He now shot down to the footlights. Even
from where I was sitting, I could see that these harsh words had hit the old Bassington-Bassington family pride
a frightful wallop. He started to get pink in the ears, and then in the nose, and then in the cheeks, till in about a
quarter of a minute he looked pretty much like an explosion in a tomato cannery on a sunset evening.

"What the deuce do you mean?"

"What the deuce do you mean?" shouted old Blumenfield. "Don't yell at me across the footlights!"

"I've a dashed good mind to come down and spank that little brute!"

"What!"

"A dashed good mind!"

Old Blumenfield swelled like a pumped-up tyre. He got rounder than ever.

"See here, mister--I don't know your darn name----!"

"My name's Bassington-Bassington, and the jolly old Bassington-Bassingtons--I mean the Bassington-
Bassingtons aren't accustomed----"

Old Blumenfield told him in a few brief words pretty much what he thought of the Bassington-Bassingtons and
what they weren't accustomed to. The whole strength of the company rallied round to enjoy his remarks. You
could see them jutting out from the wings and protruding from behind trees.

"You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.

"I don't want any bally cheek from you!" said Cyril, gurgling a bit.

"What's that?" barked old Blumenfield. "Do you understand that this boy is my son?"

"Yes, I do," said Cyril. "And you both have my sympathy!"

"You're fired!" bellowed old Blumenfield, swelling a good bit more. "Get out of my theatre!"

* * * * * * *
About half-past ten next morning, just after I had finished lubricating the good old interior with a soothing cup
of Oolong, Jeeves filtered into my bedroom, and said that Cyril was waiting to see me in the sitting-room.

"How does he look, Jeeves?"

"Sir?"

"What does Mr. Bassington-Bassington look like?"

"It is hardly my place, sir, to criticise the facial peculiarities of your friends."

"I don't mean that. I mean, does he appear peeved and what not?"

"Not noticeably, sir. His manner is tranquil."

"That's rum!"

"Sir?"

"Nothing. Show him in, will you?"

I'm bound to say I had expected to see Cyril showing a few more traces of last night's battle. I was looking for a
bit of the overwrought soul and the quivering ganglions, if you know what I mean. He seemed pretty ordinary
and quite fairly cheerful.

"Hallo, Wooster, old thing!"

"Cheero!"

"I just looked in to say good-bye."

"Good-bye?"

"Yes. I'm off to Washington in an hour." He sat down on the bed. "You know, Wooster, old top," he went on,
"I've been thinking it all over, and really it doesn't seem quite fair to the jolly old guv'nor, my going on the stage
and so forth. What do you think?"

"I see what you mean."

"I mean to say, he sent me over here to broaden my jolly old mind and words to that effect, don't you know, and
I can't help thinking it would be a bit of a jar for the old boy if I gave him the bird and went on the stage instead.
I don't know if you understand me, but what I mean to say is, it's a sort of question of conscience."

"Can you leave the show without upsetting everything?"

"Oh, that's all right. I've explained everything to old Blumenfield, and he quite sees my position. Of course, he's
sorry to lose me--said he didn't see how he could fill my place and all that sort of thing--but, after all, even if it
does land him in a bit of a hole, I think I'm right in resigning my part, don't you?"

"Oh, absolutely."
"I thought you'd agree with me. Well, I ought to be shifting. Awfully glad to have seen something of you, and
all that sort of rot. Pip-pip!"

"Toodle-oo!"

He sallied forth, having told all those bally lies with the clear, blue, pop-eyed gaze of a young child. I rang for
Jeeves. You know, ever since last night I had been exercising the old bean to some extent, and a good deal of
light had dawned upon me.

"Jeeves!"

"Sir?"

"Did you put that pie-faced infant up to bally-ragging Mr. Bassington-Bassington?"

"Sir?"

"Oh, you know what I mean. Did you tell him to get Mr. Bassington-Bassington sacked from the 'Ask Dad'
company?"

"I would not take such a liberty, sir." He started to put out my clothes. "It is possible that young Master
Blumenfield may have gathered from casual remarks of mine that I did not consider the stage altogether a
suitable sphere for Mr. Bassington-Bassington."

"I say, Jeeves, you know, you're a bit of a marvel."

"I endeavour to give satisfaction, sir."

"And I'm frightfully obliged, if you know what I mean. Aunt Agatha would have had sixteen or seventeen fits if
you hadn't headed him off."

"I fancy there might have been some little friction and unpleasantness, sir. I am laying out the blue suit with the
thin red stripe, sir. I fancy the effect will be pleasing."

* * * * * * *

It's a rummy thing, but I had finished breakfast and gone out and got as far as the lift before I remembered what
it was that I had meant to do to reward Jeeves for his really sporting behaviour in this matter of the chump
Cyril. It cut me to the heart to do it, but I had decided to give him his way and let those purple socks pass out of
my life. After all, there are times when a cove must make sacrifices. I was just going to nip back and break the
glad news to him, when the lift came up, so I thought I would leave it till I got home.

The coloured chappie in charge of the lift looked at me, as I hopped in, with a good deal of quiet devotion and
what not.

"I wish to thank yo', suh," he said, "for yo' kindness."

"Eh? What?"

"Misto' Jeeves done give me them purple socks, as you told him. Thank yo' very much, suh!"
I looked down. The blighter was a blaze of mauve from the ankle-bone southward. I don't know when I've seen
anything so dressy.

"Oh, ah! Not at all! Right-o! Glad you like them!" I said.

Well, I mean to say, what? Absolutely!