Dani el KI ENTZY

LTS SONS IVItLI' IPLTS

AT-IX SAXOPHO\TS
pour
saxophones sopr ani no, Sopr aho,
al t o, t enor et bar yt on
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Sch6nr a cl es cl 6s de saxol l hone /
Scl t enl n of saxol l hot l e keys
Nonr et r cl at ur e
- [ l r t r l r - l r u
t l ' cxcr r r pl es : l v( . c cxl l l i cat i ons /
Ti l bl e of exnt r l l l l es wi t h expl nt r i l t i ot r s
(
o r t cot ' t l : t t t ccs
Li st e cl e sot r s t r l t t l t i pl es /
Mul t i l l l e sot r ucl l i st :
| ) Sopr at r i t t <)
2 | Sopr r t t t l
3 ) Al t o
4 l
- l - i t t t t r / - f e r t o r
5 ) l l ar yt ot r /
l l ar i t one
page 2
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4
- ' /
I
9
22
33
49
67
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t . \ . s . l 7543
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NOMENCLATU RE DES SYMBOLES
ET LEUR SI GNI FI CATI ON
{ |
l 4
dc t on er r cl css<t us
b 314 de t or r en dessous
N t
l q
de ton en cl essus
i
314 cl e t on en cl essus
t haut
(
d r noi ns de I
l 4cl e
t on eu dessous)
I bnr
( f r r r oi ns de | l 2 t on en dessus)
( f )
l d' q, t i r cr ncnt l r l r r t
t{f
l dge\rc' nrert t bns
(p)p entre pP et p
(m)p entre
p et np
(mJ) entre m p et nd
(n)f
entre mJ et
t
$rj
entre
{
"t
t{
: l l e: r t r cor r p de souf f ' l c
: un
l ) eu
cl e sr l uf f l e
: pr encl r e
l l l us
de bec
; serrer
: l acher
* : br ui t s de cl ef
( Xt : br ui t s de cl ef l 6ger s
: bat t er i e l ent e ( avec
cet t e n0t e )
: bat t er i e l ent e ( avec
ce S. \ 1. r
LI ST OF SY] \ I BOLS
\ \ I TH TI I EI R i \ I EANI NGS
u p ( t
cl . wn (
f
'
(Ptp
(mtp
(mfl
Filf
V,!
d
I
/4
tone bel orv
b 3/ 4 t one bel ow
+
|
l 4
tone above
#
3/ 4 t one above
l ess t har r l / 4 t one bel ow)
l ess t han l / 2 t one above)
( t )
sl i eht l y up
( l ) sl i eht l v dor vn
between pP and p
between p and tnp
between mp and nf,
bet ween nf and
f
betrveen
J
and
f{
f S : a l o t o f t l r e n t l t
S : sl i ght br eat h
<
: take nl ore reed
F
: ti sfuten
I
+
tg
: key noises
I X)
, sl i - eht key noi ses
A
ffi
:sl o*' shake
d
( wi t h
t hi s not e)
nr ul t i pl e sound )
I
E. { . S 1 7 5 4 3
( * gl ,
skr w shake
( r vi t h
t hi s
I
\ "
rEnsp
l l
So r t s
I i l
Rqrm.lrr
\uar:es
I V
t)<ryF
V
Bat t er i es
Possi bl es
Avec
V I
Sor t s
separes
\
l l
{ u t r e r P o s r t h r t l r l e .
?E
+
/ r
G
E
\
-
--l
-rr-'1
l l r l
tnp
t
t
g A
l+
5 Cg
7
( g) ( 11)
( 16)
i 9
(lo) ($) (27)
99-
J t - 7 r - 7 8 - 7 9 -
e9
=.
b;
4
L:
N \ N \
Cot J
t
f t 7
I
i - \ \
t t = t =
\_-/
P
- p p
e9
, - 2
, I -
i ' - = .
I , N
-1
mp
t
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t (50)
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l r - N , N
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tr= iT-Ti-'ii-T-ii-r-l
F
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T.p+a
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J J - I - . 1
tj tj .Z
+=
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a A
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--,
P
P
-JP
Exenr pl e d' ut i l i sat i on de I sons nr ul t i pl es
Bar vt on : J8 et 29
1l
- t
* c t
--..,
) = OO l i brerrrerrt
6t =
A
gr
l e
] c,
Tcl
' l l n ;
,-f9_,
+ a ( < ) t i
? t
rttQ t
' 2 A
hy' vr
- 1 4 ?
4 v
l - - l
j ar der
<c
tutgtt
-l
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4.
_t A
l c'
7
+
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a
i i
i c t
\
-
llflln' ,,liii,l;rl'r
o j =
- y '
-9-
ir.-r..
re
t "P_\ --@
\ --
'
, ' . \ J/ r/ l t t , rl Pl ri t
E. A S. l 7 5 4 1
' '
, , t ! , l t t . st ' t ut ' t t l t t l l r i gl t / r r t ' . r r ' l ' t ' r ' c/
l l J l . R r . t - r
l t l
I V
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I I Not es cot nposal r t l e son nr ul t i l t l e. I . e. s t t ot t ' . s t l ot t t i n; t r t i ( ;
' r ) t t I gt ; t t t ; t ' ul et nct t t
cel l ( JS t l t t i
Tt cur et t l
At r e
(. \ | t ' (t i |
(. \ (
t ' ol ot t t t c L' I )
l ) ur 6e l t
l l l us
br evc cl ans l ar l ucl l t ' on
l ) eut
l a f l i r e er r t endr e. . S, r r r _l i r t t l i t ' ut i ot t l u cl ur t t t ' l u pl t t s l or t gt t c
t t a t l cl sct t t l quc cl u. t ot t J' J' I c; l u
( ot t . \ ot nnt ut i ot t t l ' t t i t ' t ' st
l t l t t t
gr at t t l e t l t t t ' pour une t t ol e <t t t t r t t ml er .
Ot t t t a pcut
( t i
qual qut ' , \ ( ' . \ ( ' ( ' l ) l i ot t . s pr t ) . s) t t l i l i st ' t ' l t ' \ { t t t J. l ' l e ( ont i t ut .
Cer t ai ns sor r s r nul t i l t l es ne
l r euvent
<<sor t i r >> s' i l s ne sont pr dcedes que d' une des not es qui l es con' t -
gr osent ou d' un aut r e son nr ul t i pl e. La
l l et i t e
not e i ncl i que l a dur de nr i ni munr de l a not e ou du son
rt rul t i l t l e
l l rel rarat oi re.
1: . r' : . \ ol t rut t i t t rt | . Tt t t t r)t ' ' \ 0
l - c, s
1t l t t . s. l ' t t t ' i l c, s
t t . sr t r t i r . \ ( ) nl
( ' ( u. \ ' t l ot t l l u t ' ul ct t t ' l ) ( ut t ; t r t ' l u
l t l t t . s
l t r i t ' t '
Lt , , s
l t l t t . s . l uci l t , , s
i t t ' t t cl r t t i t t t ' r sot r l
( ' ( ' r l . \ ( nl r (
l t ' . t t 1ut ' l l t ' s
( ) n
l ) L' ut Ji t i t ' t '
t l t ' . s l t ut t er i t ' s
( r ' ol or t t t c
l ' ) .
Ryt l r r r r e l e
l l l us
br cf cl ans l et l uel on
l ) cut
r el r dt er l e son nr ul t i pl c' . Dur t . s t t ' t ' t t t i t t . s. sot t . s r t t t t l l i 1r l r ' . s i l t s-
t ul t l cs, l t ' . t t ' r i l t cl i t i ot t s . ; c
. f ot t l
t n' t ' t dt ' . s r ul t l t ot ' l . s d' i t t t t ' t t . si l a r ur i ul t l c. \ L' nl t ' L, l t ' . s t t ot t ' s
( l ui
l es
( ont po-
. \ ( nl .
Nr ur r r ccs
l l ossi bl cs.
l ) <r i gt c' ni cess: t i r c l \ l ' ( ' r t t i ssi ot t t l u son t t t t t l t i l l l c
(
r ' oi i ' . st ' l t <t t t t u )
(
l ' ct t dc , \ ( ) l ) t ' ( nt o
1t o. : , st \ t l t '
l u t l t ;
( ' ( t
)
Nt r r r r 6r o cl es scl ns nr ul t i l l l es avec l escpr el s i l est possi bl e de f ai r e cl es bat t er i es
6. C( ' r t ui r r es
but t t ' -
r i a. s pt , Lu' t , nt t n' oi r t t t t t ' cl t r r i c l i r t t i t et ' . 1j . v ; . sol t r ur t i r r o, but t ct ' i t ' l 0l , t l 0) t Mt ; t ' t t t u. t i t t t r or r i ' .
Not es avec l esquel l es i l est possi t r l e cl e f ai r e cl es bat t er i es
@
. C. t t es- ci s' obt i ennent a
l l ar t i r
du
doi gl e col onnt ' I V l t vec l es r t r odi f i cat i ons i ncl i quees. 1: ' . r ' . '
pl ' h. - 1.
cl r ' . .
( ' ct ' l ui t t a. s
bul t cr i c, s. sot t . s nt t t l l i l t l c. s
I
r t ol ( . \
1t t ' t t t ' t ' t t l
t n' oi r ut t t ' dt t r t ; t ' l i t t t i t t i t ' .
o . 6 " I o 1 "
I 7 .
. j "
i o
u t l l i l t i r u n t
E X P L I C A T I O \ S t ) L
Nur r r 6r o cl u son r r r ul t i pl e
( r ut i r
t ' u, s. st ' t t ( ) .
f r ansl r osi t i on i r I ' usage des saxol r l t oni st es.
On peut ext r ai r e cer t ai nes t r ot es cot nposant l e
1xt . s
l c nt t ) t nt , t i t t t l t r c ( l t t ' ut ' ( ( ' l c doi gl c t t or t t t ul
(
t l r t c, s
l t ur
l c sot t nt t t l t i l t l c)
T \ t ] L E . \ U
sor r r t r r r l t i pl e. . sr
( ' ( ' . \ ont
dt ' . s
I , b , , , , \ al t es n' ont
l ' t t i t ' t ' r t l ot t t t t ' l ' I I . . r r t ' l / r , . s r t t ' t l o i t ' t ' t t I t ) us t t r ( t ) r e( a-
VI
v t l Out r c I ' t r l i l i s: r l i on r l c sons nr ul t i pr l c' s i t t t cr cl t l t i s et r t r e cl cs not c. s <<nur nur l r - s, ( . 1
ou ct r chai nees i
d' i t ut r cs sons nl ul t i l l l cs
@.
l l est gr ar l ' oi s
l l ossi bl e
de' f ai r r . pr ecet l er u, , , . i i i r . ' l e son nr ul t i pl e.
cl ' ut r c cl es I r ot es <1ui l e cor n- pose ut i l i sant l e ckr i gt e sl l eci f i r l ue : col onr r e l V
@
L. ' i r r cl i cat i on cl c dur cc de l r t not e ext mi t c est I n pl us br t \ ve
l l ossi bl c.
Sr r l . / i t r di <' ut i or t t ' ot t t nt i r t ' . t t t
dt t rct t ' rt ' t ' . s' I I i t t t i |
(t '
t 1 t rt ,
l t t t
r l c sot t . l . ' l ' l t '
Le sot r nr ul t i l r l e a l es car act er i st i ques i r r di qudes col onnes I I et I I I . Snuf i r r cl i cat i on cont r ai r e, I es
nuances de l a not e ext r ai t e sont cel l es i ndi quees col onne VI .
Le r yt hnr e cl ot r nei est l e
l l l us
br ef possi bl e. l a l ent eur : sauf i r nl r ossi bi l i t e r r ot ee. n' a pas de l i nr i t e.
La dur 6e cl onnde en
DJ
^est
cel l e
l l our
l es cas ot i on d6passe l a si nr l l l e sequence not e ext r ai t e
-
son
mul t i pl e
-
not e ext r ai t e
@
.
Cet t e dur 6e s' acl r esse al or s nussi bi en Aux sons nr ul t i pl es qu' l ) l a not e ext r ai t e.
0t t 1l <, t t | t , t l t t t l l i t t ar | cst l i . | , J. er t , t t | t , ' s1l t l ' s. xi hi | i r e. st l t , ct , t t t , t , o| t l t t t t t , ' I : . . t . cr l nt t l l ( , | t ( ar pur u| l ecl est ' r l t t t pt -
sat t l ( , \ t ' 1,
( t ut t t
pu. \ . \ c
1nr
l c. ; or t nt t t l t i Tt l t . / i r t i r ' l ) ur t ut ( uut r ( ' . si t ' t , l t t , t l t , r t t i <\ r e, p( ut appur ai t r e apr i s
I t , , \ ot t t t t t t l t i l t l c
@
.
Ur t doi gt 6 de sol t r nul t i pl e
l ) r ' nl et
pt r f oi sd' er net t r e des r r ot es i sol des ne f ai sant pas par t i e de cel ui - ci
gi t t cr ul t ' t nat t t dt t t t . s l t , . sr t r ut gr t , , i . , i . ' , 1
\ l t ' t t nI t , nt
at l t t t ut ut t ( ' ( ,
. l ' or t t
@.
l - ' t ' r t t ' l t ui t t ( nt ct t I t t ol ( c' \ ' / / . , ' , ' ' .
, , ) ; t t l t l t l l i l t l t '
csl
l t l t t . s
ot t t t t oi t t . s yt r ogl ' c. s' . r i . l ' ( Jl t nt l u) . r dr enr ( nl se( ' .
I . a, s sr t t t , v t t t Ul t i l t l t ' . s ( l l t i t ( ) t 1" , ; . , : . , " . , r l r t r t t t . l ' l ' l t ' , , S > ( cOl ol t t (
I I I ) yt aUr t ' t t l t ; t r t , Ul l t , r t t ( t s Sgt t Jf ' l e, I SOn
t t t u l t i pl t ' .
I' .' .t' : .\o1tt' tttti tto, .l
<
-
: \ I ' except i on t l c l : r
-
l e nr ouver r t ent est
. ( 5 5 5
c o l o r r r r c l . t r r ' . 1 [
g ] : l
r i c r i t c r t s o t r r d e l .
1 = a :
i v' ttl u
: \ s 1 7 5 4 3
I
No
Trarry
I I
Sounds
I I I
Repetition
Dynamb
I V
Firge!tr
V
Shakes
Possi bl e
Wi t h
V I
Separate
Sounds
v t l
Ot her possi bi l i t i es
BARI TONE
98
a-
. -
a . t -
. r t ^
v r-
--l
z?t-l
w---------t
al
N
-
nTl
mp
{
t
g A
k
sCt
1
(e) (r0
(i 6)
19
(90)
(e3) (2r) p9-
l t - 7t - 79- 79-
9
l-tr
bi
A .
b
l\ r k t\
- f f i . 1
n
VT-,r?Ei--'rt'+-|----l
= = = = =
pdn
u - +
*
l r 7
t 9
r L
/ f =
t , N
r-1
mp
a
J
#
5c3
7
48-
21,
(et+t (951
t8 (30)
78
-
1g
P-tutu
..t#l
{s-l
u - f
+7
-
W.p+a
+'
----f-
+7 +4
F
Exampl e of the use of 2 mul ti pl e sounds
Bari tone : 28 and 29
J: 60
l i br. errrerrt
r:l
t
-ra
tc,
f
6)
L^
-r
* c t
- '
=
- $
l e
?$
Tc,
V ^-i\ ;
,_(g/+
6
dp
f
h.eep
this
fi ngeri ng
-q-.'
_-I
, ^ h , ^
-
- f
i^
?co
7
4,
.sn
Ec,
7
E. A. S. | 7s43
I I I
I V
V
I
I
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I
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I
t
I
I
I
I
vII
I
I
I
I
I
I
I
VI
E X P L A N A T O R \ ' \ O T E
I Number of the mul ti pl e sound.
(See
cassette recorci ng)
Transposi ti on for the use of saxophone pl ayers.
II Notes compri si ng the mul ti pl e sound. Tl te predorni nati rtg tl otes are general l y 11rot, whi ch can be
played separately
(column
VI).
Sl rortest durati on for whi ch i t i s audi bl e. Urtl ess otl terx' i se i ndi cated the l ongest durati on depends
onl y upon the l engthof breath ;tl rc
amountof ai r rteeded i s greater than
for
a
(normal >
note. Con-
tinuous breathing
(with
a
few
exceptions) is intpossible.
Certain multiple sounds cannot be produced if they are preceded or followed by another-multiple
sound. The smal l note i ndi cates the mi ni mum l ength of the notes or of the preparatory mul ti pl e
sound. Ex . Soprani no l , Tertor 80.
The easiest to produce are those whose value can be tlte shortest.
The easiest tct
join
are those between which shakes are possible
(coluntn
V).
Tl re qui ckest rhythm i n whi ch a mul ti pl e sound can be rel eated. In certai n unstabl e mul ti pl e
sounds repetitions are made with varying degrees of intensity among their component notes.
Possi bl e dynami c l evel s.
Fi ngeri ng requi red for producti on of the mul ti pl e sound.
(
See scl rcma).
(Few
soprano saxophones have the C 6 key).
Number of the multiple sounds with which shakes are possibl. ($ . Certain shakes may have a li-
mi ted durati on. Ex : soprani no, shake 1011102 :maxi mum durati M 5".
Notes wi th whi ch shakes are possi bl e
@
The l atter can be obtai ned by modi fyi ng the fi ngeri ng
i n t he manner i ndi cat ed i n col umn I V. E. r ' . + Eb,
-
4, et c. . .
Certain shakes between notes and multiple sounds may have a linited duratictrt :
o. 6"
I
o
4"
I
f '
3"
I
o
adl i bi t unt .
Certai n component notes of a mul ti pl e sound can be pl ayed separatel v. If these are
$
, h
o,
t
they do not have the same tone-qualit.1, et witlt norrnal
fingering.
(See
in column VI if thel' mu\t
not be preceded by tl rc ntul ti pl e sound).
Over and above the usegl nrul ti pl e sounds i nterposed between <<nornral >> notes
O
or
j oi ned
to
otl ter mul ti pl e sounds (D , i t i s someti mes possi bl e to precede or fol l orv the mdl ti pl e i ound by
one of i ts component notes by usi ng the fi ngeri ng expeci al l y i ndi cated : col umn IV
O
' l ' he
i ndi cati on for the l ength of the note thus extracted i s that of the shortest possi bl e. t/nl ess
otherwise indicated its length is limited only by one' s breatlt.
The mul ti pl e sound has the characteri sti cs gi ven i n col umns II and III. Unl ess otherwi se i ndi cated
the dynami c l evel s of the extracted note are those gi ven' i n col umn VI.
Tl te rhytl tm gi ven i s the qui ckest possi bl e, sl owness of tempo bei ng unl i mi ted (unl ess
i s i ndi cated).
impossibility
the si mpl e sequence extracted note
-
mul ti pl e
Thi s l enghti nconsequence appl i es as much to the mul ti pl e sounds as to the extracted note. It i s pos-
sible to combine the different possibilities of this column. For exantple, one ntay begin with one of
the component el ements and,l tari ng passed by' the mul ti pl e sound, end v,i tl t another, i f thi s can
fot-
l ow the mutti pl e sound
@
The fi ngeri ng someti mes al l ou' s the producti on of i ndi vi dual notes whi ch are not to be found i n the
correspondi ng mul ti pl e sound . Thi s i s general l y the case i n the uppennost regi ster ancl at the dyna-
mic leiet
fori
@
:
The
i oi ni ng
of the extrocte.l
,:
:e
' .' .i :i t
the rnul ti pl e sound i s rnore or /e.s.s gradual (mergi ng) rarel y
abrupt.
The multiple sctunds
multiple sound.
Ex : Sopranino, 35.
r vl t i cl : i - ' , , : : : : , : : J: c br ear l t si gn < S >
( c' ol t unn
I I I ) r ' an be al t er nat ed: br eat h I
apart from col umn I.
the tempo i s
gr i t t en
at soundi ng pi t ch.
The l enght gi ven i n
sl
appl i es to i nrtances i n whi ch
sound
-
extracted note i s exceeded
@
a l l n o I e . 3 r . 3
I
N.B.
E { . S. 17543
l Jul I t , nt t ' t t l
(
t l t r )
(
ur cc )
l Jt t t t t ' t ' i <' . s / c' / i i c' . t
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