Under: Hans Tutschku

Hans Tutschku
under
for nine instruments and electronics
score
(2013)
First Edition 2013

All rights reserved / Alle Rechte vorbehalten.
copyright Hans Tutschku 2013
under
for nine instruments and electronics
duration: 14:30 min
dedicated to my sister Ute
first performance: Electronic Musik Week Shanghai, October 22, 2013
Under depicts the unseen forces below the surface of a living organism: the surface of the earth, the skin of a human or the apparently quiet mirror of a lake at night.
instrumentation:
2 violins
1 viola
1 violoncello
1 C-flute, doubling piccolo
1 Bb-clarinet, doubling bass clarinet
1 oboe
1 piano
1 percussionist
electronics
The electronics are realized as a Max/MSP stand-alone application for Macintosh. No Max/MSP authorization is
necessary on the computer. The application contains all soundfiles.
During rehearsals and concerts, the computer will be operated by the pianist. The score and the piano part
indicate EVENT numbers, which correspond to the moment, when the pianist presses the SPACE-bar on the
computer. This action will trigger soundfiles. During rehearsals, the pianist will be able to set the electronics to a
particular EVENT in order to start the rehearsal from there.
The built-in sound output (mini-jack) of the computer will be connected to two powered loudspeakers, each of
them in front of the piano and percussion respectively.
The sound-level should be set to obtain a blending mix between the ensemble and the soundfiles.
technical requirements
two loudspeakers on the floor (like stage monitors), either self-powered or with amplifiers, one in front of the
piano, one in front of the percussion set
one laptop Macintosh PowerBook (placed on a stand next to the pianist)
cables between the sound output of the PowerBook to the loudspeakers
percussion instruments
3 tomtom
1 bass drum
3 temple blocks
1 tamtam (60 cm)
1 vibraphone
Macintosh
MacBook
percussion:
two powered loudspeakers
on the floor, in front of the
piano and percussion
3 tomtom
1 bass drum
3 temple blocks
1 tamtam (60 cm)
1 vibraphone
clarinet /
bass clarinet
flute /
piccolo
oboe
Vln 2
Vla
Vln 1
Vc
conductor
performance remarks:
gracenotes are performed before the beat
percussion: let the tamtam always ring
strings:
playing behind the bridge is notated on a 4-line staff, indicating the respective string
increase bow-pressure continuously from normal to over-pressure
under
Flute
in C
5
&4
Oboe
5
&4
Bass Clarinet
& 45
TamTam
5
4
Temple
block
Tomtom
Bass
drum
5
4
45
45
Vibraphone
5
&4
Electronics
45
Piano
5
&4
? 45
A
80
for 9 instruments and electronics
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hard mallet
43
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4
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>
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3
4
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r r > > 43
R
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1
3
4
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>
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ww
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3
4
"
the reed is further in the mouth than normally

vary the beating of this multiphonic with changing air-pressure
Hans Tutschku
(2013)
"
43
"
3
4
"
43
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3
4
43
Violin I
5
&4
"
"
3
4
Violin II
& 45
"
"
43
Viola
B 45
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43
Cello
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4
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3
4
version 057
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Fl.
Ob.
Tam
43
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BD
Vib.
El.
Vln. I
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2
4
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"
42
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2
4
43
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3
&4
& 43
Vln. II
3
&4
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42
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42
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2
4
Vla.
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Vc.
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4
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>
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9
44
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2
4
3
4
& 43
Pno.
42
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3
& 4 # ..
Bass Cl.
breathe briefly
whenever necessary
whistle tone
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3
&4
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B
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( 80)
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circular movements with hard brush

over bass drum skin, variations
in speed and gestures
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13
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4
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s.p.
molto vibrato
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5
4
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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soft mallet
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5
4
whistle tone
5
4
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4
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4
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4
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( 55)
& 45
16
Fl.
Ob.
w
5
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Bass Cl.
Tam
TB
Tom
BD
Vib.
El.
l o
5
& 4 #w
F
Lw
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4
4
w
bw
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p
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5
4
4
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
F
5
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45
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Pno.
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whistle tone
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n#
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44
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5
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4
Vln. II
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18
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&
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Bass Cl.
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&
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5
4
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4
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p
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5
4
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4 w
El.
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45
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5
45
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behind the
bridge
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F
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TB
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to piccolo
& 44
20
Fl.
( 55)
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4
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Vib.
El.
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4
4
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44 >
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Vla.
Vc.
& 44
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7
4
behind the
bridge
.
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5
# #
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74
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4
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4
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7
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4
44
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7
4
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BD
74
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&
p
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s.p.
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p
w
f
p
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74
7
4
74
74
74
10
Picc.
& 74
Ob.
7
&4
22
( 55)
"
44
"
4
4
breathe briefly
whenever necessary
slow, irregular glissandi

within a whole tone around
the written pitch
w
P
w
"
45 .
F
p
w
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5
4
"
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44
w
P
4
4
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k ~~~~~~~~~~~~~~~
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5 .
4
4 #
4
p
F p
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c# g#
Bass Cl.
Tam
TB
7
&4
74
7
4
Tom
74
BD
74
Vib.
7
&4
El.
74
Pno.
"
rotational scratch
with metal stick
on the surface
P
"
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4
4
44
4
4
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4
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w
& 74 # # wwww
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soft mallet
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4
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44 # ## wwwww
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7
&4
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4
4
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5
4
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4
4
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Vln. II
& 74
"
44
"
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45
"
44
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Vla.
B 74
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44
"
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45
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44
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? 74
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44
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45
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44
Vc.
..
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12

the written pitch
28
Picc.
Ob.
Bass Cl.
Tam
TB
( 55)
11
& w
w
"
&
F
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45
5
4
12
&
"
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5
4
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45
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44
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p
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4
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4
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4
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5
4
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&
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5
4
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4
4
Vln. II
&
"
"
45
"
44
Vla.
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"
45
"
44
Tom
BD
Vib.
"
#
&
f
El.
Pno.
Vln. I
Vc.
45
45
> > > > > > > > >

4
4
"
4
4
"
10
44
"
"
44
"
"
hard mallet
4
4
"
"
44
"
"
"
# ww
F
c# g#
k ~~~~~~~~~~~~
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4
#.
4
p
F p
5
4
"
w
P
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4 wwww
4 # w
44 # # ww
f
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ord.
44
ord.
!
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gliss.
p
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gliss.
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.
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s.p.
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n
f
12
32
Picc.
Ob.
( 55)
& w
45 .
F
p
w
"
&
5
4
"
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44
w
P
4
4
w
"
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k ~~~~~~~~~~~~~~~~~~
.
5 .
4
4 #
4
p
F
p
"
"
"
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c# g#
12
&
"
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Tam
"
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45
"
44
TB
Tom
"
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45
"
44
BD
Bass Cl.
Vib.
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Vln. I
4
4
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45
44
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5
4
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45
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44
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f
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&
El.
Pno.
5
4
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(!)
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gliss.
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&
Vla.
Vc.
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#
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7
5
4
gliss.
11
*
gliss.
4
4
44
44
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"
"
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gliss.
bw
44
"
w
44
ord.
45
4
4
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45
"
n
45
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w
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w
gliss.
"
w
( 55)
37
Picc.
Ob.
Bass Cl.
Tam
TB
13
45 .
p
F
& w
& # ww
F
&
"
"
"
Tom
BD
"
&
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Vib.
12
El.
Pno.
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Vc.
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4
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k ~~~~~~~~~~~~~~~~~~~~~~~~~~~
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44
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5
4
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> > > > > > > > > 5

4
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45
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4
F
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4
4
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44
44
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s.p.
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# n #
f
gliss.
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w
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ord.
w
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14
45 .
p
40
Picc.
Ob.
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4
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5 .
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4
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c# g#
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&
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TB
Tom
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45
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3
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3
4
16
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43
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4
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43
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43
45
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43
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4
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44
4
4
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43 .
F
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5
4
ord.
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5
4
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4
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43
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44
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44
b.
b.
"
4
4
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44
44
44
( 55)
Picc.
& 44
Ob.
4
&4
45
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45 .
p
5
4
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44
4
4
k ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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5 .
4
4 #
4
p
F
p
c# g#
12
Bass Cl.
4
&4
"
Tam
44
"
45
"
44
Tom
44
"
45
"
44
BD
44
TB
Vib.
El.
Pno.
4
4
4
&4
5
4
"
44
& 44
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5
4
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45
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4
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4
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5
4
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4
4
Vln. II
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45
"
44
Vla.
B 44
45
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44
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s.p.
Vc.
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#
45
P
ord.
44
16
& 44 w
P
47
Picc.
Ob.
( 55)
4
& 4 # ww
F
Bass Cl.
4
&4
"
Tam
44
"
TB
Tom
BD
Vib.
El.
>
>
4
4
5
44
"
19
44
c# g#
"
45
"
45
soft mallet
"
5
4
k ~~~~~~~~~~~~~~~~
.
5
#.
4
p
F
5
4
"
"
4
&4
"
> > > > > > >

hard mallet
P
44
12
45
45
"
5
4
"
45
& 44
"
"
45
? 44
"
"
45
Vln. I
4
&4
"
"
5
4
Vln. II
& 44
"
"
45
Vla.
B 44
"
"
45
Vc.
? 44
Pno.
#w
45
F
Picc.
& 45
Ob.
5
&4
Bass Cl.
Tam
TB
Tom
BD
17
"
43
"
42
"

3
4 # ..
# ww
ww
F
c# g#
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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f
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44
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4
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5
4
4
4
4
rotational scratch
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44
4
4
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44
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44
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4
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4
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43
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44
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43
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44
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44
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4
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44
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44
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4
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5
44
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4
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4
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4
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43
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44
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43
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44
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43
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44
50
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4
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44
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44
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.
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4
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43
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4
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4
5
5
43
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74
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44
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4
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4
4
74
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44
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4
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Hans Tutschku

First Edition 2013

increase bow-pressure continuously from normal to over-pressure

for 9 instruments and electronics

the reed is further in the mouth than normally

> > > 4

circular movements with hard brush

Pedal always follows legato phrases

metal triangle mallet

short moments of small, irregular pitch variations around f#

slow, irregular glissandi

slow, irregular glissandi

> > > > > > > > >

> > > > > > > > > 5

> > > > > > >

the reed is further in the mouth than normally

slow, irregular glissandi

the reed is further in the mouth than normally

medium hard mallet

the reed is further in the mouth than normally

> > >

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