Location via proxy:   [ UP ]  
[Report a bug]   [Manage cookies]                
Scribd Logo
Upload

Welcome to Scribd!

  • 173 views

    Motive Improvising

    Uploaded by

    Joy Goh
    Motive Improvising

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Motive Improvising

    Uploaded by

    Joy Goh
    173 views15 pages
    Motive Improvising

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Motive Improvising

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    173 views15 pages

    Motive Improvising

    Uploaded by

    Joy Goh
    Motive Improvising

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 15

    !"#$%&'()*+,-.

    /012345
    678

    9:;<

    ,-./3)*01
    )*013=>?@AB01CDEFG+,-/2H01IJK/A
    3A(BLMNOPChord ProgressionQ@)D3@AB01G

    ,-)*3#R
    STUVW,-./XYPNew Grove Dictionary of JazzQ2Z)*[
    \PImprovisation TechniqueQ3]^H,-)*_`#?abcR%
    P1Qd
    ef1)*PParaphrase ImprovisationQ
    %`ghijkl3f1imn@?
    )*3kopqG
    P2Qr5&'@?)*3pqPUse of MotifsQ
    %+sR3
    [\2H&'t3juvw53,-xyPPatterns:LicksQ
    G
    P3Qz({)
    *PFormulaic ImprovisationQ
    G
    P4Q&'()*G
    P5Q|}~PInterrelated
    techniquesQG
    P6Q()*PModal ImprovisationQG

    &'()*
    &'()*3=>?H)*013`ui&'?k@E
    HE3(P1QmnPOrnamentationQ
    :
    P2QPTranspositionQ
    P3Q1PRhythmic DisplacementQ
    :
    P4QPDiminutionQ
    :
    P5Q
    PAugmentationQ
    :
    P6QPInversionQcG`"uc
    3&'E(G

    "u&'&'E

    &'E3c(_`r5H"2G

    "&'E3

    :!"#$PuQSo What

    [ Miles Davis B/A So What


    So What uA?,-[ Miles Davis 3@uH+ 1959
    3 Kind of Blue 23-u/AHPColumbiaQz
    EOH/3e?c1H01I2. Cannonball
    Adderley:2. John Coltrane: Bill Evans: Paul Chambers
    ` Jimmy CobbG
    So What ? 60 (,-PModal JazzQ3o@uHA(? 32
    AABAG2HA r5 Dm7 LMHB r5 Ebm7 LMG|
    K;3PBebopQB,-PCool JazzQ
    H(,-3/A2r
    53LMG

    !"#$
    u? So What B Miles Davis )*!"G2H-uB-O"
    ?gh3"H--O"? Miles Davis 3)*!"G)*!"
    Kgha33+KZ4ghB)*3|}GO"3;
    CD D_Z4G
    #$2H&'`XHE` H-u&'
    ? AH-uE? A:-E? AH`sRG

    #$
    u3#$2H_&'EHaG

    "So What&' A BE

    "So What&' B BE

    "So What&' C BE

    "cSo What&' D BE

    "So What&' E BE

    So What !"#$
    1. Miles Davis 3)*r5&'Hkor513(EG
    2. &' B kor5+/x3G
    3. &'()*koEF+/A3 A G
    4. +01(/ADHLMNO_`3pqHr5&'()*_
    r01uG

    :!"#$PQAll the Things You Are

    2.[ Lee Konitz B/A All the Things You Are


    01I?2.[ Lee KonitzGLee Konitz ?,-PCool JazzQ
    3uH01 Art Pepper:Bud Shank:Paul Desmond
    3Hs!"#$? Lee Konitz, Bob Brookmeyer in Paris 23H BMG zEOG
    3

    /A#$2HsA? 36 AABAA(H2 A:
    A:B !? 8 HA? 12 GA 3LMNO? Ab 3 VI
    ":II ":V ":I ":IV "H-c#-$# C %Hgh&
    '()r5LM3.GA*+gh.,LM-B A .CH/
    #$LM"H0E1 A B A3LM"()|CH2j)34
    a&()5Hghj&'r5LM3.GB r5 G B E
    3 II-V-I LMNOHghr56NPSequenceQ3[\GA7
    B A |C3 Ab H;B A ()|CH A3-c
    ghBL8!B A .CH-9#-9?:;3L
    M<.aOH=7 Ab 3 II-V-I LMNO>)AG

    !"#$
    ? All the Things You Are B Lee Konitz !"#$G-uO"
    ?/A3ghL8"H-O"? Lee Konitz 3-u?)*01H-:
    O"#@?-:?)*01H?BghL8HA)*0
    1O"KaHCD DbKO"3;G+01BC2HLee Konitz
    DE01ghHFj)*3GHI01G
    #$2H&'`XHE` H-u&'
    ? aH-uE? a:-E? aH`sRG

    #$
    3#$2H_&'EHaG

    "$All the Things You Are&' a BE

    "All the Things You Are&' b BE

    "9All the Things You Are&' c BE

    "9uAll the Things You Are&' d BE

    "9All the Things You Are&' e BE

    "9All the Things You Are&' f BE

    "9All the Things You Are&' g BE

    "9All the Things You Are&' h BE

    "9cAll the Things You Are&' i BE

    "9All the Things You Are&' j BE

    "9$All the Things You Are&' k BE

    "9All the Things You Are&' l BE

    "9All the Things You Are&' m BE

    All the Things You Are !"#$


    1.
    2.
    3.

    4.

    +C#$2HLee Konitz r59&'HJ|K Miles DavisH


    Lee Konitz r5K.C3[\EG
    ?LL8NOH3#3E-G
    -u?3)*$&'H-?&'H-?
    M&'GN<H01I+)*3;r5K3&'EH01#
    OHPQ$#.RSTSKH&'EPG
    ()U3xyVWE33GHA`z({xyPFormulaQXG
    Y

    Z:[\B]

    [\
    +C[\23M^H01I!r5&'()*[\G+/A So What
    2HMiles Davis r53&'H/&'K3E_+/A All the
    Things You Are 2HLee Konitz r5K3&'H/&'`w2u#
    M3EG

    ]
    1. &'()*jabr)*ucd
    eY+,-)*012HfguAh:ijf{3)*j01
    Ikl33GF+klAh:ijf{3CDHmn)*
    ucHoQ01IGY
    Cpij@uqH;<IO44jnuc3
    o}rG+)*012Hr5&'()*jabr01;<
    IOHC&'IE3sHFr)*ucdY

    2.

    [\It?HulvwZ3xyHV?.xyjz{ij
    |{H-uvk}~\G/jul,-01IGY
    Y
    &'()*jab?,-01I3[\d
    S[\IoH,-I44+)*Du
    vulH%01O:.(GIr5
    &'()*_`rvul3G
    +{%3,-/)*qHr5.C35)*01H
    &'()*+vq2]G+ET3[\2Hm`&'
    ()*?koH3)*\HjC[\3 ;
    lG


    678P 96Q%,-/
    ,-/P
    ,-/P%QPa
    QPaQG%BG
    Aebersold, J. (1988).Volume 43 Groovin High. New Albany, IN: Jamey Aebersold
    Jazz, Inc.
    Berliner, P.F. (1994). Thinking in Jazz-The Infinite Art of Improvisation. Chicago &
    London: The University of Chicago Press.
    Coker,YJ. (1964). Improvising Jazz. New York: Simon & Schuster Inc.
    Cooke, M. & Horn, D (Eds.). (2002). The Cambridge Companion to Jazz.
    Cambridge: Cambridge University Press.
    Monson, I. (1996). Saying Something-Jazz Improvisation and Interaction. Chicago
    & London: The University of Chicago Press.
    Reeves,YS.D. (2001). Creative Jazz Improvisation (3rd edition). Upper Saddle River,
    NJ: Prentice Hall, Inc.

    uSo What B Miles Davis )*!"

    10

    11

    All the Things You are by Jerome Kern

    12

    All the Things You Aret B Lee Konitz )*!"

    13

    14

    15

    You might also like