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Class Difference: The Garden Party: Fang 1

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Fang 1

Jingjing Fang
Dr. Sultzbach
English 204
17 April 2014

Class Difference: The Garden Party


Katherine Mansfields story, The Garden Party, begins with a rich family holding a
garden party. When they find out their poor neighbor died in an accident, the girl Laura thinks
they should stop the garden party. But others disagree; they think the garden party should be
held as planned, and it will end smoothly and happily. Everyone enjoys the garden party,
including the girl Laura herself. At last Laura brings the rest of the food from the party to
their poor neighbor. Her beautiful clothes and hat are not suitable to that sad environment.
When she saw the man who died in the accident, she cannot bear it anymore and she runs out
and cries, asking the question isnt life--? This shows that the experience of this event
makes her inner world grow and become mature; it allows her to reflect on the real world and
realizes that the gap between classes cannot disappear.
The best Victorian writers had not been afraid to ask difficult, unsettling questions
(1925). The people in the Victorian Age were full of enthusiasm of exploration because of
Colonialism and the Industrial Revolution. They thought they knew everything because they
were the citizens of the empire on which the sun never set. This notion faded with the death
of Queen Victoria, the overdeveloped Colonialism and Industrial Revolution, and the
beginning of Modernism. Modern explorations are undertaken with absolutely no

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confidence as to the results that will be discovered, still less that a public exists who could
understand the writers discoveries (1925-1926). In the Modernist Era, womens rights
movements began, technology changed urban life, and the Great War took place. This society
made people feel scared and instable. With the Industrial Revolution, faster production of
goods enriched peoples lives and made them happier. This made their lives very busy with
these new material goods and made them dependent on superficial products as well. This
phenomenon made some people start to think about the problems in their society and exposed
class gaps between rich people and poor people.
At the same time, Darwins Evolutionary Theories claimed people evolved from apes.
Freuds psychological thoughts were that the fundamental driving force of all human
activities must be biological impulses and instincts. Freud believed that these core impulses
included the reproductive instinct (i.e. sexual instinct or sexual instinct). Social law, morality,
culture, and media repression were forced into sexual instincts repressed the subconscious, so
that people cannot enter into the consciousness level, and to allow social vent out the form,
such as literary, artistic creation. It made people in that time to start to write something to
express their feeling. When it comes to modernism, fictions are totally different from those of
the Victoria era, In the Victorian novel, plot crises were typically resolved in some definitive
way, such as by a marriage or a change in the financial statues of the protagonist. In the
modern novel, lasting resolutions growing out of a common vision are few and far between
(1934). However, Modern British literature is characterized by the increasing presence of
womens voice, working-class voice, and voice expressing varied ethnic, religious, and
sexual perspectives which whether methodically or inadvertently, had often been excluded

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from the British literary tradition (1935). These fictions are more focused on an ordinary or
daily event and the characters are influenced by their psychological and physical instincts and
desires. The end of the fictions are often ambiguous, and the meaning or message of
these accounts are also instable and indefinite. For example, in Katherine Mansfields story,
The Garden Party, a womens voice, Laura recounts a daily event, the garden party, and an
accident that a poor neighbor died. Such events present Laura with an opportunity for
psychological and physical reflection, shows her reflection of real world, and the growing of
inner world and maturation, much like the people of the Modernist Era began to experience.
The readers who read these fictions will take from them different meanings based on
their social class and life experience. A Chinese writer, Zijian Yang said, reader group is a
complex group of factors that affect their many, country, race, gender, age, occupation, level,
hobbies, experiences, pursue and so on. It is the same reader at a different time and place
often has different psychological states and different aesthetic requirements. As we
discussed in class, Katherine Mansfields story The Garden Party could have two possible
meanings. One is that Laura has matures and recognizes that class prejudice exists and she
will not grow up to be like her family. The other one is that Laura shows she is ignorant of
real class struggle. How could people get two totally different meanings from one story? It is
because the readers are affected by many factors in their own lives that influence their
interpretation of the story. From the aspect of the optimist, people may get the first meaning
and think that Laura will be different from her family. From the view of people who have
experienced prejudice and low socioeconomic status, they may think Laura ignores the class
struggle and will be the same as her family.

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As students who study literature, we read a lot about class struggles. Most of this
literature ends with the class gap is still existing and nothing changes. When we read The
Garden Party, we can jump into a conclusion that nothing will change and the class
prejudice is still there. In the story, it says as for the roses, you could not help feeling they
understood that roses are the only flowers that impress people at garden-parties; the only
flowers that everybody is certain of knowing. Hundreds, yes, literally hundreds, had come out
in a single night; the green bushes bowed down as though they had been visited by
archangels (1). In these sentence, the rose serves as an implicit metaphor. The tenor could be
rich people including Laura. Roses are the only flowers that impress people at gardenparties; the only flowers that everybody is certain of knowing. We can take from this that the
rich people are the only important people at garden-party; the poor people are not important.
Roses are the only flowers that people know, and this could signify that only rich people can
get peoples attention. The poor people who died in the story cannot get any attention, and
perhaps Laura only pays attention to the man because it happened near her house. The
Godbers man pays attention to the man because he thinks he has first-hand news he can talk
about: Only Goders man seemed to be enjoying himself; it was his story (6). The green
bushes are also an implicit metaphor, and the tenor is the poor people. The green bushes
bowed down as though they had been visited by archangels (1). Although everyone is equal
when they are born, these metaphors suggest that the poor people cannot exist on the same
level with rich people.
In the story, when Laura walked to the men who build the marquee, she blushed
because she had bread-and-butter in her hand, but there was nowhere to put it, and she

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couldnt possibly throw it away (1). Laura is taught the rules and etiquette that is suitable
among upper class. It shows the big different between Laura and the men who build the
marquee, though Laura may think they can be friends despite her path toward becoming a
proper upper class citizen. She copies her mothers voice (1) because her mother is a
proper upper class person. The mother is the model for Laura, and when she grows up, she
aspires to become a woman like her mother. There, quite by chance, the first thing she saw
was this charming girl in the mirror, in her black hat trimmed with gold daisies, and a long
black velvet ribbon. Never had she imagined she could look like that. Is mother right (8).
Lauras mother passes her hat down to Laura, and this shows that what she passes down
could be prejudice toward the lower class. When Laura wears the hat, she changes. She thinks
that the garden party can go on. When Laura was wearing her mothers hat, she thinks that
she never had she imagined she could look like that, and this shows that maybe Laura
never think about that she could like her family. When she wear the hat, she realizes that her
mother is right, she is same like her family and she will never get rid of it. When Laura sees
that the man who built the marquee had a haggard look as his dark eyes scanned the tenniscourt. What was he thinking? (2). When she talks with her brother, she couldnt explain. No
matter. He quite understand (12). These examples show that Laura cannot understand the
lower class people because the gap between them is very big; her brother can understand her
only because they are in the same class.
In conclusion, Katherine Mansfields story, The Garden Party, shows the experience
and events of a garden party and accident of a poor man. These events make the protagonists
inner world grow and become mature; shes able reflect on the real world and understand that

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the gap between class not only exists but also cannot disappear. This reflection resembles the
new ways of thinking that emerged as a result of the Modernist Era. Part of this type of
thinking includes the idea of ambiguity- people can get different meanings from one texts
overall message. Although people will get different meanings from one story, the message
that the story wants to express is still the same.

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Work Cited
Katherine Mansfield, The Garden Party, KatherineMansfieldSociety. 2014.3.28
Sigmund Freud, Biography of Sigmund Freud, Baidu. 2006.4.22/2014.3.15. 2014.4.5
Zijian Yang, Biography of Zijian Yang, Baidu. 2008.5.4/2013.1.30. 2014.4.5

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