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    An Analysis of Film - CCU

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    Iputu Indrawan
    The document provides an analysis of the film "The Last Samurai". It discusses differences in costumes between American and Japanese characters, and cultural variations in introductions like handshaking versus bowing. It also analyzes aspects of non-verbal communication, space patterns in architectural designs, and depictions of intercultural friendship in the film. The conclusion states that the film thickly depicts Japanese culture and cultural values, but notes these were being abandoned by Japanese communities and officials at the time.

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    An Analysis of Film - CCU

    Uploaded by

    Iputu Indrawan
    114 views10 pages
    The document provides an analysis of the film "The Last Samurai". It discusses differences in costumes between American and Japanese characters, and cultural variations in introductions like handshaking versus bowing. It also analyzes aspects of non-verbal communication, space patterns in architectural designs, and depictions of intercultural friendship in the film. The conclusion states that the film thickly depicts Japanese culture and cultural values, but notes these were being abandoned by Japanese communities and officials at the time.

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    An Analysis of Film- CCU - PPT

    Original Title

    An Analysis of Film- CCU - PPT

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    The document provides an analysis of the film "The Last Samurai". It discusses differences in costumes between American and Japanese characters, and cultural variations in introductions like handshaking versus bowing. It also analyzes aspects of non-verbal communication, space patterns in architectural designs, and depictions of intercultural friendship in the film. The conclusion states that the film thickly depicts Japanese culture and cultural values, but notes these were being abandoned by Japanese communities and officials at the time.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    114 views10 pages

    An Analysis of Film - CCU

    Uploaded by

    Iputu Indrawan
    The document provides an analysis of the film "The Last Samurai". It discusses differences in costumes between American and Japanese characters, and cultural variations in introductions like handshaking versus bowing. It also analyzes aspects of non-verbal communication, space patterns in architectural designs, and depictions of intercultural friendship in the film. The conclusion states that the film thickly depicts Japanese culture and cultural values, but notes these were being abandoned by Japanese communities and officials at the time.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    of 10

    An Analysis Of

    Film The Last


    Samurai
    By:

    1. Ni Luh Putu Wida Aryastina


    2. Gede Agus Lesmana Putra

    (1212021040)
    (1212021043)

    Synopsis Of the Film


    The Last Samurai is a 2003 American epic war film
    directed and co-produced by Edward Zwick, who also cowrote the screenplay with John Logan and stared by Tom
    Cruise.
    Captain Nathan Algren (TOM CRUISE) is a man adrift.
    The battles he once fought now seem distant and futile.
    Once he risked his life for honor and country, but, in the
    years since the Civil War, the world has changed

    Introduction
    A.

    Costume Differences
    - American People wore costume that is popular in Victoria era.
    - Japanese people wore traditional costume called Kimono and Hakama.

    B. Small Talk
    Simon Graham talked to Nathan Algren about the little
    town in Japan that was a sleepy town twenty years ago.
    So that Nathan Algren know more about the town that he
    visited at the time.

    C. Cultural Variations in Introduction


    American People do Handshaking when meet
    people.
    Japanese people bowing body when meet people.

    Bowing; To respect someone

    NON VERBAL COMMUNICATION


    TAKA (THE JAPANESE WOMAN) TALKED TO NATHAN ALGREN, THE AMERICAN
    MAN. TAKE WAS SHY TO STARE NATHANS EYES WHEN TALKING, IT IS
    CONTRASTED WITH NATHAN WHO WAS DIRECTLY STARE TAKAS EYES WHEN
    TALKING.

    SPACE PATTERN
    a. ARCHITECTURAL DIFFERENCES
    IN JAPANESE TRADITIONAL ARCHITECTURE, WE CAN SEE SLIDING DOORS OR
    SHOJI DOORS IN THERE, MAINLY BECAUSE OF THE SPACE NEEDED TO OPEN A
    DOOR.

    PERSONAL RELATIONSHIP
    a. INTERCULTURAL FRIENDSHIP
    THE DIFFERENT CULTURAL SEEN IN THIS SCENE, THE MAN IN JAPANESE NOT
    ALLOWED TO HELP THE HOUSES CHORES DIFFERENT FROM AMERICAN MAN
    WHO ALLOWED TO HELP EACH OTHER TO HELP ANYTHING.

    CONCLUSION
    The film is very thick with a Japanese
    culture, especially the original cultural values.
    But the ancestral cultural heritage is evident
    already widely forgotten and abandoned by
    their own community, especially among
    government officials.

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