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Blaeserquintett

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The text contains musical notation and instructions written in Italian with repetition of numbers that seem to indicate instrumentation.

The musical instructions 'Tutti', 'Soli' and tempo markings like 'largo' and 'fluido' are repeated across different pages.

The text mentions four different sections - 1. lento cantando, 2. fluido, 3. agitato, 4. lirico tranquillo.

Tutti I Sidney Corbett

largo (q = ca. 52)


          
1st Trumpet  
f sempre

   
 
2nd Trumpet
    

   
 
Horn in F
    
         
Trombone 

  

Tuba
    

              
4

Tpt.        

 
    
Tpt.


 
    
Hn.

 
  
Tbn.    

 

  
 
Tba.
 

          
7

    
Tpt.
 

 
  
Tpt.
   

 
  
Hn.
   
 
  
Tbn.     

 
 

Tba.
    
3

      
10

Tpt.       

Tpt.     
  

Hn.     
  

Tbn.
   

   

 
  
 
Tba.


13 ,
              
Tpt.
   
    
Tpt.
  

    
Hn.
  

Tbn.
       



Tba.   
   

  
 
16

   

Tpt.



 
Tpt.   
 
 
Hn.   

Tbn.
     

   
 

Tba.

4 Tutti II
fluido (e. = ca. 72)

          

Tpt.                 

                            
f

    
Tpt.

                    

f

 
    
Hn.

    
                        

f

Tbn.

               


f

    


Tba.        
f


                       
     
     
Tpt.

Tpt.  
         
                 

Hn.                              
        

Tbn.
            
  
     
  
           
           
                               
Tba.


                                

           
Tpt.

       

Tpt. 
                       
                            

Hn.     
              
              

      
      
    

Tbn.

       
                                     

Tba.

5


  
                   
Tpt.          

                           
    
Tpt.

                           
    
Hn.

Tbn.
                      

     

     

                            



     

Tba.

        
  
 
  
 
     

Tpt. 

                      


   
Tpt.

                       

   
Hn.

Tbn.
                          


      
                  

Tba.

                
Tpt.         
 
    
  
       
       
 
Tpt.

   
                    
 
Hn.

Tbn.
        
   
        
  



                        


 
Tba.

6 Soli
   
1. lento cantando (ad lib. ossia in fa)
3 

       
  
3
3

       
2. fluido (ad lib. ossia in fa)
  
        

                   
 
 
     

       
3. agitato (ad lib. ossia in fa)
     
         
3




          
                 
3 3

 

4. lirico tranquillo
   
    
 


3 3 3

       
        
 
3 3 3 3
3

       

 
     
3 3 3
3

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