Amplifier: Figures of Merit
Amplifier: Figures of Merit
Amplifier
Generally, an amplifier or simply amp, is specified (since the amplifier’s input imped-
any device that changes, usually increases, ance will often be much higher than the
the amplitude of a signal. The "signal" is usu- source impedance, and the load impedance
ally voltage or current. The relationship of higher than the amplifier’s output
the input to the output of an amplifier — usu- impedance).
ally expressed as a function of the input fre- • Example: an audio amplifier with a gain
quency — is called the transfer function of given as 20dB will have a voltage gain of
the amplifier, and the magnitude of the trans- ten (but a power gain of 100 would only
fer function is termed the gain. occur in the unlikely event the input and
In popular use, the term usually refers to output impedances were identical).
an electronic amplifier, often as in audio ap-
plications to operate a loudspeaker that is be- Bandwidth
ing used in a PA system to make the human The bandwidth (BW) of an amplifier is the
voice louder or play recorded music. Amplifi- range of frequencies for which the amplifier
ers may be classified by the input (source) gives "satisfactory performance". The "satis-
they are designed to amplify (such as a guitar factory performance" may be different for dif-
amplifier to perform with an electric guitar), ferent applications. However, a common and
or named for the device they are intended to well-accepted metric are the half power
drive (such as a headphone amplifier), or by points (i.e. frequency where the power goes
the frequency range of the signals (Audio, IF, down by half its peak value) on the power vs.
RF and VHF amplifiers for example), or frequency curve. Therefore bandwidth can be
grouped by whether they invert the signal defined as the difference between the lower
(inverting amplifiers and non-inverting ampli- and upper half power points. This is there-
fiers, or by the types of device used in the fore also known as the −3 dB bandwidth.
amplification (valve or tube amplifiers, FET Bandwidths (otherwise called "frequency re-
amplifiers, etc.). sponses") for other response tolerances are
A related device that emphasizes conver- sometimes quoted (−1 dB, −6 dB etc.) or
sion of signals of one type to another (for ex- "plus of minus 1dB" (roughly the sound level
ample, a light signal in photons to a DC sig- difference people usually can detect).
nal in amperes) is a transducer, a trans- A full-range audio amplifier will be essen-
former, or a sensor. However, none of these tially flat between 20 Hz to about 20 kHz (the
amplify power. range of normal human hearing). In minimal-
ist amplifier design, the amp’s usable fre-
Figures of merit quency response needs to extend consider-
ably beyond this (one or more octaves either
The quality of an amplifier can be character- side) and typically a good minimalist amplifi-
ized by a number of specifications, listed er will have −3 dB points < 10 and > 65 kHz.
below. Professional touring amplifiers often have in-
put and/or output filtering to sharply limit
Gain frequency response beyond 20 Hz-20 kHz;
The gain of an amplifier is the ratio of output too much of the amplifier’s potential output
to input power or amplitude, and is usually power would otherwise be wasted on infra-
measured in decibels. (When measured in sonic and ultrasonic frequencies, and the
decibels it is logarithmically related to the danger of AM radio interference would in-
power ratio: G(dB)=10 log(Pout /(Pin)). RF crease. Modern switching amplifiers need
amplifiers are often specified in terms of the steep low pass filtering at the output to get
maximum power gain obtainable, while the rid of high frequency switching noise and
voltage gain of audio amplifiers and instru- harmonics.
mentation amplifiers will be more often
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From Wikipedia, the free encyclopedia Amplifier
Efficiency Noise
Efficiency is a measure of how much of the This is a measure of how much noise is intro-
input power is usefully applied to the amplifi- duced in the amplification process. Noise is
er’s output. Class A amplifiers are very ineffi- an undesirable but inevitable product of the
cient, in the range of 10–20% with a max effi- electronic devices and components. The met-
ciency of 25%. Class B amplifiers have a very ric for noise performance of a circuit is Noise
high efficiency but are impractical because of Factor. Noise Factor is the ratio of input sig-
high levels of distortion (See: Crossover dis- nal to that of the output signal.
tortion). In practical design, the result of a
tradeoff is the class AB design. Modern Class Output dynamic range
AB amps are commonly between 35–55% effi- Output dynamic range is the range, usually
cient with a theoretical maximum of 78.5%. given in dB, between the smallest and largest
Commercially available Class D switching useful output levels. The lowest useful level
amplifiers have reported efficiencies as high is limited by output noise, while the largest is
as 90%. Amplifiers of Class C-F are usually limited most often by distortion. The ratio of
known to be very high efficiency amplifiers. these two is quoted as the amplifier dynamic
The efficiency of the amplifier limits the range. More precisely, if S = maximal al-
amount of total power output that is usefully lowed signal power and N = noise power, the
available. Note that more efficient amplifiers dynamic range DR is DR = (S + N ) /N.[1]
run much cooler, and often do not need any
cooling fans even in multi-kilowatt designs. Slew rate
The reason for this is that the loss of effi-
Slew rate is the maximum rate of change of
ciency produces heat as a by-product of the
output variable, usually quoted in volts per
energy lost during the conversion of power.
second (or microsecond). Many amplifiers
In more efficient amplifiers there is less loss
are ultimately slew rate limited (typically by
of energy so in turn less heat.
the impedance of a drive current having to
overcome capacitive effects at some point in
Linearity the circuit), which may limit the full power
An ideal amplifier would be a totally linear bandwidth to frequencies well below the
device, but real amplifiers are only linear amplifier’s small-signal frequency response.
within certain practical limits. When the sig-
nal drive to the amplifier is increased, the Rise time
output also increases until a point is reached
The rise time, tr, of an amplifier is the time
where some part of the amplifier becomes
taken for the output to change from 10% to
saturated and cannot produce any more out-
90% of its final level when driven by a step
put; this is called clipping, and results in
input. For a Gaussian response system (or a
distortion.
simple RC roll off), the rise time is approxim-
Some amplifiers are designed to handle
ated by:
this in a controlled way which causes a re-
tr * BW = 0.35, where tr is rise time in
duction in gain to take place instead of ex-
seconds and BW is bandwidth in Hz.
cessive distortion; the result is a compression
effect, which (if the amplifier is an audio
amplifier) will sound much less unpleasant to
Settling time and ringing
the ear. For these amplifiers, the 1 dB com- Time taken for output to settle to within a
pression point is defined as the input power certain percentage of the final value (say
(or output power) where the gain is 1 dB less 0.1%). This is called the settle time, and is
than the small signal gain. usually specified for oscilloscope vertical
Linearization is an emergent field, and amplifiers and high accuracy measurement
there are many techniques, such as feedfor- systems. Ringing refers to an output that
ward, predistortion, postdistortion, EER, cycles above and below its final value, lead-
LINC, CALLUM, cartesian feedback, etc., in ing to a delay in reaching final value quanti-
order to avoid the undesired effects of the fied by the settling time above.
non-linearities.
2
From Wikipedia, the free encyclopedia Amplifier
Overshoot
In response to a step input, the overshoot is
the amount the output exceeds its final,
steady-state value.
Stability factor
Stability is a major concern in RF and mi-
crowave amplifiers. The degree of an amplifi-
ers stability can be quantified by a so-called
stability factor. There are several different
stability factors, such as the Stern stability
factor and the Linvil stability factor, which The glow from four "Electro Harmonix KT88"
specify a condition that must be met for the brand power tubes lights up the inside of a
absolute stability of an amplifier in terms of Traynor YBA-200 guitar amplifier
its two-port parameters.
power output at microwave frequencies than
Electronic amplifiers solid-state devices (p. 59).[2]
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From Wikipedia, the free encyclopedia Amplifier
4
From Wikipedia, the free encyclopedia Amplifier
Categories: Amplifiers
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