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    What Is A Cadence

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    Matias Germán Tanco
    This document provides the program for a conference on cadences held at the Academia Belgica in Rome from January 17-19, 2011. The program consisted of 7 sessions over the 3 days, covering topics such as Gjerdingen's schemata, cadential articulations, avoiding cadences, partimento theory, and empirical approaches to cadences. Presentations included "Schemes: Schemata and the Eighteenth-Century Cadence", "Fuggir la cadenza, or The Art of Avoiding Cadential Closure", and "Characteristic Signatures of Cadences in Mozart's Piano Sonatas".

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    What Is A Cadence

    Uploaded by

    Matias Germán Tanco
    209 views2 pages
    This document provides the program for a conference on cadences held at the Academia Belgica in Rome from January 17-19, 2011. The program consisted of 7 sessions over the 3 days, covering topics such as Gjerdingen's schemata, cadential articulations, avoiding cadences, partimento theory, and empirical approaches to cadences. Presentations included "Schemes: Schemata and the Eighteenth-Century Cadence", "Fuggir la cadenza, or The Art of Avoiding Cadential Closure", and "Characteristic Signatures of Cadences in Mozart's Piano Sonatas".

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    What is a Cadence

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    This document provides the program for a conference on cadences held at the Academia Belgica in Rome from January 17-19, 2011. The program consisted of 7 sessions over the 3 days, covering topics such as Gjerdingen's schemata, cadential articulations, avoiding cadences, partimento theory, and empirical approaches to cadences. Presentations included "Schemes: Schemata and the Eighteenth-Century Cadence", "Fuggir la cadenza, or The Art of Avoiding Cadential Closure", and "Characteristic Signatures of Cadences in Mozart's Piano Sonatas".

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    209 views2 pages

    What Is A Cadence

    Uploaded by

    Matias Germán Tanco
    This document provides the program for a conference on cadences held at the Academia Belgica in Rome from January 17-19, 2011. The program consisted of 7 sessions over the 3 days, covering topics such as Gjerdingen's schemata, cadential articulations, avoiding cadences, partimento theory, and empirical approaches to cadences. Presentations included "Schemes: Schemata and the Eighteenth-Century Cadence", "Fuggir la cadenza, or The Art of Avoiding Cadential Closure", and "Characteristic Signatures of Cadences in Mozart's Piano Sonatas".

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
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    Academia Belgica, Rome, 1719 January 2011

    Program
    Monday, Jan. 17th
    9.15 - 9.30 Introduction Pieter Berg - Markus Neuwirth Session I

    15.00 - 16.30

    Cadential artiCulations (b)

    Session IV

    What is a Cadence?
    Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire
    Via Omero 8 - 00197 Roma www.academiabelgica.it

    15.00-16.30: Eighteenth-century Concepts of the Tonic as Reflected in the Exposition and its Recomposition Peter A. Hoyt Break Session V

    9.30 - 13.00

    CadenCes, sChemata & Forms

    17.00 - 18.00

    to play the CadenCe

    9.30-11.00: Gjerdingens Prinner: Further Harmonic and Formal Considerations William Caplin Break 11.30-13.00: Schemes: Schemata and the EighteenthCentury Cadence Vasili Byros Break Session II

    17.00-18.00: The Leuven Cadence Compendium Project Pieter Berg/David Lodewyckx

    Wednesday, Jan. 19th


    9.30 - 13.00 partitura & partimento Session VI

    15.00-18.00

    Cadential artiCulations (a)

    9.30-11.00: The Cadence in the Partitura Tradition Felix Diergarten Break 11.30-13.00: The Cadenza in Partimento Theory and Practice Giorgio Sanguinetti Break Session VII

    15.00-16.30: The Half Cadence and Other Analytic Fictions Poundie Burstein Break 16.45-18.00: To play the Cadence The Game Special Session

    15.00 - 18:30

    Tuesday, Jan. 18th


    9.30-13.00 empiriCal approaChes Session III

    avoiding the CadenCe Break

    15.00-16.30: Absent Cadences Danuta Mirka 17.00-18.30: Fuggir la cadenza, or The Art of Avoiding Cadential Closure. A Contemporaneous Theoretical Perspective on 18th-century Music Markus Neuwirth Conclusions & Perspectives

    9.30-11.00: The Perception of Cadential Closure in Mozarts Keyboard Sonatas David Sears / William Caplin / Stephen McAdams Break 11.30-13.00: Characteristic Signatures of Cadences in Mozarts Piano Sonatas Martin Rohrmeier/ Markus Neuwirth Break

    Prof. dr. Pieter Berg (University of Leuven, Belgium) Drs. Markus Neuwirth (University of Leuven, Belgium)

    18.30 - 19.30

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