7 Step Chord Progression
7 Step Chord Progression
7 Step Chord Progression
Chord Progressions
Theory Guide
7-STEP
DO RE MI
There are only 12 notes in all of Western music: A, A# or Bb, B, C, C# or Db, D, D# or Eb, E, F, and F# or Gb. The Major Scale can be viewed as the foundation from which ALL scales and ALL chords are formed. There are only 12 Major scales, each of the twelve starting on one of the 12 notes listed above. The Major scale is comprised of 7 notes. See the C Major scale spelled out below:
Key of C
C D E F G A B
The popular Do-Re-Mi song represents the notes of a Major scale:
Key of C
Do Re Mi Fa Sol La Ti
2
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C D E F G A B
2
1
SCALE DEGREES
The sequence of notes in the scale are referred to as Scale Degrees, and are numbered from 1 to 7:
CHORD TYPES
Key of C
There are two basic types of chords: Major and Minor chords. Chords are made when a combination of notes from a scale are played at the same time. For example, if you play a C, E and G note all at the same time, you are playing a C Major chord. If you play an E, G and B note at the same time, you are playing an E Minor chord. The first note of the Major scale also is the name of the Key. So, the C Major scale and all of the corresponding chords built from that scale are all in the Key of C. Each scale degree has a Chord Type associated with it: 3 Major chords, 3 Minor chords and 1 Diminished chord (dont worry about this chord type for now).
Do Re Mi Fa Sol La Ti
2 3 4 5 6 7
The distance between those 7 notes is specified in Whole Steps and Half Steps where a half step equals one fret and a whole step equals two frets. In the chart below, youll note that the distance between C and D is a whole step (2 frets) but the distance between the E and the F note is only a half step. Use this formula with any note and you will have the Major Scale in the key of that note.
C D E F G A B
Key of C
steps
Half 1 fret
Do Re Mi Fa Sol La Ti
1
Whole Whole Half Whole Whole Whole 2 frets 2 frets 1 fret 2 frets 2 frets 2 frets
C D E F G A B
2 3 4 5 6 7
Do Re Mi Fa Sol La Ti
1 2 3 4 5 6
Dim.
C D E F G A B
7
Half 1 fret
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Add the name of the corresponding note to the chord type and youll have all of the Major and Minor chords associated with that scale.
Key of C
For example, thousands of popular rock, folk and blues songs are played using a chord progression, in the key of C, consisting of the chords C, F and G or C, F and G7. Musicians and singers play songs in different keys to either accommodate the instrumentation or more usually to accommodate the pitch range of the vocalist.
Do Re Mi Fa Sol La Ti
1 2 3 4 5 6
Dim.
C D E F G A B
7
A Minor
B Dim.
The 5th degree chord (in this case the G) is often times a Dominant 7th chord, which is still a Major Chord but it will be referred to as G7.
To play a song in a different key, the chords have to be transposed to the new key. For example, a song might need to be transposed from the Key of C to the Key of D to accommodate the vocalist. To transpose a chord progression from the key of C to the key of D, instead of using the C Major scale as the foundation, the D Major scale is used. The relationship between the scale, the scale degrees and the chord types remain consistent -- only the notes and the chord names change.
CHORD PROGRESSIONS
A Chord Progression is a sequence of chords from the same Key, built from the same Major scale, which is repeated throughout a song as a verse, chorus or bridge. Songs consist of one or more chord progressions. Songs can also change keys within the framework of the song. There are only a few chord progressions used in popular music, and thousands upon thousands of songs are played with these same chord progressions.
Key of D
Do Re Mi Fa Sol La Ti
1 2 3 4 5 6
Dim.
D E F# G A B C#
7
B# Dim.
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To make quick transposition of chord progressions easier for musicians, a method known as the Nashville Numbering System was devised, where chords are indicated by a scale degree. This evolved into a system where upper and lower case Roman numerals are used (minor chords are indicated with lower case Roman numerals);
To apply this system to any progression, in any key, you simply apply the formulas that weve provided for you in this guide. Youll quickly learn that certain keys are used much more frequently than other keys and these will be come second nature to you. Youll also quickly be able to do the translations of the numbering system to chord names without having to reference a chart especially if you play barre chords, as youll start to recognize the visual patterns of these chord progressions on your fretboard and can simply move the progression up or down on your neck. Use the following blank charts to chart out ALL of the keys for your own reference. This will really help you understand and apply the principles presented in this guide.
Key of C
Do Re Mi Fa Sol La Ti
1
I
C D E F G A B
2
ii
3
iii
4
IV
5
V
6
vi
Dim.
A Minor
B Dim.
vii
This numbering system makes it extremely easy to write out chord progressions and transpose songs to other keys, For example, in the key of C, instead of writing a progression as C Major, D Minor and G Major, the progression is spelled I-ii-V and spoken as a One, Two, Five in the key of C. If the vocalist needs a different key, the vocalist would simply call the same I-ii-V progression but ask for it in the key of D. The musicians would know to play a D Major, E Minor and A Major.
Key of C
C D E F G A B
Major Minor Minor Major Major Minor
C Major D Minor E Minor F Major G Major A Minor
1
I
2
ii
3
iii
4
IV
5
V
6
vi
Dim.
B Dim.
vii
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Key of:
Key of:
Key of:
Key of:
Key of:
Key of:
10
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11
Key of:
Key of:
Key of:
Key of:
Key of:
Key of:
12
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13