Zynga's Motion To Strike
Zynga's Motion To Strike
Zynga's Motion To Strike
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3 OF RECORD:
4 PLEASE TAKE NOTICE that on December 21, 2012, at 9:00 a.m. or as soon thereafter as
5 this matter may be heard, in Courtroom 10 of the above-entitled Court, located at 450 Golden Gate
6 Avenue, San Francisco, California 94102, before the Honorable Susan Illston, defendant Zynga
7 Inc. will, and hereby does, move the Court for an order striking, pursuant to Federal Rule of Civil
8 Procedure 12(f), the following allegations and exhibits from Plaintiff Electronic Art’s (“EA”)
9 Complaint because they constitute redundant, immaterial, impertinent and/or scandalous matter
13 3. Paragraph 32 (starting at page 9, line 5), and the copyright registrations included in
14 Exhibit A for The Sims, The Sims 2, The Sims 3, MySims, and The Sims Online
18 This motion is based on this Notice of Motion, the attached Memorandum of Points and
19 Authorities, the pleadings and documents on file in this case, and all other evidence and arguments
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By /s/ Claude M. Stern
27 Claude M. Stern
28 Attorneys for Defendant Zynga Inc.
4 and internet publications that serve no purpose other than to try to portray Zynga in a bad
5 light, cannot be used to prove any element of plaintiff Electronic Arts Inc.’s (“EA”) claim,
7 2. Where plaintiff has alleged a single claim of copyright infringement involving one game,
8 should the Court strike allegations regarding accusations and unproven claims related to
9 other games, including games of third parties, that have no bearing on EA’s claim for
10 relief?
11 3. Where EA has alleged a single claim of copyright infringement involving one game,
12 should copyright registrations for other games that are attached as exhibits to the
13 Complaint be stricken so that there is no confusion about which works are at issue?
14 PRELIMINARY STATEMENT
15 EA has brought a single-claim complaint for alleged copyright infringement against
16 defendant Zynga Inc., raising one narrow issue: does Zynga’s game, The Ville, copy protectable
17 elements of EA’s game, The Sims Social? In sharp contrast to the confined inquiry that single
19 prejudicial allegations that have no bearing on the issue at hand. These allegations are so patently
20 irrelevant to the case that they appear geared more towards inciting the press coverage they
21 generated than contributing to legal analysis. Zynga therefore moves to strike them.
5 Each of these categories meets the standard for a Federal Rule of Civil Procedure 12(f) motion to
7 If these allegations are left in the Complaint, EA doubtless will claim they provide the
8 basis for discovery into the matters raised by those allegations – matters that have nothing to do
9 with its actual claim. The result will be discovery and evidentiary disputes that will burden the
11 To avoid the confusion and prejudice these allegations will engender, and to spare the
12 Court and the parties the unnecessary expenditure of resources that inevitably will arise from
13 litigating disputes over extraneous matters, Zynga respectfully requests that the Court strike the
14 designated allegations.
15 LEGAL STANDARD
16 A party may move to strike any “insufficient defense or any redundant, immaterial,
17 impertinent, or scandalous matter.” Fed. R. Civ. P. 12(f); see also Whittlestone, Inc. v. Handi-
18 Craft Co., 618 F.3d 970, 973-74 (9th Cir. 2010) (Rule 12(f) authorizes district court to strike
20 function of a 12(f) motion to strike is to avoid the expenditure of time and money that must arise
21 from litigating spurious issues by dispensing with those issues prior to trial.” Fantasy, Inc. v.
22 Fogerty, 984 F.2d 1524, 1527 (9th Cir. 1993) [Fogerty], rev’d on other grounds by Fogerty v.
23 Fantasy, Inc., 510 U.S. 517 (1994). Although “[m]otions to strike are generally regarded with
24 disfavor,” Greenwich Ins. Co. v. Rodgers, 729 F. Supp. 2d 1158, 1162 (C.D. Cal. 2010), the
25 decision as to whether to strike material from the pleadings is vested in the discretion of the
26 district court, see Nurse v. United States, 226 F.3d 996, 1000 (9th Cir. 2000) (appellate review of
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2 follows:
13 A motion to strike should be granted when “the matter to be stricken clearly could have no
14 possible bearing on the subject of the litigation.” Spencer v. DHI Mortg. Co., Ltd., 642 F. Supp.
19 claim. Survivor Prods. LLC v. Fox Broad. Co., No CV01-3234 LGB (SHX), 2001 WL 35829267,
20 at *3 (C.D. Cal. 2001). To prove a claim of copyright infringement, EA will need to prove that it
21 owns a copyrightable work and that Zynga inappropriately copied that work’s protected elements.
22 See Rice v. Fox Broad. Co., 330 F.3d 1170, 1174 (9th Cir. 2003). Proof of copying requires proof
23 of substantial similarity of protectable elements of the works at issue. See id. To have a “possible
24 bearing” on this case, the allegations in the Complaint must be germane to those issues.
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5 prejudicial to claims of copyright infringement. See, e.g., Positive Black Talk, Inc. v. Cash Money
6 Records, Inc., 394 F.3d 357, 378 (5th Cir. 2004) (affirming exclusion of newspaper articles
7 offered as alleged proof that audience members believed the two works were substantially
8 similar), overruled on other grounds by Reed Elsevier, Inc. v. Muchnick, 130 S. Ct. 1237, 1243
9 (2010); Crane v. Poetic Prods., Ltd., 593 F. Supp. 2d 585, 597 (S.D.N.Y. 2009) (opinions of third
11 such media comments are immaterial to resolution of a copyright claim, they should be stricken.
12 Survivor Prods., 2001 WL 35829267, at *3-4 (opinions of similarity in trade publications and
13 newspapers stricken as immaterial to copyright infringement); RDF Media Ltd. v. Fox Broad.
14 Co., 372 F. Supp. 2d 556, 567 (C.D. Cal. 2005) (striking media quotes that one television program
15 was a “rip off” of a prior program because such quotes “are legally irrelevant to the issue of
16 substantial similarity”).
17 In Survivor Productions, the court granted a motion to strike media quotations which were
18 closely analogous to those proffered by EA here. The producers and broadcasters of the Survivor
19 television series alleged that the television series Boot Camp infringed the copyright in Survivor.
20 The complaint included “extensive quotations from various entertainment industry trade
21 publications and newspapers, which describe[d] the two programs and detail[ed] the purported
22 similarities between them.” 2001 WL 35829267, at *1. The plaintiffs also attached to the
23 complaint articles that described Boot Camp as “a ‘ripoff’ of Survivor.” Id. The District Court
24 struck the articles from the record, because they “amount to nothing more than a post-hoc analysis
25 of similarities between the programs by news reporters, unguided by the legal standards that
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27 This argument pertains to the following paragraphs of the Complaint: 4, 6, 33-34, 37-40,
43-44, 45, 46, 47, 48, 49, 61, 62.
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2 acknowledged the prejudice that inheres in permitting such materials to remain in a complaint: “it
3 lends artificial credence to the opinions contained in the articles, and gives the appearance that
5 Numerous paragraphs of EA’s Complaint contain the same kind of unguided and
6 prejudicial post hoc “analysis” courts have found objectionable in cases like Survivor Productions.
7 The internet and blogosphere comments that liberally populate EA’s Complaint are nothing more
8 than armchair opinions about copying, including alleged quotations from unknown sources.2 In
9 one trenchant example, EA quotes from an internet article where an anonymous, purported ex-
10 employee relays an alleged conversation in which Zynga’s CEO told him and others to copy their
11 competitors. (Compl. ¶ 44.) Besides being anonymous, the allegedly quoted statement occurred
12 long before The Sims Social was launched. Even if true, a statement made before both games at
13 issue existed could not possibly be probative of whether those games are substantially similar. See
14 Santrayll v. Burrell, No. 91 Civ. 3166, 1998 WL 24375, at *3 (S.D.N.Y. Jan. 22, 1998) (evidence
15 that musical artist copied in his prior works has no relevance to whether he copied from plaintiffs).
16 It also should be noted that at least some of the material EA has chosen to rely on has been
17 unfairly edited. The quotations lifted for the Complaint omit the positive statements about Zynga
18 contained in the articles, and at least one is misquoted. For example, in paragraph 61, which
19 contains a quotation stating that “The Ville crib[s] heavily from” The Sims Social, EA leaves out
20 an important part of the sentence. Intact, the sentence reads: “With their new game, The Ville,
21 Zynga is returning to the Yoville idea, . . .” – YoVille being a Zynga game that predated The Sims
22 Social by three years. The article goes on to point out how The Ville is like other Zynga games:
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Because the allegations are in many cases inflammatory, Zynga has refrained from
27 repeating them in this brief. However, attached as Exhibit A is a highlighted copy of the
Complaint that takes the Court to the statements in question.
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14 EA spends much time discussing other accusations of copying against Zynga by itself and
15 third parties. (See, e.g., Compl. ¶¶ 33-52.) These accusations are disputed and unproven. They
16 are the kind of allegations that are rife within the game industry. None of these allegations is
17 relevant to the confined claim that EA actually has brought. Allegations regarding unproven
18 accusations, unrelated prior lawsuits, and other products are immaterial and impertinent within the
19 meaning of Rule 12(f) and should be stricken. McKinney v. Bayer Corp., No. 10–CV–224, 2010
21 McKinney was a class action challenging Bayer’s advertising of certain vitamins. Bayer
22 moved to strike a paragraph in the complaint that referenced other products and litigation, and the
23 court granted the motion. Because those products and lawsuits did not relate to the product at
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27 This argument relates to the following paragraphs of the Complaint: 35-36, 37-40, 41, 42,
43-44, 47, 50-51, 52.
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7 The same analysis applies here. EA’s Complaint contains references to accusations
8 regarding games owned by third parties – accusations that EA has no standing to make. For
9 example, in paragraph 47, EA alleges that companies known as Nimblebit and Buffalo Studios
10 “publicly accused” and “alleged” that Zynga copied their games. EA does not aver that it has any
11 relationship to those companies or their games, or that those “accusations” and “allegations” were
12 ever proven – or that either company even brought a formal claim with respect to them, let alone
13 that Zynga was adjudicated to be in the wrong. Saying something in public does not make it true.
14 EA caps off its paragraph with screenshots from those parties’ games and Zynga’s games from the
15 same genres, apparently to demonstrate their similarity. But EA knows very well that such a
16 gerrymandered comparison is distorting and that a more illuminating graphic would show all of
17 the games in each genre, thus revealing the naked-eye similarity common among games of the
19 Moreover, the details of those extraneous allegations show just how useless they would be
20 to a determination of any issue in this case. For example, EA refers to two purported claims of
21 infringement by other parties, but does not – and cannot – allege that Zynga ever has been held by
22 a court to have infringed anything. Other of the allegations are EA’s representations about what
23 certain members of the “gaming press” reported, and still others are merely EA’s own conclusions
24 that some Zynga title “closely resembled” or “was a clone of” a third party’s game. (See, e.g.,
25 Compl. ¶¶ 38, 41.) None of this will assist the trier of fact with the precise legal analysis that will
26 be required in this case about two specific games. To the contrary, inasmuch as Zynga disputes
27 every one of those extraneous allegations, this single claim lawsuit would devolve into a labyrinth
28 of trials within trials. If allowed to be part of this litigation, those allegations would overwhelm
3 To illustrate how pointless these gratuitous references are, even in the press that EA
4 obviously combed through to find the most derogatory statements it could about Zynga, there is
5 debate about the legitimacy of complaints that the game companies level at each other, including
6 those leveled at Zynga. For example, the article cited in paragraph 39 of the Complaint points out
8 “Visually, the game [Zynga’s Farmville] does look good, but it looks rather
familiar, using the same art style of [Slashkey’s] Farm Town. However,
9 Farm Town uses a style awfully close to Zynga’s YoVille, so the circle of
imitation goes full circle it seems.”
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11 These allegations by EA cannot even leave the starting gate to enter the path to admissibility. The
12 only purpose they serve is to try to create bias against Zynga, a purpose that is eschewed by Rule
13 12(f).
17 Zynga of infringing The Sims, and its dominating presence in the Complaint is pointless. In the 52
18 paragraphs leading up to where EA finally begins to set forth allegations that bear on issues related
19 to the claim it has alleged, The Sims is mentioned repeatedly. (See, e.g., Compl. ¶¶ 1, 2, 3, 6, 15,
20 and so on.) The extraneous registration certificates add nothing to the case, but do serve to cause
21 some confusion about EA’s intentions. They, too, and the paragraph containing them, should be
22 stricken.
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This argument pertains to the following paragraphs in the Complaint: 32, 50-51.
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3 entirety and that the offending paragraphs and portions of Exhibit A be stricken from the
4 Complaint.
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By /s/ Claude M. Stern
11 Claude M. Stern
Attorneys for Defendant Zynga Inc.
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4 POINTS AND AUTHORITIES; [PROPOSED] ORDER. In compliance with Civil Local Rule
5 5-1(i)(3), I hereby attest that Claude M. Stern has concurred in this filing.
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By: /s/ Timothy A. Butler
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