BOSS PRODUCTS CATALOG 2006 VOL.

FORGING THE FUTURE

BOSS Product Parade 2006

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COMPACT SERIES
The Worlds BestSelling Compact Effects
With over eight million sold, BOSS compact pedals are the premier portable effect devices. Theyre famous for their great sound, userfriendliness, and road-tough reliability.

TWIN PEDAL SERIES

The Luxury TwinEffects Line
With the Twin Pedal Series, BOSS takes its compact pedal design to new heights. Extra functionality and a small footprint place these twopunch pedals beyond the standard stompbox.

TU SERIES
The Gold Standard in Tuning
BOSS Tuners are world famous for their reliability and accuracy. Whether you play guitar, bass, or French horn, theres a BOSS tuner for you.

AD SERIES
Unlock the Potential of Acoustic Guitars
Effects arent just for electric guitars. Plug a piezo-equipped acoustic into an AD-series processor and take control over body sound. Shape your overall tone and add rich, crystal-clear ambience.

RC SERIES
Powerful Loop Recorders for Live Performance
Turn a single instrument or voice into a wall of layered sound. Unleash the ultimate guitar or bass solo onstage. Plug in a mic and create a rich blend of vocal layers.

GT-PRO
Twin COSM Engines in a Single Rack
With dual-processing power and an expansive I/O section, the new GT-PRO is a lethal front-end for driving a wall of powered cabinets or for direct, pro-grade recording applications.

GT SERIES
Advanced Multi-Effects Processors
When it comes to multi-effects, BOSS offers the best floorbased solutions for bass and guitar players, powered by COSM amp models and pro-grade, ultra-flexible effects.

ME SERIES
Multi-Effects with Intuitive Operation
Floor-based multi-effects processors built with the simplicity of a stompbox. Dialing in your tone is easy, thanks to dedicated knobs for each effect section, three footswitches, and a built-in expression pedal.

GS-10
Next-Generation Hybrid Effects System
Powered by BOSSs most advanced COSM modeling technology, the GS-10 is your gateway to an extraordinary range of vintage and modern effects. There is also a convenient feature for direct-recording to computer.

BR SERIES
Pro-Quality Studios with Built-in Burners
From concept to completion, these award-winning portable studios have all the features you need to produce great music including built-in effects, an ultra-realistic rhythm machine, and CD burning.

DR & DB SERIES
Small But Powerful Timekeeping Tools
Inject serious style into your musicmaking with the worlds most powerful rhythm programmer. Make practice fun and effective with the feature-packed DB-series metronomes.

FORGING THE FUTURE

Innovation For Creative Inspiration
BOSS forges into 2006 with an awe-inspiring lineup of effects, digital studios, and accessories. Award-winning technology and road-tough construction make BOSS products the most respected and sought-after tone tools, recorders, and musical accessories in the world. When you want the best of best, choose BOSS the brand that symbolizes quality, reliability, and innovation.

FORGING THE FUTURE

THE BOSS COMPACT EFFECTS STORY

Philosophy
From the beginning, BOSS has built the best pedals by adhering to these key principles: Reliable aluminum die cast bodies. Pedal switches that withstand the 100,000-repetition durability test. FET switches to eliminate the clicking noise of conventional mechanical switches. Non-slip rubber bases. Easy-to-install battery compartments. LED indicators. Battery and AC power.

Eight Million Pedals Strong

Bassists Welcome
Not just for guitarists, BOSS has a range of effects built specifically for bass players. So plug in, and anchor your music with solid, high-impact effects that are customtailored for low frequencies.

Originality
Beyond standard effects, BOSS is famous for its unique and unusual stompboxes, such as the SG-1 Slow Gear, VB-2 Vibrato, and, most recently, the SYB-5 analogmodeling bass synthesizer pedal.

At BOSS, weve been making the worlds most popular compact guitar pedals and accessories for over 25 years. From classic effects, such as our legendary chorus and delays, to the latest cutting-edge tools for modern music making....When youre serious about sound, choose BOSS.

Pro Quality
Only the very best components and circuitry are used in BOSS pedals. No corners are cut, no compromises are made these pedals are built to sound great and take a pounding.
ODB-3 GEB-7 CEB-3

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COMPACT SERIES

Imagination
Where will you take your tone? From subtle sweetening to complete audio transformation, BOSS provides more toneshaping options than any other compacteffects manufacturer in industry.

COMPACT SERIES

Legend
The history of BOSS reads like the history of guitar effects. The famous compact pedal line-up began in 1977 with the classic OD-1 Overdrive, which established the masterful design principle for all other BOSS effects pedals that followed.

Colorful Lineup
BOSS offers an incredibly wide variety of effects that can take your sound to places it has never been before. Whether you need subtle polish or full, sonic immersion, BOSS effects will do the job reliably and professionally.

8 Million & Growing

Its no accident that BOSS has become the worlds leading effects manufacturer. With over eight million pedals sold, BOSS has built its reputation by connecting with the community. We listen and react to what players demand, while also pushing the envelope into new, unexplored realms.

Breakthrough
BOSS has laid claim to many world firsts during its illustrious history. Among the many BOSS highlights have been bringing to market the first-ever chorus, overdrive, digital delay, reverb, and pitch-shifter pedals.
DD-6 RV-5 PS-5

COMPACT SERIES
Explore Your Inner Rock Star
Warm, fatten, bake, or burn BOSS overdrive and distortion pedals are world famous for their rich, aggressive, and expressive sound. With nine compact pedals in this category, guitarists have an expansive range of power-tone tools to choose from.
SUPER OverDrive OverDrive

Warm, Tube Drive Sounds

Uses BOSSs asymmetric overdrive circuitry for warm, smooth overdrive sounds that respond to your picking style just like a tube amp. Includes a Tone control to dial in just the right sound.

Natural Overdrive with Endless Sustain!

Classic BOSS overdrive, based on a dual-stage design for bigger, fuller sounds. Variable Drive and Tone controls create overdriven sounds from mild to extreme with almost endless sustain.

Blues Driver

OverDrive/ Distortion

The Perfect Distortion for Blues

Get the tone of a bluesy, vintage tube amp in a compact pedal capable of anything from warm overdriven sounds to full-on distortion. Leaves the subtle nuances of your playing intact.

Distortion and Overdrive Together At Last!

A flexible pedal capable of producing overdrive, distortion, or a combination of both. Get in your face distortion while maintaining the subtle nuances of single-coil guitar pickups.

Distortion

TURBO Distortion

AGGRESSION OBSESSION
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COMPACT SERIES

Used by Pros Everywhere

A classic! Add some hard-edged distortion while preserving the subtle nuances of your playing dynamics. A Tone control is provided for easy sound shaping.

Two Distortions for the Price of One

Features twin modes for an expanded range of distortion taking you from blues-rock rhythms to searing leads at the press of a pedal or twist of a knob.

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COMPACT SERIES

Mega Distortion

Metal Zone

Nu-School Distortion with Massive Low End

This pedals dual Distortion and Gain Boost circuits take thick, heavy distortion sounds to a whole new level. Special Gain Boost and Bottom controls let you shape your tone for maximum volume and low-end punch.

BOSSs Most Popular Pedal!

Features dual-gain circuitry for thick, tube stack distortion with heavy mids and lows and long-lasting sustain. A 3-band EQ with semiparametric mids takes your sound to the extreme.

Bass OverDrive

Crunchy Overdrive Effects for Bass

An overdrive effect designed to cover the entire frequency range of bass guitars, including 5-string basses. Overdriven sounds can be blended with dry bass signal for maximum clarity and punch.

Info Bytes
Benchmark Overdrive & Distortion
BOSSs original overdrive, the OD-1, was famous for its rich, warm, and detailed sound. That legacy carried forward to the popular SD-1 and OD-3, and now to the BD-series the new standard in Overdrive processing. Likewise, BOSSs acclaimed DS-1 distortion pedal evolved to the DS-2, which paved the way for todays benchmark distortion effect, the MD-2.

New-Breed Overdrive
Adding to the legacy of great BOSS overdrives (such as the OD and DS series), the BD-2 and MD-2 represent the new standard in overdrive/distortion effects. Try them soon! BD-2: The BD-2 responds expressively to performance dynamics, including factors such as the guitarists picking attack, touch, and volume/tone settings. MD-2: The MD-2 can be extremely distorted with fat and deep characteristics, while not obliterating the original guitar tone.

COMPACT SERIES FOOT PEDALS

Compression Sustainer

Phase Shifter

Digital Delay

Digital Delay

Improves Your Overall Tone

Compresses louder signals while boosting lower signals for smooth sustain without degrading the original sound quality. Onboard EQ provides precise tonal control; low-noise design for super-quiet operation.

Modern Phasing with Tap Tempo Sync

Vintage BOSS phasing effects including 4-, 8-, 10-, and 12stage phasers, plus new Rise and Fall effects for unidirectional phasing. Tap tempo sync or realtime control of rate via an Expression/Pedal input.

Pro-Quality Delay in a Compact Pedal

A powerful delay pedal with three distinct modes. A variable Delay Time control creates delays from 12.5ms to 800ms, while a Hold function is capable of producing repeats from here to infinity.

Up to 5,200ms of Delay!
The DD-6 Digital Delay is BOSSs flagship compact delay pedal with up to 5,200ms of delay, sound-on-sound recording, tap tempo, plus unique Reverse and Warp effects.
Noise Suppressor

Equalizer

SUPER Shifter

Digital Reverb

Powerful 7-Band EQ!

Shape your sound and eliminate feedback with seven bands of equalization. Includes frequencies ranging from 100Hz to 6.4kHz with a powerful 15dB boost/cut per band.

Pitch Shifting and Beyond

Combines intelligent pitch shifting (+/-2 octaves) and harmonist functions with new Tremolo Arm/ Flutter effects. Tremolo Arm bends notes to a pre-selected value while Flutter simulates the slapping of a tremolo bar.

Pro-Quality Reverb In Stereo

The RV-5 Digital Reverb gives you six of BOSSs best reverbs including spring reverb emulation, gate reverb, and an all-new Modulate mode in a true stereo pedal.
Bass Limiter Enhancer

A Must-Have Pedal!
Eliminate unwanted noise and hum without altering your tone. A unique noise detection circuit preserves the natural attack and envelope, leaving your playing and dynamics intact.

Bass Equalizer

Precise Tonal Control

With a frequency range from 50Hz to 10kHz, the GEB-7 is ideal for any bass guitar, including 5-string basses. Seven bands of EQ are available, affording greater control over the crucial midrange.
Acoustic Simulator

Line Selector

Bass Synthesizer

Simplifies Your Setup

The easy way to switch settings among several effects or amplifiers, or route input and output signals. When used with an AC adaptor, the LS-2 can supply power to several BOSS compact pedals.

Smooth Tone, Every Time

Smoothes out your playing by eliminating harsh volume peaks, even when using dynamic slap and pop techniques. Ratio and Threshold knobs allow precise control of limiting parameters.

Synth Power Under Your Foot

Utilizing the latest in DSP technology, the SYB-5 faithfully reproduces the classic sound characteristics of analog synthesizers. The 11 internal sounds are supercharged for thick, aggressive tone.

COMPACT SERIES

Advanced Electric-ToAcoustic Guitar Modeling

The AC-3 is a new-generation compact pedal that employs COSM modeling technology to transform any electric guitar into a variety of beautiful acoustics.

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COMPACT SERIES

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FOOT PEDALS

Chorus Ensemble

SUPER Chorus

Bass Chorus

The Original Chorus

Produces everything from mild, natural chorusing to the penetrating stereo chorus popular in contemporary music. Covers a wide frequency range and includes both high- and low-cut filters.

A Unique Stereo Chorus

Delivers a clean chorus sound with crystal-clear highs and a unique stereo effect, variable between the left and right speakers. An EQ function adjusts the tonality of the chorus sound.

A Chorus Pedal with Built-in Crossover

A split-frequency chorus capable of applying warm, rich chorus to higher frequencies without muddying the lows. A space synthesis effect guarantees a natural and spacious chorus effect.

Wah Pedal

The Worlds First Modeling Wah Pedal!

The amazing BOSS PW-10 V-Wah is likely to be the last wah pedal youll ever need or want. This first-of-its-kind programmable modeling wah uses COSM technology to recreate some of the most popular wah pedals in history. These include CBY-Wah (the classic wah sound), VO-Wah (the British wah sound), MO-Wah (a popular new-school wah sound), and Uni-V (a vintage swirling rotary effect).
COSM WAH TYPE
CUSTOM VO-WAH ADVANCED MO-WAH VOICE BLUES OD CBY-WAH UNI-V

Dynamic Wah

SUPER Octave

Tremolo

Unbelievable Talking Wah Effects!

The worlds first compact pedal to produce human-voice type wah sounds using a Humanizer effect. EXP Pedal mode allows foot control, plus dedicated Bass input for processing bass guitar.

The Ultimate Octave Pedal

The OC-3 SUPER Octave puts new polyphonic octave effects, a Drive mode with distortion, and the original OC-2 effect in one convenient pedal thats ideal for bass, too.

Classic Tremolo Sounds!

Reproduces the classic tremolo effects of vintage 60s amps using a Low Frequency Oscillator (LFO). LFO waveform is variable from triangle to square for producing a variety of classic tones.

But the PW-10 doesnt just do wah; it also creates analog synth-like sounds via its Double Resonance mode and cool talking sounds in Voice mode. Eight types of overdrive sounds are also included, which can be dialed in with the Drive knob. Special infrared sensors give this wah smooth and noise-free sound, while three digital memories make it easy to recall your favorite settings. To try it is to love it!
OD/DS TYPE
METAL ZONE DISTORTION MUFF FUZZ TURBO OD VINTAGE OD BLUES OD GUV DIST BOOSTER

Switches the effect selected with the Type knob on or off.

Switches between Manual mode and the PW-10s three User memories.

The PW-10s infrared sensors deliver smooth wah sounds every time unlike analog pedals, which become noisy once dust settles inside.

Flanger

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Popular Pedals for Bassists
While not specific to bass, these pedals can be very useful for great bass sounds. CS-3: Unique, biting compression gives your bass maximum punch. PH-3: Add phasing effects and aggressive animation. Jet phasing sounds are also great for bass. MT-2: Freely transform your bass sound from mild to aggressive by using 3-band EQ.

The Flanger Gets a Face-Lift

The thickest stereo flanging sounds ever in a BOSS pedal. Ultra mode produces BOSSs deepest flanging sounds ever, while Gate/Pan creates spacious flanging with a cool Slicer effect that seems to swirl around the listener.

High-Quality Pedals for Guitar and Keyboards

Volume/Expression Pedal Volume Pedal Volume Pedal

Digital Delay Classics

Add depth and motion with these famous delay effects. DD-3: This top-selling classic imparts a musically pleasing delay characteristic with outstanding sound quality and simple operation. DD-6: This popular pedal offers delay/hold times of up to 5.2 seconds, and adds sound-on-sound recording, tap tempo, and expressive reverse and warp effects.

The FV-300L is a sturdy, stage-ready volume pedal with a low-impedance design perfect for keyboards or for connecting after effects units.

The low-impedance FV-50L is designed for connection after effects units or for use with keyboards.

The high-impedance FV-50H is designed to be connected before guitar effect units in the signal chain.

TWIN PEDAL SERIES

Extra Surface Area, Extra Control, Extra Expression
Power and precision unite in the Twin Pedal series. More featurepacked than your standard stompbox, each Twin represents the pinnacle of power in a compact case. Double your foot power and expression with these unique 2-pedal effects.

OVERDRIVE/DISTORTION

DIMENSIONAL PROCESSOR

DOUBLE-WIDE PERFORMANCE

22 Overdrive/Distortion Pedals Right Beneath Your Feet!

The OD-20 Drive Zone uses advanced COSM technology to model the sound of classic overdrive/distortion pedals, as well as creating new sounds of its own. There are 22 models to choose from, plus new Attack Shape and Heavy Octave parameters for dialing in subtle nuances or extreme tones. Four User memories store your settings, while an Amp Control jack lets you switch amp channels remotely.

BOSSs Ultimate Chorus Pedal

The CE-20 Chorus Ensemble is the culmination of over 25 years of BOSS chorus experience. This programmable chorus pedal not only models classics such as the CE-1 and SDD-320, but creates entirely new effects, including chorus for bass and acoustic guitar. New Brilliance and Ambience knobs offer unprecedented realtime control over the chorus tone making the CE-20 a pedal no guitarist should be without.

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TWIN PEDAL SERIES GRAPHIC EQUALIZER DIGITAL DELAY

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TWIN PEDAL SERIES

The Worlds Most Powerful EQ Pedal

The EQ-20 Advanced EQ gives guitarists, bassists and other live performers 10 bands of programmable digital EQ with stellar sound quality. Physical sliders make instant EQ tweaks easy, and a straightforward Write function permits instant storage of EQ settings into nine memory locations.

BOSSs Next-Generation Delay

The DD-20 Giga Delay provides up to 23 seconds of delay with easy adjustment via push-button knob or tap tempo. With a choice of 11 modes including new Smooth and Twist delays and sound-on-sound recording this is BOSSs finest delay pedal to date.

ROTARY SOUND PROCESSOR

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Advanced Design
The body of Twin Pedal is built on the same solid design foundation as BOSSs reliable Compact series. This popular design works well in combination with other compact pedals and floor multieffects. Sound quality and physical build are uncompromised in this exceptional series.

Supreme Rotary-Speaker Simulator

With its powerful COSM-modeling core, the RT-20 authentically recreates legendary rotary-speaker sounds. It offers adjustable Rise Time, Horn and Bass speed, Overdrive, and more. And not just for classic spin, the RT-20 can be used to create unique overdrive and pulsating effects as well. This pedal sounds amazing, and offers a stunning graphical view of the virtual rotors on its built-in display.

Pro Connections
The CE-20, DD-20, and EQ-20 are equipped with + 4 dBu compatible input and output jacks. These professional, industry-standard connectors allow the effects to perform at full capacity without reducing levels from the guitar amp.

TU SERIES AD SERIES

AD TU
TIME-TESTED TUNING
CHROMATIC TUNER

TONE-TESTED TECHNOLOGY
Enhance the Clarity, Warmth, & Richness of Your Acoustic Instrument
Who says stompboxes are just for electric guitarists? BOSS proudly offers a trio of specialized processors for piezoequipped acoustic guitars. Prepare to be amazed as your instrument transforms under the control of COSM -powered modeling. Acoustic pickups often diminish the full-bodied sound of an acoustic guitar, and can significantly alter the beautiful tone of the instrument. The AD-series can give piezo-equipped acoustic guitars the warm tone of a properly miked acoustic sound in the studio.

The flagship Tuner with Accu-Pitch

The TU-15 is BOSSs ultimate tuner, offering renowned needle-point accuracy, backlit design, flat tuning and a host of worlds first features not found in any other tuner including new Accu-Pitch and Octave Adjust functions.

BOSS the Most Trusted Name in Tuning

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TU SERIES

CHROMATIC TUNER

The famous TU-series incorporates BOSSs world renowned tuner technology into an ultra-convenient, portable package. Accurate and easy to use, BOSS tuners let guitarists and bassists prepare for performance with versatility and reliability.

The Industry Standard

The worldwide standard used by top musicians everywhere, thanks to extremely accurate, easy-to-use tuning.

ACOUSTIC INSTRUMENT PROCESSOR

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AD SERIES

An Acoustic Musicians Best Friend

Studio-quality acoustic-electric guitar preamp/DI box specially voiced for acoustic instruments. Includes anti-feedback controls, mic distance and body resonance simulation, plus onboard reverb and chorus.

ACOUSTIC INSTRUMENT PROCESSOR

CHROMATIC TUNER

Floor-Based Acoustic Processing

Incorporates many of the AD-5s outstanding features such as anti-feedback processing, reverb and chorus effects into a rugged, floor-based unit with stompbox simplicity.

Great for Woodwinds and Brass!

Offers an extended tuning range of C1 to B6 for tuning a variety of instruments including guitar, bass, woodwind, brass, and ethnic instruments.

ACOUSTIC GUITAR PROCESSOR

Unlock Your Instruments True Potential

Chromatic Tuner TUNER & METRONOME

Convenient Pedal-Based Tuning

Legendary BOSS tuning in a convenient, easy-to-use compact pedal design. A 7-segment LED and 11-point Stream Meter ensure accurate tuning, even in low-light settings or under bright stage lights.

Stay In Tune and In Time

This affordable tuner boasts super-accurate LCD tuning, reference tone, Accu-Pitch, and metronome function.

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Visual & Audio Accuracy
BOSS TU-series tuners boast backlit needles, LED indicators, pin-point accuracy, and the Accu-Pitch function(TU-15/-80 models), which provides an audible completion signal. These precise, easy-to-use tuning features put the TU-series at the head of the class.

A dream machine for acoustic guitarists who want to improve their sound, the AD-8 can enhance any piezo-equipped steel-string with the warmth and tonality of the world's finest acoustic guitars via advanced COSM modeling. Six guitar models are provided, with dedicated controls for body resonance and string enhancement. The AD-8 also offers automatic feedback elimination, high-quality reverb, 4-band active EQ, an onboard chromatic tuner with Mute, four preset memory locations for switching sounds instantly, and balanced XLR outputs.

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Gig Ready
Equipped with the XLR balanced outs, the AD-8 can be directly connected to a PA without the need for a DI box. Also, the individual unbalanced outs enable use with guitar amps for stage monitoring. If you would like to switch guitars on stage, the Tuner mode allows quick and silent changes with its mute function.

RC SERIES
LOOP STATION

The Industry-Leading LoopStation

Looking for the ultimate loop recorder? Meet the RC-50 the most feature-laden LoopStation BOSS has ever built. Its the best live looping tool ever built for that matter. Housed in a spacious seven-footswitch floor unit, the RC-50 lets you manipulate three stereo phrase tracks simultaneously. Each track supports multiple overdubs, so phrases can be stacked one by one on each track, resulting in a monstrous layer of looped phrases. Basic Operation Single Mode
Start playing Switch between 3 phrases as you play

Multi Mode
Start playing Play 3 phrases at once

PHRASE1
Recording Play Over Dubbing Play Over Dubbing

PHRASE1 PHRASE2 PHRASE3

Experiment with different loop textures by overlapping the channels.

PHRASE2 PHRASE3

Create multi-layered by following the simple instructions above.

Switch freely between the three loop channels.

RC REALTIME
PERFORMANCE
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RC SERIES

Powerful Loop Recorders for Live Performance

Loop, Layer, Rock! Transform a single instrument or voice into a wall of layered sound. Unleash the ultimate guitar or bass solo onstage. Plug in a mic and create cool vocal layers.

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RC SERIES

Loops for All Musicians

With an RC-series LoopStation, guitarists and bassists can build the ultimate solo live onstage. DJs & rappers can create on-the-fly remixes and loops. Vocalists can plug in a mic and start singing and layering!

FOR

FOR

FOR

GUITARISTS/ BASSISTS

VOCALISTS

DJs & RAPPERS

PHRASE RECORDER

The Travel-Light Looper

For musicians who like compact rigs, the RC-20XL is the perfect LoopStation for creating multi-layered performances in real time. Loops and riffs can be stacked repeatedly until the 16 minutes (!) of ample recording space is full; you can save up to 11 loops at a time. The Undo and Auto-Quantize functions make it easy to create perfect loops. You can even change the tempo of the loops without changing their pitch. Never before has it been so easy to create a massive one-person band sound in real time.

Create a Backing Track, Fast!

Heres how to make a loop layer in real time. You dont even have to take your hands off your instrument.
Simple loop recording with hands-free operation
Overdub Play
a phrase phrase after phrase as your previously recorded phrases play back Step on the pedal to stop recording, and the playback will start Step on the pedal again to overdub a new phrase Step on the STOP pedal to stop recording

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You've just created a layered backing loop for your solo performance!

Start recording by stepping on the REC pedal

Great for Vocalists Too!

Plug a guitar, bass, keyboard, or any linelevel instrument into the Inst input; plug a microphone into the Mic input. The result? Simultaneous instrument-and-vocal layered recording! Singers can also use the built-in Center Cancel feature on recording to help remove lead vocals from pre-recorded songs for karaoke-style practice.

The Power of Three

While the RC-20XL is the best choice for musicians who want the most compact setup, the RC-50 is for those who crave the ultimate in power and performance. One RC-50 is the equivalent of three RC-20XLs and then some! With the RC-50 you have stereo capability, longer recording times, and more.

Pro Specs
Drive your tone in luxury through the GT-PROs top-grade circuitry and balanced outputs. Thanks to its improved signal-to-noise ratio, the GT-PRO offers an incredibly pure signal path. Use the GTs advanced tools to design your own original guitar sounds for stage and studio.

PLUG INTO THE BEST OF BOSS

Two Tons of Tone in a Rack
Double your power, double your tone the new GT-PRO is driven by a dual COSM effects engine and an expansive I/O section. Its the perfect front-end for driving a wall of powered cabinets or for direct, pro-grade recording applications. Whether on stage or in the studio, youll be amazed at how much power and performance this top-quality rack has to offer.

Dual COSM Preamps

With its dual COSM amp-modeling engine, the GT-PRO allows you to construct towering tones by combining any two of the 46 amp models then layer, switch, or pan between them as your play. Amp channels and effects can even be controlled according to how hard you play (picking dynamics).

Flexible Connectivity
No matter how simple or complex your programming and patching needs are, the GT-PRO has the I/O options and routing flexibility pros demand, including XLR outputs, three sets of send/returns, and a 24-bit coaxial output for pristine, highresolution recording.

GT-PRO
GUITAR EFFECTS PROCESSOR
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GT-PRO

USB Connection
For quick and easy computer interfacing, the GT-PRO provides a USB port for one-cable data transfer and audio flow. Complicated settings are made easy by using the bundled PC/Mac-based editor/librarian software. You can instantly recall all of your settings for live gigs and recording sessions from your PC with a single USB connection.

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GT-PRO

FORGING THE FUTURE

GT-PRO
For Stage or Studio, the GT-PRO is Built to Satisfy the Most Demanding Professional
Powerful Dual COSM Amps Extreme Effects
Looking for BOSSs best effects? Youll find them here. As the top of GT line, the GT-PRO provides 44 effects categories, with 200 preset- and 200 user-patch locations. Choose from compressors, overdrives, delays, reverbs, choruses, EQs, wahs, and dozens of other BOSS-quality effects including a sitar and acoustic guitar emulator onboard.

Dual COSM Amp Configuration

Single Dual Mono

2-Channel individual Stereo Outs

I/O flexibility is the name of the game with the GT-PRO, as it also provides four 1/4-inch analog audio outputs, a pair of balanced XLR outputs, and three pairs of effects send/returns. If you wish to add some serious settings for the stage environments, you can split the signals independently to a couple of guitar amps and go to the PA with the stereo Sub Outs at the same time.

GT-PRO
The Dual-COSM Power Rack

The GT-PROs dual COSM amp modeling engine allows unprecedented tone exploration by combining two amp models, or by switching between them during performance. Tap into the expressive Dynamic mode, where two channels can be controlled based on picking strength. Transition smoothly from clean to mean by simply picking harder or softer.

Ch-A Ch-B
Dual L/ R Dynamic

Ch-A Ch-B L R Ch-A Ch-B

Picking Dynamics

Ch-A Ch-B

Meticulous COSM Editing

The GT-PRO crushes the competition with its unique and powerful COSM editing. Thanks to BOSSs advanced physical modeling, you take complete control over your tone by constructing your virtual rig from scratch, including the choice of speaker types, microphone amp position, and more.

Flexible Effects Chain

For the guitarist whos looking to upgrade his or her tone pallet, who demands rock-solid reliability, who needs extremely flexible signal routing and I/O options, the new BOSS GT-PRO is a grand-slam. Plug in, turn on, and experience the very best of BOSS with the GT-PRO.

Solo Switch
The 46 COSM amp models built into the GT-PRO contain a specially programmed variation thats optimized for soloing. Simply click the Solo switch to activate the lead tone, and off you go its like having a separate solo channel on every COSM amp!

Prepare to be impressed with the GT-PROs flexible effects chain. Internally, the 15 effects blocks can be COSM GUITAR PREAMP TYPE configured in any order you desire; externally, JC CLEAN COMBO MS1959( I + II ) JC-120 VO Drive MS HiGain a trio of stereo effects loops plus an array of Warm Clean VO Lead Power Stack Jazz Combo VO Clean R-FIER assignable outputs enables the most flexible Full Range MATCH Drive R-FIER Cln BrightClean Fat MATCH signal-routing configurations. R-FIER Raw MATCH Lead
TW CLEAN

COSM OD/DS TYPE

HiGAIN
SLDN Drive Stack Lead Stack Heavy Lead

EFFECT LIST
LOUD
Loud Sharp Mechanical

COSM COMPRESSOR TYPE

FEEDBACKER ANTI-FEEDBACK HUMANIZER SLICER WAVE SYNTH SUB EQ

BOOSTER
Booster Blues OD Crunch

CLASSIC
RAT GUV DS DST+

FX-1/2
ADV COMP LIMITER T. WAH AUTO WAH TONE MODIFY GUITAR SIM TREMOLO PHASER FLANGER PAN VIBRATO UNI-V RING MOD SLOW GEAR DEFRETTER SITAR

REVERB FX-2
HARMONIST PITCH SHIFTER PEDAL BEND OCTAVE ROTARY 2x2 CHORUS AUTO RIFF GUITAR SYNTH AC PROCESSOR SOUND HOLD SUB DELAY

BOSS Comp Hi-BAND Light D-Comp

Orange Fat Mild Stereo Comp

NATURAL
Natural OD Turbo OD Fat OD

SOLID
Solid DS Mid DS Stack

FUZZ
'60s FUZZ Oct FUZZ MUFF FUZZ

METAL
5150 Drive Metal Stack Metal Lead

COSM LIMITER TYPE

BOSS Limitr Rack 160D Vtg Rack U

2-Channel External Amp Control

The GT-PRO provides two Amp Control jacks, which can be programmed independently to switch amp channels, operate external effects, and more.

Clean TWIN Pro Crunch Tweed Warm Crunch

BG LEAD
BG Lead BG Drive BG Rhythm Smooth Drive Mild Drive

R-FIER R-FIER R-FIER R-FIER

Vnt1 Mdn1 Vnt2 Mdn2

COMP EQ WAH LOOP OD/DS PREAMP/SPEAKER DELAY CHORUS

OD
OD-1 T-Scream Warm OD

MODERN
Modern DS Power DS R-MAN

T-AMP
T-AMP Clean T-AMP Crunch T-AMP Lead Edge Lead

COSM WAH TYPE

CRY WAH VO WAH Fat WAH Light WAH 7String WAH Reso WAH

CRUNCH
Crunch Blues Wild Crunch StackCrunch

MS STACK MS1959( I ) MS1959( II )

DIST
Distortion Mild DS Drive DS

METAL
Metal Zone Heavy Metal Lead

NOISE SUPPRESSOR FOOT VOLUME

GUITAR EFFECTS PROCESSOR

1 7
GT-PRO

1 8
GT-PRO

Control the GT-PRO from the floor with BOSSs FC-200 or GFC-50 foot controller

Computer-Friendly Design
For one-cable patch management and advanced sound design, a USB port is provided for connecting the GT-PRO to a computer of your choice; the GT-PRO comes with Mac/PC editor/librarian software at no additional cost. In addition, it provides USB-Audio functionality.

Connecting With Power Amps, Plus Cabinets

L POWER AMP R L R PA

Using the GT-PROs Effects Loops

SND BRANCH OUT L MASTER R SND GUITAR FRONT IN RTN SND MASTER RTN

L POWER AMP

R POWER AMP

FC-200
MIDI FOOT CONTROLLER

POWER AMP

SND RTN EFFECT A PRE LOOP SND RTN EFFECT B LOOP 1/2 SND RTN EFFECT C

POWER AMP

CABINET

CABINET

CABINET CABINET

CABINET CABINET CABINET

GFC-50
FOOT CONTROLLER

Connect the stereo outputs to a single power amp for Dual mode or stereo effects.

Connect each output channel to individual power amps and cabinets. You can designate the output channel per Patch.

Connect the Sub outs to a stage PA. Another channel is used for monitoring.

Up to three external effects can be used. You can assign effects loops ON/OFF per Patch.

Pre loop is used for a branch out. Removing the direct sound from the Master outputs, you can divide dry and wet sound.

Connect a guitar amps send/return to the GTs Pre loop. You can select each preamp case by case.

MSC-50
MIDI Cable (5.0 m)

Connecting With Guitar Amps

For Recording

MSC-25
MIDI Cable (2.5 m)
L R

MSC-15
MIDI Cable (1.5 m)

L (MONO)

L (MONO)

R USB

POWER AMP L R

DIGITAL OUT

USB

Info Bytes
Flexible Setups with Output Select
The GT-PRO is equipped with an Output Select function, which enables you to select between eight types of output presets, such as JC-120, COMBO AMP, STACK AMP, LINE, and etc.
Connect to the JC-120. Using JCs stereo return jacks, you can take advantage of the GTs stereo effects. Using two individual outputs, you can select guitar amps with the patches youve programmed. In the same way, you can freely control stereo sounds with four guitar amps.

DIGITAL RECORDER PC PC CABINET MONITOR SPEAKER

Record to DAW software through the GTs USB port. The same sounds can be monitored through your guitar amp.

Using GTs digital output, you can immediately record your live performance with pristine quality.

The GT-PRO is useful for postproduction. After recording, you can reamp your dry guitar sound with a single USB connection.

MULTI-EFFECTS PROCESSING POWER

Advanced Processors for Floor & Desktop
Trusted by the worlds greatest players, BOSSs flagship multi-effects processors deliver unsurpassed sound quality and programming flexibility for both stage and studio.

FORGING THE FUTURE

GT
GT-8/GT-6B

Professional Multi-Effects for Guitar and Bass

Pro Effects
The GT-series provides a virtual mountain of expressive, pro-grade effects. Effect blocks can be used simultaneously to create complex textures and routings. Place the effects in any order, quickly and easily. Drive it all from the built-in Control switches and pedal. From subtle to sizzling, where will you take your tone?

COSM Powered
High-powered COSM amp engines are built into the GT-series processors, providing realistic, high-quality modeling of vintage amps as well as innovative new amp sounds. Each amp has been faithfully modeled, but the GT-series also allows you to create original, never-before-heard tones as well.

Ultra-Flexible Editing
19
MULTI-EFFECTS SERIES

Freely customize your sounds and setups with ease. The GT-series provides the freedom to create a universe of layered sound, with its flexible setup configurations and wide-ranging parameters.

20
MULTI-EFFECTS SERIES

ME
ME-50/ME-50B

Powerful Multi-Effects with Stompbox Simplicity

Hands-On Control
Dialing in your tone is easy, thanks to MEs dedicated knobs for each effect section, three footswitches, and a built-in expression pedal. Great-sounding effects without all the menu surfing!

Fast & Friendly

No menus to navigate. Just plug in, and get down to business. This floor-based multi-effects processor is built with the simplicity of a stompbox, focusing on killer multi-effects (such as COSM overdrive and distortion), rather than amp modeling.

Road Tough
Like all other BOSS effects, the ME-series processors are easy to transport yet built to withstand the punishment of constant gigging. BOSS effects are tortured tested, and road ready.

GS
GS-10

Powerful, Friendly Recording for All Musicians

Computer Friendly
The GS-10 provides a USB port for easy connection to PCs and Macs. It comes with Cakewalk Music Creator recording software for PC, plus a dedicated GS-10 computer editor.

Studio Smarts
This advanced multi-purpose processor provides a virtual truckload of COSM modeled amps and multi-effects for guitar, bass, and even vocals. Inputs are provided for Guitar/Bass, microphone (XLR), and stereo Auxiliary, making it especially well suited for the studio.

Speakers Built-In
Take the GS-10 anywhere. Plug in and play no external monitoring required, thanks to the super-handy built-in stereo speaker system.

GT SERIES
Flagship Multi-Effects Floor Processor
Dual COSM Amps
Feel the power of the GT-8s dual COSM amp modeling engines. Explore new sonic dimensions by combining two amp models, or by switching between them during performance. Tap into the expressive Dynamic mode, where two channels can be controlled based on picking strength. Transition smoothly from clean to mean by simply picking harder or softer. effect blocks can be used simultaneously to create complex textures and routings. All of your FX bases are covered compressors, reverbs, choruses, EQs, COSM-modeled wahs, and much more. There are 200 preset patches included, plus 140 user patches for storing your custom amp/effects creations.

Flexible FX Routing
Another area where the GT-8 stomps the competition is in its powerful effects routing. Internally, the 13 FX blocks can be configured in any order you desire (for example, you can freely assign an equalizer after a distortion effect or before it). And if
COSM OD/DS TYPE
MS1959( I + II ) MS HiGain Power Stack

GT
Command the Stage with GT
For the ultimate in power and convenience onstage, plug into a BOSS GT-series floor effects processor. These COSM-equipped, all-in-one effects units are attractive yet tough, and provide towering tone.

youd care to take your tone outside the box and incorporate some external effects into the GT-8s signal path, you can do so with the Ext Loop send and return. Flexibility in routing is the name of the game.
EFFECT LIST COSM COMPRESSOR TYPE
FEEDBACKER ANTI-FEEDBACK HUMANIZER SLICER WAVE SYNTH SUB EQ

Connectivity
The GT-8 is stocked with enough I/O options to satisfy even the most demanding pro. In addition to its stereo analog outs, the GT-8 offers a 24-bit coaxial output for ultra-clean digital transfer, an Amp Control jack for switching between two amp channels on an external amp, an external expression/control pedal input, effects send and returns, MIDI in and out, and a headphone output.

COSM GUITAR PREAMP TYPE

JC CLEAN
JC-120 Warm Clean Jazz Combo Full Range BrightClean

COMBO
VO Drive VO Lead VO Clean MATCH Drive Fat MATCH MATCH Lead

HiGAIN
SLDN Drive Stack Lead Stack Heavy Lead

BOOSTER
Booster Blues OD Crunch

CLASSIC
RAT GUV DS DST+

LOUD
Loud Sharp Mechanical

FX-1/2
ADV COMP LIMITER T. WAH AUTO WAH TONE MODIFY GUITAR SIM TREMOLO PHASER FLANGER PAN VIBRATO UNI-V RING MOD SLOW GEAR DEFRETTER SITAR

REVERB FX-2
HARMONIST PITCH SHIFTER PEDAL BEND OCTAVE ROTARY 2x2 CHORUS AUTO RIFF GUITAR SYNTH AC PROCESSOR SOUND HOLD SUB DELAY

Solo Switch
Each of the GT-8s 46 COSM amp models contains a specially programmed variation thats optimized for soloing. Simply click the Solo switch to activate the lead tone, and off you go its like having a separate solo channel on every COSM amp!

R-FIER
R-FIER R-FIER R-FIER R-FIER R-FIER R-FIER Cln Raw Vnt1 Mdn1 Vnt2 Mdn2

BOSS Comp Hi-BAND Light D-Comp

Orange Fat Mild Stereo Comp

NATURAL
Natural OD Turbo OD Fat OD

SOLID
Solid DS Mid DS Stack

FUZZ
'60s FUZZ Oct FUZZ MUFF FUZZ

METAL
5150 Drive Metal Stack Metal Lead

COSM LIMITER TYPE

BOSS Limitr Rack 160D Vtg Rack U

TW CLEAN
Clean TWIN Pro Crunch Tweed Warm Crunch

COMP EQ WAH LOOP OD/DS PREAMP/SPEAKER DELAY CHORUS

BG LEAD
BG Lead BG Drive BG Rhythm Smooth Drive Mild Drive

OD
OD-1 T-Scream Warm OD

MODERN
Modern DS Power DS R-MAN

T-AMP
T-AMP Clean T-AMP Crunch T-AMP Lead Edge Lead

COSM WAH TYPE

CRY WAH VO WAH Fat WAH Light WAH 7String WAH Reso WAH

CRUNCH
Crunch Blues Wild Crunch StackCrunch

Extreme Effects
Forty-four effects categories are built into the GT-8. Up to 13

MS STACK MS1959( I ) MS1959( II )

DIST
Distortion Mild DS Drive DS

METAL
Metal Zone Heavy Metal Lead

NOISE SUPPRESSOR FOOT VOLUME

GUITAR EFFECTS PROCESSOR

2 1
GT SERIES

PRIMETIME PERFORMANCE

22
GT SERIES

BASS EFFECTS PROCESSOR

Professional Bass Multi-Effects with COSM Technology

Pro Features
The GT-6B is a pro-caliber floor-based processor for bass, with COSM Bass Amp Modeling, modeled compression, plus other must-have effects such as COSM overdrive/distortion, COSM wah, and reverb/delay. Theres also a true analog bypass, and XLR and digital outputs with 24-bit converters for recording applications, providing uncompromised sound quality.

Bass Effects with COSM modeling

In addition to its amazing amp models, the GT-6B provides a world-class lineup of effects, including COSM-powered compression effects modeled after four famous compressors. Other effects include Auto Slap, sound-on-sound looping, and BOSS's best synth-bass sounds with incredible tracking.

EFFECT LIST
COMP/ LIMITER OD/ DIST OVERDRIVE DISTORTION FUZZ CHORUS REV/ DLY/SOS REVERB DELAY REVERB&DELAY SOUND ON SOUND PREAMP/ SPEAKER 3 BAND PARAMETRIC EQ WAH PEDAL WAH TOUCH WAH AUTO WAH FX-1 OCTAVE ENHANCER SLOW GEAR DEFRETTER RING MODULATOR FX-2 PHASER FLANGER HARMONIST PITCH SHIFTER PEDAL BEND 2 x 2 CHORUS AUTO SLAP SHORT DELAY VIBRATO HUMANIZER TREMOLO/ PAN BASS SYNTH NOISE SUPPRESSOR FOOT VOLUME

COSM BASS PREAMP TYPE

FLIP TOP B MAN BASS 360 T.E. SESSION CONCERT 810

COSM SPEAKER TYPE

1x15" 1x18" 2x15" 4x10" 8x10" Original

COSM OD/DS TYPE

Blues OD Turbo OD Bass OD Distortion GUV DS Metal Zone '60s FUZZ Oct FUZZ MUFF

COSM WAH TYPE

CRY WAH VO WAH Bass WAH

Info Bytes
Ultra-Flexible Effects Chain
Having the freedom to configure the effects chain in any order you wish is one of the keys to success when using multi-effects. A sound can be wildly different if an equalizer is used before a distortion, or after, for example. The GT-series proudly provides complete freedom over the preamp and effects chain routing.

COSM Bass Amp Models

The GT-6B provides six authentic COSM bass amp models, recreating the tone and characteristics of some of the greatest bass amps and speaker cabinets in history. Why settle for just one bass amp sound when you can have the power of six classics in one convenient box?

Versatile Performance Controls

Pilot the GT-6B with ease and enjoyment, thanks to its friendly, ultra-intuitive interface with analog-style knobs. Inject extra color and tonal animation into your performances with the GT-6Bs built-in expression and control pedals.

COSM COMP/LIMITER TYPE

BOSS Comp D-Comp Rack 160D Vtg Rack U

ME SERIES GS-1 0

ME
Maximum Processing with a Minimal Footprint

GS
Meet BOSSs famous floor-based multi-effects processors with ridiculously easy-to-use, intuitive interfaces. Best of all, theres a model for guitar and one for bass!

EFFECTS TREASURE CHEST

SOFTWARE/HARDWARE HYBRID
BOSSs Most Powerful Multi Effects System
Innovative multi-effects processing and an easy-to-use USB audio interface in one friendly package. The GS-10 lets guitar and bass players tap into 45 COSM amp models and unique BOSS effects, and record their performance directly to a computer.

GUITAR MULTIPLE EFFECTS

GUITAR EFFECTS SYSTEM with USB AUDIO INTERFACE

Killer Tone Meets Ease of Use

23
ME SERIES
ME-50 REAR PANEL ME-50B REAR PANEL

Advanced Modeling For The Tabletop

Amp & Effect Models
The GS-10 is powered by BOSSs most advanced COSM amp-modeling technology, giving guitar and bass players access to a wide range of vintage and modern effects.

Meet the amazing multi-effects processor with the ruggedness and simplicity of a stompbox. The ME-50 features legendary BOSS effects such as delay, flanger, and EQ plus powerful COSM Overdrive and Distortion Modeling. Dedicated knobs for each effect section make programming ultra-intuitive. No more menu-surfing.
OVERDRIVE/DISTORTION TYPE: OD-1 NATURAL OD-2 CRUNCH BD-2 LEAD DS-1 LOUD MT-2 METAL SCREAM MODERN OD DST+ STACK GUV Hi GAIN RAT MODERN DS MUFF SQUARE FACE OCT FUZZ EFFECTS: TONE MODIFY COMPRESSOR CHORUS PHASER FLANGER HARMONIST TREMOLO PAN VIBRATO UNI-V ROTARY DELAY REVERB NOISE SUPPRESSOR EFFECTS FOR EXPRESSION PEDAL: FOOT VOLUME WAH RESONANCE VOICE RING MODULATOR BEND (+1 OCTAVE, -1 OCTAVE)

24
GS-10

Direct to Computer via USB

Record directly to your favorite computer software with pristine digital quality using the GS-10s onboard USB port. Audio tracks can also be processed through the GS-10 and re-recorded into your software.

Built-in Speaker
The GS-10s built-in stereo speaker system provides easy monitoring whether youre recording to a computer or just jamming. Make pro-quality recordings with nothing more than your guitar, the GS-10, and a laptop.

BASS MULTIPLE EFFECTS

Big-Time Multi-Effects for Bass

Get world-class bass effects in a rugged floor unit. Forget about menus and cursor buttons. Just reach down and twist a knob! The compressor/limiter employs COSM modeling, and the 3-band EQ offers sweepable mids. Tap into the ME-50Bs Sound Hold, Octave Up, Slow Gear, T-Wah, and Defretter. The ME-50B even offers sound-on-sound recording complete with a cool Kick Drum effect for tapping in the beat.
COMPRESSOR/LIMITER: NATURAL LIMITER 160D SOFT 160D HARD D-COMP MASTER EQ: LOW MID MID FREQ
HIGH FILTER/TONE: T.WAH UP T.WAH DOWN T.WAH EDGE OCTAVE UP OCTAVE DOWN SLOW GEAR DEFRETTER ENHANCER BOTTOM BOOST MID SHAPE HOLLOW DRIVE: NATURAL BASS DRIVER OVER DRIVE DISTORTION MUFF FUZZ METAL HI-BAND DRIVE SYNTH: SAW LEAD MILD FILTER DEEP FILTER SQUARE DELAY/MODULATION: TAP DLY HOLD DLY ANALOG DLY 0-400 ms DLY 300-1400 ms DLY PHASER FLANGER CHORUS CHO+DELAY CHO+REVERB REVERB PEDAL: FOOT VOLUME WAH RESONANCE +1 OCTAVE 1 OCTAVE SOUND HOLD KICK DRUM
COSM GUITAR PREAMP TYPE
JC-120 Jazz Combo Full Range Warm Clean Clean TWIN Pro Crunch Tweed Crunch Blues Wild Crunch VO Drive VO Lead MATCH Drive Fat MATCH BG Lead BG Drive BG Rhythm Smooth Drive MS1959 (I) MS1959 (II) MS1959 (I+II) MS HiGain Power Stack R-FIER Red R-FIER Orng R-FIER Vint T-AMP Clean T-AMP Crunch T-AMP Lead SLDN Drive Stack Lead Stack 5150 Drive Metal Stack Metal Lead

Bundled Software
EFFECT LIST
FX-1 PEDAL WAH AUTO WAH TONE MODIFY ADV. COMPRESSOR LIMITER ENHANCER SLOW GEAR
Bass Clean Bass Crunch Bass HiGain

RING MOD FEEDBACKER COMP OD/DS PREAMP/ SPEAKER EQ NS FV FX-2 PHASER

FLANGER HARMONIST PITCH SHIFTER OCTAVE PEDAL BEND 2 x 2 CHORUS PAN VIBRATO UNI-V ROTARY

SHORT DELAY HUMANIZER SLICER AUTO RIFF GUITAR SYNTH BASS SIMULATOR STEREO EQUALIZER DELAY CHORUS REVERB

The included GS-10 Editor software provides a friendly graphic environment for controlling the onboard effects. Arranged as a series of virtual compact pedals, the GS-10 Editor takes the mystery out of programming.

Celebrity GS-10 Patches Available Via Download!

George Lynch Yngwie Malmsteen Marty Friedman

COSM BASS PREAMP TYPE

CONCERT 810 SESSION BASS 360 T.E. B-MAN FLIP TOP

TREMOLO DEFRETTER

COSM MIC PREAMP TYPE

Mic Preamp

COSM OD/DS TYPE

Blues OD Turbo OD Booster OD-1 T-Scream Natural OD Bass OD Distortion RAT GUV DS Mild DS Solid DS DST+ Metal Zone R-MAN Heavy Metal Loud Sharp Mechanical '60s FUZZ Oct FUZZ MUFF FUZZ

COSM WAH TYPE COSM SPEAKER TYPE

CRY WAH VO WAH Fat WAH Light WAH 7String WAH Reso WAH Bass WAH Original 1x8" 1x10" 1x12" 1x15" 1x18" 2x12" 2x15" 4x10" 4x12" 8x10" 8x12"

Ready to inject some star power into your GS-10? BOSS has good news. Log onto www.bosscorp.co.jp, and grab custom patches from the likes of George Lynch, Yngwie Malmsteen, and Marty Friedman. And for some rippin audio examples, log on to hear the GS-10 patches being played by Yngwie and Marty. Hendrix fans, theres a special bank of GS-10 patches waiting for you as well!

COSM MIC TYPE

DYN57 DYN421 CND451 CND87 FLAT

www.bosscorp.co.jp

Info Bytes
Perfect for Practice
You can connect a CD/MP3 player to the ME-50 and -50B through its AUX input. With headphones you can practice or jam along with your favorite song. Since the ME-50 is also equipped with a guitar amp simulator, you can practice with realistic guitar sound.

GS-10 REAR PANEL

MIC Jack(XLR Type) MIC Jack(TRS) AUX INPUT Jacks(L,R) AUX OUTPUT Jacks(L,R) GUITAR AMP OUT Jack EXP PEDAL/CTL1,2 Jack DIGITAL OUT USB MIDI OUT MIDI IN

Info Bytes
Also Great For Bass, Vocals, & More
In addition to the full of guitar effects, the GS-10 boasts powerful bass effects, including GT-6s preamp models. A mic preamp and compressor are also built in for recording vocals, acoustic instruments, and many other useful purposes. A mic-dedicated XLR input is included as well.

FORGING THE FUTURE

MUSICIAN-FRIENDLY RECORDING FOR THE MASSES

Hassle-Free Recording
Simple four-step recording process! Realize your music, from concept to compact disc, with unprecedented speed and ease.

BR
DIGITAL STUDIO
All-In-One Studios with CD-Burners Built In
Theres a reason BOSS BR-series recorders are in such high demand. Bang for the buck, reliability, and versatility have made BOSS the most trusted and sought-after portable digital recorders worldwide. No matter which BR recorder you choose the BR-1600CD, -1200CD or -900CD youll enjoy the following features common to all models:

Powerful Rhythm Section

Generate convincing backing tracks with the BRs easy-to-use, onboard rhythm generator. The BR-1600CD and -1200CD provide a dedicated bass track and even audio loops. The BR-1200CD is newly equipped with the ultraeasy rythm programming feature EZ Compose.

1
25
BR SERIES

Grab a guitar.

Select an effect.

Arm the track.

Start recording.

26

COSM Amp & Effect Models

COSM powered modeling provides realistic emulations of vintage guitar amps, coveted compressors, and more. The BR-1600CD and -1200CD also offers COSM OD/DS models derived from BOSSs famous GT-Line multieffects. Various modulation and ambience effects are also built in.

Large Storage Capacity

Press RECORD and jam worry-free. BR recorders feature high-volume storage media, so youll never miss that magic moment when it happens. The BR-1600CD/1200CDs 40GB hard drive allows over 120 hours* of high-quality linear recording time (maximum).
*conversion in one track

BR SERIES

Computer Connectivity via USB

Need to exchange data with a computer? No problem. Each BR recorder comes equipped with a USB port for shuttling audio back and forth. It also supports WAV/AIFF import and export.

Stackable V-Tracks
Record, layer, and keep layering with no worries, thanks to the BRs abundance of virtual V-Tracks. The flagship BR-1600CD boasts huge 256 V-Tracks, and there are 64 V-Tracks even BR-900CD Track Configuration on the compact BR-900CD. You can stack your tracks without space concerns or time constraints.

All-In-One Solution
Record, edit, process, mix, master, and burn the BR series can do it all. No additional recording gear required. The BR-1200CD/-900CDs new Direct CD Bounce feature enables you to record your track and input mixes directly to CD-R/RW.

Mastering Tools
Give your music a professional, polished sound with built-in, easy-to-use mastering effects. The quality of the BRs mastering tools will raise the quality of your music to a new level.

Perfect Vocals
Pitch-correction and intelligent harmony* tools onboard! Fix intonation problems and add backing vocals with *BR-1600CD and 1200CD only ease.

BR SERIES
Version 2
DIGITAL RECORDING STUDIO

Head Of The Family

Pro Features Meet Ease Of Use
Multi-Mic Recording
The BR-1600CD includes eight sweet-sounding XLR microphone inputs with phantom power. The BR-1600CDs Multi-Track recording mode eliminates confusing routing concepts, and includes essential channel effects such as a compressor, 3-band EQ, and low-cut filter.

DIGITAL RECORDING STUDIO

The Versatile, Power-Packed 12-Track

Complete Recording, from Guitar Pick to Compact Disc
Digital Recording, Non-Destructive Editing
For recording flexibility, the BR provides 192 V-Tracks (16 V-Tracks per primary track), allowing you to lay down as many guitar solos or vocal takes as needed. Once finished, you can select any 12 tracks for playback plenty of room for all your instruments and overdubs. You can also get pristine sound quality and the benefit of non-destructive editing.

Hassle-Free Recording
When recording, you can choose from 256 V-Tracks, allowing you to lay down as many guitar solos or vocal takes as needed. Once finished, you can select any 16 tracks for playback; theres 40GB of room for all your tracks and overdubs. And since its digital, you get pristine sound quality and the benefit of non-destructive editing.
RECORD UP TO EIGHT MICROPHONES IN FOUR EASY STEPS!

Hassle-Free Recording & CD Burning

Fly from point A to B in record time, thanks to the BR-1200CDs logical arrangement of buttons, knobs, and faders, and its inviting icon-based user interface. Recording, mixing, and CD burning is simple. To record, simply connect an instrument or microphone (XLR inputs with phantom power are provided), and follow the logical flow of controls on the left side of the panel. Use the fader pack in the middle to mix, and press the Audio CD Write/Play button to jump to the CD Burning menu.

1 Connect your microphones. Adjust the Input Sens

knobs and push the MultiTrack button to enter the Multi-Track mode.

Adjust the effects.

The Multi-CH effect preset will be automatically selected. Use the knobs for easy editing.

Multi-Effects & COSM Models

From full dunk to subtle sweetening, the BR-1200CD is equipped with a powerful multi-effects processor. A variety of COSM amp models are in the lineup, including Rolands JC-120, R-Fier, Metal Stack, BOSS Compact Pedal models such as OD-1 and MT-2, and more. Also onboard: a dedicated compressor and a 3-band equalizer for each of the 12 channels, plus an independent reverb and chorus/delay.
COSM MODELING LIST
COSM OVERDRIVE / DISTORTION BLUES OD BOOSTER AMERCAN DS TURBO OD DISTORTION GUV DS COSM GUITAR AMP MODELING JC-120 PRO CRUNCH SATCK CRUNCH JAZZ COMBO TWEED VO DRIVE FULL RANGE CRUNCH VO LEAD CLEAN TWIN BLUES VO CLEAN COSM BASS AMP MODELING AC AMG FLIP TOP OD-1 T-SCREAM MATCH DRIVE MATCH LEAD FAT MATCH BG LEAD BASSMAN DST+ '60S FUZZ BG DRIVE BG RHYTHM MS(1) MS(1+2) BASS 360 OCT FUZZ MUF FUZZ MS HI GAIN R-FIRE RED R-FIRE ORANGE R-FIRE VINTAGE T. E. MT-2 R-MAN SLDN DRIVE STACK LEAD STACK 5150 DRIVE SESSION HEAVY METAL BASS OD METAL STACK METAL LEAD

Push the Level Calibration button.

Send signal and push the Level Calibration button on the LCD to have your levels uniformly matched.

Push REC and PLAY.

Begin recording to tracks 1-8. You can also select tracks 9-16 as the destination.

Mind-Blowing Modeling
Plug into the BR-1600CD and you have an arsenal of world-class BOSS effects at your disposal: compression on eight channels, 3-band EQ on all 16 channels, separate insert processing with powerful COSM overdrive/ distortion, amp, and microphone modeling, plus modeling effects optimized for bass and acoustic guitar, and a separate reverb and chorus/delay processor. Forget about external effects its all here!

CONCERT 810

27
BR SERIES

COSM MODELING LIST

COSM OVERDRIVE / DISTORTION BLUES OD BOOSTER AMERCAN DS TURBO OD DISTORTION GUV DS COSM GUITAR AMP MODELING JC-120 PRO CRUNCH SATCK CRUNCH JAZZ COMBO TWEED VO DRIVE FULL RANGE CRUNCH VO LEAD CLEAN TWIN BLUES VO CLEAN COSM BASS AMP MODELING AC AMG FLIP TOP OD-1 T-SCREAM MATCH DRIVE MATCH LEAD FAT MATCH BG LEAD BASSMAN DST+ '60S FUZZ BG DRIVE BG RHYTHM MS(1) MS(1+2) BASS 360 OCT FUZZ MUF FUZZ MS HI GAIN R-FIRE RED R-FIRE ORANGE R-FIRE VINTAGE T. E. MT-2 R-MAN SLDN DRIVE STACK LEAD STACK 5150 DRIVE SESSION HEAVY METAL BASS OD METAL STACK METAL LEAD

Vocal Magic
Your vocal track(s) can be perfected with the BR-1200CDs Vocal Tool Box. This powerful set of editing tools can be used to fix incorrect pitch, and ensure that your vocal tracks always sound great. And if youre having trouble singing harmonies, the Vocal Tool Box can be used create realistic harmony parts.

28
BR SERIES

CONCERT 810

Vocal Tool Box

Vocals tracks will never be out of tune again, thanks to the BR-1600CDs powerful Vocal Tool Box features. You can also add a variety of realistic harmony parts with the easy-touse note/chord sequencer feature, which creates harmonies via chord input!

Backing Band Built In

Another distinguishing feature of the BR-1200CD is its world-class bass and drum programmer, packed with instruments and patterns to suit a variety of styles. Jam along with the supplied patterns or create your own from scratch. The EZ Compose feature makes ultrarealistic custom programming a snap. Theres also a selection of great loop phrases pre-installed on the internal hard drive.

Powerful Backing Tracks

BOSSs Rhythm Track goes to the extreme. Now you get a separate Drum, Bass, and Loop Phrase track for creating complete backing arrangements. High-quality sounds and phrases are included, and you can even load in your own loops.

Computer Connectivity
The BR-1200CD has a USB port for simple, one-cable data exchange with your computer. You can export audio tracks to your computer in WAV format, and safely save backups of your song data. If you have WAV files you would like to use, you can import them to the BR-1200CDs tracks via USB as well. The BR-1200CD is compatible to both PC and Mac, including Mac OS X.

Audio/Video V-LINK
With V-LINK and an optional Edirol video editor, its easy to control and manipulate video using the BR-1600CDs buttons and knobs.

Version 2 software includes the following updated features

COSM Models added (derived from BOSSs GT-6B) Enhanced Vocal Tool Box for better vocals and backings MIDI Slave capable for control from external MIDI devices BR-1180CD/1200CD data compatible
Version 1 BR-1600CD can be upgraded to Version 2 via download.

Info Bytes
Ultra-Convenient Level Calibration
The BR-1600CD is equipped with an innovative feature called Level Calibration, which allows you to instantly set each input to a uniform level. If you handle various types of mics or instruments, you can use this feature to set proper levels for all eight inputs quickly and easily.

BR-1600CD REAR PANEL

MIDI OUT MIDI IN USB DIGITAL IN/OUT (coaxial type) FOOT SW Jack EXP PEDAL Jack LINE OUT Jacks INPUT 18 Jacks (unbalanced, 1/4 phone type) MIC 18 Jacks (XLR balanced)

BR-1200CD REAR PANEL

USB MIDI OUT MIDI IN DIGITAL OUT

(optical type)

FOOT SW Jack EXP PEDAL Jack

LINE OUT Jacks (RCA pin type) LINE IN Jacks (RCA pin type) MIC 2 Jack (TRS 1/4 phone type) MIC 2 Jack (XLR balanced) MIC 1 Jack (TRS 1/4 phone type) MIC 1 Jack (XLR balanced)

BR SERIES
DIGITAL RECORDING STUDIO

Mini-Mighty Studio with CD-Burner

Record, Mix, & Burn Anywhere, Anytime
Eight Tracks & Beyond
No matter what youre recording, or where you are, the BR-900CD makes the job fast and fun. When recording, you can capture two tracks simultaneously, and layer up to 64 V-Tracks (eight V-Tracks per each of the main eight tracks). Once finished, you can select any eight tracks for playback. The BR-900CD can run on AC or battery power, which means you can now make professional-quality recordings any time, any place. BOSS even includes the AC adaptor.

DIGITAL RECORDER

The Ultimate Notebook Studio

Only 27mm Thick, Yet Loaded with Features
Amazingly Thin, Yet Loaded With Features
The BR-600 provides eight simultaneous playback tracks, but theres more than meets the eye. Each of the eight tracks also contains eight V-Tracks (virtual tracks), which gives musicians quick access to 64 tracks of recorded material. A 128 MB CompactFlash card is included for up to 520 minutes of record time in Hi-Fi mode.
RECORDING TIME (conversion in one track)
HiFi (MT2) Standard (LV1) Long (LV2) 32 MB 16 min. 19 min. 24 min. 64 MB 32 min. 39 min. 49 min. 128 MB 65 min. 78 min. 98 min. 256 MB 130 min. 156 min. 196 min. 512 MB 260 min. 312 min. 392 min.

1 GB
520 min. 624 min. 784 min.

Abundant Recording Time

Theres no need to worry about running out of recording time with the BR-900CD. It can record directly to popular CompactFlash cards of up to 1 GB capacity, which provides hours of recording time. The BR-900CD also has the ability to record directly to CD via its internal CD-R/RW.
RECORDING TIME (conversion in one track)
HiFi (MT2) Standard (LV1) Long (LV2) 32 MB 16 min. 19 min. 24 min. 64 MB 32 min. 39 min. 49 min. 128 MB 65 min. 78 min. 98 min. 256 MB 130 min. 156 min. 196 min.

* The recording times shown above are approximate. Times may vary depending on the number of songs created.

Stereo Mic Onboard, Battery Operation

Wherever musicians go, the ultra-portable BR-600 is ready to record. It can operate on six AA batteries (or AC). Quality stereo microphones are built in for point-and-capture recording on the spot. Whether for recording band rehearsals, gigs, or capturing ambient sounds, the BR-600 is all musicians need to get the job done with no hassle.

1 GB
520 min. 624 min. 784 min.

* The recording times shown above are approximate. Times may vary depending on the number of songs created.

Extensive Effects with COSM

Process your tracks with the powerful effects built into the BR-600. Derived from BOSS high-end recorders, COSM AMP MODELING LIST COSM GUITAR AMP MODELING these quality effects can give even the MS(1) JC-120 dullest tracks maximum impact mistakes MS(2) CLEAN MS(1+2) CRUNCH can be fixed, mixes can be mastered. SLDN MATCH Included in the effects suite:COSM guitar METAL VO DRIVE METAL D BLUES and bass amp models plus chorus, delay, BG LEAD reverb, and EQ for every channel. Pitch COSM BASS AMP MODELING AC AMG correction is provided as well.

Studio-Quality Effects with COSM Modeling

Proudly displaying the BOSS logo, the BR-900CD offers a lineup of COSM AMP MODELING LIST quality effects that are worthy of the COSM GUITAR AMP MODELING legendary name. In addition to the timeMS(1) JC-120 tested standards (reverb, EQ, chorus, delay), CLEAN MS(2) MS(1+2) CRUNCH the BR provides additional pro-quality SLDN MATCH effects, such as vocal pitch-correction, bass METAL VO DRIVE METAL D BLUES simulation, pedal wah, COSM-powered BG LEAD guitar amp and compressor models, and COSM BASS AMP MODELING AC AMG mastering tools.

29
Perfect Vocals
The vocal performance(s) can be perfected with the BR-900CDs pitch correction. This powerful set of editing tools can be used to fix incorrect pitch, and ensure that your vocal tracks always sound great!
BR SERIES

Versatile Utility Functions

Once youve recorded your tracks, you can take advantage of the BR-600s versatile utility features. Select regions of audio to move, delete, copy, or paste. Time-stretch any piece of audio to half-tempo without affecting its pitch. Use the Center Canceller to help remove lead vocals from prerecorded songs. And no matter what you do, you can always revert to a previous editing state thanks to the Undo/Redo function.

30
BR SERIES

Rhythm Programmer Onboard

Songwriters will love the BR-900CDs built-in rhythm programmer, packed with 294 expressive patterns. Use these realistic backing tracks as inspiration for both writing and recording. You can even customize your own beats using the handy Tone Load function.

Built-in Drum Machine

Ready for an unexpected bonus? The BR-600 has a high-quality drum machine built in! Create perfect backing tracks from the nearly 300 drum/percussion patterns built in (rock, pop, blues, country, R&B, Latin, and more), or program your own beats using the velocity-sensitive pads. You can even import new sounds with the Tone Load function.

Convenient Built-in Mic

BOSS thought of everything! The BR-900CDs built-in microphone is perfect for times when bringing a mic and cable along isnt practical.

Computer Connectivity via USB

The USB port allows the BR-600 to interface directly with computers. With one simple connection, you can store and retrieve data, remotely edit your audio with your favorite audio software, and burn CDs.

Reliable & Road Ready

The BR-900CD is built to travel, built to last, and built to deliver the solid performance you need from session to session, year after year. While many computer-dependant recording rigs are riddled with OS conflicts, viruses, and other ongoing performance issues, BOSSs brand of awardwinning dedicated recorders will get the job done time after time.
27mm

Convenient Extras
Each BR-600 ships new from the factory with two handy accessories included for free: a custom BOSS carrying bag and an XLR-to-1/4 mic adapter.

USB Compatible
Connect the BR-900CD to the outside world with one convenient USB connection. Import and export audio files and song data quickly and easily. Need to add some drum loops or vocal samples to your song? Simply drag and drop your favorite WAV files from USB-equipped computer directly into the BR-900CD. Conversely, you can export audio that youve created internally on the BR-900CD to computers.

Info Bytes
Create Custom Grooves
The BR-900CD and BR-600 have drum machines built in, with hundreds of cool factory sounds and patterns, but you can also import your own sounds via the Tone Load function. Create a custom kit using a door-slam sample for the snare, a basketball bounce for the kick anything is possible.

BR-900CD REAR PANEL

Drum Machine Onboard

Is the BR-600 a multi-track recorder or a drum machine? Its both! In drummachine mode, the BR-600s big, velocitysensitive buttons double as conventional drum machine pads, letting you program dynamic beats just as you would on any modern drum machine.

MIDI OUT FOOT SW/EXP PEDAL Jack (1/4 phone type) USB DIGITAL OUT (optical type) LINE OUT Jacks (RCA pin type) LINE IN Jacks (RCA pin type) MIC 1 Jack (XLR balanced) MIC 1 Jack (TRS 1/4 phone type) MIC 2 Jack (XLR balanced) GUITAR/BASS Jack
(unbalanced, 1/4 phone type)

BR-600 REAR PANEL

FOOT SW/EXP PEDAL Jack (1/4 phone type) USB LINE OUT Jacks (RCA pin type) LINE IN Jack (Stereo miniature phono type) MIC 1 Jack (TRS 1/4 phone type) MIC 2 Jack (TRS 1/4 phone type)

DR & DB SERIES
Dr. Rhythm Dr. Rhythm Dr. Rhythm

Worlds Best Rhythm Machine

The DR-880 is a rhythm-programming powerhouse thats loaded with world-class drum, percussion, and bass sounds. You can get microscopic with the DR-880 or use the EZ Compose and Groove Modify features, which allow complex patterns to be constructed without note-by-note programming hassles. Guitar and bass players can join the action by plugging directly to the DR-880s Guitar/Bass Input jack, and playing through the built-in COSM Drive/Amp models and multi-effects.

Killer Drums at an Amazing Price

A compact rhythm programmer with the acclaimed sounds from BOSSs higherend models, the DR-670 raises the bar in its price class with a host of powerful features, including velocity-sensitive pads, 255 top-quality drum and percussion sounds, a bass part for programming bass lines, and more. A foot-control jack allows the DR-670 to be controlled by optional footswitch for hands-free operation.

Your Own Personal Drummer

BOSSs most affordable drum machine for jamming or practice offers realistic drum, percussion, and bass sounds. New Rhythm Progressions with variations also provide intuitive track arranging. There are 100 preset styles and 100 user styles onboard; user patterns can be programmed via realtime record or step entry. A footswitch input provides easy live control. The DR-3 runs on AC or battery power.

EZ compose (Pattern) You can create your own backing rhythms by simply selecting preset patterns for each instrument.

EZ compose (Chord Progression) Realistic bass phrases can be easily created with chord progression templates.

Guitar Effects Various types of guitar effects are included, such as powerful COSM amps, and acoustic and bass guitar effects.

GROOVE TOOLS

31
DR & DB SERIES

32
DR & DB SERIES

Essential Session & Practice Partners

BOSSs famous Dr. Beat and Dr. Rhythm series live on with a new line thats more compact and powerful than ever before. Whether your needs are for simple, playalong timekeeping or full-blown rhythm programming, the worlds best tools are right here.

Info Bytes
Ultra-Realistic Rhythm Creation
The DR-880 includes a variety of sequence phrases, which were input live by expert session drummers. You can precisely edit the grooves to your liking, even the ghost notes. Create patterns in real time by tapping the velocity pads. The DR-880 responds to any type of rhythm creation you can throw at it.

Dr. Beat

Dr. Beat

Dr. Beat

Realistic Ambience with TSC

The DR-880 and DR-3 are equipped with the TSC (Total Sound Control) function. This powerful tool lets you create pro-quality, spatially enhanced drum sounds with the touch of a button. TSC contains carefully edited templates, and provides a set of parameters that can be fully edited.

The Do-Everything Dr. Beat

Practice in style with the flagship of the Dr. Beat Metronome line. The new DB-90 is loaded with quality sounds and drum patterns, a Rhythm Coach function with onboard microphone, a reference-tone for tuning, an Instrument input, MIDI input, and a Note Mixing function for customizing the play-along rhythms.

More Than a Metronome

The DB-60 is a deluxe metronome that can lay down the click in style. Program your own beats or choose from a variety of patterns. Tap in your tempo, and clock your practice with the Stop Watch and Timer features.

The Take-Along Timekeeper

More than just a simple timekeeper, this pocket-sized metronome can lay down a variety of rhythm patterns and time feels. It offers tap tempo, internal reference tones (12 semitones), and other timekeeping features to make practicing fun.

ACCESSORIES

Pedal Board

VOICE TRANSFORMER

Essential Tools for The Working Musician

*Compact pedals and tuner not included and shown only for photography purposes.

Works with All BOSS Pedals!

The BOSS BCB-60 Pedal Board is a convenient way to set up and transport all your compact effects. The unique padded interior can be customized to fit a range of gear, while a built-in AC adaptor cranks out 1,000 mA of power enough to run up to seven devices!

Gender-Bending Vocal Effects!

The VT-1 is a unique device designed for altering and effecting the human voice. It provides everything from voice thickening to a full 1 octave pitch shift, allowing users to convincingly change their vocal gender. Unlike conventional pitch shifters, the VT-1 affords separate control of pitch and formant, so the users voice can be altered without the chipmunk effect.

FS-6 DUAL FOOTSWITCH

Two For One
Two switches in one, BOSSs new FS-6 combines latch- and momentary-type switching into one unit. With two switches conveniently housed side-byside, the FS-6 allows each switch to be set for latch or momentary operation. Pick the configuration that best suits your playing style and setup.
DR-50 DR-30

DR-80C Condenser Microphone

Direct Box

High-Quality DI
The DI-1 is a high-quality direct box with crystal-clear sound for transforming high-impedance, unbalanced instrument outputs to the low-impedance, balanced inputs of a mixing console.

Large-Diaphragm Studio Microphone

The DR-80C is designed for professional singers and recording applications. It boasts low-noise performance, high-input handling, and wide dynamic-range compatibility. Dedicated shock-mount holder included.

DR-50/30 Dynamic Microphones

Two New Handheld Mics
The affordable DR-30 cardioid microphone is ideal for amateurs and karaoke enthusiasts, while the more advanced DR-50 is geared for professional live performance applications.

33
ACCESSORIES

34
ACCESSORIES

EV-5 Expression Pedal

Express Yourself
The EV-5 Expression Pedal can be used to control a range of functions and effects parameters in real time. Its ultra compact travel-friendly, and can fit perfectly onto guitar pedalboards or under synthesizer setups.

2-WAY SELECTOR

Switch Guitars or Amps with a Stomp!

The AB-2 2-Way Selector can be configured as a two inputs/one output selector or a two outputs/one input selectorletting you freely switch between two instruments or two amplifiers, for example.

FS-5U Footswitch (Unlatch)

Unlatched
The FS-5U is a metal-cased momentary unlatch-type footswitch that can be connected using an ordinary guitar cable.

FS-5L Footswitch (Latch)

Latched
The FS-5L is a metal-cased latch-type footswitch with a LED to indicate status. It can be connected with a standard guitar cable.

PSA-series AC Adaptor
(117/230/240 V)

PCS-20A 8PIN Parallel DC Cable

(8 x DC Plug; 1 m)

RH-200 Headphone
Pro Headphones
These state-of-the-art closed-ear headphones are comfortable and superb-sounding. They feature a 40 mm-diameter driver with neodymium magnet, and a versatile 1/8 stereo mini-plug with screw-on 1/4 adapter.

CM-30 CUBE MONITOR

The New Multi-Purpose CUBE
Versatile and portable, the new CM-30 CUBE Monitor delivers 30 watts of audio punch through a high-quality 6.5 coaxial 2-way speaker with stereo preamp. The CM-30 is ideal for home-studio and wide-ranging monitoring applications thanks to its compact and rugged design.

PCS-31 Audio Cable ACA-series AC Adaptor

(117/230 V)

(Stereo 1/4 2 x 1/4; 2.2 m)

MSC-50/25/15 MIDI Cables

(5.0/2.5/1.5 m)

SPECIFICATIONS
COMPACT SERIES
[Compact Pedal Effects Specifications] Dimensions 73 (W) x 129 (D) x 59 (H) mm (2-7/8 x 5-1/8 x 2-3/8) Weight (depending on the model) 400 to 450 g/15 oz. to 1 lb. Accessory Dry Battery Option AC Adaptor

OC-3
Controls DIRECT LEVEL, OCT 1 LEVEL, CONTROL, MODE (POLY/RANGE/OCT 2/DRIVE) Current Draw 50 mA (DC 9 V)

TWIN PEDAL SERIES

[Twin Pedal Specifications] Power Supply DC 9 V: Dry Batteries <AA type> x 6, AC Adaptor Dimensions 173 (W) x 158 (D) x 57 (H) mm (6-13/16 x 6-1/4 x 2-1/4)

TU-12H

11

TR-2
Controls RATE, WAVE, DEPTH Current Draw 20 mA (DC 9 V)

7 7

Reference Pitch 440 to 445 Hz (1 Hz steps) Tuning Range C1 to B6 Power Supply Dry Battery (9 V type), AC Adaptor (PSA series: Optional) Dimensions 145 (W) x 53 (D) x 35 (H) mm (5-3/4 x 2-1/8 x 1-7/16) Weight 0.2 kg/6 oz.

SD-1
Controls LEVEL, TONE, DRIVE Current Draw 6 mA (DC 9 V)

6 6

BF-3

OD-20

10

TU-2

11

OD-3
Controls LEVEL, TONE, DRIVE Current Draw 9 mA (DC 9 V)

Controls RES, MANUAL, DEPTH, RATE, MODE (ULTRA, STANDARD, GATE/PAN, MOMENTARY) Current Draw 40 mA (DC 9 V)

PH-3
6 6
Controls E.LEVEL, F.BACK, D.TIME, MODE (HOLD/L.800ms/ M.200ms/S.50ms) Current Draw 45 to 65 mA (DC 9 V)

BD-2
Controls LEVEL, TONE, GAIN Current Draw 13 mA (DC 9 V)

Controls RATE, DEPTH, RES (resonance), STAGE (STEP/RISE/FALL/ 12/10/8/4) Current Draw 50 mA (DC 9 V)

DD-3 OS-2
Controls LEVEL, TONE, DRIVE, COLOR Knob (OD, DS) Current Draw 12 mA (DC 9 V)

Memories 4 Nominal Input Level 20 dBu Nominal Output Level 20 dBu Dynamic Range 102 dB (IHF-A, typ.) Current Draw 85 mA (9 V max.) (Expected battery life under continuous use; [Carbon: 8 hours], [Alkaline: 20 hours]; These figures will vary depending on the actual conditions of use.) Weight 1.1 kg/2 lbs. 7 oz. (incl. batteries) Accessory Dry Batteries <LR6 (AA) type> x 6 (We recommend that alkaline batteries be used when replacing the batteries.) Option AC Adaptor (PSA series)

Reference Pitch A4 = 438 to 445 Hz (1 Hz steps) Tuning Range C0 to C8 Power Supply Dry Battery (9 V type), AC Adaptor (PSA series: Optional) Dimensions 73 (W) x 129 (D) x 59 (H) mm (2-7/8 x 5-1/8 x 2-3/8) Weight 0.4 kg/15 oz. (incl. battery)

Current Draw 450 mA Dimensions 472 (W) x 198 (D) x 64 (H) mm (18-5/8 x 7-13/16 x 2-9/16) Weight 2.9 kg/6 lbs. 7 oz. (excl. AC Adaptor) Accessories AC Adaptor (Roland ACI or ACB series), USB cable, Sound Library for RC-50 (Sample Phrase CD) Options Footswitch (FS-5U), Dual Footswitch (FS-6), Expression Pedal (Roland EV-5), Footswitch cable (Roland PCS-31) (Stereo 1/4 phone plug-1/4 phone plug x 2)

GT SERIES
GT-8
21-22
AD Conversion 24 bit + AF method* DA Conversion 24 bit Sampling Frequency 44.1 kHz Program Memories 340: 140 (User) + 200 (Preset) Nominal Input Level INPUT: 10 dBu, RETURN: 10 dBu Input Impedance INPUT: 1 M, RETURN: 220 k Nominal Output Level OUTPUT: 0 dBu, SEND: 10 dBu Output Impedance OUTPUT: 2 k, SEND: 2 k Digital Output EIAJ CP1201, S/PDIF Dynamic Range 100 dB or greater (IHF-A) Display 16 characters, 2 lines (backlit LCD)/2 characters, 7 segments LED Connectors INPUT Jack, OUTPUT Jacks L (MONO)/R, PHONES Jack, SEND Jack, RETURN Jack, AMP CONTROL Jack, SUB EXP PEDAL/SUB CTL PEDAL1,2 Jack, DIGITAL OUT (coaxial) , MIDI IN/OUT, AC Adaptor Jack Power Supply AC 14 V: Supply AC Adaptor (BRC series) Current Draw 650 mA Dimensions 515 (W) x 261 (D) x 75 (H) mm (20-5/16 x 10-5/16 x 3) Weight 4.8 kg/10 lbs. 10 oz. (excl. AC Adaptor) Accessory AC Adaptor (BRC series)

RC-20XL

13-14

TU-80

11

CE-20
8

10

Reference Pitch A4 = 435 to 446 Hz (1 Hz steps) Tuning Range E0 to C8 Power Supply Dry Batteries <R6/LR6 (AA) type> x 2 Dimensions 122 (W) x 68 (D) x 21 (H) mm (4-13/16 x 2-11/16 x 0-7/8) Weight 0.1 kg/5 oz. (incl. batteies)

Nominal Input Level INST: 20 dBu (variable), MIC: 40 dBu (variable), AUX IN: 10 dBu Nominal Output Level OUTPUT: 20 dBu Internal Memory Recording time: 16 min. (max.), Maximum number of saved phrases:11 phrases (max.) Power Supply DC 9 V: Dry Batteries <AA type> x 6, AC Adaptor Current Draw 120 mA (9 V max.) Dimensions 173 (W) x 158 (D) x 57 (H) mm (6-13/16 x 6-1/4 x 2-1/4) Weight 1.2 kg/2 lbs. 11 oz. (incl. batteries) Accessories Dry Batteries <LR6 (AA) type> x 6, Sound Library for RC-20XL (Sample Phrase CD) Options AC Adaptor (PSA series), Footswitch (FS-5U, FS-6)

DD-6 DS-1
Controls TONE, LEVEL, DIST Current Draw 4 mA (DC 9 V)

6
Controls E. LEVEL, F.BACK, D.TIME, MODE (2600ms/800ms/ 300ms/80ms/REVERSE/ HOLD (5.2s)/WARP) Current Draw 55 mA (DC 9 V)

DS-2

Controls LEVEL, TONE, DIST, TURBO [1, 2 (REMOTE)] Current Draw 12 mA (DC 9 V)

PS-5

MD-2
Controls LEVEL, TONE, BOTTOM, DIST, GAIN BOOST Current Draw 18 mA (DC 9 V)

Controls BALANCE, D. TIME/SPEED, H.R. KEY, PITCH, MODE (PITCH SHIFTER/ HARMONIST/DETUNE/T.ARM/FLUTTER) Current Draw 50 mA (max.) (DC 9 V)

RV-5
6
Controls E. LEVEL, TONE, TIME, MODE (SPRING/PLATE/HALL/ ROOM/GATE MODULATE) Current Draw 50 mA (DC 9 V)

Memories 4 Nominal Input Level GUITAR/BASS: 20 dBu, GUITAR AMP SEND/RETURN: + 4 dBu Nominal Output Level GUITAR/BASS: 20 dBu, GUITAR AMP SEND/RETURN: + 4 dBu Residual Noise Level 93 dBu or less (IHF-A, typ.) Current Draw 160 mA (9 V max.) (Expected battery life under continuous use; [Carbon: 4 hours], [Alkaline: 10 hours]; These figures will vary depending on the actual conditions of use.) Weight 1.1 kg/2 lbs. 7 oz. (incl. batteries) Accessory Dry Batteries <LR6 (AA) type> x 6 (We recommend that alkaline batteries be used when replacing the batteries.) Option AC Adaptor (PSA series)

AD SERIES
AD-8
12
Nominal Input Level 20 dBu Input Impedance 20 M Nominal Output Level 20 dBu Output Impedance Unbalanced Output/Electric Guitar Amp Output: 1 k, Balanced Output: 600 , Phones: 33 Recommended Load Impedance 10 k or greater Reference Pitch A4 = 438 to 445 Hz (1 Hz steps) Tuning Accuracy 3 cents Display 7 segments LED Connectors INPUT Jack (1/4 phone type), PHONES Jack (Stereo 1/4 phone type), ELECTRIC GUITAR AMP OUTPUT Jack (1/4 phone type), UNBALANCED OUTPUT Jacks A (Mono), B (1/4 phone type), BALANCED OUTPUT Jacks A, B (XLR type), AC Adaptor Jack Power Supply DC 9 V: Dry Batteries <R6/LR6 (AA) type> x 6, AC Adaptor (PSA series) Current Draw 120 mA Dimensions 250 (W) x 180 (D) x 60 (H) mm (9-7/8 x 7-1/8 x 2-3/8) Weight 1.9 kg/4 lbs. 4 oz. (excl. AC Adaptor) Accessory Dry Batteries <LR6 (AA) type> x 6 Option AC Adaptor (PSA series)

GT-PRO
GT-PRO
17-18
AD Conversion 24 bit + AF method* DA Conversion 24 bit Sampling Frequency 44.1 kHz Program Memories 400: 200 (User) + 200 (Preset) Nominal Input Level INPUT: 10 dBu,PRE LOOP RETURN: 10 dBu, LOOP 1/2 RETURN: 10 dBu/+ 4 dBu Input Impedance INPUT: 1 M, PRE LOOP RETURN: 220 k, LOOP 1/2 RETURN: 220 k Nominal Output Level DIRECT OUT/TUNER OUT: 10 dBu, MAIN OUT/SUB OUT: 10 dBu/+ 4 dBu, SUB OUT XLR: + 4 dBu, PRE LOOP SEND: 10 dBu, LOOP 1/2 SEND: 10 dBu/+ 4 dBu Output Impedance DIRECT OUT/TUNER OUT: 2 k, MAIN OUT/SUB OUT: 2 k, SUB OUT XLR: 600, PRE LOOP SEND: 2 k, LOOP 1/2 SEND: 2 k Digital Output EIAJ CP1201, S/PDIF Display 16 characters, 2 lines (backlit LCD)/2 characters, 7 segments LED Connectors <Front> INPUT Jack, PHONES Jack <Rear> INPUT Jack, DIRECT OUT/TUNER OUT Jack, MAIN OUTPUT Jacks L (MONO)/R, SUB OUTPUT Jacks L (MONO)/R, SUB OUTPUT XLR L/R, PRE LOOP SEND Jack, PRE LOOP RETURN Jack, LOOP 1 SEND Jack, LOOP 2 SEND Jack, LOOP 1 RETURN Jack, LOOP 2 RETURN Jack, AMP CONTROL 1 Jack, AMP CONTROL 2 Jack, EXP PEDAL 1 Jack, CTL PEDAL1, 2 Jack, EXP PEDAL 2/CTL PEDAL3, 4 Jack, DIGITAL OUT (coaxial), USB, MIDI IN/OUT/THRU Power Supply AC 117, 230V, or 240V Power Consumption 16 W Dimensions 482 (W) x 305 (D) x 89 (H) mm (19 x 12-1/16 x 3-9/16) Weight 4.8 kg/10 lbs. 10 oz. Accessories USB cable, GT-PRO software CD-ROM Editor Software System Requirements [ Windows ] Operating System Microsoft Windows XP Home Edition/XP Professional/2000 Professional/Me/98SE/98 Computer A Windows compatible computer with a USB connector CPU/Clock Pentium, Celeron, Intel-compatible Processor/600 MHz or higher Memory 128 MB or more Hard disk 200 MB or more of free space Display resolution 800 x 600 pixels or higher/65,535 colors (High Color 16 bit) or more [ Macintosh ] Operating System Mac OS X v10.2.3 or later, Mac OS 9.x, Mac OS 8.6; This will not operate in the Classic environment of Mac OS X. When using this, the Classic environment must not be running simultaneously. Computer Apple Macintosh series computer with on-board USB port CPU/Clock PowerPC G3/600 MHz or faster Memory 256 MB or more Hard disk 200 MB or more of free space Display resolution 800 x 600 pixels or higher/32,000 colors or more; Requires OMS 2.3.5 or later, Or requires FreeMIDI 1.35 or later on Mac OS 9/8.

GT-6B

21-22

MT-2
Controls LEVEL, EQ (HIGH, LOW, MIDDLE, MID FREQ), DIST Current Draw 20 mA (DC 9 V)

EQ-20
8

10

NS-2
6
Controls THRESHOLD, DECAY, MODE (MUTE/REDUCTION) Current Draw 20 mA (DC 9 V)

ODB-3
Controls LEVEL, HIGH EQ, LOW EQ, BALANCE, GAIN Current Draw 15 mA (DC 9 V)

LS-2
7
Controls MODE, LEVEL (A, B) Current Draw 25 mA (DC 9 V)

35
SPECIFICATIONS

CS-3
Controls LEVEL, TONE, ATTACK, SUSTAIN Current Draw 11 mA (DC 9 V)

LMB-3
7

GE-7

Controls LEVEL, ENHANCE, RATIO, THRESHOLD Current Draw 17 mA (DC 9 V)

Memories 9 Nominal Input Level GUITAR/BASS: 20 dBu, GUITAR AMP SEND/RETURN: + 4 dBu Nominal Output Level GUITAR/BASS: 20 dBu, GUITAR AMP SEND/RETURN: + 4 dBu Residual Noise Level -100 dBu or less (IHF-A, typ./All Sliders max.) Variable Range Equalizer Control: 15 dB, Level Control: 15 dB Display Custom LCD (backlit LCD) Current Draw 120 mA (9 V) (Expected battery life under continuous use; [Carbon: 3.5 hours], [Alkaline: 12 hours]; These figures will vary depending on the actual conditions of use.) Weight 1.1 kg/2 lbs. 7 oz. (incl. batteries) Accessory Dry Batteries <LR6 (AA) type> x 6 (We recommend that alkaline batteries be used when replacing the batteries.) Option AC Adaptor (PSA series)

AD-5

12

Controls Equalizer Control Sliders (100 Hz, 200 Hz, 400 Hz, 800 Hz, 1.6 kHz, 3.2 kHz, 6.4 kHz), LEVEL Current Draw 10 mA (DC 9 V)

SYB-5
Controls EFFECT, DIRECT, FREQ, RES, DECAY/RATE, MODE Current Draw 50 mA (DC 9 V)

DD-20

10

GEB-7

Controls Equalizer Control Sliders (50 Hz, 120 Hz, 400 Hz, 500 Hz, 800 Hz, 4.5 kHz, 10 kHz), LEVEL Current Draw 16 mA (DC 9 V)

FOOT PEDALS
PW-10
8
Nominal Input Level 20 dBu Input Impedance 1 M Nominal Output Level 20 dBu Output Impedance 1 k Recommended Load Impedance 10 k or greater Power Supply DC 9 V: Dry Batteries<AA type> x 6, AC Adaptor Current Draw 55 mA (Expected battery life under continuous use; [Carbon: 14 hours], [Alkaline: 38 hours]; These figures will vary depending on the actual conditions of use.) Dimensions 100 (W) x 270 (D) x 100 (H; max.) mm (3-15/16 x 10-11/16 x 3-15/16) Weight 1.3 kg/2 lbs. 14 oz.(incl. batteries) Accessory Dry Batteries <LR6 (AA) type> x 6 Option AC Adaptor (PSA series)

AC-3
Controls LEVEL, REVERB, BODY, TOP, MODE (PIEZO/ENHANCE/ JUMBO/STANDARD) Current Draw 39 mA (DC 9 V)

CE-5
Controls E.LEVEL, RATE, DEPTH, FILTER Knobs (HIGH, LOW) Current Draw 22 mA (DC 9 V)

Nominal Input Level GUITAR/BASS: 20 dBu, GUITAR AMP SEND/ RETURN: +4 dBu Nominal Output Level GUITAR/BASS: 20 dBu, GUITAR AMP SEND/RETURN: + 4 dBu Residual Noise Level 93 dBu or less (IHF-A, typ.) Display Custom LCD (backlit LCD) Current Draw 200 mA (9 V max.) (Expected battery life under continuous use: [Carbon: 2 hours], [Alkaline: 7 hours]; These figures will vary depending on the actual conditions of use.) Weight 1.2 kg/2 lbs. 11 oz. (incl. batteries) Accessory Dry Batteries <LR6 (AA) type> x 6 (We recommend that alkaline batteries be used when replacing the batteries.) Option AC Apaptor (PSA series)

AD Conversion 21 bit + AF method* DA Conversion 20 bit input, 4 Times Oversampling Digital Filter + Method Sampling Frequency 44.1 kHz Connectors INPUT Jacks (PIEZO, MAGNETIC), INSERT Jack (1/4 TRS phone type), OUTPUT Jacks (L/Mono, R), OUTPUT Jacks [L, R (XLR-3-32 Type)], REMOTE Jack, AC Adaptor Jack Power Supply DC 9 V Dimensions 150 (W) x 155 (D) x 65 (H) mm (5-15/16 x 6-1/8 x 2-9/16) Weight 1.0 kg/2 lbs. 4 oz. (excl. AC Adaptor) Accessory AC Adaptor (Roland ACI or ACB series)

AD Conversion 24 bit + AF method* DA Conversion 24 bit Sampling Frequency 44.1 kHz Program Memories 120: 80 (User) + 40 (Preset) Nominal Input Level INPUT: 10 dBu Input Impedance INPUT: 1 M Nominal Output Level OUTPUT: 10 dBu (1/4 Jack, At OUTPUT LEVEL marking position), OUTPUT: 10 dBu (XLR Jack, 600 load) Output Impedance OUTPUT: 2 k (phone Jack), OUTPUT: 600 k (XLR Jack, HOT-COLD), 300 k (HOT-GND, COLD-GND) Display 16 characters, 2 lines (backlit LCD)/ 2 characters, 7 segments LED Connectors INPUT Jack, OUTPUT Jacks L (MONO)/R, PHONES Jack, XLR OUTPUT Jacks L/R(MONO/ DIRECT), DIGITAL OUT (coaxial), SUB EXP PEDAL/SUB CTL PEDAL 1, 2 Jack, MIDI IN/OUT, AC Adaptor Jack Power Supply AC 14 V: Supplied AC adaptor (BRC series) Current Draw 800 mA Dimensions 515 (W) x 261 (D) x 75 (H) mm (20-5/16 x 10-5/16 x 3) Weight 4.7 kg/10 lbs. 6 oz. (excl. AC Adaptor) Accessory AC Adaptor (BRC series)

36
SPECIFICATIONS

ME SERIES
ME-50
23
AD Conversion 24 bit + AF method* DA Conversion 24 bit Sampling Frequency 44.1 kHz Patches 30 (User) Nominal Input Level INPUT: 10 dBu, AUX IN: 10 dBu Input Impedance INPUT: 1 M, AUX IN: 100 k Nominal Output Level 10 dBu Output Impedance 2 k Display 1 character, 7 segments LED Connectors INPUT Jack, GUITAR AMP Jacks L (MONO)/R, AUX IN Jack (Stereo Mini type), PHONES/LINE OUT Jack, AC Adaptor Jack Power Supply DC 9 V: Dry Batteries <R6/LR6 (AA) type> x 6, AC Adaptor (PSA series: Optional) Current Draw 120 mA ; Expected battery life under continuous use: [Carbon: 3.5 hours], [Alkaline: 12 hours]; These figures will vary depending on the actual conditions of use. Dimensions 384 (W) x 225 (D) x 78(H) mm (15-1/8 x 8-7/8 x 3-1/8) Weight 3.15 kg /7 lbs. (incl. batteries) Accessory Dry Batteries <Alkaline: LR6 (AA) type> x 6 Options AC Adaptor (PSA series), Footswitch(FS-5U)

AD-3

12

CH-1
Controls E.LEVEL, EQ, RATE, DEPTH Current Draw 22 mA (DC 9 V)

RT-20

10

CEB-3
Controls E.LEVEL, LOW FILTER, RATE, DEPTH Current Draw 22 mA (DC 9 V)

FV-300L

AW-3
Controls DECAY, MANUAL/VOWEL 2, SENS/VOWEL 1, MODE Current Draw 50 mA (DC 9 V)

Controls Main Volume Pedal, MINIMUM VOLUME Knob Connectors INPUT Jacks (1, 2), OUTPUT Jacks (1, 2), TUNER OUT Jack Dimensions 111 (W) x 291 (D) x 69 (H) mm (4-3/8 x 11-1/2 x 2-3/4) Weight 1.0 kg/2.2 lbs.

Nominal Input Level 20 dBu Nominal Output Level 20 dBu Display VIRTUAL ROTOR Current Draw 85 mA (9 V max.) (Expected battery life under continuous use: [Carbon: 6 hours], [Alkaline: 10 hours]; These figures will vary depending on the actual conditions of use.) Weight 1.1 kg/2 lbs. 7 oz. (incl. batteries) Accessory Dry Batteries <LR6 (AA) type> x 6 Option AC Adaptor (PSA series)

AD Conversion 20 bit DA Conversion 20 bit Sampling Frequency 44.1 kHz Connectors INPUT Jack (1/4), OUTPUT Jacks (L, R: 1/4 TRS phone type), AC Adaptor Jack Power Supply DC 9 V: Dry Batteries x 6, AC Adaptor (PSA series) Current Draw 90 mA Dimensions 170 (W) x 156 (D) x 70 (H) mm (6-3/4 x 6-3/16 x 2-13/16) Weight 1.0 kg/2 lbs. 4 oz. (incl. batteries) Accessory Dry Batteries <LR6 (AA) type> x 6 Option AC Adaptor (PSA series)

RC SERIES
RC-50
13-14
Nominal Input Level INST: 10 dBu, MIC: 50 dBu, AUX IN: 16 dBu Nominal Output Level MAIN OUTPUT: 10 dBu, SUB OUTPUT: 10 dBu Available Recording Time* STEREO: Approx. 24 minutes, MONO: Approx. 49 minutes * The times listed above take into account the amount of memory needed for the actual recording combined with the memory required for the RC-50's operations (e.g., Undo/Redo). Display 16 characters, 2 lines (backlit LCD)/2 characters, 7 segment LED Connectors INST Jacks R (MONO)/L (1/4 phone type), MIC connector (XLR types; supports use of phantom power), AUX Jack (Stereo miniature phone type), MAIN OUTPUT Jacks R (MONO)/L (1/4 phone type), PHONES Jack (Stereo 1/4 phone type), SUB OUTPUT Jacks R (MONO)/L (1/4 phone type), EXP/CTL 3, 4 PEDAL Jack (TRS 1/4 phone type), CTL 1, 2 PEDAL Jack (TRS 1/4 phone type), USB, MIDI IN/OUT, DC IN (AC Adaptor) Jack Power Spply DC 9 V: Supply AC Adaptor (Roland ACI or ACB series)

ME-50B

23

TU SERIES
TU-15
11
Reference Pitch A4 = 430 to 449 Hz (1 Hz steps) Tuning Range E0 to C8 Power Supply Dry Batteries <R6/LR6 (AA) type> x 2, AC Adaptor (PSA series: Optional) Dimensions 149 (W) x 58 (D) x 40 (H) mm (5-7/8 x 2-5/16 x 1-5/8) Weight 0.2 kg/7 oz.

FV-50L

Controls Main Volume Pedal, MINIMUM VOLUME Knob Connectors INPUT Jacks (1, 2), OUTPUT Jacks (1, 2), TUNER OUT Jack Dimensions 86 (W) x 200 (D) x 54 (H) mm (3-3/8 x 7-7/8 x 2-1/8) Weight 400 g/14 oz.

FV-50H

Controls Main Volume Pedal, MINIMUM VOLUME Knob Connectors INPUT Jacks (1, 2), OUTPUT Jacks (1, 2), TUNER OUT Jack Dimensions 86 (W) x 200 (D) x 54 (H) mm (3-3/8 x 7-7/8 x 2-1/8) Weight 400 g/14 oz.

TU-12

11

Reference Pitch 440 to 445 Hz (1 Hz steps) Tuning Range C1 to B5 Power Supply Dry Battery (9 V type), AC Adaptor (PSA series: Optional) Dimensions 145 (W) x 53 (D) x 35 (H) mm (5-3/4 x 2-1/8 x 1-7/16) Weight 0.2 kg/6 oz.

AD Conversion 24 bit + AF method* DA Conversion 24 bit Sampling Frequency 44.1 kHz Patches 24 (User) Nominal Input Level INPUT: 10 dBu, AUX IN: 10 dBu Input Impedance INPUT: 1 M, AUX IN: 100 k Nominal Output Level 10 dBu Output Impedance 2 k Display 1 character, 7 segments LED Connectors INPUT Jack, OUTPUT Jacks L (MONO)/ R, AUX IN Jack (Stereo Mini type), PHONES Jack, FOOT SW Jacks (COMP ON/OFF, TEMPO), AC Adaptor Jack Power Supply DC 9 V: Dry Batteries <R6/LR6 (AA) type> x 6, AC Adaptor (PSA series: Optional) Current Draw 140 mA Dimensions 384 (W) x 225 (D) x 78 (H) mm (15-1/8 x 8-7/8 x 3-1/8) Weight 3.15 kg/7 lbs. (incl. batteries) Accessory Dry Batteries <Alkaline: LR6 (AA) type> x 6 Options AC Adaptor (PSA series), Footswitch (FS-5U)

0 dBu = 0.775 Vrms

*AF method (Adaptive Focus method): This is a proprietary method from Roland that vastly improves the signal-to-noise (S/N) ratio of the A/D and D/A converters.

SPECIFICATIONS
GS
GS-10
24
Rated Power Output 1.5 W + 1.5 W AD Conversion 24 bit + AF method* DA Conversion 24 bit Digital Out/USB Audio 24 bit Sampling Rate 44.1 kHz Program Memories 200: 100 (User) +100 (Preset) Nominal Input Level GUITAR/BASS INPUT: 10 dBu, MIC INPUT: 40 dBu (Balanced), AUX INPUT (L/R): 10 dBu Input Impedance GUITAR/BASS INPUT: 1 M, MIC INPUT: 2.2 k, AUX INPUT (L/R): 33 k Nominal Output Level OUTPUT (L/R): 10 dBu, GUITAR AMP OUT: 10 dBu Output Impedance OUTPUT (L/R): 1 k, GUITAR AMP OUT: 1.5 k Digital Output EIAJ CP1201, S/PDIF Display 16 characters, 2 lines (backlit LCD) USB AUDIO IN/OUT (Stereo, 44.1 kHz, 24 bit), MIDI IN/OUT, MIDI Control IN/OUT Connectors GUITAR/BASS INPUT Jack (1/4 phone), MIC INPUT Jack (XLR, 1/4 TRS), AUX INPUT Jack L/R (RCA pin), OUTPUT Jack L/R (RCA pin), GUITAR AMP OUT Jack (1/4 phone), PHONES Jack, EXP PEDAL/CTL (1, 2) Jack, DIGITAL OUT (coaxial), USB, MIDI IN/ OUT, AC Adaptor Jack Power Supply AC 14 V: AC Adaptor (BRC series) Current Draw 800 mA Dimensions 329 (W) x 231 (D) x 85 (H) mm (13 x 9-1/8 x 3-3/8) Weight 2.25 kg/5 lbs. Accessories AC Adaptor (BRC Series), USB cable, GS-10 Software CD-ROM, Cakewalk Music Creator set Editor Software System Requirements [Windows] Operating System Microsoft Windows XP Professional/XP Home Edition/2000 Professional/Me/98SE/98 Computer Windows -compatible personal computer equipped with a USB port CPU/Clock Pentium, Celeron, Intel-compatible Processor/600 MHz or Higher; Not compatible with the Crusoe CPU from Transmeta. USB Chipset Intel's USB chipset is recommended; VIA USB chipsets - The CPU must be 1 GHz or higher. Memory (RAM) 128 MB or more Hard disk 400 MB or more of free space Display resolution/Colors 800 x 600 pixels or higher/65,535 colors (High Color 16 bit) or more [Macintosh] Operating System Mac OS X v10.2.3 or later, Mac OS 9.x, Mac OS 8.6; Mac OS 9.0.4 or later is required when using SoundManager compatible applications. Computer Apple USB Ready Macintosh CPU/Clock PowerPC G3/400 MHz or higher Memory 256 MB or more Hard disk 200 MB or more of free space Display resolution 800 x 600 pixels or higher/65,535 colors (High Color 16 bit) or more; Requires OMS 2.3.5 or later, Or requires FreeMIDI 1.35 or later on Mac OS 9/8. linear Sample Rate 44.1 kHz Frequency Response 20 Hz-20 kHz (+1/3 dB) Total Distortion 0.02 % or less (INPUT SENS: CENTER, 1 kHz at nominal output level) Nominal Input Level (Variable) GUITAR/BASS Jack: 10 dBu, MIC 1-8 Jacks (XLR): 40 dBu, INPUT 1-8 Jacks: 10 dBu Input Impedance [GUITAR/BASS Jack: 1 M], [MIC 1-8 Jacks (XLR): 12.5 k (HOT-COLD), 6.5 k (HOT-GND, COLD-GND)], [INPUT 1-8 Jacks: 22 k] Nominal Output Level LINE OUT Jack: 10 dBu Output Impedance LINE OUT Jack: 2 k, PHONES 1, 2 Jack: 100 Recommended Load Impedance LINE OUT Jack: 20 k or greater, PHONES 1, 2 Jack: 8-50 Residual Noise Level LINE OUT Jack: 90 dBu or less (INPUT SELECT: GUITAR/BASS, input terminated with 1 k, INPUT SENS: CENTER, IHF-A, typ.) Interface DIGITAL IN: S/PDIF 16-24 bit (coaxial type), DIGITAL OUT: S/PDIF 16-24 bit (coaxial type), USB (B type) Display 130 x 36 mm (backlit LCD) Connectors MIDI IN/OUT, USB, DIGITAL IN (coaxial type), DIGITAL OUT (coaxial type), FOOT SW Jack (1/4 phone type), EXP PEDAL Jack (Stereo 1/4 phone type), LINE OUT Jacks (RCA pin type), INPUT 1-8 Jacks (unbalanced, 1/4 phone type), MIC 1-8 Jacks (XLR balanced), PHONES 1 Jack (Stereo 1/4 phone type), PHONES 2 Jack (Stereo 1/4 phone type), GUITAR/BASS Jack (1/4 phone type) Power Supply DC 12 V: AC Adaptor (Roland PSB-7U) Power Consumption 3 A Dimensions 494 (W) x 339 (D) x 99 (H) mm (19-1/2 x 13-3/8 x 3-15/16) Weight 4.9 kg/10 lbs. 13 oz. (excl. AC Adaptor) Accessories AC Adaptor: PSB-7U, Effect Patch List, DISCRETE DRUMS (CD-ROM) System Requirements (USB Connection) Compatible OS Windows: Windows Me/2000 or later, Macintosh: Mac OS 9.1 or later Computer Windows: Windows-compatible personal computer equipped with a USB port, Macintosh: Apple Macintosh computer equipped with a USB port Driver The BR1600CD uses a standard DRIVER that is found on the OS. The DRIVER will be installed automatically once connected with Computer via USB. System Requirements (USB Connection) Compatible OS Windows: Windows Me/2000 or later, Macintosh: Mac OS 9.1 or later Computer Windows: Windows-compatible personal computer equipped with a USB port, Macintosh: Apple Macintosh computer equipped with a USB port Driver The BR1200CD uses a standard DRIVER that is found on the OS. The DRIVER will be installed automatically once connected with Computer via USB. 1/4 phone type), LINE IN Jack (Stereo miniature phone type), LINE OUT Jacks (RCA pin type), FOOT SW/EXP PEDAL Jack (1/4 phone type), PHONES Jack (Stereo 1/4 phone type), USB Power Supply DC 9 V: Supply AC Adaptor (PSA series), Size (AA) Dry Batteries x 6 Current Draw 200 mA: Alkaline dry cell batteries, Approximately 5 hours (with continuous playback of 8 tracks), May vary according to usage conditions, batteries used, and type of CompactFlash used. Dimensions 257 (W) x 183 (D) x 27.1 (H) mm (10-1/8 x 7-1/4 x 1-1/8) Weight 700 g/1 lbs. 9 oz. (excl. batteries) Accessories Soft Case, Size (AA) alkaline dry cell batteries (6), TRS-XLR converter cable, Demo Card Option AC Adaptor (PSA series) System Requirements (USB Connection) Compatible OS Windows: Windows Me/2000 or later, Macintosh: Mac OS 9.1 or later Computer Windows: Windows-compatible personal computer equipped with a USB port, Macintosh: Apple Macintosh computer equipped with a USB port Driver The BR-600 uses a standard DRIVER that is found on the OS. The DRIVER will be installed automatically once connected with Computer via USB. (with reference tone sounding), 190 mA or less (with signals inputting to the INPUT jack) Dimensions 122 (W) x 164 (D) x 37.5 (H) mm (4-3/4 x 6-1/2 x 1-1/2) Weight 450 g/ 14 oz (incl. batteries) Accessories Dry Battery, Soft case

RH-200

33

BR-900CD

29

BR-1200CD

28

37
SPECIFICATIONS

BR SERIES
BR-1 600CD
Version 2

27

Tracks Track: 16, V-Track: 256 (16 V-Tracks per primary Track); Up to 8 tracks can be recorded simultaneously, and up to 16 tracks can be played back simultaneously. Maximum Useful Capacity/ Recording Time Internal Hard Disk: 40 GB / Recording Time: 120 hours (conversion in one track); The listed recording time is approximate. Time may be slightly shorter depending on the number of songs and size of imported loop phrase that were created. ; The listed recording time is the total for all the tracks that are used. If each of the sixteen tracks contain an equal amount of data, the length of the resulting song will be approximately 1/16 of the time shown. Signal Processing <AD Conversion>: [24 bit, AF method* (Guitar/Bass)], [24 bit, Modulation (VOCAL)], [24 bit, Modulation (MULTI-TRACK)], [24 bit, Modulation (STEREO TRACKS)], <DA Conversion>: 24 bit, Modulation, <Internal Processing>: 24 bit (digital mixer section), <Recording Data>: 16 bit

Tracks Track: 12, V-Track: 192 (16 V-Tracks per each Track); Up to 2 tracks can be recorded simultaneously, and up to 12 tracks can be played back simultaneously. Maximum Useful Capacity/ Recording Time Internal Hard Disk: 40 GB / Recording time; 120 hours (conversion in one track); The listed recording time is approximate. Time may be slightly shorter depending on the number of songs and size of imported loop phrase that were created. ; The listed recording time is the total for all the tracks that are used. If each of the twelve tracks contain an equal amount of data, the length of the resulting song will be approximately 1/12 of the above. Signal Processing <AD Conversion>: [24 bit, AF method* (Guitar/Bass)], [24 bit, Modulation (VOCAL)], [24 bit, Modulation (LINE)], [24 bit, Modulation (SIMUL)], <DA Conversion>: 24 bit, Modulation, <Internal Processing>: 24 bit (digital mixer section), <Recording Data>: 16 bit linear Sample Rate 44.1 kHz Frequency Response 20 Hz-20 kHz (+1/3 dB) Total Distortion 0.05 % or less (INPUT SENS : CENTER, 1 kHz at nominal output level) Nominal Input Level (Variable) GUITAR/BASS Jack: 20 dBu, MIC 1/2 Jacks (TRS balanced/XLR): 40 dBu, LINE IN Jacks: 10 dBu Input Impedance [GUITAR/BASS Jack: 1 M], [MIC 1/2 Jacks (TRS balanced/ XLR): 12.5 k (HOT-COLD) 6.5 k (HOT-GND, COLD-GND)], [LINE IN Jacks: 22 k] Nominal Output Level LINE OUT Jack: 10 dBu Output Impedance LINE OUT Jack: 2 k, PHONES Jack: 100 Recommended Load Impedance LINE OUT Jack: 20 k or greater, PHONES Jack: 8-50 Residual Noise Level LINE OUT Jack: 87 dBu or less (INPUT SELECT: GUITAR/BASS, input terminated with 1 k, INPUT SENS: CENTER, IHF-A, typ.) Interface DIGITAL OUT: S/PDIF 16-24 bit (optical type), USB (B type) Display 64 x 40 mm (backlit LCD) Connectors MIDI IN/ OUT, USB, DIGITAL OUT (optical type), FOOT SW Jack (1/4 phone type), EXP PEDAL Jack (Stereo 1/4 phone type), LINE OUT Jacks (RCA pin type), LINE IN Jacks (RCA pin type), MIC 1/2 Jacks (XLR/TRS balanced), PHONES Jack (Stereo 1/4 phone type), GUITAR/BASS Jack (1/4 phone type) Power Supply DC 12 V: Supply AC Adaptor (Roland PSB-7U) Power Consumption 3 A Dimensions 478 (W) x 297 (D) x 95 (H) mm (18-7/8 x 11-3/4 x 3-3/4) Weight 4.1 kg/9 lbs. 1 oz. (excl. AC Adaptor) Accessories AC Adaptor: PSB-7U, DISCRETE DRUMS (CD-ROM)

Tracks Track: 8, V-Track: 64 (8 V-Tracks per each Track); Up to 2 tracks can be recorded simultaneously, and up to 8 tracks can be played back simultaneously. Maximum Useful Capacity CompactFlash card: 32 MB to 1 GB Data Type HiFi (MT2), STANDARD (LV1), LONG (LV2) Signal Processing <AD Conversion>: [24 bit, Modulation + AF-AD (Guitar/Bass)], [24 bit, Modulation + AF-AD (Mic)], [24 bit, Modulation (LINE)], [24 bit, Modulation (SIMUL)], <DA Conversion>: 24 bit, Modulation, <Internal Processing>: 24 bit (digital mixer section) Sample Rate 44.1 kHz Frequency Response 20 Hz-20 kHz (+1/-3 dB) Nominal Input Level (Variable) GUITAR/BASS Jack: 20 dBu, MIC 1/2 Jacks (TRS Balanced/XLR): 40 dBu, LINE IN Jacks: 10 dBu Input Impedance [GUITAR/BASS Jack: 1 M], [MIC 1/2 Jacks (TRS Balanced/XLR): 1.5 k (HOT-COLD), 1.0 k (HOT-GND, COLD-GND)], [LINE IN Jacks: 10 k] Nominal Output Level LINE OUT Jack: 10 dBu Output Impedance LINE OUT Jack: 2 k, PHONES Jack: 140 Recommended Load Impedance LINE OUT Jack: 20 k or greater, PHONES Jack: 32-100 Residual Noise Level LINE OUT Jack: 85 dBu or less (INPUT SELECT: GUITAR/BASS, input terminated with 1 k, INPUT SENS: CENTER, IHF-A, typ., Effect: Off) Interface DIGITAL OUT (optical type), USB Display 16 characters x 2 lines + approx. 100 icons (backlit LCD) Connectors GUITAR/BASS Jack (1/4 phone type), MIC 1 Jack (XLR balanced, TRS balanced), MIC 2 Jack (XLR balanced), LINE IN Jacks (RCA pin type), LINE OUT Jacks (RCA pin type), DIGITAL OUT (optical type), FOOT SW/EXP PEDAL Jack (1/4 phone type), PHONES Jack (Stereo 1/4 phone type), MIDI OUT, USB Power Supply DC 9 V: Supplied AC Adaptor, Dry Batteries x 6 Current Draw 300 to 900 mA; Expected battery life under continuous use: Alkaline: 4 hours These figures will vary depending on the actual conditions of use. Dimensions 351 (W) x 225 (D) x 69 (H) mm (13-7/8 x 8-7/8 x 2-3/4) Weight 2.2 kg/4 lbs. 14 oz. (excl. AC Adaptor) Accessories AC Adaptor (PSC series), Demo Card System Requirements (USB Connection) Compatible OS Windows: Windows Me/2000 or later, Macintosh: Mac OS 9.1 or later Computer Windows: Windows-compatible personal computer equipped with a USB port, Macintosh: Apple Macintosh computer equipped with a USB port Driver The BR900CD uses a standard DRIVER that is found on the OS. The DRIVER will be installed automatically once connected with Computer via USB.

DB-60

32

DR & DB SERIES
DR-880
31
Max. Polyphony 32 voices; Depending on the bass sound selected, maximum polyphony may be lower Instruments Drums: 440, Bass: 40 Kits User: 100, Preset: 100 Rhythm Patterns User: 500, Preset: 500 Songs User: 100 Connectors [Rear] OUTPUT Jacks L(Mono), R (1/4 phone type), L, R (phone type), DIGITAL OUT (coaxial), USB, [CTL] 1/2, 3/4/EXP PEDAL Jack, MIDI IN/OUT, AC Adaptor Jack, [Front] PHONES Jack (Stereo 1/4 phone type), GUITAR/BASS INPUT Jack (1/4 phone type) Power Supply AC Adaptor (BRC series) Dimensions 273 (W) x 242 (D) x 72 (H) mm (10-3/4 x 9-9/16 x 2-7/8) Weight 1.4 kg/3 lbs. 2 oz. (excl. AC Adaptor) Accessories AC Adaptor (BRC series), DR-880 Driver CDROM Options Footswitch (FS-5U, FS-6), Expression Pedal (EV-5)

Metronome Tempo: 30 to 250 (Accuracy: 0.1%), Beat: 1-9, 2+3, 3+2, 3+4, 4+3, 4+5, 5+4, 5+6,6+5, 6+7, 7+6, 7+8, 8+7, 8+9, 9+8 (23 kinds), Pattern: 8 Beat x 3, 16 Beat x 2, Shuffle x 2, Funk, Dance x 2, Country, Reggae, Clave x 2, Rumba, Bossa nova, Waltz, Tango, Mambo, March (20 kinds) Reference Tone Reference Pitch: A4=438Hz-445Hz (1Hz steps), Reference Tone Range: C4-B4 (Accuracy: 1 cent) Timer Setting Range: 1 to 60 minutes Indicators LCD Display, Tempo Indicator LED x 2 Connector PHONES Jack (Stereo miniature phone type) Power Supply Dry Batteries <R6/LR6 (AA) Type> x 2 Dimensions 129 (W) x 84 (D) x 22 (H) mm (5-1/8 x 3-5/16 x 0-7/8) Weight 200 g/6 oz. (incl. batteries) Accessories Dry Batteries <R6 (AA) Type> x 2, Soft case

Type of Construction Closed Type: Dynamics Driver 40 mm in diameter: Neodymium Magnet Sensitivity 100 dB/mW Maximum Input Power 1,600 mW at 1 kHz Frequency Response 20-20,000 Hz Impedance 65 Cable 3.4 m: coiled cable Connector 1/8 Stereo mini-plug (w/ screw-on 1/4 Adaptor) Weight 200 g/8 oz.

CM-30

33

DB-30

32

DR-670

32

Max. Polyphony 20 voices; Depending on the instruments and drum kits used, max. polyphony may be lower Instruments Drum: 256, Bass: 16 Rhythm Patterns User: 200, Preset: 200 Songs Songs: 100, Song Length: Max. 250 patterns for a song., Total Patterns for all songs: approx. 3,000 Connectors OUTPUT Jacks (L, R), PHONES Jack, FOOT SW Jack , MIDI IN/ OUT, AC Adaptor Jack (DC 9 V) Power Supply DC 9 V: Dry Batteries x 6, AC Adaptor (PSA series: Optional) Dimensions 213 (W) x 169 (D) x 53 (H) mm (8-7/16 x 6-11/16 x 2-1/8) Weight 800 g/1 lbs. 11 oz. Accessory Dry Batteries <Alkaline: LR6 (AA) type> x 6 Option AC Adaptor (PSA series)

Metronome Tempo: 30 to 250 (Accuracy: 0.1%), Beat: 0-9, 2+3, 3+2, 3+4, 4+3, 4+5, 5+4, 5+6, 6+5, 6+7, 7+6, 7+8, 8+7, 8+9, 9+8 (24 kinds), Rhythm: Quarter note, Eighth note, Eighth rest and eighth note, Triple, Triple with center rest, Sixteenth note, Sixteenth note with sixteenth rest, CLAVE 1, CLAVE 2 (9 kinds) Reference Tone Reference Pitch: A4 = 438 Hz-445 Hz (1 Hz steps), Reference Tone Range: C4-B4 (Accuracy: 1 cent) Auto Power Off function Turns unit off after 60 min. Memory function Stores the settings when the power is turned off. (The Mute status is not stored in memory.) Indicators LCD Display, Tempo Indicator LED x 2 Connector PHONES Jack (Stereo miniature phone type) Power Supply CR2032 lithium battery x 1 Power Consumption 10 mA or less (with reference tone sounding) Dimensions 61 (W) x 90 (D) x 20 (H) mm (2-7/16 x 3-9/16 x 13/16) Weight 70 g/3 oz. (incl. battery) Accessory CR2032 lithium battery

Rated Power Output 30 W Nominal Input Level (1kHz) Channel 1 (MIC/LINE): 50 to 20 dBu, Channel 2, 3 (LINE): 20 dBu, AUX IN 1, 2: 10 dBu, Stereo Link Input: 10 dBu Nominal Output Level Stereo Link Out L, R: 10 dBu Speaker 16 cm (6.5) + Tweeter (Coaxial 2-Way) Controls Channel 1 (MIC/LINE) Volume Knob, Channel 2, 3 Volume Knobs, Stereo Phones Level Knob, Equalizer: Low Knob, High Knob, Master Knob, Power Switch Connectors CHANNEL 1 INPUT Jack (XLR type, 1/4 phone type), CHANNEL 2, 3 INPUT Jack L (mono) (1/4 phone type), CHANNEL 2, 3 INPUT Jack R (1/4 phone type), AUX IN 1 Jack (RCA pin type), AUX IN 2 Jack (Stereo miniature phone type), STEREO LINK OUT L, R (1/4 phone type), STEREO LINK IN (1/4 phone type), STEREO PHONES Jack (Stereo 1/4 phone type) Power Supply AC 117 V, AC 230 V, AC 240 V Power Consumption 32 W Dimensions 214 (W) x 238 (D) x 275 (H) mm (8-7/16 x 9-3/8 x 10-7/8) Weight 5.6 kg/12 lbs. 6 oz.

V T-1

34

Nominal Input Level MIC: 50 dBu, LINE: 20 dBu Input Range 62.5 Hz to 1 kHz (C2 to B5) Nominal Output Level MIC OUT: 40 dBu, LINE OUT: 20 dBu Residual Noise 100 dBu or less (INPUT: MIC) (IHF-A) Connectors INPUT Jack, MIC OUT Jack, LINE OUT Jacks (L, R), REMOTE Jack, AC Adaptor Jack Power Supply DC 9 V: AC Adaptor Current Draw 300 mA Dimensions 178 (W) x 161.5 (D) x 52 (H) mm (7 x 6-3/8 x 2-1/16) Weight 480 g/1 lbs. 1oz. (excl. AC Adaptor) Accessory AC Adaptor (ACI/ACB series)

38
SPECIFICATIONS

DI -1

34

ACCESSORIES
BCB-60
33-34
Connectors INPUT Jack, SEND Jack, RETURN A Jack, RETURN B Jack, OUTPUT A Jack, OUTPUT B Jack, PSC IN Jack, DC OUT Jack Power Supply DC 9V: AC Adaptor (PSC series) Dimensions 670 (W) x 370 (D) x 100 (H) mm (26-7/16 x 14-5/8 x 3-15/16) Weight 3.8 kg/8 lbs. 7 oz. Accessories AC Adaptor (PSC series), Pre-cut insert x 3, Spare insert x 1, 8-pin parallel DC cord, L-L cable (short) x 5, L-L cable (long) x 3

Frequency Response 20-40,000 Hz (+0.5/1 dB) Nominal Input Level 20/0/+20 dBu (selectable) Max. Input Level +45 dBu (1 kHz), 390 Vp-p Max. Output Level +8 dBu (Balanced: 600 load, Unbalanced: 50 k) Residual Noise 11 dBu or less (IHF-A) Total Harmonic Distortion 0.05 % or less Current Draw 6 mA Dimensions 97 (W) x 125 (D) x 46 (H) mm(3-13/16 x 4-15/16 x 1-13/16) Weight 500 g/1 lbs. 1 oz.

DR-3

32

DR-80C

34

BR-600

30

Tracks Track: 8, V-Track: 64 (8 V-Tracks per each Track), Up to 2 tracks can be recorded simultaneously, and up to 8 tracks can be played back simultaneously. Maximum Useful Capacity CompactFlash: 32 MB to 1 GB Data Type HiFi (MT2), STANDARD (LV1), LONG (LV2) Signal Processing <AD Conversion>: [24 bit, Modulation + AF-AD (Guitar/Bass)], [24 bit, Modulation + AF-AD (Mic1, 2)], [24 bit, Modulation (LINE)], [24 bit, Modulation (SIMUL)], <DA Conversion>: 24 bit, Modulation, <Internal Processing>: 24 bit (digital mixer section) Sample Rate 44.1kHz Frequency Response 20 Hz-20 kHz (+1/3 dBu) Nominal Input Level (Variable) GUITAR/BASS Jack: 20 dBu, MIC (TRS balanced/XLR) Jack: 40 dBu, LINE IN Jack: 10 dBu Input Impedance [GUITAR/BASS Jack: 1 M], [MIC 1/2 Jack: 2 k (HOT-COLD), (TRS balanced/XLR), 1.0 k (HOT-GND, COLD-GND)], [LINE IN Jack: 30 k] Nominal Output Level LINE OUT Jack: 10 dBu Output Impedance LINE OUT Jack: 2 k, PHONES Jack: 140 Recommended Load Impedance LINE OUT Jack: 20 k or greater, PHONES Jack: 32-100 Residual Noise Level LINE OUT Jack: 85 dBu or less (INPUT SELECT: GUITAR/MIC, input terminated with 1 k, INPUT SENS: CENTER, IHF-A, typ., EFFECT: Off) Interface USB Display 16 Characters x 2 Lines (Backlit LCD) Connectors GUITAR/BASS Jack (1/4 phone type), MIC 1 Jack (TRS balanced 1/4 phone type), MIC 2 Jack (TRS balanced

Max. Polyphony 12 voices Instruments Drum and Perc: 120, Bass: 12 Rhythm Patterns User: 100, Preset: 100; 11 patterns for a rhythm pattern Songs Songs: 100, Song Length: Max. 250 patterns for a song Connectors OUTPUT Jacks (L, R/RCA phono type), L (PHONES), R (Mono) (1/4 phone type), PHONES Jack (Stereo 1/4 phone type), MIDI IN, AC Adaptor Jack Power Supply DC 9 V: Dry Batteries x 6, AC Adaptor (PSA series) Dimensions 213 (W) x 185 (D) x 53 (H) mm (8-7/16 x 7-5/16 x 2-1/8) Weight 700 g/1 lbs. 10 oz. Power Consumption 200 mA Accessory Dry Batteries <Alkaline: LR6 (AA) type> x 6 Option AC Adaptor (PSA series)

FS-6

33

Controls Pedal Switch A, B/POLARITY Switch A, B/Mode Switch A, B Connectors Jack A, Jack B (1/4 phone type) Jack A & B (TRS 1/4 phone type) Power Supply DC 9 V: Dry battery/9 V 6F22 (Carbon), 6LR61 (Alkaline) Current Draw 8 mA (max.) Dimensions 188 (W) x 91(D) x 43 (H) mm (7-7/161 x 3-5/8 x 1-3/4) Weight 500 g/1 lbs. 1 oz. (incl. battery) Accessory Dry Battery/9 V (6F22)

Type Condenser Frequency Response 20-20,000 Hz Output Impedance 200 Polar Patterns Cardioid Sensitivity 32 dB (0 dB=1 V/Pa, 1 kHz) Dimensions (dia head x length x dia grip) 52 x 158 x 21 mm (2-1/6 x 6-1/4 x 7/8) Weight 345 g/13 oz. Accessories Shock-mount holder, Screw Adaptor (5/8-27, 3/8-16), Carrying case

DR-50

34

EV-5

33

DB-90

32

Metronome Tempo: 30 to 250 (Accuracy: 0.1%), Beat 1: 1-9, Beat 2: OFF, 1-9, Pattern: 8-Beat x 4, 16-Beat x 3, Shuffle x 3, Funk x 2, Jazz x 2, Blues, Techno, House, Country, Reggae, Clave 3-2, Clave 2-3, Salsa, Rumba, Bossa Nova, Samba, Waltz, Tango, Mambo, Chachacha, March (30 kinds) Rhythm Coach Time Check, Quiet Count, Gradual Up/Down, Step Up/Down Reference Tone Reference Pitch: A4=438 Hz-445 Hz (1 Hz steps), Reference Tone Range: C2-B6 (5 octave, 12 semitone) Memory Metronome: 50, Reference Tone: 10 Auto Power Off function Turns unit off after 60 min. Indicators LCD Display, Tempo Indicator LED x 2 Connectors TRIG IN, START/STOP, MEMORY UP/DOWN, MIDI IN, PHONES x 2 (Stereo 1/4 phone type, Stereo miniature phone type), INPUT Jack, AC Adaptor Jack Power Supply DC 9V: Dry Battery <6LR61/9V, 6F22/9V> or AC Adaptor (PSA series) Current Draw 85 mA or less

Controls Main Volume Pedal, Minimum Volume Knob Dimensions 86 (W) x 200 (D) x 54 (H) mm (3-3/8 x 7-7/8 x 2-1/8) Weight 400 g/14 oz. Accessory Stereo Plug Cord (2 m)

Type Dynamic Frequency Response 90-16,000 Hz Output Impedance 300 Polar Patterns Hyper Cardioid Sensitivity 54 dB (0 dB=1 V/Pa, 1 kHz) Weight 355 g/13 oz.

DR-30

34

AB-2

33

Nominal Input Level 20 dBu Nominal output Level 20 dBu Control Pedal Indicators A (red), B (yellow) Connectors A Jack, B Jack, IN/OUT Jack Current Draw 5 mA or less; Expected battery life under continuous use: Carbon: 100 hours; This figure will vary depending on the actual conditions of use. Power Supply Dry Batteries <R03/LR03 (AAA) type> x 2 Dimensions 96 (W) x 90 (D) x 43 (H) mm (3-13/16 x 3-9/16 x 1-3/4) Weight 240 g/9 oz. Accessories Dry Batteries <R03/LR03 (AAA) type> x 2, Number Sticker

Type Dynamic Frequency Response 100-13,000 Hz Output Impedance 600 Polar Patterns Cardioid Sensitivity 52 dB (0 dB=1 V/Pa, 1 kHz) Weight 305 g/11 oz. Accessories Stand clamp, Screw Adaptor (5/8-27, 3/8-16), 4.5m (15) cable, Carrying case

FS-5U

34

Connectors 1/4 phone type Dimensions 96 (W) x 90 (D) x 43 (H) mm (3-13/16 x 3-9/16 x 1-3/4) Weight 230 g/9 oz.

FS-5L

34

Connectors 1/4 phone type Power Supply Dry Batteries <R03/LR03 (AAA) type> x 2 Dimensions 96 (W) x 90 (D) x 43 (H) m m (3-13/16 x 3-9/16 x 1-3/4) Weight 240 g/9 oz.

0 dBu = 0.775 Vrms

*AF method (Adaptive Focus method): This is a proprietary method from Roland that vastly improves the signal-to-noise (S/N) ratio of the A/D and D/A converters.

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Once a musical instrument generates sound vibrations, it reaches the human ear through various mediating objects, each of which significantly affects the sound. The material and configuration of the instrument, the electric/electronic/magnetic amplifying system, the air and the reverberation of the room all affect the final sound. Sound modeling, the latest DSP technology, virtually reconstructs these objects. Rolands breakthrough Composite Object Sound Modeling (COSM) uses the advantages of multiple modeling methods and succeeds in accurately emulating existing sounds, as well as producing sounds that have never before been created.

All specifications and appearances are subject to change. All trademarks used in this catalog are the property of their respective companies.

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Printed in Japan Apr. 2006 RAM-3998 GR-GEN-SE C-4