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Yamaha Rx-V470 e

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Natural Sound Stereo Receiver
sRX-V470
CAUTION: TO REDUCE THE RISK OF ELECTRIC
SHOCK, DO NOT REMOVE COVER (OR BACK) NO
USER-SERVICEABLE PARTS INSIDE, REFER
SERVICING TO QUALIFIED SERVICE PERSONNEL.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
OWNER'S MANUAL
IMPORTANT!
Please record the serial number of this unit in the space
below.
Model:
Serial No.:
The serial number is located on the rear of the unit.
Retain this Owners Manual in a safe place for future
reference.
WARNING
To reduce the risk of fire or electric shock, do not expose
this unit to rain or moisture.
Explanation of Graphical Symbols
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert you to the presence
of uninsulated dangerous voltage within the product's
enclosure that may be of sufficient magnitude to constitute a
risk of electric shock to persons.
The exclamation point within an equilateral triangle is
intended to alert you to the presence of important operating
and maintenance (servicing) instructions in the literature
accompanying the appliance.
2
SAFETY INSTRUCTIONS
D.The appliance does not appear to operate normally or
exhibits a marked change in performance; or
E.The appliance has been dropped, or the cabinet
damaged.
16 Servicing The user should not attempt to service the
appliance beyond those means described in the
operating instructions. All other servicing should be
referred to qualified service personnel.
17 Power Lines An outdoor antenna should be located
away from power lines.
18 Grounding or Polarization Precautions should be taken
so that the grounding or polarization is not defeated.
19 Outdoor Antenna Grounding If an outside antenna is
connected to this unit, be sure the antenna system is
grounded so as to provide some protection against
voltage surges and built-up static charges. Article 810
of the National Electrical Code, ANSI/NFPA 70, provides
information with regard to proper grounding of the mast
and supporting structure, grounding of the lead-in wire
to an antenna discharge unit, size of grounding
conductors, location of antenna discharge unit,
connection to grounding electrodes, and requirements
for the grounding electrode.
We Want You Listening For A Lifetime
YAMAHA and the Electronic Industries Association's
Consumer Electronics Group want you to get the most out of
your equipment by playing it at a safe level.
One that lets the sound come through loud
and clear without annoying blaring or
distortion and, most importantly, without
affecting your sensitive hearing. Since
hearing damage from loud sounds is often
undetectable until it is too late, YAMAHA and
the Electronic Industries Association's
Consumer Electronics Group recommend
you avoid prolonged exposure to excessive
volume levels.
We
Want You
LISTENING
For ALifetime
MAST
GROUND CLAMP
GROUND CLAMPS
ANTENNA LEAD IN WIRE
ANTENNA DISCHARGE UNIT
(NEC SECTION 810-20)
GROUNDING CONDUCTORS
(NEC SECTION 810-21)
POWER SERVICE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250, PART H)
ELECTRIC SERVICE
EQUIPMENT
NEC - NATIONAL ELECTRICAL CODE
Note to CATV system installer:
This reminder is provided to call the CATV system
installers attention to Article 820-40 of the NEC that
provides guidelines for proper grounding and, in
particular, specifies that the cable ground shall be
connected to the grounding system of the building, as
close to the point of cable entry as practical.
EXAMPLE OF ANTENNA GROUNDING
1 Read Instructions All the safety and operating
instructions should be read before the appliance is
operated.
2 Retain Instructions The safety and operating
instructions should be retained for future reference.
3 Heed Warnings All warnings on the appliance and in
the operating instructions should be adhered to.
4 Follow Instructions All operating and other instructions
should be followed.
5 Water and Moisture The appliance should not be used
near water for example, near a bathtub, washbowl,
kitchen sink, laundry tub, in a wet basement, or near a
swimming pool, etc.
6 Carts and Stands The appliance should be used only
with a cart or stand that is recommended by the
manufacturer.
6A An appliance and cart combination
should be moved with care. Quick
stops, excessive force, and uneven
surfaces may cause the appliance
and cart combination to overturn.
7 Wall or Ceiling Mounting The appliance should be
mounted to a wall or ceiling only as recommended by
the manufacturer.
8 Ventilation The appliance should be situated so that its
location or position does not interfere with its proper
ventilation. For example, the appliance should not be
situated on a bed, sofa, rug, or similar surface, that may
block the ventilation openings; or placed in a built-in
installation, such as a bookcase or cabinet that may
impede the flow of air through the ventilation openings.
9 Heat The appliance should be situated away from heat
sources such as radiators, stoves, or other appliances
that produce heat.
10 Power Sources The appliance should be connected to
a power supply only of the type described in the
operating instructions or as marked on the appliance.
11 Power-Cord Protection Power-supply cords should be
routed so that they are not likely to be walked on or
pinched by items placed upon or against them, paying
particular attention to cords at plugs, convenience
receptacles, and the point where they exit from the
appliance.
12 Cleaning The appliance should be cleaned only as
recommended by the manufacturer.
13 Nonuse Periods The power cord of the appliance
should be unplugged from the outlet when left unused
for a long period of time.
14 Object and Liquid Entry Care should be taken so that
objects do not fall into and liquids are not spilled into the
inside of the appliance.
15 Damage Requiring Service The appliance should be
serviced by qualified service personnel when:
A.The power-supply cord or the plug has been
damaged; or
B.Objects have fallen, or liquid has been spilled into the
appliance; or
C.The appliance has been exposed to rain; or
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FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS
UNIT!
This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved
by Yamaha may void your authority, granted by the
FCC, to use the product.
2. IMPORTANT: When connecting this product to
accessories and/or another product use only high
quality shielded cables. Cable/s supplied with this
product MUST be used. Follow all installation
instructions. Failure to follow instructions could void
your FCC authorization to use this product in the
USA.
3. NOTE: This product has been tested and found to
comply with the requirements listed in FCC
Regulations, Part 15 for Class "B" digital devices.
Compliance with these requirements provides a
reasonable level of assurance that your use of this
product in a residential environment will not result in
harmful interference with other electronic devices.
This equipment generates/uses radio frequencies
and, if not installed and used according to the
instructions found in the users manual, may cause
interference harmful to the operation of other
electronic devices. Compliance with FCC
regulations does not guarantee that interference will
not occur in all installations. If this product is found
to be the source of interference, which can be
determined by turning the unit "OFF" and "ON",
please try to eliminate the problem by using one of
the following measures:
Relocate either this product or the device that is
being affected by the interference.
Utilize power outlets that are on different branch
(circuit breaker or fuse) circuits or install AC line
filter/s.
In the case of radio or TV interference, relocate/
reorient the antenna. If the antenna lead-in is 300
ohm ribbon lead, change the lead-in to coaxial type
cable.
If these corrective measures do not produce
satisfactory results, please contact your local retailer
authorized to distribute this type of product. If you
can not locate the appropriate retailer, please
contact Yamaha Electronics Corp., U.S.A. 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those
products distributed by Yamaha Corporation of
America or its subsidiaries.
CAUTION: READ THIS BEFORE
OPERATING YOUR UNIT
1 To ensure the finest performance, please read this
manual carefully. Keep it in a safe place for future
reference.
2 Install your unit in a cool, dry, clean place away from
windows, heat sources, and too much vibration, dust,
moisture or cold. Avoid sources of hum (transformers,
motors). To prevent fire or electrical shock, do not
expose to rain and water.
3 Do not operate the unit upside-down. It may overheat,
possibly causing damage.
4 Never open the cabinet. If a foreign object drops into
the set, contact your dealer.
5 Do not use force on switches, knobs or cords. When
moving the set, first turn the unit off. Then gently
disconnect the power plug and the cords connecting to
other equipment. Never pull the cord itself.
6 Do not attempt to clean the unit with chemical solvents;
this might damage the finish. Use a clean, dry cloth.
7 Always set the volume control to before starting
the audio source play: increase the volume gradually to
an appropriate level after the play is started.
8 To prevent lightning damage, pull out the power cord
and remove the antenna cable during an electrical
storm.
9 Be sure to read the Troubleshooting section on
common operating errors before concluding that your
unit is faulty.
10 Do not connect audio equipment to the AC outlets on
the rear panel if that equipment requires more power
than the outlets are rated to provide.
4
Thank you for selecting this YAMAHA stereo receiver.
SUPPLIED ACCESSORIES
After unpacking, check that the following parts are
contained.
AM Loop Antenna Indoor FM Antenna
Remote Control Transmitter
Batteries (size AA, R6, UM-3)
FEATURES
5-Speaker Configuration
Front: 50W + 50W (8 ) RMS Output Power,
0.04% THD, 2020,000 Hz
U.S.A. and Canada models only:
55W + 55W (6 ) RMS Output Power,
0.06% THD, 2020,000 Hz
Center: 50W (8 ) RMS Output Power, 0.01%
THD, 1,000 Hz
Rear: 15W + 15W (8 ) RMS Output Power,
0.5% THD, 1,000 Hz
Digital Sound Field Processor
4 Programs for Digital Sound Field Processing
2 Programs for Dolby Surround (DOLBY PRO
LOGIC and ENHANCED)
Automatic Input Balance Control for Dolby
Surround
40-Station Random Preset Tuning
Video Signal Input/Output Capability
Sleep Timer
Remote Control Capability
CONTENTS
Using Digital Sound Field
Processor (DSP) .......................................18
Setting the SLEEP Timer .............................22
Remote Control Transmitter ........................23
Notes about the Remote Control
Transmitter ................................................24
Troubleshooting..........................................25
Specifications .............................................26
Caution .........................................................3
Supplied Accessories ..................................4
Features........................................................4
Profile of This Unit .........................................5
Speaker Setting up for This Unit ...................6
Connections .................................................7
Adjustment Before Operation.....................10
Playing a Source ........................................13
Recording a Source ...................................14
Adjusting the Balance and Tone ................15
Tuning Operations ......................................16
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Digital Sound Field Processing
What is it that makes live music so good? Todays
advanced sound reproduction technology lets you get
extremely close to the sound of a live performance, but
chances are youll still notice something missing: the
acoustic environment of the live concert hall. Extensive
research into the exact nature of the sonic reflections that
create the ambience of a large hall has made it possible for
Yamaha engineers to bring you this same sound in your
own listening room, so youll feel all the sound of a live
concert.
Whats more, our technicians, armed with sophisticated
measuring equipment, have even made it possible to
capture the acoustics of a variety of venues such as an
actual concert hall, theater, etc. to allow you to accurately
recreate one of several actual live performance
environments, all in your own home.
Dolby Pro Logic Surround
The Dolby Pro Logic Surround Decoder program lets you
experience the dramatic realism and impact of Dolby
Surround movie theater sound in your own home. Dolby Pro
Logic gets its name from its professional-grade steering
logic circuitry, which provides greater effective channel
separation for a much higher degree of realism than the
passive Dolby Surround circuits found in todays typical
home audio/video equipment. Dolby Pro Logic Surround
provides a true center channel, so that there are four
independent channels, unlike passive Dolby Surround
which has in effect only three channels: left, right, and rear.
This center channel allows listeners seated in even less-
than-ideal positions to hear the dialog originating from
action on the screen while getting a stereo effect as well.
This Dolby Pro Logic Surround Decoder employs a digital
signal processing system. This system increases sound
stability at each channel and minimizes crosstalk between
channels compared to conventional analog Dolby signal
processing.
In addition, this unit features a built-in automatic input
balance control. This circuit always presents you the best
surround conditions without performing manual
adjustments.
ENHANCED Dolby Pro Logic Surround
The RX-V470 has a second mode of Dolby Pro Logic
Surround processing called Enhanced Dolby Pro Logic
Surround processing. Enhanced Dolby Pro Logic
Surround processing recreates the surround effect of a
movie theater, effectively duplicating its multiple surround
loudspeaker system, completely surrounding the listener
with the sounds of the action taking place on the screen.
PROFILE OF THIS UNIT
You are the proud owner of a Yamaha RX-V470 stereo receiver an extremely sophisticated audio component. The Digital
Sound Field Processor (DSP) built into this unit takes full advantage of Yamahas undisputed leadership in the field of digital
audio processing to bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when
setting up your system, and this unit will sonically transform your room into a wide range of listening environments movie
theater, concert hall, and so on. In addition, you get incredible realism from Dolby-encoded video sources using the built-in
Dolby Pro Logic Surround Decoder.
Rather than tell you about the wonders of digital sound field processing, however, lets get right down to the business of setting
up the system and trying out its many capabilities. Please read this operation manual carefully and store it in a safe place for
later reference.
6
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality
with a 5 speaker configuration. The speakers to be used
with this unit will be mainly front speakers, rear speakers,
and a center speaker. (You can omit the center speaker.
Refer to the 4-Speaker Configuration shown below.)
The front speakers are used for the output of the main
source sound and the effect sound. They will probably be
the speakers of your present stereo speaker system. The
rear speakers are used for the output of the effect sound.
And the center speaker is used for the output of the center
sound (dialog etc.) encoded with the Dolby Surround. The
rear and center speakers do not need to be equal in power
to the front speakers. However, all the speakers should
have high enough power handling to accept the maximum
output of this unit.
SPEAKER CONFIGURATION
5-Speaker Configuration
This configuration is the most effective and is the one that is
recommended. In this configuration, the center speaker is
necessary as well as the rear speakers. If the digital sound
field program is in DOLBY PRO LOGIC or ENHANCED
mode conversations will be output from the center speaker
and the ambience will be excellent.
Set the center mode to the NORMAL or WIDE position.
(For details, refer to page 11.)
4-Speaker Configuration
The center speaker is not used in this configuration. If the
digital sound field program is in the DOLBY PRO LOGIC or
ENHANCED mode, the center sound is output from the left
and the right front speakers. However, the sound effect of
other programs can be the same as that of the 5-speaker
configuration.
Be sure to set the center mode to the PHANTOM
position. (For details, refer to page 11.)
Surround sound
Front L
Rear L
Front R
Rear R
Center
Dialogue
Surround sound
Front L
Rear L
Front R
Rear R
SPEAKER PLACEMENT
The recommanded speaker configuration, the 5-speaker
configuration, will require two speaker pairs: front speakers
(your normal stereo speakers), and rear speakers, plus a
center speaker. When you place these speakers, refer to
the following.
Front L
Rear L
Front R
Rear R
Front: In normal position. (The position of your present
stereo speaker system.)
Rear: Behind your listening position, facing slightly
inward. Nearly six feet (approx. 1.8 m) up from the
floor.
Center: Precisely between the front speakers. (To avoid
interference with TV sets, use a magnetically
shielded speaker. If, however, it is not effective,
keep the speaker away from TV sets.)
SPEAKER SETTING UP FOR THIS UNIT
TV set
Center
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AC OUTLETS SPEAKERS
FRONT
+
A
B
A
B
+ R L
INPUT TAPE VCR
PHONO CD LD TAPE PB REC OUT TAPE PB REC OUT
AUDIO SIGNAL
+

R
L
R
L
SPEAKERS VIDEO SIGNAL
CENTER
REAR
LD
IN
VCR
OUT
MONITOR
OUT
REAR
+

FM ANT GND AM ANT


R L
VIDEO OUT
LD player
AUDIO IN
VIDEO IN VIDEO OUT AUDIO OUT

To AC outlet
(U.S.A. model)
AUDIO OUT
Video cassette recorder
CONNECTIONS
Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this unit and to any
other components to which connections are being made.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly, that is to say
L (left) to L, R (right) to R, + to + and to . Also, refer to the owners manual for each component to be connected to
this unit.
VIDEO IN
Monitor TV
See the next page. See the next page.
LINE IN LINE OUT
Tape deck
OUTPUT
Compact disc player Turntable
OUTPUT
GND terminal
Connecting the ground wire
of the turntable to this
terminal will minimize hum,
but in some cases better
results may be obtained
wi th the ground wi re
disconnected.
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AC OUTLETS SPEAKERS
FRONT
+
A
B
A
B
+ R L
TAPE VCR
TAPE PB REC OUT TAPE PB REC OUT
AUDIO SIGNAL
+

R
L
SPEAKERS
CENTER
REAR REAR
+

R L
L
R
F
R
O
N
T
A
+

+
B
L
R
REAR

REAR
+
CENTER
ABOUT THE AC OUTLETS
U.S.A., Canada, Europe and General models:
2 SWITCHED OUTLETS
Australia and U.K. models:
1 SWITCHED OUTLET
Use these to connect the power cords from your
components to this unit.
CONNECTING SPEAKERS
Connect the SPEAKERS terminals to your speakers with
wire of the proper gauge, cut to be as short as possible. If
the connections are faulty, no sound will be heard from the
speakers. Make sure that the polarity of the speaker wires
is correct, that is, + and markings are observed. If these
wires are reversed, the sound will be unnatural and will lack
bass. Do not let the bare speaker wires touch each other
and do not let them touch the metal parts of this unit as this
could damage this unit and/or speakers.
Use speakers with the specified impedance shown on the
rear of this unit.
Notes on front speakers connections
One or two speaker systems can be connected to this unit.
If you connect only one speaker system, connect it to either
the FRONT A or B terminals.
Front speakers A
Right Left
Rear speakers
Right Left
Right Left
Front speakers B
Center speaker
How to Connect
1 Raise (or press down) the tab.
2 Insert the bare wire. [Remove approx. 5mm (1/4")
insulation from the speaker wires.]
3 Press down (or raise) the tab to secure the wire.
Rear and center speaker terminals Front speaker terminals
1
1
2
Black: Negative ()
Red: Positive (+)
3
Red: Positive (+)
Black: Negative ()
2
The power to the SWITCHED outlets is controlled with this
units POWER switch or the provided remote-control
transmitters POWER key. These outlets will supply power
to any component whenever this unit is turned on.
The maximum power (total power consumption of
components) that can be connected to the SWITCHED AC
OUTLETS is 100 watts or 200 W (U.S.A. and General
models).
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INPUT
PHONO CD
R
L
VIDEO SIGNAL
LD
IN
VCR
OUT
MONITOR
OUT
FM ANT GND AM ANT
ANTENNA CONNECTIONS
Each antenna should be connected to the designated terminals correctly, referring to the following figure.
Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient
signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you
experience poor reception quality, an outdoor antenna may result in improvement.
Connecting the AM loop antenna
The antenna may be hung on a wall.
The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.
1
A
M
A
N
T
G
N
D
2
1
3
AM antenna cable
Indoor FM antenna (included)
When connecting the indoor FM
antenna, make sure that the
grooved part of the connector
hole is facing downward.
Outdoor FM antenna
If you need an outdoor
FM antenna to improve
FM reception quality,
either a 300-ohm feeder
or a coaxial cable may be
used. In locations
troubled by electrical
interference, a coaxial
cable is preferable.
300-ohm feeder
75-ohm coaxial cable
Ground
For maximum safety and minimum
interference, connect the GND terminal
to a good grounding. A good grounding
is a metal stake driven into moist earth.
75-ohm/300-ohm
antenna adapter
Outdoor AM antenna
2
Place the AM antenna away from
the receiver and orient so that the
best reception is obtained.
AM loop antenna (included)
10
CENTERMODE
+
DELAY
TIME

PROLOGICENHANCED CNCT VIDEO


MONO MOVIE ROCK HALL
EFFECT VOLUME +
SURROUND
ADJUSTMENT BEFORE OPERATION
0
VOLUME
dB
2 Select the front speakers to be used.
SPEAKERS
A B
ON _ ON
OFF OFF
If you use two front speaker systems, press both the
A and B switches.
DEFEAT
5+ 5
BASS
DEFEAT
5+ 5
TREBLE
4 Set the BALANCE control to the 0 position.
5R L5
BALANCE
0
POWER
6 Select the PRO LOGIC or ENHANCED mode.
PRO LOGIC ENHANCED
The PROGRAM button on the front panel can also be
used instead of the PRO LOGIC or ENHANCED
button on the remote control transmitter. Turn on the
EFFECT button and then press the or side of
the PROGRAM button so that the PRO LOGIC or
ENHANCED indicator lights on the display.
Speaker balance adjustment
This procedure lets you adjust the sound output level balance between the front, center, and rear speakers using the built-in
test tone generator. With this adjustment, the sound output level heard at the listening position will be the same from each
speaker. This is important for the best performance of the digital sound field processor.
6 7
4 3 2 5
6 1
1 Turn off the power and set the VOLUME control to
the position.
5 Turn on the power.
3 Set the BASS and TREBLE controls to the DEFEAT
position.
7 Select the center mode according to your speaker
configuration by pressing the CENTER MODE button
on the remote control transmitter.
(Refer to SPEAKER CONFIGURATION on page 6.)
On the feature of each mode, refer to Note shown
on the next page.
CENTER MODE
NORMAL
ms
NORMAL
WIDE
PHANTOM
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TEST
\

10
9 8
TEST
TEST
Blinks.
The TEST indicator
continues blinking until the
TEST button is pressed
again to complete the
adjustment.
\
TEST
5R L5
0
BALANCE
Adjust while the L or R indicator is lit.
3
CONTINUED
* The test tone from the left rear speaker and the
right rear speaker will be heard at the same time.
You will hear a test tone (like pink noise) from the left
front speaker, then the center speaker, then the right
front speaker, and then the rear speakers, for about
two seconds each. The display changes as shown
below.
0
VOLUME
dB
Note
In step 7, when you select the center mode, note the
following.
For 5-speaker configuration
NORMAL: Select this mode when you use a center
speaker that is smaller than the front speakers. In this
mode, the bass tone will be output from the front
speakers.
WIDE: Select this mode when you use the center
speaker approximately the same size as the front
speakers.
For 4-speaker configuration
PHANTOM: Select this mode when you do not use the
center speaker. The center sound will be output from
the left and right front speakers.
10Adjust the BALANCE control so that the sound
output level of the left front speaker and the right
front speaker are the same.
8 Press the TEST button.
9 Turn up the volume.
Front (L) Center
* Rear (L
and R)
Front (R)
12
11 12 13
TEST
11Make the sound output level of the center speaker
the same as that of the front speakers with the
CENTER level control. (When you selected the
PHANTOM mode in step 7, skip this step.)
Adjust while the C indicator is llit.
10 0
CENTER
Note
Once you have completed these adjustments, use only this
units VOLUME control to adjust listening volume. Do not
change any other volume settings on this unit.
13After completing the level adjustment, press the
TEST button.
TEST
10 0
REAR
TEST
12Make the sound output level of the rear speakers the
same as that of the front speakers with the REAR
level control.
Adjust while the S indicator is lit.
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7 4
2
Display
3 1,6
5 Play the source.
(If you want to tune in a station, refer to page 16.)
6 Adjust to the desired output level.
1 Set the VOLUME control to the position.
0
VOLUME
dB
7 If desired, adjust the BASS, TREBLE, BALANCE
controls, etc. (refer to page 15) and use the digital
sound field processor. (Refer to page 18.)
0
VOLUME
dB
PLAYING A SOURCE
SPEAKERS
A B
ON _ ON
OFF OFF
4 Select the front speakers to be used.
If you use two front speaker systems, press both the
A and B switches.
2 Turn on the power.
POWER
3 Select the desired input source.
(For video sources, turn the TV/monitor ON.)
MONITOR
VCR TAPE
LD TUNER CD PHONO
The corresponding indicator lights on the display.
(When TUNER is selected, the previously received
frequency appears on the display.)
Notes
In step 3, if two or more program sources are selected at
the same time (by using input selectors), be sure to
remember the priority order of the input sources.
Priority order of audio sources: 1)TAPE MONITOR,
2)VCR MONITOR, 3)LD, TUNER, CD or PHONO.
Priority order of video sources: 1)VCR MONITOR and
2)LD.
When selecting LD, TUNER, CD or PHONO, make sure
that TAPE MONITOR and VCR MONITOR are not
selected. To cancel VCR MONITOR or TAPE MONITOR,
press the corresponding button.
If TAPE MONITOR and VCR MONITOR are selected at the
same time, the playback result will be the picture from the
VCR and the sound from the audio tape. In this case,
even if other input source (LD, TUNER, CD or PHONO) is
selected, the sound of the audio tape is output.
If LD and TAPE MONITOR are selected at the same time,
the playback result will be the picture from the LD player
and the sound from the audio tape.
Once you play the LD player, its picture will not be
interrupted even if other input selectors except VCR
MONITOR are selected.
14
COPY3
1 2
To monitor the audio and/or video signals being
recorded
Press the MONITOR button for the audio or video tape
recorder being used.
1 Select the source to be recorded.
MONITOR
VCR TAPE
LD TUNER CD PHONO
To dub from tape to tape, you should record from the
component connected to the VCR jacks to the
component connected to the TAPE jacks.
When selecting LD, TUNER, CD or PHONO, make
sure that the TAPE MONITOR and VCR MONITOR
input selectors are not selected.
2 Play the source and then turn the VOLUME control
up to confirm the input source.
The VOLUME, BALANCE, BASS, TREBLE and DSP
(Digital Sound field Processor) control settings have
no effect on the recording.
3 Set the tape deck or VCR to the recording mode.
MONITOR
VCR TAPE
RECORDING A SOURCE
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To adjust the BALANCE control
Adjust the balance of the output volume to the left and right
speakers to compensate for sound imbalance caused by
speaker location or listening room conditions.
TREBLE
BALANCE BASS
PHONES
5R L5
0
BALANCE
Note
These controls are effective only for the sound from the front
speakers.
To adjust the BASS and TREBLE controls
BASS: Turn this clockwise to increase (or counterclockwise
to decrease) the low frequency response.
TREBLE: Turn this clockwise to increase (or counterclockwise to
decrease) the high frequency response.
DEFEAT
5+ 5
BASS
DEFEAT
5+ 5
TREBLE
Note
These controls are effective only for the sound from the front
speakers.
When you listen to the sound with headphones
Connect the headphones plug to the PHONES jack. You
can listen to the sound from the front speakers with the
headphones. When listening with headphones privately, set
both the SPEAKERS A and B switches to the OFF position
and turn off the EFFECT button to cut off the sound from the
rear and center speakers.
ADJUSTING THE BALANCE AND TONE
16
To rapidly change the frequency, press and hold the
button.
Note
If you tune in an FM station manually, it is received in
monaural mode automatically to obtain the sound quality.
If the received station is not the desired one, press
UP or DOWN again.
If the tuning search does not stop at the desired
station (because the signals of the station are weak),
change to the MANUAL TUNING method.
1/1
AUTOMATIC TUNING
1 Press the TUNER button and select the reception
band (FM or AM) by pressing the FM/AM button.
The selected band appears on the display.
MANUAL TUNING
1 Press the TUNER button and select the reception
band (FM or AM) by pressing the FM/AM button.
The selected band appears on the display.
Display information
STEREO
MHz FM 0 20 40 50 100
1 2 3
1 Displays the band and frequency of the received
station.
2 Lights when an FM stereo broadcast with sufficient
signal strength is received (in automatic tuning mode
only).
3 Indicates the signal level of the received station.
Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is
possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).
AUTO TUNI NG
MHz FM
FM/AM
2 Press the TUNING MODE button so that the AUTO
indicator lights on the display.
TUNING MODE
AUTO/MAN'L MONO
\
Lights.
3 Tune in a desired station with the TUNING button.
To tune in a higher frequency, press the right side
(UP) once.
To tune to a lower frequency, press the left side
(DOWN) once.
DOWN TUNING UP
FM/AM
TUNING MODE
AUTO/MAN'L MONO
3 Tune to the desired station manually with the
TUNING button.
To tune in a higher frequency, press the right side
(UP) sequentially.
To tune in a lower frequency, press the left side
(DOWN) sequentially.
DOWN TUNING UP
3/3 2/2
TUNER
TUNING OPERATIONS
2 Press the TUNING MODE button so that the AUTO
TUNING indicator goes out.
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PRESET
MEMORY
MHz FM
MEMORY
MHz FM
2/1 3,5 4/2
PRESET TUNING
This unit can store station frequencies (selected by tuning operation) by using preset station buttons. With this function, you
can select any desired station simply by specifying the corresponding preset station number. Up to 40 stations (8 stations
per page) can be stored.
To store stations
1 Tune in the desired station.
(Refer to the previous page for tuning procedures.)
2 Press the MEMORY button.
4 While the MEMORY indicator blinks, press the
PRESET STATIONS button so that the desired preset
station number (1 - 8) appears on the display.
PRESET
MEMORY
MHz FM
Selected preset station number
PRESET STATIONS
DOWN UP
\
5 Press the MEMORY button.
MEMORY
Shows the displayed station
has been stored in A1.
PRESET
MHz FM \
To recall a preset station
1 Select the page of the preset station to be received
by pressing the A/B/C/D/E button.
A/B/C/D/E
PRESET
MHz FM
Appears.
\
2 Press the PRESET STATIONS button so that the
desired preset station number (1 - 8) appears on the
display.
PRESET STATIONS
DOWN UP
Notes
A new setting can be stored in place of the former one.
For presets, the setting of the reception mode (stereo or
monaural) is stored along with the station frequency.
Perform steps 1 through 5 to store other stations.
Memory back-up
The memory back-up circuit prevents the stored data from
being lost even if the POWER switch is turned off or the
power plug is disconnected from the AC outlet or the power
is cut due to temporary power failure. If, however, the
power is cut for more than two weeks, the memory may be
erased. If so, it can be re-stored simply by following the
PRESET TUNING steps.
MEMORY
Blinks for about 5 seconds.
\
3 Select the desired page (A E) by pressing the A/B/
C/D/E button.
A/B/C/D/E
\
Appears.
18
This unit incorporates a sophisticated, multi-program digital sound field processor, which allows you to expand and shape the
audio sound field from both the audio and video sources, for a theater-like experience in the listening/viewing room.
This digital sound field processor has 6 programs, including 2 programs for the Dolby Pro Logic Surround sound system (
PRO LOGIC and ENHANCED). You can create an excellent audio sound field by selecting the suitable program and adding
desired adjustments. In addition, when the digital sound field program is in the PRO LOGIC or ENHANCED mode, the built-
in automatic input balance control functions. This presents you the best surround condition without adjusting it manually.
To use the DSP function, it is necessary to adjust the sound output level balance between the front, rear and/or center
speakers beforehand. (Refer to "ADJUSTMENT BEFORE OPERATION".)
Controls and indicators for DSP
USING DIGITAL SOUND FIELD PROCESSOR (DSP)
CENTER MODE
+
DELAY
TIME

PRO LOGICENHANCED CNCT VIDEO


MONO MOVIE ROCK HALL
EFFECT VOLUME +
SURROUND
Remote control transmitter
3
Used to adjust the delay time. For
details, refer to the page 20.
(Selects the CENTER MODE. For details,
refer to "Speaker balance adjustment".)
DSP program buttons
Turns on and off
the DSP effect.
DELAY
TEST
PRO LOGIC
ENHANCED
CONCERT
VIDEO
ROCK CONCERT MONO
MOVIE CONCERT HALL
NORMAL
WIDE
PHANTOM
ms

Indicates the center mode


selected in "Speaker balance
adjustment".
Main unit

Displays the delay time.


Indicates your
selection on the DSP.
PROGRAM EFFECT TEST
REAR CENTER FRONT EFFECT
DIGITAL SOUND FIELD PROCESSOR

(Sets the unit to the TEST mode. For details, refer


to "Speaker balance adjustment".)
Used to adjust sound output level
of each speaker. For details,
refer to the page 21.
Turns on and off
the DSP effect.
Digital sound field program selector
Each time the 3 side is pressed, the DSP program changes
in the following order, PRO LOGIC = PRO LOGIC
ENHANCED = CONCERT VIDEO = MONO MOVIE =
ROCK CONCERT = CONCERT HALL = PRO LOGIC.
Each time the 2 side is pressed, the DSP program changes
in reverse order.
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Description of Each Sound Field Program
FEATURE
This program is effective for playback of sources encoded with the Dolby Surround.
The employment of the digital signal processing system improves crosstalk and transfers the sound
source more smoothly and precisely, compared to the conventional type. A stable movie sound field
is recreated.
This program is effective for playback of sources encoded with the Dolby Surround.
Enhancing the Normal Dolby Pro Logic, the DSP technology simulates the multi-surround speaker
systems of a 35 mm film theater, thus widening the surrounded-sound field with greater presence.
This program is effective for music videos and gives excellent depth and clarity for vocals. For opera,
the orchestra and stage are ideally recreated, letting you feel as if you were in an actual concert hall.
This program is designed specifically to enhance mono source programs. Compared to a strictly
mono setting, the sound image created in this mode is wider and slightly forward of the speaker pair,
lending an immediacy to the overall sound. It is particularly effective when used with old mono
movies, news broadcasts and dialog.
This program is suitable for rock music. A big, powerful sound is reproduced lively and dynamically.
In this program, the center seems even more deeply behind the front speaker pair, creating an
expansive, large hall ambience.
PROGRAM
PRO LOGIC
ENHANCED
CONCERT VIDEO
MONO MOVIE
ROCK CONCERT
CONCERT HALL
Notes on Operation of Sound Field Programs
In the CONCERT VIDEO, MONO MOVIE, ROCK
CONCERT and CONCERT HALL modes, no sound is
heard from the center speaker.
When a monaural sound source is played in the DOLBY
PRO LOGIC or ENHANCED mode, no sound is heard
from the front speakers and the rear speakers. Sound is
heard only from the center speaker. However, if the
center mode is in the PHANTOM, the front speakers
output the sound of the center speaker.
When this unit is in the Dolby Pro Logic Surround mode, if
the main-source sound is considerably altered by
overadjustment of the BASS or TREBLE controls, the
relationship between the center and rear channels may
produce an unnatural effect.
Description of Dolby Pro Logic Surround
This unit employs the Dolby Pro Logic Surround system.
This system is similar to professional Dolby Stereo decoders
used in movie theaters.
By employing a four-channel system, the Dolby Pro Logic
Surround system divides the input signals into four levels:
the left and right main channels, the center channel (to
characterize dialog), and the rear surround-sound channels
(to characterize sound effects, background noise and other
ambient noise).
Dolby Surround is encoded on the sound track of
commercially available video cassettes and video discs as
well. When you play a source encoded with Dolby
Surround on your home video system, the Dolby Pro Logic
Surround mode on this unit decodes the signal and feeds
the surround-sound effects.
The Dolby Pro Logic Surround mode may not be always
effective on video sources not encoded with Dolby
Surround.
DOLBY SURROUND
TM
Manufactured under license from Dolby Laboratories Licensing
Corporation. Additionally licensed under one or more of the
following patents: U.S. numbers 3,632,886, 3,746,792, and
3,959,590; Canadian numbers 1,004,603 and 1,037,877. Dolby
and the double-D symbol are trademarks of Dolby Laboratories
Licensing Corporation.
20
CENTERMODE
+
DELAY
TIME

PROLOGICENHANCED CNCT VIDEO


MONO MOVIE ROCK HALL
EFFECT VOLUME +
SURROUND
2
PRO LOGICENHANCED CNCT VIDEO
MONO MOVIE ROCK HALL
SURROUND
The PROGRAM button on the front panel can also be
used instead of the DSP program buttons on the
remote control transmitter. Turn on the EFFECT
button and then press the or side of the
PROGRAM button so that the desired DSP program
indicator appears on the display. When the EFFECT
button is turned on, the previously selected delay
time and DSP program indicator appear on the
display.
If desired, adjust the delay time and the output level of
each speaker. (For details, refer to the corresponding
descriptions on this page and the next page.)
Note
If you prefer to cancel the DSP mode, press the EFFECT
button. The sound will be the normal 2-channel stereo
without surround sound effect.
1 Play a source.
(Follow steps 1, 2, 3, 4, 5, and 6 shown in PLAYING
A SOURCE on page 13.)
2 Select the desired DSP program that is suitable for
the source.
Program
PRO LOGIC
ENHANCED
CONCERT VIDEO
MONO MOVIE
ROCK CONCERT
CONCERT HALL
Delay time range
from 15 to 30 milliseconds
(Preset value: 20 milliseconds)
from 15 to 30 milliseconds
(Preset value: 20 milliseconds)
from 1 to 100 milliseconds
(Preset value: 25 milliseconds)
from 1 to 100 milliseconds
(Preset value: 25 milliseconds)
from 1 to 100 milliseconds
(Preset value: 15 milliseconds)
from 1 to 100 milliseconds
(Preset value: 30 milliseconds)
By continuously pressing the DELAY TIME + or control,
the value changes continuously.
However, the value stops changing momentarily at the
preset point.
Notes
Adding too much delay will cause an unnatural effect with
some sources. Experiment with the DELAY TIME controls
to create the effect that you find most suitable.
The values of the DELAY TIME controls you set the last
time will remain memorized even when the power of this
unit is off.
However, if the power plug cord is kept disconnected for
more than two weeks, these values will be invalid.

+
DELAY
TIME
DELAY
PRO LOGIC
NORMAL
ms

\
Delay time
Delay time adjustment
The delay time can be adjusted with the remote control
transmitter only.
You can adjust the time difference between the beginning
of the source sound and the beginning of the effect sound
with the DELAY TIME controls.
The delay time adjustment is effective with all programs.
By applying more or less delay, sound effects, background
noise, and ambient noise coming at you from the rear
speakers can be enhanced or subdued for extra effect.
To play a source with the digital sound
field processor
21
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Adjustment of the front effect level
(Except for PRO LOGIC)
If desired, you can adjust the effect sound output level of
the front speakers with the FRONT EFFECT level control.
10 0
REAR
Adjustment of the rear level
If desired, you can adjust the sound output level of the rear
speakers with the REAR level control even if the output level
is already set in Speaker balance adjustment on page 10.
If any DSP program is not used, the FRONT EFFECT level
control does not function.
Adjustment of the center level
(Only for PRO LOGIC and ENHANCED)
If desired, you can adjust the sound output level of the
center speaker with the CENTER level control even if the
output level is already set in Speaker balance adjustment
on page 10.
10 0
CENTER
If PRO LOGIC or ENHANCED is not selected, the
CENTER level control does not function.
10 0
FRONT EFFECT
If any DSP program is not used, the REAR level control
does not function.
22
If you use the SLEEP timer of this unit, you can set this unit to be turned off automatically. When you are going to sleep while
enjoying a broadcast or other desired input source, this timer function is helpful.
Notes
The SLEEP timer can be controlled only with the remote control transmitter.
The components on which the SLEEP timer is effective are the sources connected to a SWITCHED OUTLET on the rear
panel of this unit.
To set the SLEEP timer
Display the desired time with the SLEEP button.
SLEEP
SLEEP time off
(No display appears when the
EFFECT button is turned off.
The delay time appears when the
EFFECT button is turned on.)
rY = Y = RY = tY
2
5
(minutes)
Each time the SLEEP button is pressed, the
time setting changes in the following order.
To cancel the SLEEP timer
Press the SLEEP button so that the SLEEP indicator goes
out.
SLEEP
SLEEP
Goes out.
SETTING THE SLEEP TIMER
SLEEP
Indicates the SLEEP time.

Returns to the display


before the SLEEP timer is
set after a while.
Flashes for about 3 seconds.

Lights up.
The unit will be turned off automatically after the passing of
the SLEEP time you selected.
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POWER
SLEEP PHONO
$ SKIP PLAY CD
! SEARCH PAUSE/STOP DISC SKIP
DOWN PRESET UP A/B/C/D/E
TUNER
LD
TAPE MON
VCR MON
DIR A DECK A/B DIR B
! PLAY
REC PAUSE STOP REC MUTE
CENTERMODE
+
DELAY
TIME

PROLOGICENHANCED CNCTVIDEO
MONOMOVIE ROCK HALL
EFFECT VOLUME +
SURROUND
POWER
SLEEP PHONO
$ SKIP PLAY CD
! SEARCH PAUSE/STOP DISC SKIP
DOWN PRESET UP A/B/C/D/E
TUNER
LD
TAPE MON
VCR MON
DIR A DECK A/B DIR B
! PLAY
REC PAUSE STOP REC MUTE
CENTERMODE
+
DELAY
TIME

PROLOGICENHANCED CNCTVIDEO
MONOMOVIE ROCK HALL
EFFECT VOLUME +
SURROUND
The remote control transmitter provided with this unit is designed to control all the most commonly used functions of the unit. If
the CD player and tape deck connected to this unit are YAMAHA components designed for remote control compatibility, then
this remote control transmitter will also control various functions of each component. Please consult your YAMAHA dealer for
information on which components are compatible with the remote control transmitter.
Button Functions
To control this unit
Turns the power on/off.
Refer to SETTING OF THE
SLEEP TIMER on the
previous page.
Used to select the input
source.
Used to select the digital
sound field program.
Used to turn the master
volume level up/down.
Used to select the center speaker mode.
Used to adjust the delay time.
Switches on/off digital sound
field processor.
To control other components
Identify the remote control transmitter buttons with your components buttons. If these buttons are identical, their function will
be the same. On each button function, refer to the corresponding instruction on your components manual.
Used to select the preset station
number.
UP: Selects higher preset station
number.
DOWN: Selects lower preset station
number.
A/B/C/D/E: Selects the page (A - E)
of preset station buttons.
Compact disc player control
buttons
DISC SKIP is applicable only to
compact disc auto changer.
Tape deck control buttons
DIR A, B and DECK A/B are
applicable only to double
cassette tape deck. However,
the DIR A button can be used
as the direction button of the
single cassette tape deck with
auto reverse function.
POWER
/STANDBY
POWER
/STANDBY

5
STANDBY mode POWER on mode
STANDBY mode (Europe model only)
While the power is on, pressing the POWER button on the
remote control transmitter switches the unit to the STANDBY
mode. (In this mode, the indicator is dimly lit.)
REMOTE CONTROL TRANSMITTER
24
Battery installation
1 Press the lid's locking tab down and, at the same time,
pull out the battery compartment lid in the direction of
the arrow.
Remote control transmitter operation
range
Remote control sensor
Within approximately
7 m (23 feet)
Notes
There should be no large obstacles between the remote
control transmitter and the main unit.
If the remote control sensor is directly illuminated by
strong lighting (especially an inverter type of fluorescent
lamp etc.), it might cause the remote control transmitter
not to work correctly. In this case, reposition the main unit
to avoid direct lighting.
NOTES ABOUT THE REMOTE CONTROL TRANSMITTER
2 Install the batteries (size AA, R6, UM-3) with correct
polarities. Follow the diagram in the compartment.
+

3 Position the bottom portion of the compartment lid in


place, and push the top portion of the lid in until it clicks
into place.
Battery replacement
If you find that the remote control transmitter must be used
closer to the main unit, the batteries are weak. Replace
both batteries with new ones.
Notes
Use only AA, R6, UM-3 batteries for replacement.
Be sure the polarities are correct. (See the illustration
inside the battery compartment.)
Remove the batteries if the remote control transmitter will
not be used for an extended period of time.
If batteries leak, dispose of them immediately. Avoid
touching the leaked material or letting it come in contact
with clothing, etc. Clean the battery compartment
thoroughly before installing new batteries.
30 30
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If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord
and contact your authorized YAMAHA dealer or service center for help.
SYMPTOM
The unit fails to turn on when the
POWER switch is pressed.
No sound or no picture.
The sound from all speakers or
only from the front speakers
suddenly goes off.
Only one side speaker outputs the
sound.
Sound hums.
The volume level is low while
playing a record.
No sound from the rear speakers.
No sound from the center speaker.
FM stereo reception is noisy.
There is distortion and clear
reception cannot be obtained even
with a good FM antenna.
A desired station cannot be tuned
in with Auto tuning.
A desired station cannot be tuned
in with Auto tuning.
There are continuous crackling and
hissing noises.
There are buzzing and whining
noises (especially in the evening).
The remote control transmitter
does not work.
The distance or range within which
the remote control transmitter can
be used decreases.
The sound is degraded when
monitoring is performed by using
the headphones connected to the
compact disc player or cassette
deck which are connected with this
unit.
CAUSE
Power cord is not plugged in or is not completely
inserted.
Incorrect output cord connections.
Appropriate input selector is not pressed.
The protection circuit has activated because of short
circuit or over power, etc.
Incorrect setting of the BALANCE control.
Incorrect cord connections.
Incorrect cord connections.
The record is being played on a turntable with an MC
cartridge.
The sound output level of the rear speakers is 0.
The monaural sound source is played in DOLBY PRO
LOGIC or ENHANCED mode.
The sound output level of the center speaker is 0.
The center mode is in PHANTOM mode.
Incorrect sound field program selection.
No sound field program is selected.
Because of the characteristics of FM stereo broadcasts,
this is limited to cases where the transmitter is too far
away or the antenna input is poor.
There is multipath interference.
The station is too weak.
Weak signal or loose antenna connections.
Noises will result from ligtning, fluorescent lamps,
motors, thermostats and other electrical equipment.
A television set is being used nearby.
Direct sunlight or lighting (of an inverter type of
flourescent lamp etc.) is striking the remote control
sensor of the main unit.
The batteries of this remote control transmitter are too
weak.
Power cord of this unit is not plugged in.
REMEDY
Firmly plug in the power cord.
Connect the cords properly. If the problem
persists, the cords may be defective.
Press the appropriate input selector corresponding
to the input source.
All speakers: Check the speaker cords, turn the
unit off and then on. Operate the unit after
reducing the volume.
Front speakers: Check the speaker cords and
reduce the volume.
Adjust it to the appropriate position.
Connect the cords properly. If the problem
persists, the cords may be defective.
Firmly connect the audio plugs. If the problem
persists, the cords may be defective.
The player should be connected to the unit through
the MC head amplifier.
Turn up the sound output level with the REAR level
control.
Select another program suitable for the monaural
sound source.
Turn up the sound output level with the CENTER
level control.
Select NORMAL or WIDE.
Select the appropriate program.
Check the antenna connections.
Try using a multiple element FM antenna.
Adjust antenna placement to eliminate multipath
interference.
Use Manual tuning mode.
Use a high quality directional FM antenna.
Tighten the AM loop antenna connections and
rotate it for best reception.
Use Manual tuning mode.
Use an outdoor antenna and a ground wire. This
will help somewhat but it is difficult to eliminate all
noise.
Move the television away.
Change the position of the main unit.
Replace the batteries with new ones.
Plug in the power cord.
A
m
p
l
i
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i
e
r
R
e
m
o
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e

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o
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TROUBLESHOOTING
26
Spurious Response Ratio ......................................................................... 70 dB
AM Suppression Ratio .............................................................................. 55 dB
Capture Ratio .......................................................................................... 1.5 dB
Alternate Channel Selectivity [Except for Europe model] ........................ 85 dB
Selectivity (two signals, 40 kHz Dev.) [Europe model] ............................ 70 dB
Signal-to-Noise Ratio
(IHF) Mono/Stereo [Except for Europe model] ........................ 81 dB/76 dB
(DIN-Weighted, 40 kHz Dev.) mono/stereo [Europe model] .. 75 dB /70 dB
Harmonic Distortion
Mono/Stereo (1 kHz) ...................................................................... 0.1/0.2%
Mono/Stereo (40 kHz Dev.) ............................................................ 0.1/0.2%
Stereo Separation (1 kHz, for Europe model only: 1 kHz, 40 kHz Dev.) .. 50 dB
Frequency Response
30 Hz to 13 kHz ........................................................................... 0 0.5 dB
20 Hz to 15 kHz ........................................................................... 0 1.5 dB
AM SECTION
Tuning Range
[U.S.A., Canada and General models] ............................. 530 to 1,710 kHz
[Australia, U.K., Europe and General models] ................. 531 to 1,611 kHz
Usable Sensitivity ............................................................................... 100 V/m
Selectivity ................................................................................................. 32 dB
Signal-to-Noise Ratio ................................................................................ 50 dB
Image Response Ratio ............................................................................. 40 dB
Spurious Response Ratio ......................................................................... 50 dB
Harmonic Distortion ................................................................................... 0.3%
AUDIO SECTION
Output Level/Impedance
FM (100% mod., 1 kHz)
[Except for Europe model] ............................................ 500 mV/3.2 k-ohms
[Europe model (40 kHz Dev.)] ...................................... 400 mV/3.2 k-ohms
AM (30% mod., 400 Hz)
[Except for Europe model] ............................................ 150 mV/3.2 k-ohms
[Europe model (40 kHz Dev.)] ...................................... 150 mV/3.2 k-ohms
GENERAL
Power Supply
[U.S.A. and Canada models] ............................................. AC 120V, 60 Hz
[Australia and U.K. models] ............................................... AC 240V, 50 Hz
[Europe model] ................................................................... AC 230V, 50 Hz
[General model] ....................................... AC 110/120/220/240V, 50/60 Hz
Power Consumption
[U.S.A model] ..................................................................................... 190W
[Canada model] .................................................................... 290 VA, 235W
[General model] .................................................................................. 190W
[Australia, Europe and U.K. models] .................................................. 190W
AC Outlets
[U.S.A. and General models] ..... 2 SWITCHED OUTLETS 200 W max. total
[Canada and Europe models] ... 2 SWITCHED OUTLETS 100 W max. total
[Australia and U.K. models] ......... 1 SWITCHED OUTLET 100 W max. total
Dimensions (W x H x D) .................................................... 435 x 131 x 292 mm
(17-1/8 x 5-3/16 x 11-1/2)
Weight ............................................................................. 7.2 kg (15 lbs. 14 oz.)
Accessories ............................................................................ AM loop antenna
Indoor FM antenna
Remote control transmitter
Batteries
Specifications are subject to change without notice.
AUDIO SECTION
Minimum RMS Output Power per Channel
Front L,R
8 ohms, 20 Hz to 20 kHz, 0.04% THD......................................... 50W+50W
6 ohms, 20 Hz to 20 kHz, 0.06% THD
[U.S.A. and Canada models] ...................................................... 55W+55W
Center
8 ohms, 1 kHz, 0.5% THD..................................................................... 50W
Rear L, R
8 ohms, 1 kHz, 0.5% THD ........................................................... 15W+15W
Dynamic Power per Channel
(by IHF Dynamic Headroom measuring method)
8/6/4/2 ohms
[U.S.A. and Canada models] ........................................... 85/110/125/150W
[General, Australia, Europe and U.K. models] ................ 84/100/114/130W
DIN Standard Output Power per Channel
4 ohms, 1 kHz, 0.7% THD
[Europe model only] ............................................................................. 70W
IEC Power
6 ohms, 1 kHz, 0.04% THD
[Europe model only] ............................................................................. 68W
Power Band With
8 ohms, 25 W, 0.1% THD ................................................... 10 Hz to 50 kHz
Damping Factor
8 ohms, 1 kHz .......................................................................................... 50
Input Sensitivity/Impedance
PHONO MM .................................................................... 2.5 mV/47 k-ohms
CD/TUNER/TAPE/LD/VCR.............................................. 150 mV/50 k-ohms
Maximum Input Signal (1 kHz, 0.02% THD)
PHONO MM ....................................................................................... 80 mV
Subwoofer Output Power
[U.K. and Europe models only] ........................................... 2.8 V/700 ohms
Output Level/Impedance
REC OUT ......................................................................... 150 mV/550 ohms
Headphone Jack Rated Output/Impedance
RL=390 ohms, 0.04% THD
Output Level ......................................................................................... 0.4V
Impedance ....................................................................................... 8 ohms
Frequency Response (20 Hz to 20 kHz)
CD/TUNER/TAPE/LD/VCR............................................................. 00.5 dB
RIAA Equalization Deviation
PHONO MM .................................................................................. 00.5 dB
Total Harmonic Distortion (20 Hz to 20 kHz)
PHONO MM (3V) ............................................................................... 0.01%
CD/TUNER/TAPE/LD/VCR to SP OUT (25W/8 ohms) ........................ 0.03%
Signal-to-Noise Ratio (IHF-A Network)
PHONO MM (5 mV Input Shorted) .................................... More than 82 dB
CD/TUNER/TAPE/LD/VCR (Input Shorted) ........................ More than 93 dB
Residual Noise (IHF-A Network) ............................................................. 140 V
Channel Separation (Vol. 30 dB)
PHONO MM (Input Shorted 1 kHz) .................................................... 55 dB
CD/TUNER/TAPE/LD/VCR
(Input 5.1 k-ohms Terminated 1 kHz) ................................................. 55 dB
Tone Control Characteristics
BASS: Boost/cut ............................................................. 10 dB (50 Hz)
TREBLE: Boost/cut ........................................................... 10 dB (20 kHz)
Gain Tracking Error (0 to 60 dB) .............................................................. 3 dB
VIDEO SECTION
Video Input Level/Impedance ......................................................... 1V/75 ohms
Video Output Level/Impedance ...................................................... 1V/75 ohms
FM SECTION
Tuning Range
[U.S.A., Canada and General models] ........................... 87.5 to 107.9 MHz
[Australia, Europe, U.K. and General models] ........... 87.50 to 108.00 MHz
50 dB Quieting Sensitivity (IHF, 75 ohms)
[Except for Europe model]
Mono ............................................................................... 1.55 V (15.1 dBf)
Stereo ................................................................................. 21 V (37.7 dBf)
Usable Sensitivity (75 ohms)
(30 dB S/N Quieting, 1 kHz, 100% mod.)
[Except for Europe model] .................................................. 0.8 V (9.3 dBf)
DIN, Mono (S/N 26 dB) [Europe model] ............................................ 0.9 V
DIN, Stereo (S/N 46 dB) [Europe model] ............................................ 24 V
Image Response Ratio
[Except for Europe model] ................................................................. 45 dB
[Europe model] ................................................................................... 80 dB
IF Response Ratio
[Except for Europe model] ................................................................. 80 dB
[Europe model] ................................................................................... 80 dB
SPECIFICATIONS
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YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR, 22-34, D-2084 RELLINGEN, BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. 17 RUE DES CAMPANULES, LOGNES 77321 MARNE LA VALLEE CEDEX 2 FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VASTRA FRLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

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