Reggae Is A Music Genre First Developed in Jamaica in The Late 1960s. While
Reggae Is A Music Genre First Developed in Jamaica in The Late 1960s. While
Reggae Is A Music Genre First Developed in Jamaica in The Late 1960s. While
While sometimes used in a broad sense to refer to most types of popularJamaican dance music, the term reggae more properly denotes a particular music style that evolved out of the earlier genres ska and rocksteady. Reggae developed from Ska and rocksteady in the 1960s. The shift from rocksteady to reggae was illustrated by the organ shuffle pioneered by Jamaican musicians like Jackie Mittoo and Winston Wright and featured in transitional singles "Say What You're Saying" (1967) by Clancy Eccles and "People Funny Boy" (1968) by Lee "Scratch" Perry. The Pioneers' 1968 track "Long Shot (Bus' Me Bet)" has been identified as the earliest recorded example of the new rhythm sound that became known as reggae.
Tango (the dance with the stop "Baille Con Carte") is one of the most fascinating of all dances. Originating in Spain or Morocco, the Tango was introduced to the New World by the Spanish settlers, eventually coming back to Spain with Black and Creole influences. In the early 19th Century, the Tango was a solo dance performed by the woman. The Andalusian Tango was later done by one or two couples walking together using castanets. The dance was soon considered immoral with its flirting music! Ballroom Tango originated in the lower class of Buenos Aires, especially in the "Bario de las Ranas". Clothing was dictated by full skirts for the woman and gauchos with high boots and spurs for the man. The story of Tango as told is that it started with the gauchos of Argentina. They wore chaps that had hardened from the foam and sweat of the horses body. Hence to gauchos walked with knees flexed. They would go to the crowded night clubs and ask the local girls to dance. Since the gaucho hadn't showered, the lady would dance in the crook of the man's right arm, holding her head back. Her right hand was held low on his left hip, close to his pocket, looking for a payment for dancing with him. The man danced in a curving fashion because the floor was small with round tables, so he danced around and between them.
Rumba is a family of percussive rhythms, song and dance that originated in Cuba as a combination of the musical traditions. The name derives from the Cuban Spanish word rumbo which means "party" or "spree". It is secular, with no religious connections. People of African descent in Havanaand Matanzas originally used the word rumba as a synonym for party.] Olavo Aln states that over time, "rumba ceased to be simply another word for party and took on the meaning both of a defined Cuban musical genre and also of a very specific form of dance. The term spread in the 1930s and 1940s to the faster popular music of Cuba (the "Peanut Vendor" was a classic), where it was used as a catch-all term, rather like salsa today. Also, the term is used in the international Latin-American dance syllabus, but in reference to a slower dance based on the boleroson. Ballroom rumba, or rhumba, is essentially son as opposed to the older folkloric rumba. Similarly, the African style of pop music called African Rumba orsoukous is also son-based.
The Mambo dance originated in Cuba where there were substantial settlements of Haitians. In the back country of Haiti, the "Mambo" is a voodoo priestess, who serves the villagers as counselor, healer, exorcist, soothsayer, spiritual advisor, and organizer of public entertainment. However, there is not a folk dance in Haiti called the "Mambo." The fusion of Swing and Cuban music produced this fascinating rhythm and in turn created a new sensational dance. The Mambo could not have been conceived earlier since up to that time, the Cuban and American Jazz were still not wedded. The "Mambo" dance is attributed to Perez Prado who introduced it at La Tropicana night-club in Havana in 1943. Since then other Latin American band leaders such as Tito Rodriquez, Pupi Campo, Tito Puente, Machito and Xavier Cugat have achieved styles of their own and furthered the Mambo crazed.
Samba
Samba, an old Brazilian style of dance with many variations, is African in origin. It has been performed as a street dance at carnival, the pre-Lenten celebration, for almost 100 years. Many versions of the Samba (from Baion to Marcha) are danced at the local carnival in Rio. The ballroom Samba or Carioca Samba is derived from the rural "Rocking Samba" and has been known for many years. (The Carioca is a small river that runs through Rio de Janiero - hence the name Carioca refers to the people of Rio.) Today Samba is still very popular in Rio. During carnival time there are "schools of Samba" involving thousands of elaborately-costumed dancers presenting a national theme based on music typical of Brazil and Rio in particular. Before 1914 it was known under a Brazilian name "Maxixe". As early as 1923 an international meeting of professors of dancing took note of the rise of the Samba's popularity, particularly in France. A French dance book published by Paul Boucher in 1928 included Samba instructions. The dance was introduced to United States movie audiences in 1933 when Fred Astaire and Dolores Del Rio danced the Carioca in Flying Down to Rio and several years later, Carmen Miranda danced the Sambain That Night in Rio. A Samba exhibition was given at the November 1938 meeting of the New York Society of Teachers of Dancing. General interest in the Samba was stimulated at the 1939 World's Fair in New York, where Samba music was played at the Brazilian Pavilion. A few years later the Brazilian composer Ary Barroso wrote the classic Samba, "Brasil," which quickly became a hit, and in 1944 he went to Hollywood to write the score for the musical Brazil. The foxtrot (also fox trot[ is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band (usually vocal) music, and the feeling is one of elegance and sophistication. The dance is similar in its look to waltz, although the rhythm is in a 4 4 time signature instead of 3 4. Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s, and remains practiced today.