Professional Documents
Culture Documents
Kayser's Etudes Violin Book
Kayser's Etudes Violin Book
265
.K38
op. 20
1900
ft
http://archive.org/details/36etudesforvioli20kays
No. 112
'
'i
SJTY
PI
Of"
EDITION WHITE-SMITH
No.
Op. 20
36
ETUDES
COMPLETE
FOR VIOLIN
WHITE-SMITH MUSIC PUBLISHING CO.
BOSTON
NEW YORK
CHICAGO
1TY
:i
ft"
Lftfttij
g#
id
s-r
ii
* f
>
'
\p t f j
t"
11
f r f _
[i
Allegro moderato
i"'r[[frf
*TJ*>
decrresc.
I
*-*>
i
P2
^
^
te*
^"
1
|P^
j
*
*
JTOTg
ieeresc.
-H^*
fi
rf
-^
j-fff- s
-~
'
*^^
"*"
er esc.
*
#-F-*-
P^Pg
r/
ggfc^pl xS
gjete
5
i
y
*"
^
Andant quasi Adagio
1SSL
C^r cctf^j
i
jH
3T
%&** I f
-tv
\u
6
ta>*
Cn
*i*
-&
\^
^?
./*:
k^_ p
^^ pggP
#f f"^ # ^
|
# {U -tfc-
_fiL
VOS-21
j^irir
^ih
mBrendo
fr
1 1
J)
7W.
-=
Allegretto
mf
Semph'ce
j-rf
^g
'
Lif LTLX-
tJ
-#*
cresc/*"^
f^
dim.
mmmm
*^^
% to
/
*
"
M.
+.
deeres.
^ijTW
^
WPpsp
eresc.
1
'
fZ
W-Wr
eresc.
U^*^
deeres.
mmmm
Z+
4
ssgte
rr r
et'esc.
Lf
rf w?
^H
f^
eresc.
7ien-a
^S
^ ?*
dim.
erec.
;J5
1
J|>p
Allegro.
J l^m? m? m? M?fTp
-P
\m'f\f^P -P
mfof^ P
-P
^^7
=jE=F=j
dim.
7105-21
pizz.
avco.
ti
Allegro vivace
_n.-S_n__.
.
,
iw-
^-i
fT*
m L
I
Ulj
M * J
X-T
rrjij^uM'
^ S^P
it
l
^
' i
l
W
11
Tlfl^Cgl
i
cresc.
l *
jTJ^H
5
dim.
^ *^W^W"
W?
m sa
SrgF
JBi.^nrtfrr 1 lQ
cresc
y
i-fflcJD'iC
*&=* i
LCrW
^ P
r
C
i
d^
crnfaj]
mm.
v
cresc.
^afce ri^^
inirr^crttr
m;
^^
1
frttf
cresc.
PP
M ^
7105-21
tf rfr>
f
^nrxri^jjcxri^f
V JY^i ^
l I
"Ifc
jj
*l
N w
|
Allegro molto
tirez.
&3
*=
J^&
#*
fet
ps
gg*
cresc.
#3C
tK^ft'S
* gfeg&t
St
m y
I
f-resc.
fM'crrrrf fT rfl
g^
CTI
l_p
SiSii
P
i
fciz
I f
!
egr I ar a OTtgi- eg
V
^
Hi
i
'
'firr
decres.
^g#f ^CCfl^flTr iP
p
B~7
?rTr
fag
.
*
dim.
JteB
7
JJJ
^r
rrrrSfl E
cresc.
ar jgfljg
i
.s
~~
^af;^
Lij
I
fefafaiCT
cresc.
m
3p
decides.
gg pff
t/
ffy f [
LIT
tifff f
lLM
lIj
'
EJ=
decresc.
^-J
derr-p*
/*
cresc
-y'"~r "
t
cresc.
decres
/ *x^
ips * j*
#-F-i
- jijjffi?
cresc.
L^t^J ^
m#.
tempo
S
*J-#
i
J
fcte
P^
LJ-J
s
decresc.
#--#
T.'
nnftrrn'H
*?* E=K#^-# m 9 m
cresc.
cresc.
tt
HP 3P7?
i
l
ifS
>#
V g
[Tli
ftTnfr
decresc.
crest
7ior>~2*
WfjW'
g Ig
1
'
i
II
Allegro moderato
7
W>=i
mf
l
m m
Jt cresc.
0-^
m
I
r^^P-
m ^i
decresc.
P^m S3 ^ P S
afe#
JLLLr^jJ tfP
'
cresc.
^-^
HgP gS^ p
L_ ?
rj
j^%^^^
i
Jdt
JT^ ^V
fTp-Jte
decresc.
gmmsi
decresc.
m ds
'
i
wesc.
decresc.
^
'
5=4
Si
1 1 1
'
ffrr .
rf
i^
cfrj
i
cu-J
rj
ffg
Hfr
*-=-*
CLLT'd-H
90
* P #
SE
sS
~w
F]
//
I* *=*
PW
1
1
rjflc/fl l
iiS
*L
mm
ff
decresc.
cresc.
%
l*
1105-21
m
1
sec.
{
deeresc.
If
ftj-i
f
ffrfi
mn * IV i l ^i
...
$
8
F*3
5
4
ffi^E^fgf^
aJE*#
L
**
"
Commpdo
Trf-y
to
#-#
I
eresc.
^^*d *
frs-o-
sa *
*
decresc
i
i
I
*
jf
^F
B5S3I
*
psi
^5
fe^a
3E
*fc
* I
p
4
^S
eresc.
3
=i=4i
^
l
ri^fTnTftfg
eresc.
SJE
# s
decresc.
fr ,#r frr
2 4 2 4 2
=p;
flfc
g
B^sg
##-*
#* ^
. ft!*
f^rf^f p i*
decresc.
Pi fWft
d^ Awzzi
m
E
3
*&* ^=#
eresc.
n
t
Sj_
of f i^i
P
deresc.
P
*
m y
fflfrlJCT
^
/*
flf
dr r
^.
tffi tJL
3
s
eresc.
ffigpp
-^.
##
=?n
s
eresc.
*f
^fl ftil
!tfff fori *3 #?
l
fl#
^M
decresc.
'
CEU*
'
i ^rani?i>>ni ps
71QS-21
'
'
10
Allegro assai
Semjjre staccato.
cretc.
'
^J^JjjiJf ^M
4
'
cresc.
T?-*l+i
>
i i
|'
%)
tijtfi f 5^^^ 6
dec rear.
cresc.
t^ fi
7105-21
-, *
*-
fl-
!=Ms
j
p*
SB-^i
f~
-0 ^*
resc
* 4
'
cresc
mf
cresc.
11
^nJrg'rr,
f\
Wfr*
^srt
or esc.
decresc.
cresc.
cresc
mf
w?m
UflFfl
&i&i
decresc.
cresc
y*? * * * ? s s * i ?
UOZ-21
^1
/*
VI
Arpeggio
fcf
3
4
4
4
sai s
1J
nn
rT^JTn s^3
#-
0-
4
"
a
-4-y
fmm ?
^
g
^Vi
WW
This exercise must be practised without moving the elbow and with a proper bending of the wrist and the following number the same and with each note distinct. Practise also staccato.
10
iS i
V
#-*-#
a J^ ^-^
v#
JL
y-^?
cresc.
~4
-97
T,
cretc.
^H
E3E
r\
Bsggs
r\
,
fe
JIvJ
ipjj fi
4
57
i
s^
tSPyy
r^/</ cresc.
i V* ^g # ^ 3^: *Ar#
cresc.
-^ EJ ZTF ^
f>
r>
f^
^
mf
cresc
cresc.
r^
^^
cresc.
mf
^^
tlKIl
'decresc/^
m
$
7100-21
cresc
decresc
b
decresc.
tf
fi^
^UV.'JjV
* V* J^ V* ?y
^\
4;
ty
Urn
J,
i
r<
&irM
H
'<--
m-M.
ttf
fP
^
mf
^
Allegro energico
3
.
ii
%m ffi&&
i%
ffi]
^
I
BE
t
2z?
rfi
j?J
M
decresc.
foj
\rftftwtiijt
tp p
p
[If
5?
t*
1
C^W ^j ffl
jw J?P
Cjj ^IS!
<i
'
fr
>
^
e
ttf eciruf
i
a jh
'
jiTJ
uJ
cresr.
^itftf'ttfflifliijii^ttf^fH
Ai..,rrr.f.
H05-21
^'i^^ttJ
^Sft
15
Jk
*^
cresc.
*^
fflj
ff^r^g^
p -ft^ jf
p m ^ -^
J7 3
jy -tfs
p wg
&tf
1
^J^btf^C^I^Utf
#!>*-*
B 3
BBS
BBBj
p ff
t^'"
7105-21
JT3JT3 |
^
9P
BSiHip
WW
^JTjjf^
hi
Allegro,
ma non
tanto
4
brillante
12
^3 I W
i
W~4
crese.
mu
decresc.
0.0
* me "f
7t05 - 2i
17
7105 -V.
alniato.
^
18
"
Allegretto
13
'.i
k <\m&iii\ftii0
^
if
m
decresc.
ti
crese.
lJjUj|^J"Jj !**
3
|^g
IM
1
^P
pgg^
* 8
P
8
b
frm
CreSC
SB
''
'
*^J
p
U^
i
3=
m^m
' *- .
.
V # Cf^/T^CD
*rJj
rnf
irriu^W
n>
a ## P
>
decresc.
g^^
JL
jijjiLLUj
>
tempo
'tulL^
L
r"
IMPM
it
3,,
m
J
rallent.
z
ggjgj
jp JJ? c
t- t
cj i
i
^
*
->
rJ3'^i jjj3
i
''<l-
P
7-
^
?
*
ff
ffi
fP
crese.
-^
ff
I SF^P /
7l0o-?l
-:
? *
f ?
si rl
Allegro moderato
14
-
g^a
PI
S-
-^
crese-
-*
-gj
>
-g
.^
''
,
^
^
'"
jg^^i m g
Wrff
jffl
V r^
c
n gf ffrrfi
jr^S^f
m
t3tt B#
J
i
fc^W
deer esc.
hirffi'^r?lri
fetf
^m^^MtM^^sk
>rez
WJ^ J
'l
IJ
J J
jl
tares poussez
^
Jl
se
i
I E5S
poussez.
^^JL
s^^r
\,
Urez poussez
gi^M
*WM*
mf
#
$
<
|TD
9m *ii
1
^J?
t r
-^
"
'
'
l>*crese.
V =~
;*-
= =
%%^}\ xgm
at
*&+
*W #*#
^^.^J
eresc.
Lr
^^i
IMM
7105-21
pi.
ffFSyf
iS?
fc.fl t
t^ 5
Jz
is
3^
20
Andante
fe
15
I s
*-
fe'"/<; f
S I
V
ii
a r
'
J3 r
^W S
i
i
fifff.,fg
/
--*
<tfr
$r
m K
S3 J
rf
<*
*r
Jju.w m/
irr
M^W^
ii
' i
tear p
mm
^ jM fea
.^r p
**-*"-*&Brf*&
marcato assai
^T7^r'
L'Lii'
n^irr^Jj r^^
J^ j^ P
Jhpy
a
i
"*
9+w
cretc.
decresc. V^cresc.
cre*c.
ff
==a
decreic aecresc
^^
^'^JJJ^U^ frj^
J
#.
decresc
erese.
decresc.
y
:
P m
,
<to.
i-
1
Coda.
M
:
-
rs
|i
1
'
hi
jfij3
:
p H H ^
,
Tm^fVl
p<ft^
fc
ft
rr #r
^
a
<#r
t:r
=f^ iz*
V
^
^
-tf^
<ft>^
i
3E
J
im
>
mw
PC3
W
7105-21
^^ ^^ ?^l^yi
3fc
E
/
VB?
dim.
21
ff
16
fTffTr^
l
frWfc.gj,*decresc.
'
At
ggpiP
cresc.
vr^
#Bp
cresc
itfttu^
y
m/-
771/
f 7105-81
'
i ZIZZlt
J0f
22
3
W-i
17
4^fc
*
tk
**-
W
p
-a
p^P
E
r^
t
mf
*u
?
tm
*
if
r^ip
P
P3
fz
3'
&
I
dolce.
m
f-*-
i^
p*
jj^np ^
rff'm.
marcato
i
#^ m a ffi jjj^p^
r>St i lMMl p
3^^
5
^=-7-r #-*
P-KT+
3"
-6-
v-
cresc.
&
^.* T*m
dim
tM 4
^
3
m
P?
.3
cresc,
m
_ .9
'
dolce.
<^4
^s,
dim.
^
_
n gff
"""""N,
t ?a \k?\
42
O ^-t
-^
^
4
mfr
m/
i2>
r^r7 f JUi
4 4
3
TJEff
st m=r?
Jz
^U msm Wm
f-
fz
f?\
^=^^1
f
23
^ Pmmnmm^^m &
Allegretto
18
ijill
TV.Jhi
#t
"f"
'
cresc.
f- .
-f-f
is
3
fcE*
^#<b
aE
^V^-
li* *
'
4 4
Ci/ itffri
i
H8 @2
XT
m
JT3
r r r
i
r.-.
^rffffifo.^O^ mf
..
.
:
rfw
*fe
P,-r^#<tffff
E:-ofi;#
* ^
fa^*
T- "
JS
/Tl J"J1JT3
T"4
?*
-;jj^w n
3
mm=;
-IF
^^s g^ ps *^ i
*3t*
I
1
ju
**
m
-*-.
13
=7 # "*
cresc
cresc.
v^J
^y"1'"*'
cresc.
*^ J
**F
J
cri
u^icr
l
SSfe
JV|
fe
dim
rnrtrfn j7 j
* ^#
4
3
10
4 3
^tfcrrcfj
cifJnjTjjn
mj
t ZC3
j
Jcjj
gp^
HOS-Xi
24
Finn, and later
also springing.
$u<
^^w^m^iMu^Mi^uM'^B
H.
Allegro ^B'"
dim.
E.KAYSER,0p.20,BookII r
'
'
>
cvcsc
1
rf
>jj
uj
fr^ j^
'
^ m##?
N
faa^nrr rfffff
if"
iff
O
ffflT-ttfg
.
^m
*
1
dim.
n>
r-*
JJJjJP ttirmj
wg
810
3
,
tjg^
13
8
Emnrhn j^
8
0S
PP
J- JJ iT
^
r14
ii'
mjjrrnuL
*-m-
fr|tffrfrrr,mif
000 1
00
UJI
ig
2>
=-4-
^
dim.
#*-*-*
inf9^9
fill 1
J
o
3
/T
Sr
""
JTlii J ^ ^- ^
^r##> r#f#
r#
70 S 2-2 4
1
85
Allegretto
i 20 fa-H-rt
^P
E
I
j O
L.H.
*=*
t
cresc
I
f dim.
dim.
=&
T5~ arco.
.
/JllZ.
ttt
mW
cresc.
m
\
3E* mf
$
I
cre*e.
m
M
z
?
3
cresc.
ffl
mfdecresc
L.H.
pizz
.
w
cresc.
i J
5 4
arco
P
/"
gBrfna
cresc.
4
f
3
O
dim
3
3
-#-
feteii
<//h.
fe
I
arco.
o
o
4
rt
i
m
*
II
/
.&_
m
8
-.#
.*
H.
dim.
pizz.
*=
/
S
:S
*f, fff
.
Me
*
/*
3 4^
rr
i
i
dim.
IS
f
r
r~y
_4
rr
dim.
j
mf
8gi
*m 4t
y=
^
2
jijpi^fimfji
m/f
i
JLM
is
#
if
i
-^
arco.
n Si ^
9
cresc.
Z.jF.
izi
P
o
~ dtm <TN f
_#
-
z
7052-24
=
7 7
*
a
p
ff'treo.
/MZC,
28
Allegro
21
P
m
.a
fr-fr-
ffig
Zm
* f
P-
rf r fff
f iyfi*
M
deeresc
3
crese.
S3
r
^c
fr
rflMtffgi
f
f
ma
/
2>
t if pi
h#<#
-p-
)jktjk
&^m* $mm
^ft^Zf
it
? f\fp
wT
f:
deer esc.
'
1
J
4
ififMfr
5fr*ffl,%*'g% I *
f.
eresc.
0^
eresc
27
deer esc.
cresc.
frJPf g
erese
&^~
cresc.
'
**LS
m melB
eresc.
r
Jzz
Mr rfg
5,
>i
I
fs0 f f f * s
r zfrrw
dtfc
gjl'
cresc.
'
*^*JSJOTfrr
r
l
CT^ p
h
/i
EJ2T
w;>,.oJ^f.gf
/
^r^r^
cresc.
'^ ^5#
*
J*=
ffi
'
^=^
ffff fffr
cresc.
decresc.
decresc.
*J
decresc.
^^^
cresc.
Jz
SS
'
^~^
'
S^
f~m m
'
decresc.
lOW^'LClC
f
pizz.
fNm
toja-a*
ff
* T
T#
5^ 3ES3 *==i
i^>
3 2
area.
^i
9
? ^
28
Allegro assai
22
if'ulJjjiLi
&=^ *
ill
S 3!
/nniKrCfjjjri
a a
'i
*E
to
fff
tjj
^ pfiw^
t
g r-Mf U L.
i
:xje
tfffiiQ^I^7
p/
rfrf
iry-rfif^
./r
crtt&i.Krmri
^pg
jT
<m.
2>
M-^
11
[; ^f
J0IZZ.
f^'RiAllegretto V
p poussex o,
cresc.
/fc: .p.
a
VTj T*T~ Nw
*
s^-*
4
crpsc.
4^4 j8ifii
70S2-24
#
29
rrrfYrnnuuiiTr^r
8,8
*
i
"
'
Efe^Tliry^JS
^ i
z
eresc.
SflQagrcr
y
Cfy-trri
^a^o^
^ ^^^
r
4j#*=
cresc.
r-#
a-
yt
mr
#-*-
K3
S^
ere*c.
:
Piu mosso.
sat
Mf fTOrj
#
>w.
^ ^
m
E
i
V o
*i
FFf
i?p
.#
7052-24
30
Allegro assai
/'arioso.
cresc.
^^cresc.
H\
Allegro
s
25
pk S
*=#
1>
i>
*^
'
*i * p# *^.;p
crese..
z -t-
4i ***
i/
P=#
swj
ffl *fe
^m
f f f
*-*iperesc.
CI'
&
r*.+
*ti*-
I
^^
^
^ ^B
fti
J
m PT^
p
'
Lljjjjrg
**
mmm
l
^
tt
b
pes
^ ^ Hi
J
tirez.
i
gj
I
eresc. cretc.
"C7"
*? =rf
SS f&=?& m m
R
Cl
^S
11
r^f r r
ffif
Be
r ;
\4ti
tite
a*
ro^ i|p|
>i
Ste-teH
4* f
S^ _^HD
I I
^r
wf
eresc.
jflrft
r
if
p
*
3
to
It
pzazg
MifH.
jezje
l
^fr SB
'
l
7^
fbm i #
v>
vresc.
-~
v ^
tL^JtL
n t.
4
3
tr
ff
i#
* f
JL
i#=:
+
1
feft
dim.
3 2
m ffP
1
f=t
4-4-
g^3
7052-21
32
#JEi=f
"
tf
>f LLg^
:
LQM
Cf
"*
*l 1
%/*
TffTm
>
__
1-n
:~r ffV
2>
tirez.
:...i ^,#
JL
:z:::z:i:z
M.
p pousseis.
jf^^
tfij
cresc
s |mi
.#
Allegro assai
26
itfcS
fp
fp
fp
fp
m
O
l
P-9-9-+
fp
j>
mm
fp
fp
fp
fp
fp
fp
fl
^_
r fff
ff
f
fp
fp fP
&
f'
fi
tirez.
fP
fp
^"mr cttm
fp
fp
fp
P f
7052-24
34
Moderato
Jp
ft!
&
Mi
fp
fe
ke
\W
*.
fp
fp
fp
fp.
fp
2
#4
b#
4 Ai -##
i
s
i
i.
P-#-
:::
?#i
z .=.
$
.#
,#
7052-24
ft
i
tL-iizs
^
fP
.#
#
Z r
JP
fp
jp
35
s ,
'
:ZM
+
a
x:
-?#-
^ii f>
i>#-
^ >ljWf i
J>
3H
Allegro
^-^i.?#
pi
arco.
<vi
ff
37
Allegro
.,#
29
mm
erent
mm
MT3.
Wrffa
dint.
dint.
dint.
ticr^'J
|awi^fri^]^ wi & f
dim
-V
a
crwc.
\
nji t
&u&&
I
^p&m
yo.52-24
^ ^J T~? 7
ff
38
Allegro moderate?
dim.
7052-24
39
PiPi
p$m
i v
jaj.
'dim
b
fm^
mi
m
2 3 8
TJM'^Ai WF
^S
WB.
gjggg|
rail.
tfrBffigrtff
^ tempo.
^ c%rpi
70S 2-? 4
at*i i*
nrctr
war J33j3j
tow^
j jjj
40
po ussez.
i 3:
31
-*
#^#-*-
^.
/r:
SS
4^1>
-r^-t
dim
mm^
dint.
crest.
dint.
^a
'
#-
?# ufi
# #*
F*
dint
.
ffl |g |
ere&p.
dint.
=*
,/
J7#-J
rifej! f gnp
3
4
1
1
~dtnt
fggFPi
1
r
cr&sr.
dint.
..
4
If
!#
**
42
in the
the 8th note which follows the six taken in the same stroke of the bow.
Um das
1
Staccato auch im Herabstrich zu ifben, das Vs welches auf die%6 folgt mit in
Allegro moderato
rffllQfif^
m
ro
^1
It
a*
ife
=
f
~
P r|f i
\V P^f r .
gp
*
70S 2-24
m
V
s IP
/
s
F
^jj
JH*2*
rrrf
C
-6
&
B=I~S
W" 1
43
Allegro
G and D
string.
34
mf
w
i!h#
ffi
D.A
ZMMftrtUfe fcwTf mi i
G.D D - A
m mm m mw
ffii^riTtf^ g
G.D
'
G.D
i
5<
ffl 5
dint.
D-A
*
G-D
?
crtfse.
S?
m 2 ?
5*
2 g 4'^..
4
V
t
?*&mmm i
e jyj> i
J
-
9'
3Vw. 9
fe m^
fc
5E 1 0J
&&
G-r
J'UX 7
1
D.A
g
*
53: 3E8
ffl
3 nnr
#
e ? * *^7 7
1
i
2>
~ HT3
3& n&v
D-A
fffl ffi
7r.ft(t$a& g s
^
f
G.D
/m/ f / m f%
Jl
aa
D.A
m
G.D
G.D
/T a TO gg 2 9 r$? 1
f
1
mnmm
dint.
fiifti.
^tote^
70.72-2f
44
s~
35
.1*
.?
#>
3
3 ^v* m m F
m iTC kEz
1
^*#
**#
JOrlJJ.hJrrrf iTTrl
P#
^"^ yr=
4
i
1^
Jg r
gfig
Egg bfe
2*
rrrr rrr?
dint.
^ a #T #s
jj frjj crm&r
j
EOJ
f-ywfw
jj rir
i
jjJWgi^
WHttl.
tempo.
ftdi
I
i
F
l
JPJ*
is
IgjJB
fe^ Btffja ^^
h
wsdtol
flr ytfJ
=* w*m
jg
4
r'Tf
gg
1
fflft
gV Bgi jggfe
H
/
if
s f
#-*.
f^'fcrif
,
IB
gzifayif
dittt.
J ^J
=5
a
.
_i
*
~*F.
mt^{^
Qcrr
i
0M-M0 #"*-
f^
3dPo S
3t?'Lage.
^ m F ftfr ffr^g s ^^
*&. f,..fttff,
i
l yigrfCtrrrrfi
rrmsc
rr
45
Saite.
'
I B
fei
-*-
JF
crese.
* to*
^g4
^3
1|
&3 41-8Q
psi
5*A.P.)
7052-ef
:J 2
^^+
iffi
Q^fr%tg^
i^i
------
/*
36
hi*
/
*ffffftj
m
n
m
.
7*k
iJ^E^
Tit
W , *
wzzzm
^ ^
ft
i*t
p^s^
-?~
FF*
'
fc
#
i,
J
lUr
J.J
J
'
^
i=^P
'
rffft
s.
#
l Tf *
4
f
Hi! c^ctuja
*
__
+-=-# #-t-
T~F
Ir
:
f^ r
-i
jm-'
W -
<*
4
I
1
#
<W
>W
+**
l i
37 ^ fjgfef
0#
^q^
: :
LLgf +i iF3
ft*
_
.
ert?sc.
fiP ti<
tjgfe^Af
i
:=*
*T rf*""1*"
fflf fffj
i
705^5*
47
a tempo.
fi
i
*f
m *
##j *
'
Eg
**
i
It
-t-r-#
M a ^ ^ gf w t& P
ff^f
L
5
J
1
'
ft
43 I*
'
ctfl
'
fp^S
H
A
tt
ft
B **1 J.
!
8
1
jjjg jjTJ
JL
JW
Clflf
CILT
fX,f
i
70S2-2 4
Ik
fc 1 ^
:flt
V //*ZX.
bition Wtyitz
A
Select Library of Standard Instruction
(Instrumental
Works, Containing Methods, Studies, and Vocal) Send for Complete Catalog.
EDITION WHITE-SMITH and NUMBER
2
3 4
5
Three-part Inventions
Sonatas, Vol.
I
No.
53 54
Retail
KOHLER,
Method,
L. Vol.
Op. 249.
Practical Piano
Twenty-four Studies
Piano Solo
Twenty-four Studies
Piano Solo
Op.
29, 32.
BERTINI, H.
(Frantz)
BERTINI, H.
ies (Frantz)
Forty-eight Stud-
Piano Solo
Twenty-five Easy
Studies
6
7
BERTINI, H.
Studies
Op. 100.
50.
KOHLER,
V
Op. 249.
Practical
Practical
Piano Solo
Piano Piano Solo Piano
$ .50
.50
.75
.75
v
Op. 300.
I
Piano Solo
Practical
Practical
Op. 300.
II
8 9
Twenty Primary
Op. 100.
Method
58
59
KOHLER,
Lessons
Complete
L.
Op. 300.
Piano
Piano Solo
1.50
.50 .75 .50
Op. 151.
Twelve Preparatory
Piano Solo Piano Solo
Piano Solo
F.
F.
Twenty-five
.50
BURGMULLER,
Eighteen
Characteristic Studies 10 CHOPIN, F. Nineteen Nocturnes ( Klindworth) Fourteen Waltzes (Kdhler) 11 CHOPIN, F. Grand Scale Exercises Op.500. 12 CZERNY.C. 29 13 CLEMENTI.M. Gradus ad Parnassum Selected Studies (Tausig) Op. 36, 37, 38. Sonatines 14 CLEMENTI,M. ( Kdhler) 15 CZERNY, C. Op.139. One Hundred Easy Progressive Lessons (Frantz) 16 BIEHL, E. Op. 7. Easy Melodious Studies. 17 CZERNY.C. Op. 553. Six Octave Studies F. Op. 105. Twelve Brilliant 18 and Melodious Studies The Little Pianist, Op. 823. 19 CZERNY.C.
Sonatine Album 60 KUHLAU, FR. Op. 20, 55, 59. Twelve Sonatinas, Book I ( Kdhler) 61 KUHLAU.FR. Op. 20, 55, 59. Seven Sonatinas,
K OHLER, L.
Book
II (Roitzsch)
Piano Solo
of Instructive Pieces,
.50
62 63 64 65 66 67
KUHNER,
Vol.
I
C.
Album
KULLAK, TH. Op. 62, 81. Youthful Days LE COUPPEY, F. Op. 17. The Alphabet. LE COUPPEY, F. Op. 20. L'Agilrte" LEMOINE, H. Op. 37. Fifty Juvenile Studies LOESCHHORN.A. Op. 65. Studies for Be.
Piano Solo Piano Solo Piano Solo Piano Solo Piano Solo
Piano Solo
ginners,
Book Book
68
69
BURGMULLER,
Book
I
LOESCHHORN.A.
ginners, ginners,
II
Op. 65.
Op. 65.
Op. 65.
Piano Solo
Studies for Be-
.50
.50
LOESCHHORN.A.
Book
III
Piano Solo
Studies for Be-
70
71
LOESCHHORN.A.
ginners
20
21
CZERNY.C.
Book
II
The The
Little Pianist,
Complete
A.
I
Piano Solo
Op.
Op.
66.
66.
1.00
.50 .50 .50
Piano Solo
Little Pianist,
.50
.90 .50 1.25 .25 .50 .75 .50 .50 .75 .60
LOESCHHORN,
Studies,
Progressive
CZERNY.C.
Complete
Book Book
Piano Solo
A.
Progressive
Piano Solo
Op. 849. Thirty
72 73 74
75 76
LOESCHHORN,
Studies,
II
22
23 24 25 26 27 28 29 30
31
CZERNY.C.
Technics
New
Studies in
Piano Solo
A.
Piano Solo
Violin Solo
LOESCHHORN,
Studies,
Op. Op.
66. 66.
Progressive
MAZAS,
DIABELLI,
DUVERNOY,
the
F. Violin School (Blumenstengel) A. Op. 125. First Twelve Lessons J. B. Op. 120. School of
Book
III
Piano Solo
Progressive
Piano Solo
LOESCHHORN,
Studies
Complete
A.
A.
Mechanism
LOESCHHORN,
BERTINI, H.
(Boards)
1.00
.75
2.00
1.00 1.25
.30 .75 .25
HAYDN, J.
HELLER,
ercises,
GURLITT.C. Op. 107. Buds and Blossoms. HALLE. C. Piano Tutor Section I, No. 1
77 78 79
MENDELSSOHN.F. 49 Songs Without Words MOZART. W. A. 18 Sonatas Winkler) OESTEN, TH. Op. 61. May Flowers (25
(
ST. Op. 45. Twenty-five Studies 32 CZERNY.C. Op. 802. Practical Finger Ex-
Little Recreations)
1.00
.50 .50
Book
C.
Piano Solo
Practical Finger Ex-
33
CZERNY,
ercises,
Op. 802.
II
Technical Studies 213 Five Finger Exercises.. . 81 SCHMITT, A. 82 SCHUMANN, R. Op.15. Scenes from Child-
80
PLAIDY,
hood
L.
Book
Piano Solo
Thirty Progressive
.25
.50 .75
34
35
36
HELLER.ST.
Studies
Op. 46.
Piano Solo
Op. 70. Twenty-four Studies,
1.00
.60
.60
MOSCHELESJ.
Book Book
I
Piano Solo
Op. 70. Twenty-four Studies,
Op. 68, 15. Album for the Young and Scenes from Childhood 84 CESI, B.' Method for the Piano, Part I AT Y, C. Fundamental Studies, Vol. I 85 ST
83
SCHUMANN.R.
MOSCHELES.I.
II
AM
(Lavalee)
Piano Solo
ST. Op. 47. Twenty-five Studies for
37 38
39
HELLER,
86
STAMATY,
(Lavallee)
C.
Fundamental
Studies, Vol. II
Piano Solo
1.00
SPINDLER,
40
41
.50 Piano Solo Piano (Four Hands) 1.00 Piano Solo .30 Piano Solo 1.00
87 88
89 90
91
42
43 44
1.00
92 93 94 95 96 97
45
46 47
48 49 50
51
Piano School. (Boards) DIABELLI, A. Op. 149. Twenty-eight Melodious Pieces on Five Notes HUNTEN, F. Piano Method. (Boards). LOW, JOS. Op. 191. Tone Pictures L OW, JOS. Teacher and Pupil, Book I LOW, JOS. Teacher and Pupil, Book II WOHLFAHRT, H. Op. 87. The Children's Friend DANCLA,CH. Op. 52. Elementary and Progressive
gressive
DAMM, G.
Piano (Four Hands) .50 1.25 Piano Solo Piano (Four Hands) .75 Piano (Four Hands) .75 Piano (Four Hands) .75
Piano (Four Hands) .50
Violin Solo
Method, Vol.
Op.
52.
1.00
1.25
DANCLA.CH.
Part
I
Method, Vol.
Violin Solo
DE BERIOT.CH.
Op. 102.
Op. 102.
Violin School,
Violin Solo
1.00
1.00
.50
.75
DE BERIOT,
Part
II
CH.
Violin School,
Violin Solo
Method, Vol.
Piano Solo
Practical Practical Practical
,
.50
KOHLER,
L.
Op. 249.
II
Piano
98
FIORILLO,
vetzski)
F.
Method, Vol.
Piano Solo
249. 249.
.50
KOHLER,
Method,
52
KOHLER,
Method,
Piano
99
HENNING, CH.
Part
I
Piano Solo
Piano
.50
100
HENNING, CH.
lin.
Piano Sob
.50
Part II
Select Library of Standard Instruction Works, Containing Methods, Studies, Exercises and Recreations. {Instrumental and Vocal) Send for Complete Catalog.
WHEN
ORDERING, ALWAYS MENTION EDITION WHITESMITH
Retail
and
NUMBER
No.
101
No.
146
HENNING, CH.
lin,
LUTGEN,
Soprano
B.
:
Vocal
Retail
Part III
$ .75
102
103 104 105
HENNING, CH.
lin
106
107
108
109
HERMANN, F. Violin School, Book HERMANN, F. Violin School, Book II HOHMANN, C. H. Practical Violin School, Part I HOHMANN, C. H. Practical Violin School, Part II HOHMANN, C. H. Practical Violin School, Part III HOHMANN, C. H. Practical Violin School, Part IV HOHMANN, C. H. Practical Violin School,
I
Complete
147
1.50 .75 .75
.50
TOWER, W.
and
$ .50
.50 .60 1.00
Violin Solo
Violin Solo Violin Solo Violin Solo
.50
.50 .50 .50
.50 .50
.75
C. Op. 409. Fifty ing Studies, Book I 151 CZERNY, C. Op. 409. Fifty ing Studies, Book II 152 CZERNY, C. Op. 409. Fifty ing Studies, Book III 153 WIECK, F. Piano Studies
LENZ, STAINER, J.
Standard Vocal Exercises C. Solfeggios for Medium Voice W. (Ait.) Classics for the Young
Vocal
The Organ
Graad Finish-
CZERNY,
Grand Grand
Finish-
Piano Solo
Finish-
154
Part
110
111
Violin Solo
155
156
KAYSER,
Book
I
H.
H.
E. E.
Op.
Op.
20. 20.
36
Etudes,
Violin Solo
KAYSER,
Book
II
36
Etudes,
H. E. Op. 20. 36 Etudes Complete 113 URBACH, K. Prize Piano School .. (Boards) 114 KREUTZER.R. 42 Studies or Caprices (Kross) 115 KREUTZER, R. 42 Studies or Caprices
112
(Bytovetzski) F. Op. 36. 75 Melodious and Progressive Studies (Schulz) 30 Special Op. 36. Book 1 16 MAZAS, F.
KAYSER,
Violin Solo Violin Solo Piano Solo Violin Solo Violin Solo
Violin Solo
157 158
159 160
161
LEBERT and STARK. II (Boards) LEBERT and STARK. III. (Boards) LEBERT and STARK.
IV (Boards)
Piano Solo
Piano School, Part
Piano Solo
Piano School, Part
1.00 1.00
Piano Solo
Piano School, Tart
Piano Solo
3.50
.75 1.00 .30
BEYER,
(
2.00
.50
F. Heartz)
Op. 101.
Piano Solo
Violin Sole Piano Sole
.50
FERRARA.B. The Study of the Violin, Book I OESTEN, TH. Op. 94. Golden Pearls CZERNY, C. Op. 299. School of Velocity,
Book
I
MAZAS,
Piano Solo
C. C. C. C.
.25
Studies
117
MAZAS, MAZAS,
F.
Book Book
II
Studies
118
119 120 121 122 123
F. Studies
III
27 18
162
.60
.60
CZERNY,
Book
II
Op. 299.
School of Velocity,
Piano Solo
Op. 299. Op. 299. Op. 299.
School of Velocity,
!
.25
.25
.25
Violin Solo
163 164
CZERNY,
Book
Brilliant
III
Violin Solo
Artist Violin Violin Violin Violin Violin
CZERNY,
Book IV
SCHUBERT.L. SCHUBERT.L.
Op. 50. Violin School, Vol. I Op. 50. Violin School, Vol. II
SCHRADIECK,
TOURS,
B.
ercises
H.
The
165
CZERNY,
locity,
LOESCHHORN, A.
Book
I
Complete
Piano Solo
Op. 136.
Op. Op.
136. 136.
.60 .50
.50
School of Ve-
Piano Solo
A.
II
WOHLFAHRT.FR.
Book
I
LOESCHHORN,
Velocity,
School School
of
Book
Book
Piano Solo
of
124
125
WOHLFAHRT.FR.
(1st Pos.)
LOESCHHORN,
Velocity,
A.
III
Sixty Studies,
Violin Solo .50
.50
Piano Solo
Piano Solo
Piano Solo
.50
WOHLFAHRT.FR.
Book
II (3d Pos.)
LOESCHHORN.A.
Sixty Studies,
Violin Solo
126
127
and Melodious Studies, Book II (3d Pos.) 128 WOHLFAHRT, FR. Op. 38. Elementary
WOHLFAHRT, FR. Op. 74. 50 Easy Melodious Studies, Book I (1st Pos.) WOHLFAHRT, FR. Op. 74. 50 Easy
Method
and
Violin Solo Violin Solo
.50 .50
Studies for Beginners, Book I A. Op. 84. Sixty Melodious Studies for Beginners, Book II 171 LOESCHHORN, A. Op. 84. Sixty Melodious Studies for Beginners, Book III ... 172 ALARD, D. Complete and Progressive Meth-
170
LOESCHHORN,
Piano Solo
Violin Solo Violin Solo
Violin Solo
.50
od,
Book
129 130
131
SCHRADIECK,
PLEYEL,
gressive
I.
1.00
.50 .50
173
Duets
Two
(Hermann)
I
Violins
D. Complete and Progressive Method, Book II (Kanrich) 174 MAZAS, F. Complete Violin Method and Pleyel's Duets, Op. 8 (Boards)
175
ALARD,
Kanrich)
1.00
1.00
1.00
DANCLA, CH.
RODE,
WICHTL,
G.
The Young
Violinist
132 133
134 135
136
Violin Violin
.75 .50
(Boards $1.25)
Violin Solo
1.00
.75 .75 1.25
176
CRAMER,
(von
B.
(von Biilow)
Piano Solo
50 Selected Studies, Part
II
.50
.50
.50
CRAMER, J. B.
Bulow)
J.
J. J.
STREABBOG,
63.
64.
Twelve Easy
Piano Solo
Twelve Easy
Mandolin
for for
.
Piano Solo
B.
CRAMER, CRAMER,
IV
178 179
BRANZOLL
G.
Method
F.
I
for the
CHRISTOFARO,
Mandolin, Vol.
de. de.
Method
the
Mandolin
1.00
i.00
,50
B. B.
180
CHRISTOFARO,
SMITH,
r
.
F.
Method
the
(von Biilow)
137 138
139
CRAMER,
.50
181
1.50
Mandolin
Mandolin
182
140
BEHNKE and PEARCE. Voice Exercises for Soprano BEHNKE and PEARCE. Voice Exercises for Mezzo Soprano BEHNKE and PEARCE. Voice
Training
.75
CARCASSI, M.
Method
Complete (Jacobs)
183
Training
Vocal
.75
CARCASSI, M.
Method
Mandolin
Guitar
Guitar
Flute
Clarinet Clarinet Clarinets Clarinets
1.50
1.25 1.25
Traiuing
Vocal
.75
184
Exercises for Bass 141 BONA, P. Rhythmical Articulation (English and Italian Text) Fifty Lessons for Op. 9. 142 CONCONE, J. Medium Voice, Book I (with words) 143 CONCONE, J. Op. 9. Fifty Lesons for Medium Voice, Book II (with words) 144 CONCONE, J. Op. 12. Fifteen Vocalises for Soprano or Mezzo
185
186 187 188 189
Vocal
Vocal
1.00
.75
Vocal
Vocal Vocal
Abridged (Jacobs) (Boards) Method for the Flute B. T. and L.Drouet's 24 Studies in all Keys (Bds) KLOSE, H. Method for the Clarinet Complete and Kuffner's 50 Progressive Duets. KLOSE, H. Method for the Clarinet Abridged and Kuffner's 50 Progressive Duets KLOSE, H. Fifteen Grand Morceaux KUFFNER.J. Op.80. Fifty Progressiva Duets
BERBIGUIER,
3.00
1
Two Two
.75
.50
ARBAN,
J.
B.
Method
I
for
the
Comet.
Cornet
1.00
1.00 1.50
foi
Abridged
190
191
145
CONCONE, J.
Voice
Op.
17.
40 Lessons
for
Low
.50
SAINT-JACOME.
Grand Method
the
KUMMER,
Cornet, Part
Cornet
F. A.
Violoncello
DATE DUE
'
lr
,prioi9;
OCT
9
i
0i2
DEM co
38-r: )7