This paper investigates the attitude of consumers towards visual merchandising in Apparel Purchase Decision. A store has to display the product in a way that it attracts the customer and persuade them to buy the product. Consumers expect to shop in a store with good ambience.
This paper investigates the attitude of consumers towards visual merchandising in Apparel Purchase Decision. A store has to display the product in a way that it attracts the customer and persuade them to buy the product. Consumers expect to shop in a store with good ambience.
This paper investigates the attitude of consumers towards visual merchandising in Apparel Purchase Decision. A store has to display the product in a way that it attracts the customer and persuade them to buy the product. Consumers expect to shop in a store with good ambience.
This paper investigates the attitude of consumers towards visual merchandising in Apparel Purchase Decision. A store has to display the product in a way that it attracts the customer and persuade them to buy the product. Consumers expect to shop in a store with good ambience.
37 The Role of Visual Merchandising in Apparel Purchase Decision 2014 IUP. All Rights Reserved.
The Role of Visual Merchandising
in Apparel Purchase Decision * Associate Professor, Department of Fashion Management Studies, National Institute of Fashion Technology, Dharmasala, Mangaattuparamba, Kannur 670 562, Kerala, India. E-mail: m_krishna34@hotmail.com M Krishnakumar Introduction As the retail business moves from the product to the spacethe storewhere all the things happen, the shopping ambience has become important now, with the retailer giving their stores a contemporary and consumer-friendly design, and consumers expecting to shop in a store with good ambience. Shopping has become a brand experience rather than merely a transaction (Singh, 2009). The moment of real purchase takes place at the point of purchase where the decision on how much to buy is made. The stores future depends on what the consumer sees and experiences at the store (Lamba, 2003). Retail design and visual merchandising play a crucial role in creating this difference. Visual merchandising, also regarded as a silent salesman, is the science and art of suggestive selling by display and presentation. Visual merchandising focal points are placed strategically in the store and communicate the features and benefits of the merchandise. An effective window As retail business is moving towards new phases, the emphasis is slowly changing from the product to the spacethe storewhere all the things happen. The shopping ambience becomes so important now, with retailers being interested in giving their stores a contemporary and consumer-friendly design. Consumer behavior, which was earlier termed as overt behavior, is a continuous consumption process related to pre-purchase, purchase and post-purchase issues. A store has to display the product in a way that it attracts the customer. Visual merchandising is an art of displaying the things in an attractive way so that it could attract the attention of the customer and persuade them to buy the product. An effective visual merchandising will play a significant role in the consumers purchase decision. This paper investigates the attitude of consumers towards visual merchandising in apparel purchase decision. The IUP Journal of Management Research, Vol. XIII, No. 1, 2014 38 display will attract the passerby and convert them into browsers and spenders through the process of conversion. Retail companies are increasingly spending on both the environment and the fixtures and stylish fittings, emphatic lighting and digital signage, and are in for an international appeal and inviting feel (Nupur, 2009; and Arti, 2010). Review of Literature Consumer Behavior Consumer behavior which was earlier termed as overt behavior is a continuous consumption process related to pre-purchase, purchase and post-purchase issues. This refers to the physical action of consumers that can be directly observed and measured by others. According to Solomon and Rabolt (2004), consumer behavior is the study of the processes involved when individuals or groups select, purchase, use or dispose products, services, ideas or experiences, to satisfy their needs and desires. According to Kardes (2002), consumer behavior is the study of human or consumer responses to products and services; and the marketing of products and services. The concept of modern consumer behavior is that people mostly buy products not for what they do but for what they stand for. This concept implies that the product plays a role beyond their functional purposes for which they are actually meant. For example, among the products having similar or equal qualities or features, a consumer may select the product which has an image. Consumers tend to establish a relationship with the product they like (Paromita, 2007; Paul and Olson, 2007; and Saumya et al., 2010). Visual Merchandising Every customer wants to see the product before they purchase. The store has to display its products in a manner that attracts the customer. Visual merchandising is an art of displaying the things in an attractive way so that it could attract the attention of the customer and persuade them to buy the product. It is the use of visual effects to stimulate the customers to buy. It is the means to communicate a stores fashion message to a prospective customer. Visual statements made in the store windows or displays are the customers first view with the store. And since many similar fashions are available, creating a unique impression on the customer is the basis for the survival of a retail store. So the display must effectively convey the stores image and fashion focus. It is also termed as the silent salesperson (Gopal, 2006; Martin, 2007; and Pooja, 2010). Visual merchandising is a team effort involving management, merchandising manager, visual merchandiser, sales associates and so on. Visual merchandising is done based on merchandising themes. Merchandising themes are planned many months in advance in conjunction with the seasons, store promotion and arrival of new merchandise. Visual merchandising is related to retail merchandising. 39 The Role of Visual Merchandising in Apparel Purchase Decision The difference is that visual merchandising is the process of using appealing visual effects to stimulate sales (Sharmila and Anjali, 2008), whereas retail merchandising is the process of actually making those sales. The factors to be considered while designing a store are: Designing the sections keeping the various categories in mind; Designing a merchandise plan for the store. The architect should be able to maintain and reveal the merchandise plan as it is the initial point for any retail store design; The layout should be designed in such a manner that the flow of traffic within the store is regulated; and Front elevation is a crucial factor while designing/planning the store (Ernest, 1987; Ellen, 2007; and Michael et al., 2008). Visual merchandising uses fundamental design principles while working with various materials and colors. A successful visual display is made in a variety of forms like: themes, colors, mannequins, forms, fixtures, hangings, poles or stands, platforms, paintings and wall-decoration, fabrics, table cloths and banners, tables and furniture, lighting effect, accessories and props and music (Gini, 2005; Kisholo, 2008; and Vedamani, 2010). Visual Merchandising Techniques Visual merchandising techniques are mainly of two types: 1. Interior Display; and 2. Exterior or Window Display. Interior Display As a customer walks inside the store, the interior display should guide and persuade the customer to purchase (Icfai University, 2003; and Retail Customer Experience Magazine, 2008). The interior display of the store includes the following: Store Layout: The plan that allocates a specific location or space to each of the merchandise departments as well as each of the non-selling areas; e.g., Mens wear, womens wear, etc. Store Design: The decorative style or dcor used by the store to convey the image it wants to project to the customer. This includes a selection of wall-coverings, carpets, furnishings, shelves, dividers, pictures and planters. Display Space: Free spaces which are used for display, e.g., columns, ledges (built in shelves), platforms, islands, fascia (shelves used to hide recessed lighting), walls, shadow boxes and hangings. Vignettes: A product or group of products shown in use in a special small space is a vignette. Item Display: A single garment or accessory may be featured in an item display; different colors and sizes of one product. The IUP Journal of Management Research, Vol. XIII, No. 1, 2014 40 Assortment Display: A display that shows, identities and prices of each of the style currently in a section of stock. Other Types: The other types of interior display include: Counter card: A hanging card which describes the good qualities Signage: This refers to all the printed wordings that carry the stores message to the customers and embodied in all manner of shapes and forms, simple and elaborate (Newman and Peter, 2008). Exterior Display An exterior display attracts the prospective customers who pass by or who are at a distance. The exterior display includes: window display and store front. Window Display: A store window is useful for selling merchandise, promoting an idea or publicizing the store. The primary function of a window display is to make the passerby purchase. They are designed in such a way that they convey one of the several different kinds of messages to the customer, to show seasonal trends in fashion colors or looks, to show how to wear a specific merchandise to achieve a particular look, or to show what the store has available at various price lines (Business Standard, 2006; and Sandhya, 2008). There are different types of window displays used: (a) Closed-back window; (b) Corner window; (c) Elevated window; (d) Island window; (e) Lobby window; (f) Masked window; (g) Mock window; (h) Open-backed window; (i) Ramped or racked window; and (j) Shadow-box window. Store Front: The store front is the area that is surrounding the entrance way. There are four different types of store fronts: (1) Straight front; (2) Angled front; (3) Arcade front; and (4) Corner front. Visual Merchandising in India When compared to the western countries, visual merchandising in India is still at its nascent stage. In western countries, it is very much organized and given significant consideration in the corporate planning activities. But in India, it is in the initial stage and is coming up very actively. Indian retailers have realized the importance of visual merchandising in attracting the customers, increasing the footfalls, providing unique shopping experience, and creating the actual purchase (Images Retail, 2008; and Retail Biz, 2009). Retail companies are increasingly spending on both the environment and the fixtures and stylish fittings; emphatic lighting and digital signage for an international appeal and inviting feel. According to the industry estimates, an average of 25-40 lakhs is being spent per store. For example, Arrow spent about 2 crore on what it claims to be its largest store in the world at Bangalore (4000 sq.ft). Wrangler had done up its most recent 41 The Role of Visual Merchandising in Apparel Purchase Decision store based on the cowboy theme to reflect its brand image. It spent about 1.5 crore on its 3000 sq.ft store in Bangalore. While most brands and retailers outsource work to design houses both local and international, Future group has its own in- house design company, Idiom, which employs close to 200 people who are constantly working on design ideas. Globally, the store design concepts are changed once in two to three years. In India, most of them do it in once in five years. The store concept is changed once the market reaches saturation level (Srinivasan, 2006; The Economic Times, 2006; and Kishore, 2007). Objectives of the Study The study aims to achieve the following objectives: To understand the attitude of consumers towards visual merchandising in apparel purchase decision; To create awareness among the retailers about visual merchandising; and To determine the visual merchandising factors that influence apparel purchase decision. Research Methodology This study is exploratory in nature. The area selected for the study is Coimbatore, Tamil Nadu, and is done during 2011. Coimbatore is a cosmopolitan city inhabited by people belonging to different categories. The cost of living is medium and the peopl e gi ve much i mportance to shoppi ng experi ence. Non-probabi l i ty- convenience sampling method was selected for the study. The respondents are individuals of household. A sample size of 100 respondents was selected for the study. Data was collected through a questionnaire survey (refer Appendix). The questionnaire was given to the respondents with a request to return after completing the same. The respondents were asked to rate their answers on a 5- point Likert type scale ranging from 1 Highly Agree to 5 Highly Disagree. Before applying this method, a pilot study for testing the questionnaire was conducted. This reveals the weaknesses of the questionnaire, if any. Open-ended questions were designed to get free responses from the respondents who give actual facts. The data was analyzed and interpreted using simple percentage analysis, ranking, Analysis of Variance (ANOVA) and t-test. Results and Analysis Descriptive Statistics The demographic details showing the age, gender, occupation and qualification of the sample are presented in Table 1. The IUP Journal of Management Research, Vol. XIII, No. 1, 2014 42 Agreeability of Visual Merchandising Statements It is observed from Table 2 that the overall weighted average is 1.807, which means that a majority of the customers have responded between Highly Agree and Agree. This shows that visual merchandising plays a significant role in the apparel purchase decision. Table 2: Agreeability of Visual Merchandising Statements 1. Visual merchandising is helpful in 48 44 8 0 0 making apparel purchase decision 2. I prefer to shop in the store, where visual 38 56 6 0 0 merchandising is done attractively 3. Store front plays important role in 43 50 4 3 0 attracting the customer Highly Agree Dis- agree Neutral Agree Statements S. No. Highly Dis- agree Table 1: Descriptive Statistics Age (Years) No. of Respondents Percentage < 18 6 6 18-25 27 27 25-32 29 29 > 32 38 38 Total 100 100 Gender Male 58 58 Female 42 42 Total 100 100 Occupation Business 18 18 Professional 31 31 Employee 23 23 Other 28 28 Total 100 100 Qualification School 8 8 Diploma 8 8 Undergraduate (UG) 45 45 Postgraduate (PG) 39 39 Total 100 100 43 The Role of Visual Merchandising in Apparel Purchase Decision Table 2 (Cont.) 4. Store design is also important in purchasing criteria 33 54 10 3 0 5. Visual merchandising done in accordance with the merchandise theme increases the chance of buying decision 23 60 17 0 0 6. Good lighting will enhance apparel buying decision 55 38 7 0 0 7. Good mild music will create mood and induce the purchase decision 41 44 15 0 0 8. Like to see catalogues to make purchase decision 33 46 17 4 0 9. Tend to buy on impulse 21 41 27 11 0 10. Visual merchandising with related accessories will increase chances 33 50 12 5 0 of purchase decision Total 368 483 123 26 0 Average 36.8 48.3 12.3 2.6 0 Percentage (%) 36.8 48.3 12.3 2.6 0 Weighted Sum 368* 483* 123* 26* 0 1=368 2=966 3=369 4=104 Weighted Average 1807/1000 = 1.807 Highly Agree Dis- agree Neutral Agree Statements S. No. Highly Dis- agree Ranking Analysis Ranking of Visual Merchandising Factors It is observed from Tables 3 and 4 that the total weighted average shows that Quality gets Rank 1, Color gets Rank 2, Style/Design gets Rank 3, Size gets Rank 4, Price gets Rank 5 and How to Dress gets Rank 6. Table 3: Ranking of Visual Merchandising Factors Factors Rank 1 Rank 2 Rank 3 Rank 4 Rank 5 Rank 6 Total Style/Design 20 17 18 25 8 12 100 Color 12 22 27 24 9 6 100 Price 8 16 14 13 25 24 100 Quality 31 22 17 10 11 9 100 How to Dress 11 15 9 11 15 39 100 Size 20 10 10 22 32 6 100 The IUP Journal of Management Research, Vol. XIII, No. 1, 2014 44 Average Rank: Age of the Respondents vs. Visual Merchandising It is observed from Table 5 that consumers below 18 years of age gave Color Rank 1, whereas other age group consumers gave Quality Rank 1, for visual merchandising. H 0 :There is no significant difference between the opinions about visual merchandising among the age groups. It is observed from Table 6 that the F-value is less than the table value, so the null hypothesis is accepted. It means that there is no significant difference between the opinions about visual merchandising among the age groups. Table 4: Weighted Average Ranking of Visual Merchandising Factors Factors Rank Rank Rank Rank Rank Rank Total Weighted Rank 1 2 3 4 5 6 Avg. Style/Design 120 85 72 75 16 12 380 63.33 3 Color 72 110 108 72 18 6 386 64.33 2 Price 48 80 56 39 50 24 297 49.50 5 Quality 186 110 68 30 22 9 425 70.83 1 How to Dress 66 75 36 33 30 39 279 46.50 6 Size 120 50 40 66 64 6 346 57.67 4 Table 5: Average Rank Age of the Respondents vs. Visual Merchandising Style/Design 4.33 5 2.96 2 3.28 2 3.13 3 Color 2.17 1 3.48 4 3.28 2 2.95 2 Price 5.17 6 3.81 5 3.72 5 4.24 6 Quality 3.50 4 2.52 1 2.86 1 2.71 1 How to Dress 3.00 2 4.63 6 4.41 6 3.95 5 Size 3.17 3 3.44 3 3.48 4 3.71 4 Visual Merchandising Age (Years) <18 18-25 25-32 > 32 Mean Rank Mean Rank Mean Rank Mean Rank 45 The Role of Visual Merchandising in Apparel Purchase Decision Average Rank: Gender of the Respondents vs. Visual Merchandising It is observed from Table 7 that male consumers gave Quality Rank 1 and How to Dress Rank 6, for what they see as visual merchandising, whereas female consumers gave Quality Rank 1 and Price Rank 6. H 0 :There is no significant difference in the opinions about visual merchandising between male and female consumers. It is observed from Table 8 that the F-value is less than the table value, so the null hypothesis is accepted. It means that there is no significant difference in the opinions about visual merchandising between male and female consumers. Table 8: ANOVA Single Factor Opinion About Visual Merchandising Between Genders Source of Variation SS df MS F-Value p-Value F-Crit Between Groups 0.0030080 1 0.003008 0.009636 0.923741 4.964591 Within Groups 3.1218830 10 0.312188 Total 3.124892 11 Note: SS Sum of Squares; MS Mean Square; df Degrees of freedom. Table 6: ANOVA: Single Factor Opinion About Visual Merchandising Among the Age Groups Source of Variation SS df MS F-Value p-Value F-Crit Between Groups 0.039283 3 0.013094 0.022901 0.99515 3.098393 Within Groups 11.435900 20 0.571795 Total 11.47518 23 Note: SS Sum of Squares; MS Mean Square; df Degrees of freedom. Table 7: Average Rank Gender of the Respondents vs. Visual Merchandising Style/Design 3.24 3 3.14 2 Color 3.03 2 3.29 3 Price 4.02 5 4.05 6 Quality 2.62 1 2.93 1 How to Dress 4.36 6 4.00 5 Size 3.52 4 3.57 4 Visual Merchandising Gender Male Female Mean Rank Mean Rank The IUP Journal of Management Research, Vol. XIII, No. 1, 2014 46 Average Rank: Occupation of the Respondents vs. Visual Merchandising It is observed from Table 9 that business group consumers gave Quality Rank 1 and Price Rank 6, professional and other group consumers gave Quality Rank 1 and How to Dress Rank 6, employee group consumers gave Style/Design Rank 1 and How to Dress and Price both Rank 5, for what they see as visual merchandising. H 0 :There is no significant difference in the opinions about visual merchandising among occupation groups. It is observed from Table 10 that the F-value is less than the table, value so the null hypothesis is accepted. It means that there is no significant difference in the opinions about visual merchandising among the occupation groups. Average Rank: Qualification of the Respondents vs. Visual Merchandising It is observed from Table 11 that school group consumers gave Quality Rank 1 and Style/Design and How to Dress equally Rank 5, diploma group consumers gave Quality Rank 1 and How to Dress Rank 6, UG group consumers gave Quality Table 10: Anova: Single Factor Opinion Visual Merchandising Among the Occupation Groups Source of Variation SS df MS F-Value p-Value F-Crit Between Groups 0.00435 3 0.00145 0.003617 0.999689 3.098393 Within Groups 8.0173 20 0.400865 Total 8.02165 23 Note: SS Sum of Squares; MS Mean Square; df Degrees of freedom. Style/design 3.50 4 3.29 4 2.83 1 3.21 2 Color 3.06 2 3.00 2 3.13 3 3.36 3 Price 4.56 6 4.06 5 4.09 5 3.61 4 Quality 2.67 1 2.94 1 2.96 2 2.43 1 How to dress 3.44 3 4.55 6 4.09 5 4.43 6 Size 3.61 5 3.13 3 3.65 4 3.86 5 Visual Merchandising Mean Rank Mean Rank Mean Rank Mean Rank Table 9: Average Rank Occupation of the Respondents vs. Visual Merchandising Occupation Business Professional Employee Other 47 The Role of Visual Merchandising in Apparel Purchase Decision Rank 1 and Price Rank 6, PG group consumers gave Style/Design Rank 1 and How to Dress Rank 6, for what they see as visual merchandising. H 0 :There is no significant difference in the opinions about visual merchandising among qualification groups. It is observed from Table 12 that the F-value is less than the table value, so the null hypothesis is accepted. It means that there is no significant difference between the opinions about visual merchandising among the qualification groups. ANOVA Total Agreeability Factors vs. Age of the Respondents H 0 :The age of the respondents has no significant influence on agreeability factors considered in the study. It is observed from Table 13 that F-value is greater than the table value, so the null hypothesis is rejected. It means that the age of the respondents has significant influence on agreeability factors considered in the study. Table 12 : Anova: Single factor Qualification of the Respondents vs. Visual Merchandising Source of Variation SS df MS F-Value p-Value F-Crit Between Groups 0.056567 3 0.018856 0.037897 0.989832 3.098393 Within Groups 9.950833 20 0.497542 Total 10.0074 23 Note: SS Sum of Squares; MS Mean Square; df Degrees of freedom. Style/Design 4.13 5 3.88 4 3.38 3 2.67 1 Color 2.88 2 2.75 2 2.87 2 3.59 4 Price 3.50 3 4.00 5 4.60 6 3.49 3 Quality 2.25 1 2.50 1 2.76 1 2.90 2 How to Dress 4.13 5 4.00 6 3.91 5 4.62 6 Size 4.00 4 3.13 3 3.38 3 3.72 5 Visual Merchandising Mean Rank Mean Rank Mean Rank Mean Rank Table 11: Average Rank Qualification of the Respondents vs. Visual Merchandising Qualification School Diploma Undergraduate (UG) Postgraduate (PG) The IUP Journal of Management Research, Vol. XIII, No. 1, 2014 48 Table 13: ANOVA - Total Agreeability Factors vs. Age of the Respondents Sum Sum of Squares df Mean Square F-Value Sig. Between Groups 45.724 3 15.241 1.243 0.298 Within Groups 1176.786 96 12.258 Total 1222.510 99 Total Agreeability Factors vs. Occupation of the Respondents H 0 : The occupation of the respondents has no significant influence on agreeability factors considered in the study. It is observed from Table 14 that F-value is greater than the table value, so the null hypothesis is rejected. It means that occupation of the respondents has significant influence on agreeability factors considered in the study. Table 14: ANOVA Total Agreeability Factors vs. Occupation of the Respondents Sum Sum of Squares df Mean Square F-Value Sig. Between Groups 307.729 3 102.576 10.765 0.000 Within Groups 914.781 96 9.529 Total 1222.510 99 Total Agreeability Factors vs. Qualification of the Respondents H 0 : The qualification of the respondents has no significant influence on agreeability factors considered in the study. It is observed from Table 15 that F-value is greater than the table value, so the null hypothesis is rejected. It means that qualification of the respondents has significant influence on agreeability factors considered in the study. Table 15 : ANOVA Total Agreeability Factors vs. Qualification of the Respondents Sum Sum of Squares df Mean Square F-Value Sig. Between Groups 204.668 3 68.223 6.435 0.001 Within Groups 1017.842 96 10.603 Total 1222.510 99 t-TEST t-Test: Total Agreeability Factors vs. Gender of the Respondents It is inferred from Table 16 that the t-test analysis is performed between agreeability factors in the study and gender of the respondents. The mean value of male respondents is 18.33 and standard deviation is 3.26; the mean value of female 49 The Role of Visual Merchandising in Apparel Purchase Decision respondents is 17.71 and standard deviation is 3.85. According to the t-test analysis, t-value is 0.860 and p-value is 0.392, which is greater than the level of significance. It is not significant and hence it is concluded that the gender of the respondents has no significant influence on agreeability factors. Findings of the Study The major findings of this study are as follows: 48% of the respondents agreed that visual merchandising is helpful in making apparel purchase decision. 56% of the respondents agreed to be preferring to shop in the store where visual merchandising is attractive. 50% of the respondents agreed that the store front plays an important role in attracting the customers. 54% of the respondents agreed that store design is also an important criterion for making a purchase. 60% of the respondents agreed that visual merchandising should be done in accordance with the merchandise theme. 55% of the respondents highly agreed that good lighting will enhance apparel buying decision. 44% of the respondents agreed that mild music creates good mood and induces the purchase decision. 46% of the respondents like to see catalogs to make purchase decision. 41% of the respondents tend to buy on impulse. 54% of the respondents agreed that visual merchandising related to accessories will change the purchase decision. A majority of the respondents prefer quality and color. Average Rank Quality and style design are mostly preferred by respondents in the age group of above 32 years. Male respondents prefer more factors then female respondents. Gender N Mean SD t-Value p-Value S/NS Male 58 18.33 3.26 0.860 0.392 Not Significant Female 42 17.71 3.85 Table 16: t-test Total Agreeability Factors vs. Gender of the Respondents The IUP Journal of Management Research, Vol. XIII, No. 1, 2014 50 Quality and style design are mostly preferred by employees and diploma holders. ANOVA Age of the respondents has no significant influence on agreeability factors considered in the study. Occupation of the respondents has a significant influence on the agreeability factors considered in the study. Qualification of the respondents has a significant influence on the agreeability factors considered in the study. t-Test Gender of the respondents has no significant influence on the agreeability factors. Conclusion The study shows that visual merchandising plays a significant role in apparel purchase decision of the consumers. Customers expectations change periodically and retailers must realize the significance of these expectations and offer them a congenial environment to attract and retain them. The customers now demand the state-of-the-art service, global standard of the product, and a shopping experience on a par with international level (Thirulogochander and Jarang, 2006). In the retailers strategy, visual merchandising facilitates creating an innovative platform to present merchandise in 3D environment, thereby making it possible to have a long-lasting impact on the customer and recall value. Apparel retailers must consider various factors like store design, layout, store front, display themes, lighting, music, etc. while making visual presentation. Visual merchandising requires innovative, creative and presentation expertise, and also requires good planning. Retailers should allocate certain percentage of their sales for visual merchandising. It gives a competitive advantage and facilitates in creating an overall image of the store. As organized retailing gains momentum, there is no doubt that visual merchandising will play a significant and crucial role in apparel retailing in the future. Limitations of the Study: The survey is mostly restricted to small, local population sets. The sample size is limited, therefore, the data does not represent the actual facts. Time constraint and bias on the part of the respondent while answering the questions are also some other limitations of the study. Suggestions: The study includes the following suggestions: Much consideration and emphasis should be given to store design and store front so that they are very attractive to the customers. 51 The Role of Visual Merchandising in Apparel Purchase Decision The display should be done using themes mainly in accordance with the merchandise being sold. Playing mild music will influence the consumers buying behavior. The music played depends on the merchandise being sold and the target audience, and also it depends on the time and occasion. Devotional music may be played during the morning hours and other mild music during other hours (Kisholo, 2008). Proper and effective lighting should be done to enhance the display effects. The factors to be considered in lighting decisions are type, color, location, intensity of the light, etc. Attractive and detailed catalogue may be prepared and kept in the store for customers reference to help them make effective and efficient decisions. Apparel retailers should include a significant proportion of related accessories and impulse items in their Stock Keeping Units (SKUs) to enable more and additional sales. Scope for Future Study: The present study focuses on the respondents in Coimbatore city only. The same study could be conducted in different cities to understand the similarity of consumer behavior towards visual merchandising in apparel purchase decision. Further, the study can focus on the rural and urban population to find out if there is any difference in opinion between them. More number of factors contemporary to the study period may be included. References 1. Arti K (2010), See the Light?, available at http://www.indiaretailing.com/ see-the-light.asp 2. Business Standard (2006), Retailers Focusing on Window Displays to Stand Out, April 15. 3. Ellen D (2007), Fashion Retailing: A Multi-Channel Approach, 2 nd Edition, Pearson. 4. Ernest H R (1987), Retail Merchandising: Concepts, Dynamics and Applications, Merrill Publishing. 5. Gini S F (2005), Fashion: From Concept to Consumer, 7 th Edition, Pearson. 6. Gopal V V (2006), Important of Visual Display & Layout in Driving Foot Balls, Marketing Mastermind, pp. 49-52. 7. Icfai University (2003), Store Layout, Design and Visual Merchandising Retail Management, p. 349. 8. Images Retail (2008), Store Visit: Shoppers Stop, February, pp. 32. The IUP Journal of Management Research, Vol. XIII, No. 1, 2014 52 9. Kardes F R (2002), Consumer Behavior and Managerial Decision Making, 2 nd Edition, Prentice Hall, Upper Saddle River, NJ. 10. Kisholo R (2008), Background Music: A Tool to Boost Sales in Organized Retail, Marketing Mastermind, pp.17-19. 11. Kishore B (2007), The Adverse Impact of Wall Mart, Indian Management, Vol. 46, No. 2007, pp. 31-35. 12. Lamba A J (2003), The Art of Retailing Retail Operations, p. 387, Tata Mc Graw Hill. 13. Martin M P (2007), Visual Merchandising and Display, 5 th Edition, Fairchild. 14. Michael L W, Barton A and Pandit A (2008), Store Layout, Design and Visual Merchandising, Retail Management, 6 th Edition, Tata McGraw Hill, p. 587. 15. Newman A J and Peter C (2008), Signage: Retail Marketing Operations, Retailing Environment & Operations, 3 rd Indian Report, Cengage Learning, Australia, pp. 264 16. Nupur C (2009), The Wow Factor, Images Retail, p. 50. 17. Paromita G (2007), Apparel Shopping Behaviour of Urban Indian College Students, The Icfaian Journal of Management Research, Vol. 6, No. 4, pp. 57-71. 18. Paul P J and Olson J C (2007), Consumer Behaviour and Marketing Strategies, 7 th Edition, McGraw Hill. 19. Pooja D K (2010), Visual Merchandising: A Silent Salesman of Retailers, Marketing Mastermind, February, pp. 29-33. 20. Retail Biz (2009), The Loot : Giving You the Best Value for Money, July, p. 44. 21. Retail Customer Experience Magazine (2008), Store Layout and Design, available at www.retailcustomerexperiance.com, April. 22. Sandhya D (2008), Walk in through the Window, Retail Plus, Chennai, available at http://www.hindu.com/rp/2008/06/22/stories/20080 62250050100.htm. 23. Sharmila D and Anjali K (2008), Visual Merchandising: The Changing Scenario, available at http://www.fibre2fashion.com/industry-article/13/1212/visual- merchandising-the- changing-scenario3.asp, July 2. 24. Singh H (2009), Presenting Merchandise, Retail Management: A Global Persepective, 1 st Edition, S Chand and Co., p. 315. 25. Solomon M R and Rabolt N J (2006), Consumer Behavior in Fashion, Pearson Education. 53 The Role of Visual Merchandising in Apparel Purchase Decision 26. Soumya S, Munmun D and Sumanta B (2010), Factors Affecting Consumer Buying Behavior of Shoes in Kolkata: A Case Study, The IUP Journal of Management Research, Vol. 9, No. 4. 27. Srinivasan (2006), World Class Shopping in Coimbatore Too, The Hindu Property Plus. 28. The Economic Times (2006), On the Store Front, March 13, p. 9. 29. Thirulogochander and Jarang V (2006), Shoppertainment, Marketing Mastermind, June, p. 29. 30. Vedamani G G (2010), Retail Management Functional Principles and Practices, 3 rd Edition, Jaico Publishing House. Questionnaire: Implications of Visual Merchandising in Apparel Purchase Decision in Coimbatore, Tamil Nadu Appendix S. No. Statements 5 4 3 2 1. Visual merchandising is helpful in making apparel purchase decision. 2. You prefer to shop in the store where visual merchandising is done attractively. 3. Store front plays an important role in attracting the customer to the store (or) you will be attracted by good store front. 4. Store design is also an important purchasing criterion. 5. Visual merchandising done in accordance with the merchandise theme increases buying decision. 6. Good lighting will enhance apparel buying decision. 7. A good mild music will create mood and induce the purchase decision. 1 Please ) in the correct box The IUP Journal of Management Research, Vol. XIII, No. 1, 2014 54 Reference # 02J-2014-01-04-01 Appendix (Cont.) S. No. Statements 5 4 3 2 1 8. You like to see catalogs to make your purchase decision. 9. You tend to buy on impulse, as seeing the PoP (point of Purchase) display near the cash counter. 10. Visual merchandising with related accessories will increase chances of purchase. 11. You see visual merchandising to know about Style / Design Color Price Quality How to Dress Size 12. Respondents Detail 1. Name : --------------------------------------------------------- 2. Age (Years) : -------------------------------------------------------- 3. Gender : Male Female 4. Occupation : Business Professional Employee Other 5. Qualification : School Diploma Undergraduate Postgraduate Note: 1 Highly Agree; 2 Agree; 3 Neutral; 4 Disagree; 5 Highly Disagree.
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