CATALOGUE

REPUBLIC OF FRITZ HANSEN

CONTENTS
REPUBLIC OF FRITZ HANSEN 4 15
CHAIRS 16 57
LOUNGE 58 93
SOFA 94 109
TABLES 110 141
LIGHTING & ACCESSORIES 142 159
PROFILE & MATERIALS 160 195
5
Production of the Swan

, 2008
The story begins in 1872. Fritz Hansen, master cabinet-maker
aged 25, leaves his home town of Nakskov for the capital,
Copenhagen, obtains a trade license and sets up his frst cabinet
making business in small rented premises.
1885 is a decisive year. Fritz Hansen starts a furniture production
of his own, with his own furniture programme. In 1898, a sawmill is
established north of Copenhagen, in Lillerd. Fritz Hansen is
already well known for quality, as has been a matter of course ever
since. In 1899, Fritz Hansen hands the business over to his son,
Christian E. Hansen. Amongst other prestigious contracts, he wins
orders for the Danish Parliament at Christiansborg Castle and for
Copenhagen Town Hall, where the outcome of the frst recorded
collaboration with an architect, Martin Nyrop, is the Townhall chair.
Christian E. Hansen is just as forward-looking as his father, and
the company develops into an industrial manufacturer, inspired by
the budding functionalism of the period, introducing new materials,
new production technologies and a whole new design language.
Thanks to him, Fritz Hansen becomes, in only a few years in the
1920s, capable of steam-bending beech just as successfully as
world leaders in the feld. Steam-bent wood makes it possible to
produce furniture which is light and strong.
In 1932, Sren and Fritz Hansen, Fritz Hansens grandsons,
become co-directors. Having spent many years abroad, they have
a broad, international horizon, and together with their father, they
launch the frst steel furniture in Denmark already in 1931 inspired
by, among others, Mies van der Rohe. The furniture draws praise in
New York, but not in Denmark.
During the 1930s, the furniture maker begins to work with the
most highly regarded and forward-looking architects of the time.
Kaare Klint and the Church chair represent the frst important
collaboration. Thanks to the progressive architect Hans J. Wegner,
the world welcomes in 1944 the China Chair

, a sculptural
celebration of wood and the craft of furniture making of the
heighest order.
Collaboration with Arne Jacobsen begins in 1934, but his star
does not rise until 1952, when he discovers the wonders of
lamination, a technique refned to perfection by Sren Hansen. The
direct cause is the Ant

chair. This three-legged, pressure moulded

stackable chair is commissioned by Novo Nordisk for their canteen.
The Ant subsequently gives rise to a range of pressure moulded
veneer chairs, of which Series 7

with four legs and armrests

achieves higher sales than any other chair in the companys history.
Arne Jacobsen goes on to design the Egg

chair and the Swan

chair for his own modernist masterpiece, the Royal Hotel in the
centre of Copenhagen. Today, these items of furniture are interna-
tionally recognised as style icons, the result of challenging,
inspirational collaboration between Fritz Hansens most talented
cabinet makers and Arne Jacobsen. Later, the Oxford

chair
becomes part of the overall design for St. Catherines College. This
chair represents the quintessential Fritz Hansen design, radiating
originality, simplicity and lightness presented with sculptural impact.
In 1951, Poul Kjrholm becomes an indispensable part of Fritz
Hansens history and distinguishing features, but he leaves the
company because of disagreements over the prioritisation of his
and Arne Jacobsens projects. Poul Kjrholms furniture challenges
traditional Danish furniture architecture, setting new standards for
Scandinavian furniture design. Kjrholms furniture is minimalism
with an industrial dimension, radiating discrete exclusiveness. This
is why, in 1982 when Fritz Hansen is again able to produce his
furniture, it becomes a natural part of the range. In 1965, the world
famous architect Henning Larsen enters the scene, just as the enfant
terrible of Danish design, Verner Panton, becomes leader of the
avant-garde, provoking and inspiring in the service of Fritz Hansen.
In 1968, Piet Hein and Swedish Bruno Mathsson design the
Superellipse

table, a democratic table with no ends.

Throughout the 1980s and 90s, Fritz Hansen demonstrates the
companys international orientation through cooperation with
leading international authorities on design such as German
Burkhardt Vogtherr and Italian Vico Magistretti.
At Fritz Hansen, the concept Danish Design has taken on a
REPUBLIC OF FRITZ HANSEN

The name Republic of Fritz Hansen

encapsulates the
entire 137-year history of the company. From the
founder, visionary cabinet maker Fritz Hansen, to the
architects and designers, creators of furniture, prized
and coveted the world over. The history is all about
being open to new currents, about thinking big and
outside the box, about development and renewal in
line with ones own principles and origins.
7
broader, almost international signifcance. This means that design-
ers of different nationalities, but with the same attitudes to design,
are creating furniture in the name of Fritz Hansen.
The Republic of Fritz Hansen is established to celebrate this.
The Republic is founded on a design philosophy that knows no
geographic frontiers, a philosophy distilled from the design heritage
of Fritz Hansen and the companys treasure chest of experience and
competence. The design philosophy dictates that all design in the
Republic of Fritz Hansen must be relevant in time, pure, original
and sculptural. Today, the design philosophy is interpreted by
young, talented and already successful Danish designers and
internationally acknowledged stars.
In 2002 Kasper Salto scored a bulls eye with Ice

followed by
Little Friend

in 2005. With the award winning NAP

Kasper Salto
continues to create relevant design. With its simple and elegant form
the chair accommodates the different ways of sitting: Normal,
Active ,Passive. The Italian total designer Piero Lissoni has a rich,
nuanced inspiration palette. He makes furniture not just for the sake
of its function, but rather with the whole person in mind, as demon-
strated, for instance, in the Lissoni Lounge Collection. The German
Throughout its entire history, furniture from the
Republic of Fritz Hansen has been designed by top
class architects and designers and is a natural choice
in furnishing buildings created by leading architects
worldwide at any time. Today, furniture from the
Republic of Fritz Hansen is a natural part of the image
of international companies and the identity of modern
city dwellers wishing to express their individuality and
making a unique statement. This is the point the story
has reached today. It is just as unique as the furniture
that is part of it. It started with a visionary cabinet
maker from the provinces. Today, the design philoso-
phy inspires leading architects and designers all over
the world. And world-wide, in businesses and private
homes, the story goes on.
Production of Series 7

, 1963
designer duo Jehs+Laub are inspired by the human body and
natures ability to design itself. Their style is futuristic with a homely
feel, as illustrated in the Space

chair.
The American, Todd Bracher, takes the Scandinavian design
tradition as his reference point and with this in mind has created the
table, T-No.1

as a perfect match to the Oxford chair. The Japanese

designer, Hiromichi Konno, is strongly infuenced by natures own
constructions and has used this to create his beautiful chair a
unique single standing fower by the name of RIN

. Danish designer,
Cecilie Manz, always aims to create design objects that are distilled
to a minimum and the table, Essay

, is a perfect example of this.

Production of the Ant

, 1964
Historien starter i 1872. Snedkermester Fritz Hansen rejser 25 r
gammel fra Nakskov til Kongens Kbenhavn og indlser borger-
brev og grundlgger sit frste snedkeri i sm lejede lokaler.
1885 bliver et skelsttende r. Fritz Hansen fr selvstndig
mbelproduktion og eget mbelprogram. I 1898 bliver et savvrk
etableret i Lillerd nord for Kbenhavn. Fritz Hansen er allerede kendt
for den hje kvalitet, som har vret en selvflge lige siden. I 1899
overdrager Fritz Hansen frmaet til snnen Christian E. Hansen. Han
lander bl.a. ordrer for Christiansborg og Kbenhavns Rdhus, hvor
det frste registrerede samarbejde med en arkitekt, Martin Nyrop,
udmnter sig i Rdhusstolen.
Christian E. Hansen var liges fremsynet som sin far, og
virksomheden udvikler sig til en industriel producent inspireret af
datidens spirende funktionalisme, der introducerer nye materialer,
produktionsteknologier og et helt nyt formsprog. Takket vre ham
bliver Fritz Hansen i lbet af f r i 1920erne i stand til at
dampbje bgetr liges godt som verdens frende frma p
omrdet. Dampbjet tr giver mulighed for at producere lette og
strke mbler.
I 1932 blev Sren og Fritz Hansen, Fritz Hansens brnebrn,
meddirektrer. De har efter lange ophold i udlandet en bred
international horisont og lancerer sammen med faderen allerede i
1931 de frste stlmbler i Danmark inspireret af bl.a. Mies van
der Rohe. Mblerne fr ros i New York, men ikke i Danmark.
I 1930erne begynder mbelproducenten at samarbejde med
datidens mest anerkendte og fremsynede arkitekter. Kaare Klint og
Kirkestolen markerer det frste vigtige samarbejde. Med den
progressive arkitekt Hans J. Wegner bliver verden i 1944 begavet
med Kina Stolen

, der er en skulpturel hyldest til tr og hndvrk af

hjeste karat.
Samarbejdet med Arne Jacobsen starter i 1934. Men han bliver
frst en stjerne i 1952, da han fr jnene op for den laminering-
steknik, som Sren Hansen har forfnet til perfektion. rsagen er
Myren

. Den trebenede og formspndte stabelstol bliver tegnet p

bestilling til Novo Nordisks kantine. Myren bliver siden til en serie
af formpressede fnrstole, hvor 7eren

der har fre ben bliver den

mest slgende stol i virksomhedens historie. Siden designer
Arne Jacobsen gget

og Svanen

til sit eget modernistiske

mestervrk, Royal Hotel i centrum af Kbenhavn. Mblerne er i
dag internationale og tidlse stilikoner og resultatet af et
udfordrende og inspirerende samarbejde mellem Fritz Hansens
dygtigste mbelsnedkere og Arne Jacobsen. Senere kommer
Oxford

stolen til som del af et totaldesign til St. Catherines College.

Stolen er indbegrebet af design fra Fritz Hansen og udstrler
originalitet, enkelhed, lethed samt skulpturelle kvaliteter.
I 1951 bliver Poul Kjrholm en uundvrlig del af Fritz Hansens
historie og srkende, men forlader virksomheden p grund af
uenigheder om prioriteringen af hans og Arne Jacobsens projekter.
Poul Kjrholms mbler udfordrer traditionel dansk mbelarkitektur
og stter nye standarder for skandinavisk mbeldesign. Kjrholms
mbler er minimalisme med en industriel dimension, der udstrler en
diskret eksklusivitet. Derfor bliver hans mbler i 1982 igen en
selv flgelig del af sortimentet, da Fritz Hansen fr mulighed for
producere hans mbler. Den verdensbermte arkitekt Henning Larsen
bliver i 1965 en del af historien ligesom dansk designs enfant
terrible Verner Panton gr i spidsen for avantgarden og provokerer
og inspirerer i Fritz Hansens tjeneste. I 1968 skaber Piet Hein og
svenskeren Bruno Mathsson Superelipse

bordet det demo kratiske

bord uden ender.
Op gennem 1980erne og 90erne understreger Fritz Hansen,
at virksomheden er internationalt orienteret via samarbejder med
internationale designkapaciteter som Burkhardt Vogtherr og
Vico Magistretti.
Hos Fritz Hansen fr begrebet Danish Design en bredere og
delvis international betydning. Det betyder, at designere med
forskellig nationalitet, men med samme holdninger til design,
skaber mbler i Fritz Hansens navn.
Republic of Fritz Hansen bliver oprettet for at signalere dette.
Republikken bygger p en designflosof uden geografske grnser,
der er uddestileret af Fritz Hansens designhistorie, enorme
REPUBLIC OF FRITZ HANSEN

Navnet Republic of Fritz Hansen

udtrykker hele
virksomhedens 137 rs historie. Lige fra grundlg-
geren, den visionre mbelsnedker Fritz Hansen, til
de arkitekter og designerne, der str bag de mbler,
der i dag er skattet og eftertragtet af folk over hele
verden. Historien handler om at vre ben for tidens
nye strmninger, tnke stort og internationalt og om at
udvikle sig og forny sig i trd med det, man str for
og kommer fra.
9
Mbler fra Republic of Fritz Hansen har gennem hele
historien vret designet af store arkitekter og designere
og vret en selvflgelig del af indretningen af den til
enhver tid frende arkitektur rundt omkring i verden. I
dag er mbler fra Republic of Fritz Hansen en naturlig
del af internationale virksomheders image og moderne
storbymenneskers identitet. Det handler om at udtrykke
sin individualitet og komme med et unikt statement. Det
er hvor historien er kommet til i dag. Historien er liges
unik som de mbler, der er en del af den. Det startede
med en visionr snedkermester fra provinsen. I dag
inspirerer designflosofen de frende arkitekter og
designere fra hele verden. Og historien fortstter rundt
i verden i virksomheder og private hjem.
erfaringer og massive kompetencer. Designflosofen foreskriver, at
alt design i Republic of Fritz Hansen skal vre tidlst og relevant i
tiden, enkelt, originalt og skulpturelt.
I dag fortolkes designflosofen af unge talentfulde og allerede
succesfulde danske designere og internationale stjerner. Kasper
Salto rammer i 2002 plet med Ice

, efterfulgt af Little Friend i

2005. Med den prisbelnnede NAP fortstter Kasper Salto at
skabe relevant design. Stolen med sin enkle og elegante form gir
mulighed for at sidde: normalt, aktivt ,passivt. Den italienske
totaldesigner Piero Lissonis inspirationspalette er rig og nuanceret,
og han skaber ikke kun mbler for funktionens skyld, men med hele
mennesket for je, som fx Lissoni Lounge Collection. Det tyske
designpar Jehs+Laub er inspireret af menneskets krop og naturens
evne til at designe sig selv. Stilen er futuristisk med en hjemlig
fornemmelse, hvilket stolen Space

udstrler.
Amerikanske, Todd Bracher, tager i sit arbejde udgangspunkt i
SAS Royal Hotel lounge, 1960
Dronningensgade 3, 1920s
den skandinaviske designtradition og har med det i tankerne skabt
bordet, T-No.1

, det perfekte match til Oxford stolen. Den japanske

designer, Hiromichi Konno, er inspireret af naturens egne konstruk-
tioner. Sledes har han skabt en helt unik stol, en enkeltstende
blomst med navnet RIN

. Den danske designer, Cecilie Manz,

strber efter at skabe designobjekter, der fokuserer p det absolut
ndvendige. Essay

bordet er et perfekt eksempel p dette

Die Geschichte beginnt 1872. Der Tischlermeister Fritz Hansen
reist mit 25 Jahren aus dem Provinzstdtchen Nakskov in die
Residenzstadt Kopenhagen, erwirbt einen Gewerbeschein und
grndet seine erste Tischlerei in engen Mietrumen.
1885 ist ein entscheidendes Jahr. Fritz Hansen wird selbststndi-
ger Mbelproduzent und stellt sein eigenes Mbelsortiment
zusammen. 1898 nimmt ein Sgewerk nrdlich von Kopenhagen
die Produktion auf. Fritz Hansen ist bereits fr hohe Qualitt bekannt,
die seitdem als Selbstverstndlichkeit gilt. 1899 berlt Fritz
Hansen seinem Sohn Christian E. Hansen die Firma. Er zieht u.a.
Auftrge fr den Parlamentssitz, Schloss Christiansborg, und das
Kopenhagener Rathaus an Land, wobei die erste bekannte
Zusammenarbeit mit einem Architekten, Martin Nyrop, mit dem
sogenannten Rathausstuhl Frchte trgt.
Christian E. Hansen ist genauso zukunftsorientiert wie sein Vater. Das
Unternehmen geht zur industriellen Herstellung ber, angeregt von dem
sich entfaltenden Funktionalismus, der neue Materialien, Produktion-
stechnologien und eine ganz neue Formensprache einfhrt. Ihm ist es zu
verdanken, dass Fritz Hansen in den 20er Jahren schnell das Dampfbie-
gen von Buchenholz genauso gut beherrscht wie die weltweit fhrende
Firma auf diesem Gebiet. Dampfgebogenes Holz ermglicht das
Herstellen leichter und stabiler Mbel.
1932 werden Sren und Fritz Hansen, Fritz Hansens Enkelkinder,
zu Mitdirektoren ernannt. Whrend langer Auslandsaufenthalte
haben sie sich einen breiten internationalen Horizont angeeignet und
lancieren 1931 zusammen mit ihrem Vater, angeregt von u.a.
Mies van der Rohe, die ersten Stahlmbel in Dnemark. Diese
Mbel fnden Anerkennung in New York, aber nicht in Dnemark.
In den 30er Jahren beginnt der Mbelhersteller mit den damals
bekanntesten und weitsichtigsten Architekten zusammenzuarbeiten.
Kaare Klint und der Kirchenstuhl markieren die erste wichtige Koopera-
tion. Dem progressiven Architekten Hans J. Wegner hat die Welt
1944 den China Stuhl

zu verdanken, der eine skulpturale

Huldigung von Holz und Handwerk erster Gte darstellt.
Die Zusammenarbeit mit Arne Jacobsen beginnt bereits 1934,
REPUBLIC OF FRITZ HANSEN

Fritz Hansen, founder. 1872

Der Name Republic of Fritz Hansen

beinhaltet die
gesamte 137-jhrige Geschichte des Unternehmens.
Angefangen vom Grnder, dem visionren Mbeltisch-
ler Fritz Hansen, bis zu den Architekten und Designern,
den Schpfern der Mbel, die heute in der ganzen
Welt beliebt und gefragt sind. Diese Geschichte
handelt davon, neuen Zeitstrmungen zu folgen, in
internationalen, khnen Bahnen zu denken, sich
weiterzuentwickeln und zu erneuern, ohne dabei
Traditionen und Erbe zu vergessen.
11
sein Stern erstrahlt allerdings erst 1952, als er die Mglichkeiten
erkennt, die von Sren Hansen bis zur Perfektion entwickelte
Verleim technik bietet. Die Ameise

steht am Anfang. Der dreibeinige,

formgespannte Stapelstuhl wird auf Bestellung fr die Kantine von Novo
Nordisk entworfen. Die Ameise wird spter zu einer Serie formge-
presster Furniersthle, deren Siebener

mit vier Beinen und Armlehnen

der meistverkaufte Stuhl in der Geschichte des Unternehmens wird.
Spter entwirft Arne Jacobsen das Ei

und den Schwan

fr sein
eigenes modernistisches Meisterwerk, das Royal Hotel im Herzen
Kopenhagens. Die Mbel sind heute internationale und zeitlose
Stilikonen und Ergebnis einer fruchtbaren und anregenden Koop-
eration zwischen Fritz Hansens fhigsten Mbeltischlern und Arne
Jacobsen. Spter kommt der Oxford

-Stuhl als Teil des Gesamtde-

signs fr das St. Catherines College hinzu. Der Stuhl ist Inbegriff
des Designs von Fritz Hansen und verkrpert Originalitt, Einfach-
heit und Leichtigkeit sowie skulpturale Qualitten.
1951 wird Poul Kjrholm zu einem festen und prgenden Teil
der Geschichte Fritz Hansens. Er verlt das Unternehmen jedoch
wegen Unstimmigkeiten bei der Gewichtung seiner und Arne
Jacobsens Projekte. Poul Kjrholms Mbel stellen eine Heraus-
forderung fr die traditionelle dnische Mbelarchitektur dar und
setzen neue Normen fr skandinavisches Mbeldesign. Kjrholms
Mbel vereinigen Minimalismus mit einer industriellen Dimension,
die diskrete Exklusivitt ausstrahlt. Als es Fritz Hansen 1982 erneut
mglich ist, seine Mbel zu produzieren, werden sie wiederum ein
unabdingbarer Teil des Sortiments. Der weltberhmte Architekt
Henning Larsen beschreibt 1965 ein neues Blatt der Geschichte,
whrend das Enfant Terrible des dnischen Designs, Verner Panton,
im Dienste Fritz Hansens provoziert und inspiriert. 1968 schaffen
Piet Hein und der Schwede Bruno Mathsson den Superellipsen

-Tisch
den demokratischen Tisch ohne Enden.
In den 80er und 90er Jahren unterstreicht Fritz Hansen die
internationale Ausrichtung des Unternehmens durch Kooperation mit
internationalen Designkapazitten wie Burghardt Vogtherr und
Vico Magistretti.
Bei Fritz Hansen wird der Begriff Danish Design breiter und
teilweise international verstanden. Das bedeutet, dass Designer
unterschiedlicher Nationalitt, aber mit gleichen Designauffassun-
gen Mbel im Namen von Fritz Hansen kreieren.
Um dies zu signalisieren, wird Republic of Fritz Hansen
gegrndet. Die Republik beruht auf einer Designphilosophie ohne
geografsche Grenzen, die sich herauskristallisiert hat aus der
Designgeschichte, den enormen Erfahrungen und den hervorragen-
den Kompetenzen Fritz Hansens. Die Designphilosophie schreibt
vor, dass Design der Republic of Fritz Hansen zeitlos und zeitlich
relevant, einfach, original und skulptural zu sein hat.
Heute wird die Designphilosophie von jungen talentierten und
bereits erfolgreichen dnischen Designern und internationalen Stars
umgesetzt. Im Jahre 2002 landete Kasper Salto einen Volltreffer mit
Ice

, 2005 kam Little Friend

hinzu. Mit dem preisgekrnten NAP

fhrt Kasper Salto sein relevantes Design fort. Der Stuhl passt sich
mit seiner schlichten und eleganten Form perfekt an die ver-
schiedenen Grundsitzhaltungen: normal, aktiv und passiv an.
Gesamtdesigners Piero Lissoni ist reich und nuanciert. Er stellt nicht
nur auf die Funktion von Mbeln ab, sondern hat den ganzen
Menschen im Auge, wie beispielsweise bei der Lissoni Lounge
Collection. Die deutschen Designer Jehs+Laub lassen sich inspiri-
eren vom menschlichen Krper und der Fhigkeit der Natur sich
selbst zu schaffen. Ihr Stil ist futuristisch mit einem anheimelnden
Zug, der sich im Sessel Space

manifestiert.
Der Amerikaner, Todd Bracher, ist in seiner Arbeit von der
Skandinavischen Designtradition inspiriert und hat mit dem
Gedanken daran den Tisch T-No.1

entworfen die perfekte

Ergnzung zum Oxford Stuhl. Der japanische Designer, Hiromichi
Konno, wird von der Natur und deren eigenen Konstruktionen
inspiriert. Somit hat er einen ganz einzigartigen Stuhl geschaffen
eine einzelne Blume namens RIN

. Die dnische Designerin,

Cecilie Manz, ist in ihrer Arbeit stets darauf bedacht, Design-
objekte zu entwerfen, die sowohl schlicht als auch anwendbar
sind. Hierfr ist der Essay

Tisch ein perfektes Beispiel.

Mbel aus der Republic of Fritz Hansen werden tradi-
tionell von groen Architekten und Designern geschaffen
und sind selbstverstndlich zu ihrer Zeit Bestandteil der
fhrenden Architektur in der Welt. Heute sind Mbel der
Republic of Fritz Hansen eine natrliche Facette des
Images internationaler Unternehmen und der Identitt
moderner Grostadtmenschen. Es gilt seine Individualitt
auszudrcken und ein unverwechselbares Statement
abzugeben. Das ist das vorlufg letzte Blatt der
Geschichte. Die Geschichte ist genauso einmalig wie
die Mbel, die die Geschichte ausmachen. Sie begann
mit einem visionren Tischlermeister aus der Provinz.
Heute regt die Designphilosophie die fhrenden Architek-
ten und Designer der ganzen Welt an. An dieser
Geschichte wird berall in der Welt, in Unternehmen
und im Privatbereich, weitergeschrieben.
Production of Series 7

, 2007
REPUBLIC OF FRITZ HANSEN

13
Chr. E. Hansen with King Christian X
Ax chair packaging, 1950
Arne Jacobsen and the Egg

Production of the Ant

, 2007
The Swan

in Panorama lounge Royal Hotel, 1960

Exporting to Hermann Miller
Saw mill
Production of Series 7

, 1957
CHAIRS
19
Ant

, lacquer
PK 71

, Acrylic
Rug, Dune
Initially, Arne Jacobsen designed the Ant

for the canteen at Novo

Nordic, an international Danish healthcare company. Today, the
Ant is one of the prominent icons of the collection. Originally, the
Ant was, however, close to ending up as just another prototype,
because Fritz Hansen wasnt convinced of the chairs potential. The
chair survived the initial scepticism, when Arne Jacobsen guaran-
teed to buy all chairs produced, if no one else would. Despite its
minimalist form and svelte shape, the Ant is an extremely comfort-
able chair. The ant is a stackable wooden chair on a chrome base
with three or four legs. The Chair is available in two different
heights and in several colours and fnishes.
ANT

ARNE JACOBSEN 1952

Ant

, painted beech
22
Series 7

, natural oak The Series 7

designed by Arne Jacobsen is by far the most sold chair

in the history of Fritz Hansen and perhaps also in furniture history.
The pressure moulded veneer chair is a further development of the
classic Ant

chair. The four-legged stackable chair can be seen as

the culmination of the use of the lamination technique. A technique
refned to perfection during the Twenties and Thirties by Sren C.
Hansen, the grandson of the founder, Fritz Hansen. The visionary
Arne Jacobsen exploited the possibilities of lamination to perfection
resulting in the iconic shape of the chair. Series 7 represents the
chair in the Fritz Hansen collection with the widest range of
applications. It is lightweight and stackable and offers options such
as armrests, castors and barstools. Choose from an extensive
palette of colours and fnishes, fabric or leather upholstery or wood
qualities. Series 7 is available with a chrome, black or satin
chromed base in three different heights.
SERIES 7

ARNE JACOBSEN 1955

XXXXX

XXX
xxxxxx xxxxxxx
24
Series 7

, lacquer, front
upholstered
Table Series, laminate
Series 7

, leather
Essay

, oak
Series 7

, lacquer
Table Series, linoleum
31
Grand Prix

, lacquer and
coloured ash
Table Series, linoleum
The Grand Prix

design, by Arne Jacobsen was introduced by Fritz

Hansen at the Designers Spring Exhibition at the Danish Museum
of Art & Design in Copenhagen, in 1957. Later that year, the chair
was displayed at the Triennale in Milan where it received the
Grand Prix the fnest distinction of the exhibition. After which the
chair has always been called the Grand Prix. Originally, the Grand
Prix was introduced with a wooden and steel base. Today the chair
is available with a chromed, black or satin chromed base and is an
ideal chair with a wide range of applications. It is lightweight and
stackable and is available in an extensive palette of colours, wood
types and with fabric or leather upholstery. The chair is available in
three different heights.
GRAND PRIX

ARNE JACOBSEN 1957

33
Oxford

, medium height, leather

T-No.1

, maple veneer,
chrome base
The original version of the Oxford

chair was designed for the

professors at St. Catherines College in Oxford, in 1963. When
the Dean of St. Catherines College chose Arne Jacobsen to build
an extension for the college, he was also commissioned to design
the surrounding landscape and a furniture series for the college.
The chairs extra tall back served as a symbol of prestige and
created a space of its own. The professors chair later evolved
into the Oxford series. In spite of initial protests and uproar over the
commission of a foreign modernist, Arne Jacobsen received an
honorary doctorate from Oxford, upon completion of the project.
This groundbreaking example of total design is, today, considered
Arne Jacobsens most outstanding work. The Oxford chair has been
revitalized and now looks like the original tall, wooden chair. The
chair is available with a tall, medium and low back and in a
lounge model. It comes in a wide range of fabric and leather
upholstery, with or without arms, with or without castors or glides.
OXFORD

ARNE JACOBSEN 1965

34
Lily

, upholstered
T-No.1

, walnut,
chrome base
Arne Jacobsens chair model 3208 was originally designed for the
Danish Central Bank. It is most often referred to as the Lily

and was
frst introduced at the Danish furniture fair in 1970. The chair is
made from laminated sliced veneer and is the result of an extremely
complicated moulding process that ensures the perfect curves and
the best comfort. The Lily from 2007 is slightly larger than the
original and comes in red, black or white or upholstered in fabric
or leather. The base is in chromed steel. In 2005 the base was
introduced with castors and in 2010 relaunched without armrests.
LILY

ARNE JACOBSEN 1970

REVITALIZED IN 2007
XXXXX

XXX
xxxxxx xxxxxxx
35
36
Lily

, lacquer Arne Jacobsens chair model 3208 was originally designed for the
Danish Central Bank. It is most often referred to as the Lily

and was
frst introduced at the Danish furniture fair in 1970. The chair is
made from laminated sliced veneer and is the result of an extremely
complicated moulding process that ensures the perfect curves and
the best comfort. The Lily from 2007 is slightly larger than the
original and comes in red, black or white lacquer or upholstered in
fabric or leather. In 2005 the base was introduced with castors
and in 2010 relaunched without armrests.
LILY

ARNE JACOBSEN 1970

REVITALIZED IN 2008
39
PK9

, leather
PK54

, granite, satin brushed

stainless steel
PK9

is also known as the Tulip chair due to its unique shape.

The shape characterized by the three pieces of satin-brushed
stainless steel that act as a column, a set of legs and carriers of the
leather seating element. The story of the design is about Poul
Kjrholms uncompromising quest for the perfect shape. The
inspiration for the shape of the shell comes from the imprint of his
wifes, Hanne Kjrholm, behind in the sand on the beach. Later,
during the design process, Hanne Kjrholm sat in boxes of clay to
fnd the most optimal and comfortable solution. PK9 matches the
PK54

table perfectly. The PK9 chair is fully upholstered in a limited

selection of leather, the base is made of satin brushed stainless
steel.
PK9

POUL KJRHOLM 1960

40
PK8

, plastic
PK58

, polyester composite,
aluminium base
For many years, the PK8

existed only as a prototype in the home

of Hanne Kjrholm, the wife of Poul Kjrholm. The PK8 was put
into production in close collaboration with Hanne Kjrholm and
introduced to the public in connection with the 2007 exhibition
about Poul Kjrholm, The furniture architect, at Louisiana Museum
of Modern Art, north of Copenhagen.
The special form of the chair, with its composition of sinuous curves
resembles Kjrholms cantilevered chair from 1953, but the three
legs, which shape compliments the seating element, give the chair
an outstanding expression of its own. The chair is well suited as a
dining chair together with the PK58 table. The chair has an
anodised satin-brushed aluminium base, combined with a PC/ABS
plastic shell in four different colour combinations, white, red, black
and grey.
PK8

POUL KJRHOLM 1978

IN PRODUCTION 2007
42
China Chair

, coloured ash
T-No.1

, glass, chrome base

The China Chair

was designed by Hans J. Wegner, in 1944 and

it stands out as the only remaining solid wood chair in the Fritz
Hansen collection. Wegner found inspiration for this timeless classic
in Chinese chairs from the 17th and 18th Centuries. The China
Chair epitomizes his lifelong quest to understand the nature of
wood and explore its possibilities. In Wegners modern interpreta-
tion of ancient Chinese chairs, he unfolds his talent as a wood
craftsman along with his fair for expressive and sculptural function-
alism. The China Chair comes in cherry wood or black coloured
ash with a leather seat cushion.
CHINA CHAIR

HANS J. WEGNER 1944

45
ICE

, plastic The Ice

chair, designed by Kasper Salto, marks a milestone in the

history of Fritz Hansen: Ice is the frst chair from the hand of Fritz
Hansen that is equally suited for both indoor and outdoor use. The
chair with its rib-like back incorporates the virtues of classic chairs
of the past while the choice of materials points to the future. The
base is natural anodised aluminum and the seat and backrest are
made of plastic, a both sturdy and sustainable choice. The result is
a lightweight, highly comfortable and hardwearing chair. The Ice
series also comprises the Ice table with matching design language.
The chair comes in two heights (chair and barstool) with or without
arms in a variety of colours. It is available with or without seat
upholstery in a limited selection of fabric and leather.
ICE

KASPER SALTO 2002

46
RIN

, plastic, fabric seat RIN

is a multifunctional chair created by the Japanese designer

Hiromichi Konno. It is designed to be in perfect harmony with
Japanese and Danish design traditions. The original idea for the RIN
chair came from Konnos fascination with nature and the curiosity
surrounding the form of a birds nest. He was spurred on by the
immediate paradox of how something so practical and functional
could be so beautiful. He also compares the appearance to another
one of natures wonders: a single standing fower and the conf-
dence and beauty it exuberates. The chair is available in six colours
or with two types of upholstery in a wide range of fabrics and
leather. The star base, in two heights, is made in polished or powder
coated aluminium to match the shell.
RIN

HIROMICHI KONNO 2008

xxxxxxx RIN

, plastic, fabric seat

KAISER idell

, pendant 6631-P
Essay

, solid oak
50
RIN

, plastic, leather and

fabric seat
Table Series, linoleum
Table Series, laminate
53
NAP

, plastic With its curvaceous form, the NAP

chair is feminine and elegant.

The contours of the Nylon shell adapt naturally to the shape of the
human body and the textured waves turn hours of sitting into an
attractive proposition. For me the NAP chair is all about being
able to sit well in as many positions as possible. The name NAP is
an abbreviation of the three key sitting positions; Normal, Active
and Passive because sitting is in fact a constant movement
says Salto.
As a trained cabinet maker and a graduate from the Danish Design
School in Copenhagen, Kasper Saltos work is characterized by
respect for simple forms, materials, good workmanship and a belief
that design can improve life. Kasper Salto has won a string of
internationally acclaimed design awards for his creations over the
recent years and he is also the mastermind behind Fritz Hansens
popular Ice

chair & Little Friend

table. The chair comes in a

selection of four colours; Milk White, Butter Yellow, Pepper Grey
and Coffee Brown.
NAP

KASPER SALTO 2010

NAP

, plastic
55
57
NAP

, plastic
KAISER idell

, foor lamp 6580-F

LOUNGE

60
Series 3300

, fabric The 3300

series was created for the SAS Terminal at the Royal

Hotel in Copenhagen, one of Arne Jacobsens architectural
masterpieces. The 3300 series exudes Jacobsens unfailing sense
of line and proportion and his ability to design everlasting classics.
Arne Jacobsen got the inspiration for the 3300 series from a sofa,
which he had designed especially for his own home in the 1940s.
The 3300 series forms an elegant contrast to the organic shapes of
the Egg

and Swan

chairs, also designed for the Royal Hotel. The

3300 series consists of an easy chair as well as a two and three
seater sofa. It is available in various types of leather and fabric
upholstery and a chromed base.
SERIES 3300

ARNE JACOBSEN 1956

63
Egg

, fabric
KAISER idell

, pendant 6631-P
EGG

ARNE JACOBSEN 1958

Arne Jacobsen designed the Egg

for the lobby and reception

areas in the Royal Hotel, in Copenhagen. The commission to
design every element of the hotel building as well as the furniture
was Jacobsens grand opportunity to put his theories of integrated
design and architecture into practice. The Egg is one of the
triumphs of Jacobsens total design a sculptural contrast to the
buildings almost exclusively vertical and horizontal surfaces. The
Egg sprang from a new technique, which Jacobsen was the frst to
use; a strong foam inner shell underneath the upholstery. Like a
sculptor, Jacobsen strove to fnd the shells perfect shape in clay at
home in his own garage. Because of the unique shape, the Egg
guarantees a bit of privacy in otherwise public spaces with or
without the footstool. The Egg is available in a wide variety of
fabric upholstery as well as leather, always combined with a star
base in satin polished aluminium.
63

65
Egg

, leather
Rug, Lino
67
Swan

, fabric
Little Friend

, compact laminate
Arne Jacobsen designed the Swan

as well as the Egg

for the
lobby and lounge areas at the Royal Hotel in Copenhagen, in
1958. The commission to design every element of the hotel
building as well as the furniture was Jacobsens grand opportunity
to put his theories of integrated design and architecture into
practice. In 1958 the Swan was a technologically innovative
chair: No straight lines only curves. A moulded shell of synthetic
material on an aluminium star swivel base, with a layer of cold
foam covering the shell upholstered in fabric or leather. These two
original designer chairs originated in Jacobsens own garage in his
home in Klampenborg, north of Copenhagen and have been in
production at Fritz Hansen ever since. It is available in several
leather types and fabric upholstery. The base is always star shaped
in satin polished aluminum.
SWAN

ARNE JACOBSEN 1958

Swan

, leather
Little Friend

, compact laminate
71
Oxford

Lounge, fabric The Oxford

Lounge chair was introduced in 2005 as part of the

exclusive Oxford series designed by Arne Jacobsen. The original
version of the Oxford chair was designed in 1963 for the professors
at St. Catherines College in Oxford. The chairs extra tall back
served as a symbol of prestige and created a space of its own. The
professors chair later evolved into the iconic Oxford series. When
the Dean of St. Catherines College chose Arne Jacobsen to build an
extension for the college, he was also commissioned to design the
surrounding landscape and a furniture series for the college. This
groundbreaking example of total design is, today, considered Arne
Jacobsens most outstanding work. The slim and elegant lounge
chair with reclining, high, medium or low back comes in a wide
range of fabric and leather upholstery.
OXFORD

LOUNGE
ARNE JACOBSEN 1965
REVITALIZED IN 2005
72
PK25

, fag halyard The PK25

was designed by Poul Kjrholm in 1951, for his fnal

graduation project at the School of Applied Arts in Copenhagen.
The PK25, also known as the Element Chair, is a fne example of
the young Kjrholms eagerness to work with common, industrial
materials. Kjrholm was determined to reduce the chair to a single
piece of each material, resulting in the overarching hallmark of the
chair: The continuous and rather complex steel frame that is bent in
a single piece without joints and connections. The PK25 is
available in natural or black fag halyard combined with a matt
chromed spring steel base.
PK25

POUL KJRHOLM 1951

75
PK22

, leather
PK61

, granite
The discrete and elegant lounge chair PK22

epitomizes the work of

Poul Kjrholm and his search for the ideal type-form and industrial
dimension, which was always present in his work. The profle of the
steel frame structure originates from his graduation project, the Element
Chair (PK25

), from the School of Applied Arts in Copenhagen.

The PK22 was an immediate commercial and critical success. In
1957, the chair was awarded the Grand Prix at the Milan
Triennale, the worlds premier design fair. The prize catapulted
Kjrholms career and immediately he became a name on the
international scene and has enjoyed this position ever since. The
PK22 is available in wicker, suede, canvas or leather with a base in
satin brushed stainless steel.
PK22

POUL KJRHOLM 1956

PK22

, canvas
PK71

, acrylic
KAISER idell

, foor lamp 6556-F

78
PK80

, leather
PK91

, canvas
In an ongoing attempt to unite the sublime with the absolutely neces-
sary, Poul Kjrholm designed the PK80

daybed. The result

is one of Kjrholms most sophisticated and iconic designs with a
striking beauty. The daybed is a clear illustration of Poul Kjrholms
method of refning historical models and distilling them down to the
essence and demonstrating his superior ability to balance construc-
tion and choice of materials. The inspiration for the daybed came
from Bauhaus, which in turn, were inspired by ancient Roman
couches. PK80 is upholstered in leather and supported by a
satin-brushed stainless steel frame. The purchase of the PK80 for the
galleries of the Museum of Modern Art in New York, in 2004,
recognises the daybeds natural place in furniture history.
PK80

POUL KJRHOLM 1957

81
PK80

, leather
82
PK31

,
leather
PK31

/3, leather
PK61

,
slate
PK33

,
leather
The PK31

chair and sofa series is a prime example of Kjrholms

ability to create furniture that can be tailored to a room and still keep
the identity of the single piece of furniture. The PK31 is, in other
words, also a self-contained freestanding object and a realization of
Kjrholms quest to fnd an ideal form. This is confrmed by the
chair, which defnes a cube of 76 cm on a side, with the seat height
at the midpoint. The PK31 series combines elegant luxury with
comfort. It is available in leather, exclusively combined with a matt
chromed spring steel base as a one, two and three-seater sofa.
Additional units can be added.
PK31

POUL KJRHOLM 1958

85
PK33

, leather The three-legged stool PK33

embodies Poul Kjrholms use of

assembly techniques, his exploration of materials and his simplif-
cation of structure into a type-form. The stool draws on construction
techniques from the PK71

nesting tables and the PK80

daybed,
but still has its own strong, unique expression. The PK33 has a
detachable leather cushion and matt chromed spring steel base.
PK33

POUL KJRHOLM 1959

86
PK91

, canvas
PK91

, leather
The PK91

folding stool designed by Poul Kjrholm epitomizes his

ongoing adaption of historical furniture categories into his oeuvre
and arsenal of expressions. The source of inspiration for the PK91 is
an ancient Egyptian folding stool that dates back to ca. 1500 BC.
The designers method of refning historical furniture types has again
been put into play and the result is unmistakably a Kjrholm
classic, with the stools minimalistic and elegant expression. The
PK91 is part of the permanent collection at the Rhsska Museum in
Gothenburg, in Sweden. The folding stool is available with a leather
or canvas seat and the base is in satin-brushed stainless steel.
PK91

POUL KJRHOLM 1961

88
PK24

, leather The PK24

chaise longue chair, with its easy curves and organic

shape, stands out as perhaps the most recognizable chair in Poul
Kjrholms work. Inspiration for this chair comes from the Rococo
period and the French chaise longue long chair that featured
the same curve and size. The chair is a prime and almost extreme
example of Kjrholms principle of designing with independent
elements. Consequently, the chair has no physical connection
between the main parts, which are instead kept together by gravity
and the friction between the elements. Kjrholm also labelled the
PK24 the Hammock Chair to stress that the chair functioned by
suspending the body between two points. The base of the PK24 is
in satin-brushed stainless steel, the seat is available in wicker and
leather, both versions includes a leather headrest.
PK24

POUL KJRHOLM 1965

91
PK20

, leather The PK20

is a comfortable and elegant lounge chair. PK20 rests on

a fexible matt-chromed spring steel frame. The original idea was to
use spare leather strips from the production of other leather furniture
in order to optimize production. Due to the diversity of the leather
strips, the idea was rejected and today, only the fnest leather strips
are used. The low back version of the PK20 is included in the
permanent collection at the Victoria and Albert Museum in London.
PK20 is available in wicker and leather. The leather version also
includes a leather headrest.
PK20

POUL KJRHOLM 1968

93
Space

, leather
Space

table, under laquered

glass
Space

is designed by the German design duo Jehs+Laub. The duo

is inspired by the human body and natures ability to design itself.
Their ambition is always to make things that are straightforward
and not too labored. The Space series is designed from the idea of
the comfortable feeling of sitting in a hand. The lines of the design
resemble the paths, the roads and the felds of a landscape.
The Space chair comes in white, black or grey with a variety of
fnishes. The chair is available with a wide range of fabrics and
leather front upholstery. The shell is in a lacquered synthetic
material. The base is made of lacquered steel matching the colour
of the shell.
SPACE

JEHS+LAUB 2007
SOFAS
97
Series 3300

, fabric
KAISER idell

, foor lamp 6556-F

The 3300

series was created for the SAS Terminal at the Royal

Hotel in Copenhagen, one of Arne Jacobsens architectural
masterpieces. The 3300 series exudes Jacobsens unfailing sense
of line and proportion and his ability to design everlasting classics.
Arne Jacobsen got the inspiration for the 3300 series from a sofa,
which he had designed especially for his own home in the 1940s.
The 3300 series forms an elegant contrast to the organic shapes of
the Egg

and Swan

chairs, also designed for the Royal Hotel. The

3300 series consists of an easy chair as well as a two and three
seater sofa. It is available in various types of leather and fabric
upholstery and a chromed base.
SERIES 3300

ARNE JACOBSEN 1956

98
Swan Sofa

, leather
Swan

, leather
The Swan Sofa

was made as a special model for the furnishing of

suites, lounges and the panoramic restaurant at the SAS hotel in
1958. The sofa was in production from 1964-1974 and was
reintroduced in 2000. The characteristic 3-dimensional shape
contains no straight lines but is based on curves like the Egg

and
the Swan

. It is available in a variety of fabric upholstery as well as

exclusive leather types. The sofa rests on a shaker base in satin
polished aluminium.
SWAN SOFA

ARNE JACOBSEN 1958

100
PK31

/3, leather The PK31

sofa series is a prime example of Kjrholms ability to

create furniture that can be tailored to a room and still keep the
identity of the single piece of furniture. The PK31 is, in other words,
also a self-contained freestanding object and a realization of
Kjrholms quest to fnd an ideal form. This is confrmed by the
chair, which defnes a cube of 76 cm on a side, with the seat
height at the midpoint. The PK31 series combines elegant luxury
with comfort. It is available in leather, exclusively combined with a
matt chromed spring steel base as a one, two and three seater
sofa. Additional units can be added.
PK31

POUL KJRHOLM 1958

103 103
Lissoni Sofa

, leather
PK31

, leather
PK61

, glass
Rug, Dune
The Lissoni Sofa

by the Italian designer Piero Lissoni is a sophisti-

cated and contemporary sofa in an international design language.
The clear horizontal and vertical lines that are very obvious in the
contours of the base and comfortable cushions, characterize the
sofa. The sofa is a prime example of Piero Lissonis design principle
never to design for a specifc function or purpose but to design for
human beings. You also sense his great admiration for the designs
of Poul Kjrholm and Arne Jacobsen and their ability to be ahead
of their time. The Lissoni Sofa comes fully upholstered in fabric or
leather with upholstered armrests and the frame is in matt polished
stainless steel.
LISSONI SOFA

PIERO LISSONI 2006

104
Decision Sofa

, fabric
Egg

, fabric
Little Friend

, compact laminate
Decision Sofa

is designed by the design duo Pelikan Design. It is

created with receptions, meetings and waiting areas in mind. Like
ideas the Decision units can be combined to produce create results.
The design is built around three basic units and a set of armrests that
allows for countless combinations making chairs, circular or curved
sofa solutions with different back heights and armrest possibilities.
With its many functions and possible combinations Decision
represents the essence of Pelican Designs way of designing. It is
functional minimalism. The furniture is simple, yet functional as it can
be combined into the perfect seating area for any space. When
creating a Decision furniture only the imagination sets the limit.
DECISION SOFA

PELIKAN DESIGN 1986

106
Alphabet Sofa

, fabric Alphabet Sofa

is a modular sofa concept designed by Pierro

Lissoni. The design, inspired by toy Lego bricks, consists of modular
elements that can be combined in an endless variety of combina-
tions. The individual elements make it possible to create a personal
expression obeying only one rule: If it feels right, its spelt right. The
Alphabet Sofa is available in fabric upholstery. Different upholstery
colours can be combined in the same sofa.
ALPHABET SOFA

PIERO LISSONI 2008

Alphabet Sofa

, fabric
Little Friend

, compact laminate
Egg

, fabric
Swan

, fabric
TABLES
112
Coffee Table Series, walnut
veneer
Swan

, fabric
The Piet Hein/Arne Jacobsen coffee table series comes in a variety
of materials, shapes and sizes. The coffee tables were originally
part of the interior for Royal Hotel in Copenhagen, which epitomizes
Arne Jacobsens famous total design. The tables come in a variety of
shapes and sizes. With very few exceptions the tables are all
available in three fnishes: laminate, veneer and linoleum. The table
comes with a four star base with a satin polished aluminium foot and
a satin chromed steel pedestal.
COFFEE TABLE
SERIES
PIET HEIN, ARNE JACOBSEN 1968
114
Table Series, walnut veneer
Grand Prix

, painted beech
The table series includes the Super-Elliptical

, the Super-Circular

,
circular, square and rectangular tables designed by Piet Hein, Bruno
Mathsson, and Arne Jacobsen. The most prominent member of the
series, the Super-Elliptical table, was inspired by the designer Piet
Heins solution to a traffc problem at Sergels Torg in Stockholm:
A Super-Elliptical roundabout. The ingenious shape was conceived
in his mathematical mind. This variation of an oval possessed some
attractive qualities and looked surprisingly harmonious no matter
the size. The formula based shape has no ends and this is why the
Super-Elliptical table can be seen as a democratic table where
everyone has an equal position. Bruno Mathsson and Arne
Jacobsen contributed to the base design of all the tables. The tables
come in a wide variety of shapes and sizes. With very few
exceptions the tables are all available in three fnishes: laminate,
veneer and linoleum. Depending on the shape of the table there is a
choice of three types of bases: span legs in chromed or satin
chromed steel, four or six star base in satin polished aluminium foot
and a satin chromed steel pedestal, or shaker base in satin polished
aluminium.
TABLE SERIES
PIET HEIN, BRUNO MATHSSON, ARNE JACOBSEN
1968
117
PK61A

, glass stainless steel

PK22

, suede
PK33

, leather
The coffee table PK61

is almost as elementary and minimalistic as

it gets from the hand of Poul Kjrholm. Despite the extreme
distillation of the structure into a set of identical elements, the square
and aesthetic design has the power of a manifesto and shows
Kjrholms development from industrial designer to furniture
architect. The four base elements are joined with machine screws
that lend the table part of its unique look. The removable tabletop
demonstrates Kjrholms recurring principle of using gravity to keep
the elements in place. The PK61 tabletop is available in slate,
granite, light steel-rolled marble or glass. The base is satin-brushed
stainless steel.
In 2007, the PK61A came into production, aside from the fact that
this table doesnt come with a slate tabletop the PK61a has the
exact same structure as the PK61. The measurements indicate the
only difference between the two.
PK61

/PK61A

POUL KJRHOLM 1956

118
The PK71

is comprised of three nesting tables that can be stored

underneath one another. The tables and their continued, three-
dimensional form represent the frst time Kjrholm used the square
in all three dimensions of his work. They can be seen as the
precursor of his larger and more complex tables. The toy-like
character of the small and abstract tables makes them very dynamic
and invites you to move them around. Kjrholm often stacked the
naked frames as sculptural symbols to illustrate the elemental quality
of his other work. The importance of the PK71 is illustrated by the
fact that the tables are included in the permanent collection of the
Museum of Modern Art in New York. The tops are made of either
black, white, red or umbra green acrylic and the square base is in
satin-brushed stainless steel.
PK71

POUL KJRHOLM 1957

PK71

, acrylic
PK22

, canvas
Rug, Lino
120
PK54

, granite
PK9

, leather
PK54A

, extension, maple
The PK54

dining table is a study in contrasting materials and

forms. Circle meets square and the pure expression leaves a
monumental impression that makes the table the natural focal point
in any room no matter where the table is placed. One of the
defning characteristics of the table are the extension ring, which
provide an unusual solution to the problem of extending a round
table and make the table even more unique. Stone meets wood,
hard meets soft and the table completely changes expression
without loosing its identity, when the concentric wooden leaves are
applied to the table. The PK54 has a light steel rolled marble or
granite tabletop combined with a base in satin-brushed stainless
steel. An extension ring is available in solid maple.
PK54

POUL KJRHOLM 1963

123
PK58

, polyester composite
PK8

, plastic
The PK58

is a minimalist table inspired by the PK54

, though
the table is somewhat taller and the choice of materials different.
Despite these differences, the PK58 is still a study in contrasting
materials and forms. Circle meets square and the pure expression
leaves a monumental impression that makes the table the natural
focal point in any room. The table comprises of an anodised
satin-brushed aluminium base combined with a white polyester
composite tabletop.
PK58

POUL KJRHOLM 1963

IN PRODUCTION 2007
125
Plano

, glass
RIN

, plastic
Plano

is a series of tables designed by Pelikan Design. The design

is the result of Pelikan Design taking the brief from Fritz Hansen
literally and to the extreme. Originally, the brief from Fritz Hansen
was to create a dining table with a light expression simply
consisting of a surface and four legs. Pelikan Design came up with
Plano and the signature feature of the tables, the ultra-thin and
almost foating tabletop. Indeed, a light expression, a surface
and four almost superfuous legs. The Plano tables are available in
many sizes. The tabletop comes in laminate and glass.
PLANO

PELIKAN DESIGN 2000

127
Ice

chair, plastic
Ice

table, laminate
Ice

, designed by Kasper Salto, marks a milestone in the history of

Fritz Hansen: Ice is the frst table from the hand of Fritz Hansen that
is equally suited for both indoor and outdoor use. The table
incorporates the virtues of classic tables of the past while the choice
of materials points to the future. The base is natural anodised
aluminum and the tabletop is made of white or grey weather
resistant compact laminate. Ice functions equally well in a casual
and a formal atmosphere. The Ice table and chair is a perfect
match with an identical design language.
ICE

KASPER SALTO 2005

128
Little Friend

, compact laminate
RIN

, plastic
The multi-purpose table Little Friend

designed by Kasper Salto is a

small yet signifcant piece of furniture in the history of Fritz Hansen.
The ground-breaking design was the result of a series of think tanks
ideas of new ways of working and living. Little Friend is a fexible,
multifunctional and portable table. It comes in two versions a
height-adjustable and a fxed. The top comes in fve colours of
compact laminate with a base in chromed polished aluminium or
powder coated to match the tabletop.
LITTLE FRIEND

KASPER SALTO 2005

129
131
Space

table, glass
Space

chair, leather
The Space

coffee tables are designed by the German design duo

Jehs+Laub. The duo is inspired by the human body and natures
ability to design itself. Their ambition is always to make things that
are straightforward and not too labored. The table comes in white
black or grey under lacquered glass. It is available in two sizes.
The base is made of lacquered steel matching the colour of the shell.
131
SPACE

JEHS+LAUB 2007
T-No.1

, glass, powder
coated base
Oxford

, leather
T-No.1

is an exclusive table series created by the American

designer Todd Bracher. The main feature is the tabletop hovering
above the curved, sturdy and structural frame. The design is a
perfect example of Todd Brachers provocative credo that his design
doesnt demand any explanations. In the eyes of Todd Bracher, the
T-No.1 table is just a frame and a surface and nothing else. It
looks as if it has been created in one long, natural movement and
therefore couldnt have been designed in any other way.
The exclusive table series T-No.1 comes in a wide range of sizes
and fnishes. The series consists of individual and combination
tables that can be extended endlessly. The tabletop comes in
veneer and glass. The frame is available in high gloss polished
and powder coated black or white aluminium.
T-No.1

TODD BRACHER 2008

133 133
T-No.1

, walnut veneer
Oxford

, leather
135
XXXXX

XXX
xxxxxx xxxxxxx
135
137
Essay

, solid walnut
Series 7

, designer colours
ESSAY

CECILIE MANZ 2009

The Essay

table is designed by the Danish designer Cecilie Manz.

Essay is the epitome of a table, distilled to a minimum to allow for
everything. Work, play or enjoying a meal, Essay is ideal for a
multitude of functions and could be the natural centre of your life.
Join your family or friends at the table or enjoy the minimalistic and
pure design all by yourself. The possibilities are endless.
Essay is available in four sizes, with the tabletop and base in four
different solid wood varieties: oak, ash, black coloured ash and
walnut. Additionally, the table comes with high gloss legs in three
different colours: white, sand and black. Essay also offers extension
leaves that can be added to both sides of all Essay tables.
138
Essay

, solid oak
Series 7

, designer colours
140
Essay

, solid coloured ash

Series 7

, dark stained oak

black legs
LIGHTING &
ACCESSORIES
.
.
4
4
.
34

.
144
KAISER idell

CHRISTIAN DELL
The KAISER idell

collection is a series of lamps designed by the

German silversmith, Christian Dell. The lamps date back to the
Bauhaus period which plays a vital role in the history of design.
The lamp series is based on a swivel joint and the characteristic
dome embossed with the letters ORIGINAL KAISER-idell.
The collection consists of table, wall, foor lamps and pendant,
each simple yet beautifully designed. The lamps are available in
the colours black, ivory, white, ruby red and dark green. The lamps
are made in a steel and brass and the lamp shades are hand
painted in high gloss. The chrome-plated elements consist of hand
polished and silver soldered brass.
KAISER idell

, tablelamp
6631 Luxus
145
KAISER idell

, table, wall, foor,

pendant lamps
Series 7

, high gloss lacquer

Egg

, fabric
Essay

, solid ash
Coffee Table Series, oak
Series 7

Childrens Chair,
lacquer
The Series 7

designed by Arne Jacobsen is by far the most sold

chair in the history of Fritz Hansen and perhaps also in furniture
history. The pressure moulded veneer chair is a further development
of the classic Ant

chair. The four-legged stackable chair can be

seen as the culmination of the use of the lamination technique. A
technique refned to perfection during the Twenties and Thirties by
Sren Hansen, the grandson of the founder, Fritz Hansen. In 2005
it was introduced in a children version which is available in beech
and lacquer in a variety of colours. The base comes with 4 legs
(stackable) and is made of chromed steel tubes.
SERIES 7

CHILDRENS CHAIR
ARNE JACOBSEN 2005
149
DOT

, painted beech The Dot

originally known as the 3170 is a stool designed by

Arne Jacobsen and Fritz Hansen. It was frst introduced to the
market in 1953 with three legs. The little stool with the friendly
appearance was revitalized in 1970 with four legs. Arne Jacobsen
was so fond of the charming stools sculptural qualities that he
chose to decorate the walls of Rdovre Town Hall, situated in a
suburb of Copenhagen, with the seat from the stool. The unex-
pected idea with the seats on the walls of the town hall is an
unusual example of the total design of Arne Jacobsen, who also
was the architect behind the building. The decorated walls, which
can be seen as a collection of big dots, are also the inspiration for
the name of the stool. The four legged stool is available in fve
different painted beech colours. It is stackable with a chromed steel
tube base.
DOT

ARNE JACOBSEN 1953

PK71

, acrylic
KAISER idell

, table lamp
6722-T
PK22

, canvas
The PK71

is comprised of three nesting tables that can be stored

underneath one another. The tables and their continued, three-
dimensional form represent the frst time Kjrholm used the square
in all three dimensions of his work. They can be seen as the
precursor of his larger and more complex tables. The tops are
made of either black, white, red or umbra green acrylic and the
square base is in satin-brushed stainless steel.
PK71

POUL KJRHOLM 1957

151
The three-legged stool PK33

epitomizes Poul Kjrholms use of

assembly techniques, his exploration of materials and his simplifca-
tion of structure into a type-form. The stool draws on construction
techniques from the PK71

nesting tables and the PK80

daybed,
but still has its own strong, unique expression. The PK33 has a
detachable leather cushion and matt chromed spring steel base.
PK33

POUL KJRHOLM 1959

PK33

, leather
PK91

, canvas
PK91

, leather
The PK91

folding stool designed by Poul Kjrholm epitomizes his

ongoing adaption of historical furniture categories into his oeuvre
and arsenal of expressions. The source of inspiration for the PK91 is
an ancient Egyptian folding stool that dates back to ca. 1500 BC.
The designers method of refning historical furniture types has again
been put into play and the result is unmistakably a Kjrholm classic,
with the stools minimalistic and elegant expression. The PK91 is part
of the permanent collection at the Rhsska Museum in Gothenburg,
in Sweden. The folding stool is available with a leather or canvas
seat and the base is in satin-brushed stainless steel.
PK91

POUL KJRHOLM 1961

153
Coat Tree

, multi coloured
Little Friend

, compact laminate
Egg

, leather
The Coat Tree

is designed by Sidse Werner. Its one of the worlds

most mobile and functional members in this category. The light and
fragile look hides the paradoxical fact that it is also one of the worlds
most robust and practical stands: You can hang a surprisingly great
number of heavy coats on it. The dynamic design is underlined by its
ability to blend in anywhere and match the style of any room. The
coat tree, in addition to chromed steel, is also available in three
different colours: multicoloured, white and multigrey.
COAT TREE

SIDSE WERNER 1971

Little Friend

, compact laminate The multi-purpose table Little Friend

designed by Kasper Salto is a

small yet signifcant piece of furniture in the history of Fritz Hansen.
The ground-breaking design was the result of a series of think tanks
ideas of new ways of working and living. Little Friend is a fexible,
multifunctional and portable solution to the challenges of modern
minimalistic working and living. It is perfect for your laptop as well
as your morning coffee.
The height-adjustable version of the elegant and humble table fts
perfect in rooms with low lounge furniture and chairs in standard
height even in the bedroom and bathroom. The top comes in fve
colours of compact laminate with a basein chromed polished
aluminium or powder coated to match the tabletop.
LITTLE FRIEND

KASPER SALTO 2005

155
Viper

, aluminium tubes Viper

is a room divider designed by Hans Sandgreen Jakobsen.

The basic room divider is 3 metres long but can be extended
endlessly. In itself, the room divider can be seen as a highly
aesthetic sculpture and a calm background for the life and furniture
of the room. With Viper, it is possible to create new interim spaces
in the room in a moment and alter them if needed. And with the
wink of an eye, the wall can be rolled up into a slim tube and
removed: Now you see it, now you dont. The aluminium version is
available as a closed unit or as a sound absorbent, perforated unit.
VIPER

HANS SANDGREN JAKOBSEN 1996

Alphabet Sofa

cushions, fabric The Alphabet Sofa

cushions belong to the modular sofa system.

The cushions are available in a wide range of fabrics and colours.
ALPHABET SOFA

CUSHIONS
PIERO LISSONI 2008
157
Rugs: Lino, Bravour, Lumina, Dune
Swan

, fabric
Danskina designs are made in close collaboration with external
textile designers and mainly produced in fxed mills in the Nether-
lands and Scotland. Most qualities are hand- or machine tufted in
natural materials like wool, linen and bamboo, but danskina is
always on the lookout for new techniques and innovative materials.
Only available at selected partners and countries.
RUGS
BY DANSKINA 2009
Grano
159
Corale
PROFILE &
MATERIALS
PROFILE
The Ant

- 3100
Arne Jacobsen
78x51x48 cm
The Ant

- 3101
Arne Jacobsen
80.5x51x48 cm
SERIES 7

- 3107
Arne Jacobsen
80.5x51x48 cm
SERIES 7

- 3107
Arne Jacobsen
80.5x51x48 cm
- front upholstered
SERIES 7

- 3187
Arne Jacobsen
98x52x54 cm
110x53x59 cm
OXFORD

- 3171
Arne Jacobsen
93x50x54 cm
OXFORD

- 3273
Arne Jacobsen
102x60x57 cm
OXFORD

- 3292
Arne Jacobsen 1965
125-139x60x60 cm
LILY

- 3208
Arne Jacobsen
81x64x52 cm
- fully upholstered
LILY

- 3218
Arne Jacobsen
81-91x64x52 cm
SERIES 7

- 3207
Arne Jacobsen
78.5x61x52 cm
- welt upholstered
SERIES 7

- 3217
Arne Jacobsen
80-89x61x52 cm
- fully upholstered
GRAND PRIX

- 3130
Arne Jacobsen 1955
80.5 x50x50 cm
GRAND PRIX

- 3130
Arne Jacobsen
80.5 x50x50 cm
- front upholstered
GRAND PRIX

- 3130
Arne Jacobsen
80.5 x50x50 cm
- fully upholstered
LILY

- 3108
Arne Jacobsen
82,5x50x52 cm
PK9

Poul Kjrholm 1960

76x56x60 cm
PK8

Poul Kjrholm
78x60x50 cm
PK8

Poul Kjrholm
78x60x50 cm
- front upholstered
CHINA CHAIR

- 4283
Hans J. Wegner
82x55x55 cm
163

ICE

- KS 200
Kasper Salto
79x50x48 cm
ICE

- KS 210
Kasper Salto
79x56x48 cm
ICE

- KS 900
Kasper Salto
110x53x53 cm
NAP

Kasper Salto
77x54x51
NAP

Kasper Salto
77x62x51
RIN

- HK10
Hiromichi Konno
77x57x55 cm
RIN

- HK10
Hiromichi Konno
77x57x55 cm
- seat upholstered
RIN

- HK10
Hiromichi Konno
77x57x55 cm
- front upholstered
3300

Arne Jacobsen
72x73x79 cm
EGG

- 3316
Arne Jacobsen
107x86x79 (95) cm
SWAN

- 3320
Arne Jacobsen
77x74x68 cm
SWAN

- 3320
Arne Jacobsen
85x74x68 cm
OXFORD

LOUNGE - 3242
Arne Jacobsen
113x60x76 cm
3243 - 80x60x73
3241 - 77 x60 x68
PK25

Poul Kjrholm
75x69x73 cm
PK22

Poul Kjrholm
71x63x63 cm
PK22

Poul Kjrholm
71x63x63 cm
- wicker
PK80

Poul Kjrholm 1957

30x190x80 cm
PK31

Poul Kjrholm
76x76x76 cm
PK33

Poul Kjrholm
34x53 cm
PK91

Poul Kjrholm
41x59x45cm
PK31/3

Poul Kjrholm
76x198x76 cm
LISSONI - PL112
Piero Lissoni
75x198x92 cm
75x288x92 cm
ALPHABET SOFA

- PL300-3
Piero Lissoni
70x300x105/210 cm
- combinations of sizes
TABLE SERIES - CIRCULAR A826
Piet Hein, Bruno Mathsson,
Arne Jacobsen
72x145 cm
- more sizes available
TABLE SERIES - SUPER ELLIPTICAL B611
Piet Hein, Bruno Mathsson,
Arne Jacobsen
72x135x90 cm
- more sizes available
TABLE SERIES - RECTANGULAR D438
Piet Hein, Bruno Mathsson,
Arne Jacobsen
72x160x80 cm
- more sizes available
PK61

Poul Kjrholm
32/80/80 cm
PK61A

-

32/120/120 cm
3302

Arne Jacobsen
72x126x79 cm
SWAN

SOFA - 3321
Arne Jacobsen
79x144x74 cm
PK31/2

Poul Kjrholm
76x137x76 cm
DECISION SOFA

, model 101
Pelican Design
75x80x80 cm
PK24

Poul Kjrholm
87x155x67cm

PK24

Poul Kjrholm
87x155x67cm
- wicker
PK20

Poul Kjrholm
89x80x71 cm
- with headrest
PK20

Poul Kjrholm
84x80x71 cm
- wicker
SPACE

- JL10
Jehs+Laub
76x85x70 cm
165
PK 71

Poul Kjrholm
29x29x29 cm
PK54

Poul Kjrholm
69x140 cm
PK54A

Poul Kjrholm
70x210 cm
- with extension ring
PK58

Poul Kjrholm
71x130 cm
PLANO

- P934
Pelikan Design
72x160x80 cm
- more sizes & shapes available
ICE

- KS312
Kasper Salto
73x138x79 cm
- more sizes & shapes available
LITTLE FRIEND

- KS11
Kasper Salto
50-73x45 cm
SPACE

- JL50 / JL60
Jehs+Laub
46x75 cm
37x100 cm
T-No.1

- TB6
Todd Bracher
74x240x120 cm
- more sizes available
ESSAY

- CM42
Cecilie Manz
72x295x100 cm
- more sizes available
VIPER

- VB300
Hans Sandgren Jakobsen
160x300 cm
- extendable
COAT TREE

- 9999
Sidse Werner
193x65 cm
DOT

- 3170
Arne Jacobsen
& Fritz Hansen
44 x34 cm
SERIES 7

- 3177
CHILDRENS CHAIR
Arne Jacobsen
60x40x42 cm
KAISER idell

LAMPS
Christian Dell
FABRICS
BARRY
70% Viscose
30% Flax
BESPOKE STRIPE
Designed by Paul Smith
100% New wool, worsted
BLITZ
100% Trevira cs
COCO
71% Cotton
15% Acrylic
7% Polyester
5% Wool
2% Polyamid
Oxford

Ice

Lissoni sofa

Alphabet Sofa

Lissoni sofa

Alphabet Sofa

* Printed colours may vary from the original colours

167
114 124 156 176 184 224 284 316 336 376 396 416 456 476 526 536 556 576
626 636 656 676 726 746 766
1 3 4
1 2 3 4 5 6
7 71 138
FABRICS
COMFORT
88% Polyester
12% Polyurethan
DIVINA
100% New wool
RIN

3300

Egg

Swan

Space

Grand Prix

Series 7

Oxford

Lily

PK8

Lissoni sofa

Alphabet Sofa

Decision Sofa

Grand Prix

Series 7

Oxford

Ice

3300

Egg

Swan

Lissoni sofa

Decision Sofa

169
106 154 171 173 181 191 224 236 246 334 346 356 376 384 393 426 444 462
526 536 542 552 562 584 623 626 636 652 662 666 671 676 684 686 691 692
696 712 742 756 782 791 793 826 836 846 856 876 886 893 922 936 944 956
966 984
0001 0002 0003 0004 0005 0006 0007 0009 0010 0013 0018 0020 0026 0028 0029 0031 0033 0034
0035 0036 0040 0049 0050 0051 280 1012 1043 1048 1049 1065 1124 1134 1147 1153 1160 1161
1162 1163 1167 1184 1185 1412 1413 1414 1566 8384 8397 8402 8420 8421 8422 9043 9047 9055
9060 9070 9074 9075 9080 9081 9083 9084 60002 60003 60004 60005 61002 61003 61004 61006 61008 61009
62001 62003 63001 63005 64001 64002 64003 64005 64006 64008 64009 64010 65002 65003 66001 66002 66003 66004
66005 66007 66008 67001 68000 68001 68002 68003 68004 68005 68006
FABRICS
DIVINA MELANGE
100% New wool
DUCALE 08
95% Wool
5% Polyamide
FAME
95% Wool
5% Polyamide
3300

Egg

Swan

Lissoni sofa

Alphabet Sofa

RIN

3300

Egg

Swan

Space

Grand Prix

Series 7

Oxford

Lily

PK8

Lissoni sofa

Alphabet Sofa

Oxford

RIN

3300

Egg

Swan

Space

Lissoni sofa

Alphabet Sofa

Decision Sofa

171
11 12 32
120 170 180 220 260 280 421 471 521 531 571 581 621 631 671 681 721 731
771 821 871 920 931 971
60000 60003 60004 60017 60019 60033 60036 60051 60999 61001 61003 61020 61024 61025 61042 61047 61060 61061
62024 62040 62041 62042 62043 63016 63041 63042 64003 64036 64039 64055 64058 64089 64097 64118 64119 64120
65005 65026 65038 65060 66002 66005 66032 66047 66058 66061 66071 66075 67004 67007 67016 67040 67044 67059
68004 68030 68035 68038 68053 68069
GLOSS
100% Trevira CS
Flourocarbon
HALLINGDAL
70% New wool
30% Viscose
MAGIC
96% New wool
4% Nylon
STAR VELOUR
100% Trevira CS
FABRICS
3300

Egg

Swan

Space

Decision Sofa

Grand Prix

Series 7

Oxford

Lily

RIN

Space

Alphabet Sofa

cushions
Egg

Swan

Alphabet Sofa

173
100 103 110 123 130 153 163 173 180 190 200 220 270 337 350 370 390 437
1522 1523 1524 1525 1526 1527 1528 1529 1530 1531 1570 1571 1572 1573 1574 1575 1576
457 490 523 543 547 553 563 573 590 593 600 657 674 687 694 701 702 723
733 743 750 753 754 756 763 764 773 796 830 850 863 870 871 877 893 900
901 906 927 944 967 975 986
102 112 152 172 192 202 212 233 243 253 312 443 472 553 633 643 652 663
117 157 177 197 237 247 357 367 427 447 467 477 547 637 647 657 667 687
733 743 752 833 843 853 923 933 943 952
727 747 757 777 787 827 857 947 967
FABRICS
STEELCUT
90% Wool, worsted
10% Nylon
STEELCUT TRIO
90% Wool, worsted
10% Nylon
STRIPES
92% New Wool
8% Nylon
TEMPO
100% Trevira CS
Oxford

3300

Egg

Swan

Oxford

RIN

Space

Decision Sofa

175
DM 01 DM 02 DM 03 DM 04 DM 05
110 120 140 160 180 190 220 240 250 370 380 450 550 660 720 760 780 820
840 850 920 950 980
113 133 153 213 253 283 333 353 383 413 453 533 553 653 683 713 733 853
883 933 953 983
130 170 190 230 250 370 550 570 630 650 670 690 710 730 750 770 790 830
850 930 950 970
FABRICS
TONUS
90% New wool
10% Helanca
TOPAS
100% New wool, worsted
WAFER
100% Polyurethan
Space

RIN

Grand Prix

Series 7

Oxford

3300

Egg

3300

Egg

Swan

Grand Prix

Series 7

Oxford

Lily

Swan

Lily

Decision Sofa

Decision Sofa

177
002 003 004 005 006 007 008 09 010 011 012 013 014 015 016 017 018 019
104 124 134 144 156 164 174 184 186 194 204 216 226 236 304 314 324 346
366 404 414 426 446 454 464 504 514 524 536 546 604 614 624 634 644 654
664 674 684 694 704 714 724 734 744 754 756 764 766 774 784 794 796 804
814 824 834 846 904 914 926 934 944 956 966 976 986
100 106 109 111 118 119 122 123 124 125 126 127 128 129 130 131 132 133
135 201 207 209 210 211 215 216 240 380 440 450 505 508 509 605 608 609
610 613 614 615 619 620 622 623 624 625 627 628 629 630 631 632 633 634
635 636 640 680 690 740 780 840 940 980
Alphabet Sofa

Lissoni sofa

Series 7

Oxford

Series 8

Ice

RIN

Space

Lissoni sofa

WHITE
70% Viscose
30% Flax
BASIC LEATHER
CLASSIC LEATHER
SOFT LEATHER
NATURAL LEATHER
FABRICS & LEATHER
Grand Prix

Series 7

Series 8

Oxford

RIN

3300

Egg

Swan

*PK collection
(PK8

, PK9

, PK20

, PK22

, PK24

, PK31

, PK33

, PK80

, PK91

)
Grand Prix

Series 7

Oxford

China

Chair

Series 8

RIN

3300

Egg

Swan

Space

Grand Prix

Lissoni sofa

PK collection*
China Chair

3300

Egg

Swan

PK collection* Series 7

179
9 40 48
Black Black-brown Walnut Cognac Bright red
Black Black-brown Walnut Cognac Bright red
Black
Natural
LEATHER
WHITE LEATHER
OPTICAL WHITE
LEATHER
ELEGANCE LEATHER
SUEDE
WELT LEATHER
PK22

Series 7

Grand Prix

Series 7

Oxford

China

Chair

Series 8

RIN

3300

Egg

Swan

Space

Lissoni sofa

PK collection*
Grand Prix

Series 7

Oxford

China

Chair

Series 8

RIN

3300

Egg

Swan

Space

Lissoni sofa

PK collection*
Grand Prix

Series 7

Oxford

China

Chair

Series 8

RIN

3300

Egg

Swan

Space

Lissoni sofa

PK collection*

181
White
Black Black-brown Indian red Olive Sand
Black
White
Black Indian red Walnut
SILVER -
BLACK -
DEEP BLUE -
INDIGO -
DARK GREY -
PEARL -
SILK -
IVORY -
WHITE -
PETROL -
DARK RED -
TURQUOISE -
ICE BLUE -
LEMON LIME -
LIME -
SUNNY YELLOW -
ROSE -
ORANGE -
MAGENTA -
RED -
T
R
Y
K
T
E

F
A
R
V
E
P
R

V
E
R
.

K
A
N

A
F
V
I
G
E

N
O
G
E
T

F
R
A

O
R
I
G
I
N
A
L
F
A
R
V
E
R
N
E

P
R
I
N
T
E
D

C
O
L
O
U
R

S
A
M
P
L
E
S
.

M
A
Y

V
A
R
Y

S
L
I
G
H
T
L
Y

F
R
O
M

T
H
E

O
R
I
G
I
N
A
L

C
O
L
O
U
R
S

G
E
D
R
U
C
K
T
E

F
A
R
B
T
O
N
E
.

A
B
W
E
I
C
H
U
N
G
E
N

V
O
M

O
R
I
G
I
N
A
L
F
A
R
B
T
O
N

K
O
N
N
E
N

V
O
R
K
O
M
M
E
N

L
E
S

T
E
I
N
T
E
S

I
M
P
R
I
M
E
E
S

P
E
U
V
E
N
T

A
V
O
I
R

U
N

A
S
P
E
C
T

L
E
G
E
R
E
M
E
N
T

D
I
F
F
E
R
E
N
T

D
E
S

O
R
I
G
I
N
A
L
E
S

C
O
L
O
R
I

S
T
A
M
P
A
T
I
.

L
E

T
I
N
T
E

O
R
I
G
I
N
A
L
I

P
O
S
S
O
N
O

A
V
E
R
E

U
N

A
S
P
E
T
T
O

L
E
G
G
E
R
M
E
N
T
E

D
I
F
F
E
R
E
N
T
E

MATERIALS
LACQUER / VENEER
PAINTED BEECH
COLOURED ASH
HIGH-GLOSS LACQUER
L: LACQUER / VENEER
P: PAINTED BEECH
C: COLOURED ASH
H: HIGH-GLOSS LACQUER
DESIGNER COLOURS
LACQUER AND HIGH-GLOSS LACQUER
PLASTIC
SOLID WOOD
The Ant

(not available in
high-gloss lacquer
or cherry & walnut)
(not available in
lacquer/high-gloss)
Series 7

Series 8

(only available in
black, white, red 570
lacquer)
Dot

(5 painted beech
colours available;
black, white, lime,
orange, pink)
ICE

(8 colours available)
RIN

(6 colours available)
China

Chair

.
.
4
4
.
34

.
PK8

(4 colours available)
Grand Prix

NAP

(5 colours available)
183
Black
L:190 P:193
C:195 H:199
Indigo
L:750 P:753
C:755
Dark Grey
L:170 P:173
C:175 H:179
White
L:100 P:103
C:105 H:109
Turquoise
L:740 P:743
C:745
Ice blue
L:720 P:723
C:725
Lime
L:910 P:913
C:915 H:919
Sunny Yellow
L:430 P:433
C:435
Rose
L:510 P:513
C:515
SILVER -
BLACK -
DEEP BLUE -
INDIGO -
DARK GREY -
PEARL -
SILK -
IVORY -
WHITE -
PETROL -
DARK RED -
TURQUOISE -
ICE BLUE -
LEMON LIME -
LIME -
SUNNY YELLOW -
ROSE -
ORANGE -
MAGENTA -
RED -
T
R
Y
K
T
E

F
A
R
V
E
P
R

V
E
R
.

K
A
N

A
F
V
I
G
E

N
O
G
E
T

F
R
A

O
R
I
G
I
N
A
L
F
A
R
V
E
R
N
E

P
R
I
N
T
E
D

C
O
L
O
U
R

S
A
M
P
L
E
S
.

M
A
Y

V
A
R
Y

S
L
I
G
H
T
L
Y

F
R
O
M

T
H
E

O
R
I
G
I
N
A
L

C
O
L
O
U
R
S

G
E
D
R
U
C
K
T
E

F
A
R
B
T
O
N
E
.

A
B
W
E
I
C
H
U
N
G
E
N

V
O
M

O
R
I
G
I
N
A
L
F
A
R
B
T
O
N

K
O
N
N
E
N

V
O
R
K
O
M
M
E
N

L
E
S

T
E
I
N
T
E
S

I
M
P
R
I
M
E
E
S

P
E
U
V
E
N
T

A
V
O
I
R

U
N

A
S
P
E
C
T

L
E
G
E
R
E
M
E
N
T

D
I
F
F
E
R
E
N
T

D
E
S

O
R
I
G
I
N
A
L
E
S

C
O
L
O
R
I

S
T
A
M
P
A
T
I
.

L
E

T
I
N
T
E

O
R
I
G
I
N
A
L
I

P
O
S
S
O
N
O

A
V
E
R
E

U
N

A
S
P
E
T
T
O

L
E
G
G
E
R
M
E
N
T
E

D
I
F
F
E
R
E
N
T
E

SILVER -
BLACK -
DEEP BLUE -
INDIGO -
DARK GREY -
PEARL -
SILK -
IVORY -
WHITE -
PETROL -
DARK RED -
TURQUOISE -
ICE BLUE -
LEMON LIME -
LIME -
SUNNY YELLOW -
ROSE -
ORANGE -
MAGENTA -
RED -
T
R
Y
K
T
E

F
A
R
V
E
P
R

V
E
R
.

K
A
N

A
F
V
I
G
E

N
O
G
E
T

F
R
A

O
R
I
G
I
N
A
L
F
A
R
V
E
R
N
E

P
R
I
N
T
E
D

C
O
L
O
U
R

S
A
M
P
L
E
S
.

M
A
Y

V
A
R
Y

S
L
I
G
H
T
L
Y

F
R
O
M

T
H
E

O
R
I
G
I
N
A
L

C
O
L
O
U
R
S

G
E
D
R
U
C
K
T
E

F
A
R
B
T
O
N
E
.

A
B
W
E
I
C
H
U
N
G
E
N

V
O
M

O
R
I
G
I
N
A
L
F
A
R
B
T
O
N

K
O
N
N
E
N

V
O
R
K
O
M
M
E
N

L
E
S

T
E
I
N
T
E
S

I
M
P
R
I
M
E
E
S

P
E
U
V
E
N
T

A
V
O
I
R

U
N

A
S
P
E
C
T

L
E
G
E
R
E
M
E
N
T

D
I
F
F
E
R
E
N
T

D
E
S

O
R
I
G
I
N
A
L
E
S

C
O
L
O
R
I

S
T
A
M
P
A
T
I
.

L
E

T
I
N
T
E

O
R
I
G
I
N
A
L
I

P
O
S
S
O
N
O

A
V
E
R
E

U
N

A
S
P
E
T
T
O

L
E
G
G
E
R
M
E
N
T
E

D
I
F
F
E
R
E
N
T
E

SILVER -
BLACK -
DEEP BLUE -
INDIGO -
DARK GREY -
PEARL -
SILK -
IVORY -
WHITE -
PETROL -
DARK RED -
TURQUOISE -
ICE BLUE -
LEMON LIME -
LIME -
SUNNY YELLOW -
ROSE -
ORANGE -
MAGENTA -
RED -
T
R
Y
K
T
E

F
A
R
V
E
P
R

V
E
R
.

K
A
N

A
F
V
I
G
E

N
O
G
E
T

F
R
A

O
R
I
G
I
N
A
L
F
A
R
V
E
R
N
E

P
R
I
N
T
E
D

C
O
L
O
U
R

S
A
M
P
L
E
S
.

M
A
Y

V
A
R
Y

S
L
I
G
H
T
L
Y

F
R
O
M

T
H
E

O
R
I
G
I
N
A
L

C
O
L
O
U
R
S

G
E
D
R
U
C
K
T
E

F
A
R
B
T
O
N
E
.

A
B
W
E
I
C
H
U
N
G
E
N

V
O
M

O
R
I
G
I
N
A
L
F
A
R
B
T
O
N

K
O
N
N
E
N

V
O
R
K
O
M
M
E
N

L
E
S

T
E
I
N
T
E
S

I
M
P
R
I
M
E
E
S

P
E
U
V
E
N
T

A
V
O
I
R

U
N

A
S
P
E
C
T

L
E
G
E
R
E
M
E
N
T

D
I
F
F
E
R
E
N
T

D
E
S

O
R
I
G
I
N
A
L
E
S

C
O
L
O
R
I

S
T
A
M
P
A
T
I
.

L
E

T
I
N
T
E

O
R
I
G
I
N
A
L
I

P
O
S
S
O
N
O

A
V
E
R
E

U
N

A
S
P
E
T
T
O

L
E
G
G
E
R
M
E
N
T
E

D
I
F
F
E
R
E
N
T
E

SILVER -
BLACK -
DEEP BLUE -
INDIGO -
DARK GREY -
PEARL -
SILK -
IVORY -
WHITE -
PETROL -
DARK RED -
TURQUOISE -
ICE BLUE -
LEMON LIME -
LIME -
SUNNY YELLOW -
ROSE -
ORANGE -
MAGENTA -
RED -
T
R
Y
K
T
E

F
A
R
V
E
P
R

V
E
R
.

K
A
N

A
F
V
I
G
E

N
O
G
E
T

F
R
A

O
R
I
G
I
N
A
L
F
A
R
V
E
R
N
E

P
R
I
N
T
E
D

C
O
L
O
U
R

S
A
M
P
L
E
S
.

M
A
Y

V
A
R
Y

S
L
I
G
H
T
L
Y

F
R
O
M

T
H
E

O
R
I
G
I
N
A
L

C
O
L
O
U
R
S

G
E
D
R
U
C
K
T
E

F
A
R
B
T
O
N
E
.

A
B
W
E
I
C
H
U
N
G
E
N

V
O
M

O
R
I
G
I
N
A
L
F
A
R
B
T
O
N

K
O
N
N
E
N

V
O
R
K
O
M
M
E
N

L
E
S

T
E
I
N
T
E
S

I
M
P
R
I
M
E
E
S

P
E
U
V
E
N
T

A
V
O
I
R

U
N

A
S
P
E
C
T

L
E
G
E
R
E
M
E
N
T

D
I
F
F
E
R
E
N
T

D
E
S

O
R
I
G
I
N
A
L
E
S

C
O
L
O
R
I

S
T
A
M
P
A
T
I
.

L
E

T
I
N
T
E

O
R
I
G
I
N
A
L
I

P
O
S
S
O
N
O

A
V
E
R
E

U
N

A
S
P
E
T
T
O

L
E
G
G
E
R
M
E
N
T
E

D
I
F
F
E
R
E
N
T
E

SILVER -
BLACK -
DEEP BLUE -
INDIGO -
DARK GREY -
PEARL -
SILK -
IVORY -
WHITE -
PETROL -
DARK RED -
TURQUOISE -
ICE BLUE -
LEMON LIME -
LIME -
SUNNY YELLOW -
ROSE -
ORANGE -
MAGENTA -
RED -
T
R
Y
K
T
E

F
A
R
V
E
P
R

V
E
R
.

K
A
N

A
F
V
I
G
E

N
O
G
E
T

F
R
A

O
R
I
G
I
N
A
L
F
A
R
V
E
R
N
E

P
R
I
N
T
E
D

C
O
L
O
U
R

S
A
M
P
L
E
S
.

M
A
Y

V
A
R
Y

S
L
I
G
H
T
L
Y

F
R
O
M

T
H
E

O
R
I
G
I
N
A
L

C
O
L
O
U
R
S

G
E
D
R
U
C
K
T
E

F
A
R
B
T
O
N
E
.

A
B
W
E
I
C
H
U
N
G
E
N

V
O
M

O
R
I
G
I
N
A
L
F
A
R
B
T
O
N

K
O
N
N
E
N

V
O
R
K
O
M
M
E
N

L
E
S

T
E
I
N
T
E
S

I
M
P
R
I
M
E
E
S

P
E
U
V
E
N
T

A
V
O
I
R

U
N

A
S
P
E
C
T

L
E
G
E
R
E
M
E
N
T

D
I
F
F
E
R
E
N
T

D
E
S

O
R
I
G
I
N
A
L
E
S

C
O
L
O
R
I

S
T
A
M
P
A
T
I
.

L
E

T
I
N
T
E

O
R
I
G
I
N
A
L
I

P
O
S
S
O
N
O

A
V
E
R
E

U
N

A
S
P
E
T
T
O

L
E
G
G
E
R
M
E
N
T
E

D
I
F
F
E
R
E
N
T
E

SILVER -
BLACK -
DEEP BLUE -
INDIGO -
DARK GREY -
PEARL -
SILK -
IVORY -
WHITE -
PETROL -
DARK RED -
TURQUOISE -
ICE BLUE -
LEMON LIME -
LIME -
SUNNY YELLOW -
ROSE -
ORANGE -
MAGENTA -
RED -
T
R
Y
K
T
E

F
A
R
V
E
P
R

V
E
R
.

K
A
N

A
F
V
I
G
E

N
O
G
E
T

F
R
A

O
R
I
G
I
N
A
L
F
A
R
V
E
R
N
E

P
R
I
N
T
E
D

C
O
L
O
U
R

S
A
M
P
L
E
S
.

M
A
Y

V
A
R
Y

S
L
I
G
H
T
L
Y

F
R
O
M

T
H
E

O
R
I
G
I
N
A
L

C
O
L
O
U
R
S

G
E
D
R
U
C
K
T
E

F
A
R
B
T
O
N
E
.

A
B
W
E
I
C
H
U
N
G
E
N

V
O
M

O
R
I
G
I
N
A
L
F
A
R
B
T
O
N

K
O
N
N
E
N

V
O
R
K
O
M
M
E
N

L
E
S

T
E
I
N
T
E
S

I
M
P
R
I
M
E
E
S

P
E
U
V
E
N
T

A
V
O
I
R

U
N

A
S
P
E
C
T

L
E
G
E
R
E
M
E
N
T

D
I
F
F
E
R
E
N
T

D
E
S

O
R
I
G
I
N
A
L
E
S

C
O
L
O
R
I

S
T
A
M
P
A
T
I
.

L
E

T
I
N
T
E

O
R
I
G
I
N
A
L
I

P
O
S
S
O
N
O

A
V
E
R
E

U
N

A
S
P
E
T
T
O

L
E
G
G
E
R
M
E
N
T
E

D
I
F
F
E
R
E
N
T
E

SILVER -
BLACK -
DEEP BLUE -
INDIGO -
DARK GREY -
PEARL -
SILK -
IVORY -
WHITE -
PETROL -
DARK RED -
TURQUOISE -
ICE BLUE -
LEMON LIME -
LIME -
SUNNY YELLOW -
ROSE -
ORANGE -
MAGENTA -
RED -
T
R
Y
K
T
E

F
A
R
V
E
P
R

V
E
R
.

K
A
N

A
F
V
I
G
E

N
O
G
E
T

F
R
A

O
R
I
G
I
N
A
L
F
A
R
V
E
R
N
E

P
R
I
N
T
E
D

C
O
L
O
U
R

S
A
M
P
L
E
S
.

M
A
Y

V
A
R
Y

S
L
I
G
H
T
L
Y

F
R
O
M

T
H
E

O
R
I
G
I
N
A
L

C
O
L
O
U
R
S

G
E
D
R
U
C
K
T
E

F
A
R
B
T
O
N
E
.

A
B
W
E
I
C
H
U
N
G
E
N

V
O
M

O
R
I
G
I
N
A
L
F
A
R
B
T
O
N

K
O
N
N
E
N

V
O
R
K
O
M
M
E
N

L
E
S

T
E
I
N
T
E
S

I
M
P
R
I
M
E
E
S

P
E
U
V
E
N
T

A
V
O
I
R

U
N

A
S
P
E
C
T

L
E
G
E
R
E
M
E
N
T

D
I
F
F
E
R
E
N
T

D
E
S

O
R
I
G
I
N
A
L
E
S

C
O
L
O
R
I

S
T
A
M
P
A
T
I
.

L
E

T
I
N
T
E

O
R
I
G
I
N
A
L
I

P
O
S
S
O
N
O

A
V
E
R
E

U
N

A
S
P
E
T
T
O

L
E
G
G
E
R
M
E
N
T
E

D
I
F
F
E
R
E
N
T
E

SILVER -
BLACK -
DEEP BLUE -
INDIGO -
DARK GREY -
PEARL -
SILK -
IVORY -
WHITE -
PETROL -
DARK RED -
TURQUOISE -
ICE BLUE -
LEMON LIME -
LIME -
SUNNY YELLOW -
ROSE -
ORANGE -
MAGENTA -
RED -
T
R
Y
K
T
E

F
A
R
V
E
P
R

V
E
R
.

K
A
N

A
F
V
I
G
E

N
O
G
E
T

F
R
A

O
R
I
G
I
N
A
L
F
A
R
V
E
R
N
E

P
R
I
N
T
E
D

C
O
L
O
U
R

S
A
M
P
L
E
S
.

M
A
Y

V
A
R
Y

S
L
I
G
H
T
L
Y

F
R
O
M

T
H
E

O
R
I
G
I
N
A
L

C
O
L
O
U
R
S

G
E
D
R
U
C
K
T
E

F
A
R
B
T
O
N
E
.

A
B
W
E
I
C
H
U
N
G
E
N

V
O
M

O
R
I
G
I
N
A
L
F
A
R
B
T
O
N

K
O
N
N
E
N

V
O
R
K
O
M
M
E
N

L
E
S

T
E
I
N
T
E
S

I
M
P
R
I
M
E
E
S

P
E
U
V
E
N
T

A
V
O
I
R

U
N

A
S
P
E
C
T

L
E
G
E
R
E
M
E
N
T

D
I
F
F
E
R
E
N
T

D
E
S

O
R
I
G
I
N
A
L
E
S

C
O
L
O
R
I

S
T
A
M
P
A
T
I
.

L
E

T
I
N
T
E

O
R
I
G
I
N
A
L
I

P
O
S
S
O
N
O

A
V
E
R
E

U
N

A
S
P
E
T
T
O

L
E
G
G
E
R
M
E
N
T
E

D
I
F
F
E
R
E
N
T
E

SILVER -
BLACK -
DEEP BLUE -
INDIGO -
DARK GREY -
PEARL -
SILK -
IVORY -
WHITE -
PETROL -
DARK RED -
TURQUOISE -
ICE BLUE -
LEMON LIME -
LIME -
SUNNY YELLOW -
ROSE -
ORANGE -
MAGENTA -
RED -
T
R
Y
K
T
E

F
A
R
V
E
P
R

V
E
R
.

K
A
N

A
F
V
I
G
E

N
O
G
E
T

F
R
A

O
R
I
G
I
N
A
L
F
A
R
V
E
R
N
E

P
R
I
N
T
E
D

C
O
L
O
U
R

S
A
M
P
L
E
S
.

M
A
Y

V
A
R
Y

S
L
I
G
H
T
L
Y

F
R
O
M

T
H
E

O
R
I
G
I
N
A
L

C
O
L
O
U
R
S

G
E
D
R
U
C
K
T
E

F
A
R
B
T
O
N
E
.

A
B
W
E
I
C
H
U
N
G
E
N

V
O
M

O
R
I
G
I
N
A
L
F
A
R
B
T
O
N

K
O
N
N
E
N

V
O
R
K
O
M
M
E
N

L
E
S

T
E
I
N
T
E
S

I
M
P
R
I
M
E
E
S

P
E
U
V
E
N
T

A
V
O
I
R

U
N

A
S
P
E
C
T

L
E
G
E
R
E
M
E
N
T

D
I
F
F
E
R
E
N
T

D
E
S

O
R
I
G
I
N
A
L
E
S

C
O
L
O
R
I

S
T
A
M
P
A
T
I
.

L
E

T
I
N
T
E

O
R
I
G
I
N
A
L
I

P
O
S
S
O
N
O

A
V
E
R
E

U
N

A
S
P
E
T
T
O

L
E
G
G
E
R
M
E
N
T
E

D
I
F
F
E
R
E
N
T
E

SILVER -
BLACK -
DEEP BLUE -
INDIGO -
DARK GREY -
PEARL -
SILK -
IVORY -
WHITE -
PETROL -
DARK RED -
TURQUOISE -
ICE BLUE -
LEMON LIME -
LIME -
SUNNY YELLOW -
ROSE -
ORANGE -
MAGENTA -
RED -
T
R
Y
K
T
E

F
A
R
V
E
P
R

V
E
R
.

K
A
N

A
F
V
I
G
E

N
O
G
E
T

F
R
A

O
R
I
G
I
N
A
L
F
A
R
V
E
R
N
E

P
R
I
N
T
E
D

C
O
L
O
U
R

S
A
M
P
L
E
S
.

M
A
Y

V
A
R
Y

S
L
I
G
H
T
L
Y

F
R
O
M

T
H
E

O
R
I
G
I
N
A
L

C
O
L
O
U
R
S

G
E
D
R
U
C
K
T
E

F
A
R
B
T
O
N
E
.

A
B
W
E
I
C
H
U
N
G
E
N

V
O
M

O
R
I
G
I
N
A
L
F
A
R
B
T
O
N

K
O
N
N
E
N

V
O
R
K
O
M
M
E
N

L
E
S

T
E
I
N
T
E
S

I
M
P
R
I
M
E
E
S

P
E
U
V
E
N
T

A
V
O
I
R

U
N

A
S
P
E
C
T

L
E
G
E
R
E
M
E
N
T

D
I
F
F
E
R
E
N
T

D
E
S

O
R
I
G
I
N
A
L
E
S

C
O
L
O
R
I

S
T
A
M
P
A
T
I
.

L
E

T
I
N
T
E

O
R
I
G
I
N
A
L
I

P
O
S
S
O
N
O

A
V
E
R
E

U
N

A
S
P
E
T
T
O

L
E
G
G
E
R
M
E
N
T
E

D
I
F
F
E
R
E
N
T
E

SILVER -
BLACK -
DEEP BLUE -
INDIGO -
DARK GREY -
PEARL -
SILK -
IVORY -
WHITE -
PETROL -
DARK RED -
TURQUOISE -
ICE BLUE -
LEMON LIME -
LIME -
SUNNY YELLOW -
ROSE -
ORANGE -
MAGENTA -
RED -
T
R
Y
K
T
E

F
A
R
V
E
P
R

V
E
R
.

K
A
N

A
F
V
I
G
E

N
O
G
E
T

F
R
A

O
R
I
G
I
N
A
L
F
A
R
V
E
R
N
E

P
R
I
N
T
E
D

C
O
L
O
U
R

S
A
M
P
L
E
S
.

M
A
Y

V
A
R
Y

S
L
I
G
H
T
L
Y

F
R
O
M

T
H
E

O
R
I
G
I
N
A
L

C
O
L
O
U
R
S

G
E
D
R
U
C
K
T
E

F
A
R
B
T
O
N
E
.

A
B
W
E
I
C
H
U
N
G
E
N

V
O
M

O
R
I
G
I
N
A
L
F
A
R
B
T
O
N

K
O
N
N
E
N

V
O
R
K
O
M
M
E
N

L
E
S

T
E
I
N
T
E
S

I
M
P
R
I
M
E
E
S

P
E
U
V
E
N
T

A
V
O
I
R

U
N

A
S
P
E
C
T

L
E
G
E
R
E
M
E
N
T

D
I
F
F
E
R
E
N
T

D
E
S

O
R
I
G
I
N
A
L
E
S

C
O
L
O
R
I

S
T
A
M
P
A
T
I
.

L
E

T
I
N
T
E

O
R
I
G
I
N
A
L
I

P
O
S
S
O
N
O

A
V
E
R
E

U
N

A
S
P
E
T
T
O

L
E
G
G
E
R
M
E
N
T
E

D
I
F
F
E
R
E
N
T
E

SILVER -
BLACK -
DEEP BLUE -
INDIGO -
DARK GREY -
PEARL -
SILK -
IVORY -
WHITE -
PETROL -
DARK RED -
TURQUOISE -
ICE BLUE -
LEMON LIME -
LIME -
SUNNY YELLOW -
ROSE -
ORANGE -
MAGENTA -
RED -
T
R
Y
K
T
E

F
A
R
V
E
P
R

V
E
R
.

K
A
N

A
F
V
I
G
E

N
O
G
E
T

F
R
A

O
R
I
G
I
N
A
L
F
A
R
V
E
R
N
E

P
R
I
N
T
E
D

C
O
L
O
U
R

S
A
M
P
L
E
S
.

M
A
Y

V
A
R
Y

S
L
I
G
H
T
L
Y

F
R
O
M

T
H
E

O
R
I
G
I
N
A
L

C
O
L
O
U
R
S

G
E
D
R
U
C
K
T
E

F
A
R
B
T
O
N
E
.

A
B
W
E
I
C
H
U
N
G
E
N

V
O
M

O
R
I
G
I
N
A
L
F
A
R
B
T
O
N

K
O
N
N
E
N

V
O
R
K
O
M
M
E
N

L
E
S

T
E
I
N
T
E
S

I
M
P
R
I
M
E
E
S

P
E
U
V
E
N
T

A
V
O
I
R

U
N

A
S
P
E
C
T

L
E
G
E
R
E
M
E
N
T

D
I
F
F
E
R
E
N
T

D
E
S

O
R
I
G
I
N
A
L
E
S

C
O
L
O
R
I

S
T
A
M
P
A
T
I
.

L
E

T
I
N
T
E

O
R
I
G
I
N
A
L
I

P
O
S
S
O
N
O

A
V
E
R
E

U
N

A
S
P
E
T
T
O

L
E
G
G
E
R
M
E
N
T
E

D
I
F
F
E
R
E
N
T
E

Orange
L:530 P:533
C:535 H:539
Red
L:560 P:563
C:565 H:569
Dark red
L:580 P:583
C:585
Black Red Grey White
Black Pepper Grey Coffee Brown Milk White Butter Yellow
Snow Volcano Flint Mustard Chocolate Mud Artic Lavender
Dark stained oak Walnut Cherry Beech Ash Maple Oak*
White Black Grey Red Green Light blue
Cherry Black coloured ash
Polished aluminium Primer grey Olive grey Grass green Ultra violet Cherry blossom Neon pink
*Only available for
Series 7

without arms.
MATERIALS
FLAG HALYARD
WICKER
CANVAS
LACQUER
LAMINATE
PK22

PK24

PK20

PK22

PK91

PK25

Space

Coffee Table Series Table Series Plano

(only available in white)

185
Wicker
Flag halyard Black
Natural Black Red
(PK22

only)
Umbra Green
(PK22

only)
Black, soft
feel lacquer
Black, high-gloss White, high-gloss Silver, matt
White Grey Black
MATERIALS
VENEER
LINOLEUM
STONE
GLASS
ACRYLIC
PK61

/
PK61A

PK54

PK71

Coffee Table Series Table Series T-No.1

(only available in walnut

& black coloured ash)
PK61

/PK61A

(only available in clear)

Plano

(not available in clear

or black)
Space

(not available in clear)

T-No.1

(only available in clear

& white)
Coffee Table Series Table Series
187
Slate
(only PK61)
Granite Marble
Black White Red Umbra Green
Black coloured ash Walnut Beech
Clear Grey lacquered
underside
White lacquered
underside
Black lacquered
underside
Black
MATERIALS
COMPOSITE
POLYESTER
COMPACT
LAMINATE
SOLID WOOD
BASES
ALUMINIUM
Ice

table
(3 colours )
Essay

PK54

extension ring
. 100 .
. 7
2
.
. 1
0
0
.
. 225 .
Little Friend

(5 colours)
PK58

Viper

189
Dark grey Light grey White
Oak Black coloured ash Ash Walnut Maple
Black, high gloss White, high gloss Sand, high gloss
Black White Grey Pink Sand
White
Aluminium Perforated
aluminium
RUG FABRIC
BRAVOURE
CORALE
DUNE
GRANO
LA CARICE
191
613 621 622 623 624 625 636 653 655
659
732 733 734 735 736 737 739 742 743
744
1101 1102 1103 1104 1105 1109 1110 1111 1112
1113
827 829 832 834 835 836 837 839 840
844
2001 2002 2003 2004 2005 2006 2007 2008 2009
2010
RUG FABRIC
LINO
LUMINA
SURPRISE
BAMBOO
193
1301 1304 1310 1311 1313 1314 1315 1317 1321
1322
1501 1503 1504 1505 1506 1507 1508 1509 1510
1511
2101 2102 2103 2105 2106 2107 2108 2109 2110
1801 1802 1803 1808 1810 1812 1813 1814 1819
2112
TABLE CONFIGURATIONS
WITH SERIES 7

P930
80x80 cm (72 cm)

P932
80x120 cm (112 cm)
P933
80x140 cm (132 cm)
P934
80x160 cm (152 cm)
P946
100x200 cm (192 cm)
KS310
79x79 cm (71 cm)

KS312
79x138 cm (130 cm)
KS323
79 cm (69 cm)
KS310
79x79 cm (71 cm)

KS312
79x138 cm (130 cm)
KS323
79 cm (69 cm)
CM12
100x190 cm (123 cm)

CM12 + 2/CM90
100x190/286 cm (123 cm)
CM22
100x225 cm (122 cm)
CM22 + 2/CM90
100x225/321 cm (122 cm)
CM32
100x265 cm (134 cm)

CM32 + 2/CM90
100x265/361 cm (134 cm)
CM42
100x295 cm (176 cm)
CM42 + 2/CM90
100x265/391 cm (176 cm)
PLANO

ICE

T-NO. 1

ESSAY

TABLE CONFIGURATIONS
WITH SERIES 7

B611
90x135 cm (76 cm)

B612
100x150 cm (92 cm)
B616
100x170 cm (99 cm)
B613
120x180 cm (99 cm)
B614
120x240 cm (144 cm)
B617
130x300 cm (187 cm)
B618
100x150/250 cm
B620
100x170/270 cm
B619
120x180/300 cm
KS310
79x79 cm (71 cm)

KS312
79x138 cm (130 cm)
KS323
79 cm (69 cm)
KS323
79 cm (69 cm)
KS310
79x79 cm (71 cm)
B603
100x100 cm (51 cm)

B604
115x115 cm (61 cm)
A602
75x75 cm
A603
100x100 cm
A804
115x115 cm
B625
120 cm (63 cm)
B626
145 cm (78 cm)
A622
75 cm
A623
90 cm
A825
120 cm
A826
145 cm
B631
80x80 cm (53 cm)

B639
140x140 cm (93 cm)
B636
80x120 cm (96 cm)
B637
80x140 cm (112 cm)
B638
80x160 cm (121 cm)
A631
80x80 cm
D438
80x160 cm
SUPER ELLIPTICAL TABLES AND EXTENSION TABLES
SUPER CIRCULAR, CIRCULAR, SQUARE AND RECTANGULAR TABLES
B615
140x420 cm (100, 100 cm)
Publisher
Fritz Hansen A/S
Allerdvej 8, DK-3450 Allerd
Danmark
www.fritzhansen.com
Printing
Datagraf A/S
www.datagraf.dk
Paper
Printed on Munken Lynx paper.
Paper sourced from sustainable
forest management, FSC
certifed.
Fritz Hansen
Fritz Hansen A/S
Allerdvej 8
DK-3450 Allerd
Denmark
Tel. +45 48 17 23 00
For contacts, please call Fritz Hansen
Headquarters or visit our website.
www.fritzhansen.com