English Primary Module
English Primary Module
English Primary Module
on
New English Textbooks of classes I to V
2013
State Council of Educational Research & Training
A.P, Hyderabad.
Handbook Development Committee Members - Primary
Mrs. A.Venkataramanamma, SGT, PS. SN Colony RC PuramMedak
Mrs. Neeraja, SGT, GPS, Police lane, Amberpet, Hyderabad.
Mr. M. Chakradhar, SA, ZPhs, MudakapallyNizamabad.
Mr. B. Ashok Reddy, SA, ZPHS.Masaipet,Nalgonda.
Mrs. Indira, PGT, SCERT, AP Hyderabad.
Mr. Suryaprakash, SA, ZPHS. Yalamanchali, Visakhapatnam.
Mr. k. Ramesh Rao, SA, GHS. Huzurabad, karimnagar.
Mr. G G S Nageswar Rao, Lecturer, DIET, Vijayanagaram.
Coordinator
Dr. P. Jani Reddy, Lecturer, DIET Vikarabad, Rangareddy Dist.
Academic Support & Editing
Dr. K N Anandan, ELT Expert and Linguist, kerala.
Advisors
Dr. N. Upender Reddy, Professor & Head C&T Dept. SCERT, A.P., Hyderabad.
Sri G. Gopal Reddy, Director SCERT, A.P., Hyderabad.
Chief Advisor
Smt V.Usha Rani IAS, State Project Director, Rajiv Vidya Mission (SSA)
Andhra Pradesh, Hyderabad.
Foreword
The SCERT, A.P., Hyderabad has undertaken the curricular revision and new
textbooks have been developed. A single English textbook has been designed for both
the English medium and non-English medium students for classes 1 to 10 in school
education. Accordingly textbooks were developed for classes 1, 2, 3, 6 and 7 for the
academic year 20012-13. In the second phase of the revision the remaining classes 4, 5,
8 and 9 have been developed for the academic year 2013-14.
The new textbooks are developed on the basis of the guiding principles of NCF
2005, RTE 2009 and SCF 2011. English textbooks are prepared based on the themes
suggested by NCF. The new textbooks have been developed on constructivist
paradigm where learner constructs the language by linking the classroom experience
with the real life experience of outside the classroom. In order to ensure the holistic
treatment of language certain discourses are identified for Primary and Upper Primary
level classes with specific features or indicators. The entire classroom process is aimed
at achieving the targeted discourses. A detailed transactional process has been
suggested to achieve the discourses targeted in each class.
This module contains the classroom transactional process for all classes, the
identified discourses in each reading slot/ segment, a detailed discourse process for
oral and written discourses, classroom theatre, teacher development and CCE based
model question papers. In addition to this a special package to bridging the gap is also
included for acquiring the minimum competencies among the children in developing
discourses like description, conversation and narrative or story before starting the
transaction of units.
I hope this module would certainly help the teachers to follow the transactional
process in achieving the academic standards in all classes among all children. The
SCERT AP Hyderabad appreciates the efforts of the members of the textbook
development committee in developing this handbook for the benefit of the teachers.
Director
SCERT, A.P, Hyderabad.
Primary Teachers Handbook
CONTENTS
Chapter Details of the chapter Page Number
I Introduction 1-16
II Bridging the Gap 17-27
III Unit wise Transaction of Classes I-V 28-96
Class I 28-37
Class II 38-46
Class III 47-64
Class IV 65-80
Class V 81-96
IV Identification of Class wise and Unit wise Discourses 97-120
V Processing of other Discourse 121-127
VI CCE Model Question Papers 128-163
Appendices 164-219
Appendix-I : Syllabus Grid 164-170
Appendix-II : Discourse Features 171-175
Appendix-III : Classroom Theatre 176-180
Appendix-IV : Reading material for teachers 181-187
Appendix-V : ELT Terms 188-195
Appendix-VI : Framing Questions 196-198
Appendix-VII : Class-I narratives 199-219
1
CHAPTER-I
Introduction
1.1. Background
As you know SCERT has entered the second phase of curriculum revision with
the production of new textbooks for the classes 4, 5, 8 and 9. Recall that a teacher
support material was given to all teachers handling English in classes 1,2,3,6 and 7
during last year when the revised textbooks were introduced in these classes across
the state. Wherever teachers followed the classroom processes suggested as per the
transaction module, children were able to achieve the targeted academic standards.
On the contrary, in those classes where teaching of English took place in the
conventional way, no significant achievement could be discerned; at the most, learners
ended up with learning questions and answers given in the textbook.
Though the present handbook is prepared in the context of the introduction of
new textbooks in classes 4, 5, 8 and 9, it is to be used as supplementary to the
handbook given to you in the previous year. Please follow the classroom process
suggested in the handbook as it addresses several classroom issues (low proficient
learners, lack of confidence in using English for the part of teachers and learners,
single teacher classrooms, etc.). I t is extremely important to bear in mind that the
aim of classroom transaction is to help the learners achieve academic
standards, and not to teach the whole text book.
What has been stated above is likely to disturb teachers who havent really
understood the pedagogic implication of working for achieving academic standards.
This will not be possible unless teachers develop thorough understanding about the
academic standards and the process for achieving them. The following points are
worth remembering:
I nstead of focusing on comprehension questions and their answers, we
have to go for meaningful interaction with the learners which will make
them think and articulate their ideas
2
There is no space for rote-learning; the focus is on using language
contextually and meaningfully
We want the learners to evolve as independent users of the target
language.
1.2. The organisation of the handbook
The present module is organised as follows:
1. Introduction
I n this chapter in addition to brief introduction the details of the transactional
process has been given in Telugu.
2. Bridging the gap
This chapter suggests a few activities that are to be carried out before we
actually enter the textbook. The focus of this chapter is to help teachers
understand the pedagogy of picture interaction which eventually will lead to
the construction of basic discourses such as descriptions, conversations, and
narratives. A three- tier classroom process has been conceived for helping the
learners in all classes to construct each of these discourses in the whole class, in
groups and also individually. Once the learners gain confidence in speaking and
writing creatively and spontaneously, most barriers between the TB and the
learner can be removed.
3. Unit wise transaction of classes I to V
This chapter contains a detailed account of the various components of the TB to
be transacted and the process for doing each of these one unit in each class
has been worked out thoroughly.
4. Identification of class wise unit wise discourses
Since the reading passages given in the textbook belong to different genre of
discourses, Chapter 4 deals with reading passages in the remaining units (i.e.,
units 2 to 8). This implies the following:
3
Segmenting the reading passages in the remaining units
I dentifying the discourses that can be generated after transacting each
segment of readings.
5. Processing of other discourses
The process for constructing the other discourses that are not covered in the
preceding chapters will be discussed in this chapter.
6. CCE Model Question Papers
Chapter 6 deals with some aspects of CCE. This include the features of
discourses to be targeted at a certain stage and also specimen question papers.
Appendices
These include the following:
1. Syllabus grid for classes 1 to 5.
2. Class-wise discourse features.
3. Classroom Theatre.
4. Reading material for teachers.
5. A glossary of commonly used ELT terms.
6. Framing questions for various instances of interaction.
7. Unit wise narratives for class I .
I t is expected that the present module will be highly useful for the teachers. Please
bear in that unless we put in concerted efforts for our own development continuously,
we will not be able to meet the challenges that are before us.
4
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1. Face sheet
2. Big picture
3. Pages with dialogues
4. Sing the song and add lines
5. Drawing and description
6. Concept mapping
7. Read my name and drawing
8. Sing and dance
9. Read and copy
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7
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8
Narrive .. ..
.
.an intelligent
plan.
Conversation: Write the possible
conversation between Tenali
Ramakrishna and Krishna Deva Raya.
Plan and role play in the class.
Unit 6: A. Reading The Witty Nasruddin
Slots Possible Discourse
Slot-1 A poor traveler was
walking
the man doing
this.
Description: The inn keeper got angry
when he saw the man doing this. What
would he do then? Guess and write the
remaining story. Present it in the class.
Slot-2
He took hold
Conversation: Write the possible
conversation between
118
..continue his
journey.
The inn keeper and Nasruddin. Plan and
role play in the class.
B. Reading There was an old woman
Full
poem
There was an old
woman
1. Sing the song in the class.
2. Look at the picture and write a
small story. Present it in the class.
C. Reading The Clever J ackal
Slot-1
1 to 6
O! Farmer, please
well ask him.
Role play: Plan and role play in the
class..
Slot-2
7 to12
O! J ackal, see this
.
.Thank you, my
friend.
Role play: Plan and role play in the
class.
Unit 7: A. Reading I Was Bad at Cricket
Slots Possible Discourse
Slot-1 Everybody at Bojyanaik
Thanda
and worse.
Picture Description: Look at the
picture given on page ----- and describe
it.
Slot-2
I n the home, J angu
.. I shouldnt miss.
Conversation: Write possible
conversation and role play it in the
class.
Slot-3
Ha! I screamed .
the I ndian cricket
team.
Complete the letter given and present
it in the class.
B. Reading Our Legacy
Full
poem
Our Legacy Picture Description: Look at the
pictures given and write about the
game and present your version in the
class.
119
C. Reading A Flying Game
Slot-1
Pongal holidays are going on
I ts a part of the
game.
Description: Write possible
conversation between Mohan and Anil.
Role play it in the class.
Slot-2
After some time
.
. mockingly said
Anil.
Picture description: Look at the
picture given there and write about it.
Slot-3
Next, Raju cut three
.
on Sankranti
day.
Description: Write a small paragraph
describing the process of making a kite
and present your version in the class.
Unit 8: A. Reading Will Power
Slots Possible Discourse
Slot-1 Exactly three hundred
an early death for
him
Description: Write a small
paragraph about Hawkings
childhood and present it in the class.
Slot-2
He went back to
..
..have also been given.
Description: Write a small
paragraph about Hawkings scientific
reputation and present it in the class.
Slot-3
page
He was awarded medals
.
.
Dikran Tahta.
Description: Hawkings life is an
example that disability need not
prevent one from reaching great
heights, Describe it
120
B. Reading Keep your Spirits High
Full
poem
Keep your Spirits High Picture Description: Look at the
picture given and write a small
paragraph. Present your version in
the class.
C. Reading
Slot-1
Thomas Alva Edison
Description: Write about Thomas
Alva Edison and present your version
in the class.
Slot-2
Glenn Cunningham
Description: Write about Glenn
Cunningham and present your
version in the class.
Slot-3
Louis Braille
Description: Write about Louis
Braille and present your version in
the class.
121
CHAPTER 5
Processing of the other Discourse
Story writing
Fix the location
Fix the events
Take the first event and blow it up based on the questions that follow:
o What is the event?
o Where is it taking place?
o Who are the characters?
What are they saying or thinking
Assign the remaining events to the groups
Let each group work on a single event based on the same questions
Presentation by groups
Preliminary editing for ensuring continuity
You may read the story aloud with voice modulation and proper gestures
Link the other discourses in the unit in a similar manner by extending the
narrative further
Editing:
As stated earlier the written work done by the learners may have errors in it.
These are to be edited systematically. This is done as follows:
Select one of the group products for editing in negotiation with the whole
class.
Take up thematic editing (checking whether the theme of the discourse as
demanded by the context has emerged in the discourse).
Go for discourse editing (for ensuring linkage between the different
pieces, proper sequencing, using proper pronouns, etc.).
Go for syntactic editing (sensitizing the learners on the cases of sentences
with wrong word order, missing words and excess words)
Go for morphological editing (sensitizing the learners on the cases of
morphological errors such as those related to tense, aspects, agreement,
inflections and so on).
Go for editing punctuation errors
122
Lead the learners to undertake the editing of spelling errors with the help
of the text book or the dictionary, or by seeking the help of others
(including the teacher).
Classroom Processes
The facilitator interacts with the learners based on their earlier experience
The facilitator presents the narrative / generates a discussion on the issue
with the support of appropriate trigger (TLT)
Narrative gaps are created for eliciting free responses
The facilitator introduces the reading material
I nteraction related to the content of the text (allowing children to make
intelligent predictions on what they are going to read)
- learners read individually
- collaborative reading in small groups
- scaffolded reading
Assigning the discourse task
- constructing discourses individually
- random presentation by a few individuals
-sharing in groups
-presentation by the groups
-presentation of the facilitators version
Editing for error treatment
Editing one of the group products negotiating with the whole class
-thematic editing
-syntactic editing
-morphological editing
-editing of punctuations and spelling
The remaining group products are assigned to groups for editing
The edited versions are put together to make the big book
Drama
There are several discourses that can be constructed from the reading
experience of this part of the story. But we cannot process all of them for obvious
reasons. However, from the experience of role-playing we can help them construct a
drama which is a natural growth of the discourse role-play.
123
Process
How do we process a drama? J ust like the role-play the drama also needs a theme.
I n addition it needs a plot. So let us begin with these.
Interaction
You have identified a theme in this part of the story. What is that?
Elicit expressions such as
o The result of poisoning minds,
o How friends become enemies, etc.
There are a few sequences of events that happened. Shall we identify them?
Elicit the sequence of events by asking questions such as
o How did the animals live in the forest in the beginning?
o What happened then?
o What did the jackal do?
o What did the animals and birds do?
o What happened then, etc?
Write the sequence of events on a chart as and when they are elicited
We may get something like the following:
animals lived happily the jackal came poisoned the minds of animals and
birds they suspected one another small animals walked alone jackal
killed them the moon cried.
I nteract with the learners
o We can develop a drama on this sequence of events. How will we do
it?
o What do we need to enact a drama?
Elicit points such as
o Space for enacting the drama
o Actors to take role of characters (animals, birds, jackal )
o Dialogues
o Actions
Now you may give the following instructions
1. Decide the characters (e.g. elephant, tiger, rabbit, squirrel, jackal,
moon, peacock, mynah)
2. Decide who will enact these roles (all of you should have roles)
124
3. Plan the dialogues
4. Plan the scenes, sequence of actions and dialogues
5. Go for rehearsal
6. Perform the drama
I nvite one group to perform the drama
The feedback on the drama performance
Follow the process of giving feedback as has been suggested for role-play
Note: Recall the indicators to role-play. What are the additional ones required?
Conduct a session for giving feedback in the following manner:
o What modifications will you make in the drama if you have to act it
again?
o What are the points that come to your mind?
Generate indicators for assessing drama performance with the help of some
questions:
1. Are all events included?
2. Are there sufficient dialogues?
3. Do you want any changes in the dialogues?
4. Was the whole class able to hear your dialogues?
5. Did you say dialogues with emotions like joy, anger, sorrows, hate, surprise,
doubt, fear, etc.?
6. Do you think your face and actions revealed these emotions?
7. Were the actors standing in the same positions throughout the performance?
8. Were all the actors on the stage from the beginning to end?
9. What did you do to help the audience identify the characters?
10. Did all members of your group take part in the drama?
Note: The questions given above are related to components such as theme (1),
dialogue (2), language used (3), audibility (4), articulation features such as
stress, tone and pitch (5), facial expressions and gestures (6), movement (7),
enter and exit (8), using props (9), and team work (10). The technical terms
can be used later. First they should understand what each of these means.
Write these points on the same chart containing roles and themes
I nvite reflections from the performers first what they think are the
refinement areas.
125
I nvite suggestions from the others based on the indicators.
Give positive and qualitative feedback which will make them think and go to
the next higher level of learning.
Construction of the script of choreography
I t is better to go for some discourse tasks after completing the transaction of
reading a poem. Since these are two poems, there is a lot of scope for asking the
pupils to write an analytical essay based on the two poems. Remember, the more
opportunities we provide for the learners to produce language, the more will be
their growth in language proficiency. This cannot be substituted by several tasks
related to language elements that are assigned to them.
Objectives
Produce an essay suitable for a given context.
Choreograph the poem
Process
1. Sing the song three or four times to register the tune and rhythm
2. I dentify the theme of the song (stanza wise)
3. Convert the themes into incidents from real life incidents
determination by loading power on the limbs (say a sorrowful incident that
can cause pain for earth (mining)
dumping garbage, plastic and other things that will not decay (heaviness)
showing posture
4. What are the actions involved in these?
5. Who are the characters involved?
6. Where does the incident happen (Location) ?
We need the central characters and a chorus team to create the location
Actions:
The chorus set the setting
The characters in action
The action of earth sorrows, heaviness, determination
The actions related to mining
Actions related to throwing wastage
Sing the poem and do the actions
Writing the script
126
Personal letter
Process
The facilitator should create a context in the classroom, if the context doesnt arise
naturally.
Distribute the copy of the letter on page no.112 of class V textbook, written to
J angu by his brother Somla.
Let the children observe the features of the letter.
Let them observe how the letter has started, its progress, and its end.
Allow one or two students talk about their observations.
Ask them to sit in groups and share their observations. The facilitator may
ask the following questions.
Who is the letter addressed to?
Who is the sender?
When is the letter written? ( Here the date is not mentioned. A discussion
may be initiated in the class about the importance of mentioning the date.
Arrive at an understanding of mentioning of the date.)
From where has the letter been written? (Here the place of the letter is not
mentioned. I nitiate a discussion on the importance of mentioning the place of
the letter and arrive at an understanding.)
How does the letter begin? (Dear friend, Dear J angu etc.)
How does the letter end? (Yours lovingly, With love, etc.)
I s the sender initiating a letter or responding to one?
Which part of the letter tells you about this?
What is the theme of the letter? (The optimistic view of the young cricketer)
How does the letter conclude?
What other details do you find in the body of the letter?
Let them draw the picture of a personal letter.
Ask them whether they want to make some changes in the letter displayed in
the class.
I nitiate a discussion on the reply letter to Somla from J angu.
The facilitator may ask the following questions.
1. How do J angu feel after reading the letter?
2. What does J angu think about his brother?
127
3. Will he allow Somla again to play cricket with him?
Let them sit in groups and attempt the reply letter from J angu to Somla.
given on page no.118.
Ask one group to present the letter before the class. Edit the group product
by negotiating with the other groups.
The facilitator can then present his/her version of the targeted letter.
Notice/Poster
Presentation of the narrative for making the context of the narrative/poster
explicit.
Present the notice given on page no.101 of class V text book.
Let the children observe the features of the notice.
Let children write individually.
Allow a few of them to present their work.
Let them sit in groups and share their ideas.
Let groups present their work.
Ask the class to select the best notice/poster (Let them decide which one is to
be selected. The facilitator need not give any suggestions at this point.)
I nitiate a discussion on how the features of the notice/poster be understand.
A few questions will be helpful.
Who is the notice for?
Who has put up the notice?
Separate the Dos and the Donts
Do we need long sentences?
How about including some pictures in it?
How can we make the notice a capturing one?
Let groups examine specimens of notices/posters on various themes. Let
them find out the features of posters- Attractive, precise, capturing layout,
size of the letters, message, etc.
Divide the class into small groups. Assign them to write a notice for giving
instructions to be followed during the Mid-Day Meals.
Ask one group to present the notice before the class. Edit the group product
by negotiating with the other groups. The facilitator can then present his/her
version of the targeted notice.
@@@
128
CHAPTER 6
SUMMATIVE MODEL TEST PAPER
CLASS : I Subject: English Marks : 40
Teacher reads
Ammu and Bittu were in Ammus class. Bittu liked Ammus class. There
were many things in the class.
TASK 1
Look at the picture (box) and write the names of things used in a
classroom (5m).
1. ..
2. ...
3. ..
4. ..
5. ..
129
Continue reading
Ammus teacher showed a chart of pictures. She asked the children to name
them. Here are some pictures from the chart.
TASK 2
Write the names of the pictures given below (5m)
(A) (D)
___________________
(B)
_____________________
(c)
__________________
(D)
______________
(E)
______________
Continue reading
Then, the teacher asked the students to talk about themselves (and their
likes and dislikes). Ammu spoke about herself.
130
TASK - 3
Put full-stops and capital letters wherever necessary. (10m)
My name is ammu
i am six years old
I like my school
Bittu is my pet
We play everyday
Continue reading
The teacher was very happy. She gave Ammu the picture of a beautiful doll.
I t was dressed nicely. What things, do you think, are used in dressing.
TASK 4
Choose the word related to the word dressing. Write them in the balloons (5m)
comb bench powder bank
cream tie bell frock
DRESSING
131
Continue reading
Ammus teacher gave children some letter cards. She asked children to
match the capital letter with small letter.
TASK 5
Match the cards. (5m)
A q
D n
R a
N r
Q d
TASK 6
Write the following words under the correct heading (5m)
cycle auto tomato potato
jeep brinjal car carrot
Vehicles Vegetables
1. 1.
2. 2.
3, 3.
4. 4.
132
Continue reading
Ammus teacher gave each student a sheet of paper. She asked them to draw
the picture of a fruit they like. Will you draw too?
TASK 7
Draw the picture of a fruit you like, colour it and name it. (5m)
133
Class I Summative Test Model Paper
Guidelines for the preparation of the question paper
Class I children should be assessed in the following areas as per the mode
and weightage of marks mentioned against them. (Summative paper should be of
50 marks).
Areas to be assessed Mode Weightage Marks
1. Listening and Speaking Oral 10% 10
2. Reading Comprehension Oral +Written 30% 15
3. Conventions of writing Written 10% 05
4. Vocabulary Oral +Written 30% 15
5. Creative expression (i) Oral 10% 05
(ii) Written 10% 05
_________ _______
100% 50 M
_________ _______
Summative Question paper do not have the items that are to be assessed
orally (Listening and speaking and oral part of creative expression). Teacher should
assess the child in the above areas, as per the convenience and accordingly grades
should be awarded.
As far as the written part is considered, for each area of assessment, some
test items/ tasks are suggested. Each task shall be of 5 marks. One task might fall
into more than one area of assessment. Teachers can use them under the heading
convenient to them. Teachers are also at liberty to modify and to add any task to
the existing list. Teachers should see that each task should contain 5 questions of 1
mark each or 1 question of 5 marks or 2 questions of 2 marks. Each task and the
areas related to them should be as follows:
134
Task Area of assessment
1, 2 Reading Comprehension
3 Conventions of writing
4,5,6 Vocabulary
7 Creative expression
A question paper should be prepared basing on the model paper and the
instructions given above.
Guidelines for assessment and valuation
Note: The teacher should read the narrative / instructions to the whole class. This
reading does not come under the help by the teacher. The Teacher should
read out each task and ensure all children complete the task.
I f the child completes the task correctly (writes correctly) without any specific
help from the teacher the child must be given full marks, Otherwise the number of
marks may be reduced.
Test Items for Class I & II
1. Listening and Speaking (Oral) - Classroom interactions on
(i) The face sheet
(ii) Responding to the class room
instructions.
(iii) Narratives / Stories
(iv) Any picture reading in the
transaction
2. Creative Expression (Oral) - The discourses like
(i) Add lines to the song
(ii) Self introduction
(iii) I ntroducing others
135
(iv) Likes and dislikes (about
oneself or others)
(v) Conversation (with one or two
exchanges)
3. Reading Comprehension (written) (i) Naming the given pictures
3-4 sentences - narrative (ii) I dentification/Grouping/
Picture reading Classification of words
from the given group of words
(iii) Fill in the blanks with correct
letters of the word/ words.
(iv) Odd man out.
(v) Match the picture to the word
(vi) Match one word with other
word
(vii) Choose the correct one.
4. Conventions of Writing (written) -
(i) Order of the alphabet
(ii) J umbled letters in a word (for
the given picture)
(iii) Missing letters (for the given
picture)/words
(iv) Spelling error in the given
words (for the given picture)
(v) Capitalisation
(vi) Full stop (punctuation)
5. Vocabulary (written) -
(i) Concept map
(a) (auto; jeep; car; bus).
136
(b) Vehicles
(without the helping words)
(without the helping picture)
(ii) Fill in the blanks
(iii) Word building with the help of
the pictures
6. Creative Expression (written discourse) (i) Simple descriptions in one or
two sentences
(ii) Simple conversations with one
or two exchanges
The question paper should be made as per the above instructions.
137
SUMMATIVE MODEL TEST PAPER
CLASS : II SUBJ ECT : ENGLISH MARKS : 40
Read the following
The fly went to the fisherman.
The fisherman was selling fish.
The fly asked him, Whats my name?
I am busy. Go ad ask the goldsmith, said the fisherman.
The fly was very sad.
TASK-1
Answer the following. 5m
1. Why did the fly go to the fisherman?
2. What did the fisherman say to the fly?
Continue reading.
The fly went to the goldsmith.
The fly asked him, Whats my name?
I am busy. Go away, said the goldsmith.
The fly was very sad.
I t went to the park.
The fly saw many things there.
138
TASK 2 10 m
Look at the following picture of the park. Write at least 10 names of the
things you see.
Continue reading
The fly saw Snoopy playing in the park.
The fly asked what its name was.
139
TASK - 3 1 m
Write the conversation between the fly and Snoopy.
The fly :_________________________________________
Snoopy: ________________________________________
Continue reading
Meena, Sweety, Snoopy and the fly are very happy. They are singing and dancing.
Meena : Little fly! Little fly !
Can you fly in the sky ?
The fly : Yes Meena! Yes Meena!
I can fly in the sky.
TASK 4 4m
Add more lines to the song.
The fly: _________________!_______________!
________________________________?
Sweety: _________________!_______________!
________________________________?
Meena:: _________________!_______________!
________________________________?
Snoopy: _________________!_______________!
________________________________?
Continue reading
The fly was very sad.
Meena was playing in the pak.
The fly went to her.
140
They asked, Hello Meena, how are you?
Meena said, fine, thank you, fly.
The fly juped in joy.
Fly! Oh my God! I ts my! Thank you, meena.
TASK 5
1. Some words are misspelt in the story. Find them. (1m)
_________________________________________
2. Some words need capitals. Write them. (1m)
__________________________________________
3. Some words are missing in the 4
th
and 7
th
sentences in the story. Find them
(1m)
___________________________________________
4. Rewrite the story (2m)
Continue reading
The fly was coming back.
The fly saw the market on the way.
The fly went there
There are many flowers, fruits and vegetables in the market
TASK 6 15m
Write at least 5 names of flowers, fruits and vegetables.
Animals Fruits Vegetables
141
Class II
Process of awarding marks
Task-1 (Reading Comprehension 5 marks)
Each question carries 2 marks. I f child writes 1 & 2 sentences correctly using
paper word without mistakes and with less help from the teacher, award 2
marks.
Task-2 (Reading Comprehension 10 marks)
Each name with correct spelling carries 1 mark.
Task-3 (Creative .Expression. 1mark)
Each exchange carries 1 mark. I f child writes the relevant dialogue with correct
word award 1 mark.
Task-4 (Creative .Expression - Written. 4 marks)
Each added line to the song carries 1 mark. I f the child writes the line with correct
word without mistakes award 1 mark.
Task-5 (Conventions of Writing)
Each word carries mark. I f child writes the word with correct spelling
award the mark.
Each word carries mark. I f child writes the word with capitalisation award
the mark.
Each missing word carries mark. I f child writes the word correctly award
the mark.
I f the child re-writes the story properly after correctly the misspelt words,
capitalisation and missing words award 2 marks.
142
Task-6 (Vocabulary)
Each name carries 1 mark. I f child writes the name without any mistake and
without help from the teacher award 1 mark.
General guidelines for preparation Summative Test items for Classes 3 to 5
A) Oral
a) Listening & Speaking :
Pupils responses to the questions during the TLP. These may be in
words / phrases / sentences
Pupils ability to question during TLP
Pupils ability to use formulaic expressions during the interactions
with teachers and peer group.
Pupils responses during picture interactions, presentation of
narratives, storytelling, reading process, interaction.
b) Oral discourses (6a)
Pupils responses to the discourses targeted specific to that
particular class.
Conversations with minimum of 3-4 exchanges
Describing a picture or a situation/incident in about 3-5 sentences
Adding lines to the given poem / rhyme.
Sequencing of events of a story / narrative
Predictions
B) Written Test
I . Reading Comprehension:
143
Pupils responses to the different kinds of questions based on the
reading passage, conversation, poems, paragraph, story, narrative or
descriptions, posters, messages, notices, advertisements, letters.
By using the above tests the teacher may plan for the different test
times as given below:
Different kinds of questions (inferential, analytical, global, personal,
local, etc.)
Sequencing
Classify
Prediction
Fill in a table based on the reading text
Objective type questions. (true/false, fill in the blanks, choose the
correct answer, matching, completion of the sentences, one word
substitution, etc.)
II. Conventions of writing.
a) Under this any reading text may be given as per their
level. This reading text has some underlined parts where certain
punctuation marks, capitalization, spelling, have been omitted.
b) Children have to make necessary corrections and rewrite the
reading text.
III. Vocabulary.
(i) Grouping words, concept maps, word classification, odd man out,
word games, puzzles.
(ii) Prefixes, Suffixes.
(iii) Words related to different areas.
144
(iv) Forming new words by deleting or adding letters.
(v) Synonyms & Antonyms.
(vi) Singulars Plurals ; he words she words
(vii) I dentifying nouns, adjectives, verbs, etc.
Note : All the above activities should be based on a narrative / story / convervation,
etc.
IV. Grammar :
(1) Editing
(a) A meaningful paragraph / passage of about 5 sentences with some
grammar mistakes in it.
(b) Children have to make necessary corrections in the underlined parts
(mistakes) for the given paragraph / passage.
(2) Framing questions based on a paragraph / passage / conversation, etc.,
(wh questions & Yes / No questions).
V. Creative Expressions : (Written discourses)
i) Reading text to be given in the form of a narrative / story /
description / dialogues / poem / passage, etc.
The text can be an extension of a story in the text book or a new one
with a related theme.
ii) The gaps in the reading text shall give scope for writing a discourse
targeted in that particular class (description, conversation, letter,
diary, notice, etc.).
145
SUMMATIVE MODEL TEST PAPER
Class: III Marks 40 Subject - English
Name of the student:
Roll No:
Read the following conversation:
Mr. Bat : The tea is good
Mr. Book : Yes it is
Mr. Bat : You know children like me very much
Mr. Book : They like me even more
Mr. Bat : I think children like playing
Mr. Book : But children enjoy reading too
Mr. Bat : Playing gives them joy and health too.
Mr. Book : Reading also is joyful and helps to learn.
Task- I (5 Marks)
I. Answer the following questions:
1) Who are talking in the above conversation?
A. --------------------------------------------------------
2) What are they talking about ?
A.----------------------------------------------------------
3) Which character do you like? Why?
A. ----------------------------------------------------------------
4. Read the following sentences. Arrange them in correct order.
a) Children like both the bat and the book
b) The bat and the book were having tea
c) The book said that children liked it more
d) The bat thought that children liked it.
146
Now look at the Picture of the bat and the book
Task 2 : ( 5 Marks)
Describe the above picture in about 5 sentences, in a paragraph.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Read the following narrative:
While the bat and the book were talking they heard a cry . Help , help
They saw a rat running away and a pencil laughing at the rat . The book walked
towards the pencil and asked why it was laughing. The pencil told how it
frightened the rat.
Task- 3: ( 10 Marks)
What could be the possible conversation between the book and the pencil
write it below.
The book : - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
The pencil : - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
The book : - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
147
The pencil : - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
The book : Why did you draw a cat ?
The pencil : - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Continue reading the narrative :
Meanwhile the bat joined the book and the pencil . They started talking
and laughing. Suddenly they became quiet . They saw Chintu coming into the
room. He walked straight to them.
Chintu put the pencil in the box . And then he put away the book in his
school bag.
Task- 4: (5 marks)
What other things would Chintus bag have? Write them below.
1. - - - - - - - - - - - 6 - - - - - - - - - - -
2. - - - - - - - - - - - 7. - - - - - - - - - - -
3. - - - - - - - - - - - 8. - - - - - - - - - - -
4. - - - - - - - - - - - 9. - - - - - - - - - - -
5. - - - - - - - - - - - 10. - - - - - - - - - - -
Continue the narrative:
Chintu took out his homework book. He read the poem given in his
notebook.
I have a book
To read and write
I have a pencil
To write and draw
Task 5 : (5 marks)
Add a few more lines to the above poem
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - --
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - - - -
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - --
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - - - -
148
Task 6: ( 2 x 5 = 10 marks)
a) Read the following passage. Observe the underlined parts . Make necessary
corrections and rewrite the passage.
One day the little (1) red hen found a grain of wheat . Who will plant this
grain of wheat (2)
Not I , quacked the duck ? (3)
Not I , (4) grunted the pig .
Not I , Purred the cat (5)
b) Read the following passage . Complete the paragraph with the help of the words
given below.
(under, on, over, through, along)
The train goes ----------------- forests. I t also goes -------------- rivers and passes -----------
- bridges. I t also goes --------------- mountains. I t cannot run -------------- roads.
149
Class : 3 - Process of awarding marks
Task 1 ( Reading Comprehension 5 marks)
First three questions carry 1 mark each, I f the child writes 1 of 2 sentences
correctly using proper word order, given 1 mark each. 4
th
question carries 2
marks . I f the child was able to arrange them in correct orders give 2 marks
Task- 2 ( Description 5 marks) I f the child describes the picture with relevant
to the context, proper word order, without missing important words and correct
word forms, give 5 marks
Task- 3 ( Conversation 10 marks)
I f the child writes all dialogues with relevance to the context, proper word order
without missing important words and correct forms, (give 2 marks for each in
initiation) give 10 marks
Task- 4 : (Vocabulary - 5 marks)
Each word with correct spelling carries mark
Task 5 : ( Adding lines 5 marks )
I f the child adds lines with relevant to the context of the rhyme / poem given,
give 5 marks (give 1 mark for each line)
Task 6 : (Conventions of writing & grammar - 10 marks)
a) Each correction carries 1 mark
b) Each correct answer in the blank carries 1 mark
Note: marks for tasks 2,3,5 together carry 20 marks these marks are to be
awarded under creative expression.
150
SUMMATIVE MODEL TEST PAPER
Class : IV Marks:40 Subject: English
Name of the student:
Roll No:
Read the following narrative:
A cart stopped in the middle of the main street . A man got out of the cart
and made an announcement.
Brothers and Sisters! Good news! Great offer! Buy any two things and get one
free. Dont miss this Sundays market. You can not only buy things but also sell.
That Sunday, a miller and his son went to the market along with their donkey.
Task 1
Answer the following : ( 5 M)
1. What was the announcement about ?
A. - - - - - - - - -- - - - - - - - - - - - - - - - - - - - - - - -- - - -- - - - - - - - - - - - - - - -- - -
- - - - - - - - -- - - - - - - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - - - - - - - - -
2. Why do you think the miller and his son took their donkey to the market?
A. - - - - - - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -- - -
- - - - - - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Continue reading the narrative
The millers son looked around. He saw many shops selling different kinds of items.
Task 2 : ( 5 M)
What could be the items/things the millers son had seen in the market?
151
List them below
Sl.No Items
1
2
3
4
5
6
7
8
9
10
Continue reading the narrative:
The miller and his son took their donkey to the place where animals are sold and
bought. There were many animals and people selling them. The place was full of
noise.
152
Task 3 : (10 M)
Look at the picture given above. Describe the animals in the market given in the
picture.
Continue reading the narrative:-
After selling their donkey, they went to a cloth shop. The miller wanted to
buy some towels . While the miller went inside the shop, his son read the sign
board saying Buy One and Get One Free
Task 4 : ( 5 M)
Write the possible conversation between the miller and the shopkeeper.
Shopkeeper : - - - - - - - - -- - - - - - - - - - - - - - - - - - - -
Miller : - - - - - - - - -- - - - - - - - - - - - - - - - - - - -
Shopkeeper : - - - - - - - - -- - - - - - - - - - - - - - - - - - - -
Miller : - - - - - - - - -- - - - - - - - - - - - - - - - - - - -
Shop Keeper : We have an offer . Buy one and get one free
Miller : - - - - - - - - -- - - - - - - - - - - - - - - - - - - -
Shopkeeper : Thank you , sir
The miller bought some towels from the shop. They also bought things they
needed and went back home.
153
Read the following narrative:
After school, Raju and his friends started to the play ground. On the way
when they were passing along a garden, something hit Rajus foot. He fell down
head over heels. His friends pulled up . They wondered what it was that hit Raju. I t
was a signboard which lay on the ground.
Task 5 : (5M)
Prepare a notice related to Dos and Donts in the park.
Raju and his friends picked up the board and fixed it . I t read:
Do not pluck flowers : Enjoy their beauty
Task 6 : (10 M)
Read the following passage. Observe the underlined parts. Make
corrections and rewrite the passage.
The pancake rolled along the pig for a while ?
But when they had went little further, they came to a brook. The pig jump
right into the water and began to swim across.
What about me ? what about me cried the pancake.
Oh,
J ust sit my snout , said the pig . So the pancake sit on the pigs snout.
the pig tossed the pancake into up the air and - ouf , ouf , ouf - the pig
swallowed the pancake.
154
Class - 4 : Process of awarding marks
Task : 1 ( Reading comprehension 5 marks)
Each question carries 2 marks . I f the child writes 2 or 3 sentences correctly
using proper word order without missing important words, give 2 marks.
Task 2 (Vocabulary - 5 marks)
Each word with correct spelling carries mark
Task 3 ( Description - 10 marks)
I f the child writes the description with relevance to the context, proper word
order without missing important words and correct word forms, give 10 marks
(not less than 5 sentences)
Task 4 ( Conversation - 5 marks)
I f the child writes all dialogues with relevance to the context, proper word order
without missing important words and correct ward forms, give 5 marks (each
initiation carries 1 mark )
Task 5 ( Notice - 5 marks)
V. The child has to prepare tow notices . Each notice carriers 2 marks. I f the
child writes a notice with relevance to the context, give 2 marks for each notice.
Task 6 ( Conventions of writing and grammar. 5 marks each (10 marks)
VI. Each correction carries 1 mark
Note:- Marks for tasks 3,4 and 5 are to be awarded under creative expression.
155
SUMMATIVE MODEL TEST PAPER
Class: V Marks 40 Subject: English
Name of the Student: Roll Number:
Read the following narrative
I ts 6 O clock in the evening. I t was getting dark, slowly. Rangayya hasnt turned
up. Usually he comes home by 5 O clock. But today he has not come yet. Kamala,
his wife, was waiting for him. Today is my birthday. I told him to come home early.
I ts 6.30 now. He has not come. What happened to him? said Kamala to herself.
TASK-1
Answer the following ( 5 Marks)
1. What made Kamala worry? (2 marks)
2. What would be the reason for Rangayyas late coming? (2 marks)
Continue reading the narrative
I ts 7 O clock in the night. Till now Rangayya hasnt turned up. The moon was
shining in the sky. Kamala was waiting for him under the neem tree. I t is a big
tree. I t is in the courtyard.
At last, Rangayya came home by 8 O clock.
156
TASK-2
Complete the following conversation between Rangayya and Kamala (5
Marks)
Kamala: ____________________________________________
Rangayya: I went to buy a gift for you.
Kamala: ____________________________________________
Rangayya: __________________________________________
Kamala: ____________________________________________
Rangayya: __________________________________________
TASK-3
What would be the gift? Guess and write at least 10 related words (5 Marks)
Continue reading the Narrative
Kamala opened the box. She found a beautiful gold ring. She felt very happy. She
took the ring out. I t slipped from her hands.
Oh, dear! I dropped it, she cried.
Dont cry. Lets look for it, said Rangayya. Both started looking for it, but it was
dark under the tree.
157
Kamala, lets go away from the shade of tree. Outside there is moonlight. Well look
for our ring there, said Rangayya.
Both went into moonlight and began looking for the ring. J ust then Rangayyas
friend Gopal came along.
Whats the matter? he asked.
Weve lost our gold ring.
Where did you lose it?
There under the tree, said Kamala sadly.
Youve lost your ring there but you are looking for it here! How foolish you are
Ah, I know, said Rangayya, but it is dark under the tree. We shall never find it
there. Here is morelight and we see more clearly.
You fool, go and get a torch light and look for the ring there where you dropped it,
said Gopal laughingly.
TASK-4 (5 Marks)
Continue the story. Decide the events and dialogues. The first event and
dialogue is given for you.
Rangayya brought a torchlight.
Kamala, come we will look for the ring, said Rangayya.
________________________________________________________________
________________________________________________________________
________________________________________________________________
________________________________________________________________
________________________________________________________________
They were very happy.
158
Task 5 (10 Marks)
Think about a gift that you would like to give to your friend on his / her
birthday. Draw its picture and describe it.
Task 6 (10 Marks)
Read the following passage. Look at the underlined parts. Some words are
missing and the word forms used are not correct. There are also errors in
some word order and punctuation. Rewrite the passage making necessary
corrections.
One daya Rajulooked intoa well. The water the bottom was like Mirror. He saw
moon in the water. He think that the moon fell into the well. He ran home and
braughta hook and a rope.
Where are you going, his wife asked.
He didnt say anything. He reached the well.
He tied the hook at the end of the rope. He wanted the hook to hold the moon and
pull it up. He dropped slowly the hook into the well. But it was caught underneath a
stone. Raju pulled and pulled. At last the rope was cut. Raju fell on his back. he saw
the moon the sky.
Good, he said, I have pulled the moon out of the well. I ts now in the sky again
159
Process of awarding marks Class V
Task-1 (Reading Comprehension 5 Marks)
Each question carries 2 marks.I fchild writes 2or 3 sentences correctly using
proper word order without missing important words, give 2 marks
Task-2 (Conversation 5 Marks)
I f child writes all dialogues with relevance to the context, proper word order without
missing important words and correct word forms, give 5marks.(Each initiation and
exchange carries 1 mark)
Task-3 (Vocabulary 5 Marks)
Each word with correct spelling carries mark.
Task-4 (Description 5 Marks)
I f child writes the story with relevance to the context, proper word order without
missing important words and correct word forms, give 5marks. (Not less than 5
sentences)
Task-5 (Picture description 10 Marks)
I f child draw the picture of a gift and describes it with relevance to the context,
proper word order without missing important words and correct word forms, give
10marks. (Drawing 2 marks description 8 marks (Not less than 4 sentences))
Task-6 (Conventions of writing and grammar5 Marks each)
Each correction carries 1 mark.
Note: 1.task 2; task4; and task 5together carry 20marks. These marks are to be
awarded for written discourses under Creative expression.
2. While awarding the grades for oral part, the classroom performance of the
children may be considered, accordingly marks and grades to be allotted (5 marks
for Listening and speaking and 5 marks for Oral discourses).
160
REPORT CARD
Listen
ing &
Speak
ing
(Oral)
Reading
Comprehe
nsion
Convent
ions
of
Writing
Vocabu
lary
Gram
mar
Creative
Expressio
n
Tot
al
Gra
de
Or
al
Writt
en
Percent
age
Marks
CLASSES - 1 & 2
Weightage Table (Academic Standard Wise) -Formative and Summative Tests
Academic Standards
FORMATI VE ASSESSMENT
SUMMATI VE
ASSESSMENT
W
e
i
g
h
t
a
g
e
O
b
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e
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v
a
t
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o
n
N
o
t
e
b
o
o
k
s
P
r
o
j
e
c
t
s
S
l
i
p
T
e
s
t
T
o
t
a
l
W
e
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g
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a
g
e
O
r
a
l
W
r
i
t
t
e
n
T
o
t
a
l
Listening & Speaking 30% 15 15 10% 5 5
Reading
Comprehension 20% 10 10 30% 10 5 15
Conventions of Writing 10% 5 5
Vocabulary 20% 5 5 10 30% 10 5 15
Grammar
Creative
Expression
(a) Oral 10% 5 5 10% 5 5
(b)
Written 20% 5 5 10 10% 5 5
Total 100% 30 10 10 100% 30 20 50
161
CLASSES - 3,4 & 5
Weightage Table (Academic Standard Wise) -Formative and Summative Tests
Academic Standards
FORMATI VE ASSESSMENT SUMMATI VE ASSESSMENT
Weigh
tage
Obser
vation
Note
books
Proj
ects
Slip
Test
Total
Weigh
tage
Oral Written Total
Listening &
Speaking 10% 5 5 10% 5 5
Reading
Comprehension 10% 5 5 10% 5 5
Conventions of
Writing 10% 5 5 10% 5 5
Vocabulary 10% 5 5 10% 5 5
Grammar 10% 5 5 10% 5 5
Creative
Expression
(a) Oral 10% 5 5
(b)
Written 30% 5 10 15 40% 20 20
Projects 20% 10 10
Total 100% 10 10 10 20 50 100% 10 40 50
General Guidelines for Summative Assessment
Areas of Assessment for English have been categorized under 6 domains: These are;
1. Listening and Speaking. 2. Reading Comprehension
3. Conventions of Writing 4. Vocabulary
5. Grammar
6. Creative Expressions (Discourses): (a) Oral (b) Written
1. I n summative assessment 20% of marks are allotted for oral text and 80% of
marks are allotted for written test. The summative Primary question paper
should be prepared for 40 marks. Accordingly question paper for the written
test is to be prepared and conducted.
162
2. Under Oral test 10% of marks are allotted for listening and speaking and
remaining 10% of marks are allotted for oral discourses that are targeted in
each class.
3. The weightage of marks for each domain is different in summative assessment.
Accordingly the question paper should be prepared and grades are to be
awarded.
4. The test items should not be in discrete components should be in a holistic way.
Hence narrative is the best tool to assess the children performance in different
domains of language. The narrative gap should be provided where children can
think and write a discourse under each task.
5. Narrative should be continued and another task has to be given based on the
narrative.
6. The narrative gap provides a chance for children to think differently on the
basis of their experiences and present them in their own language. Hence each
child presents their views differently.
7. While preparing the question paper the teacher should have a clear idea about
the discourses targeted in each class. Refer the Teacher's handbook for class
wise targeted discourses.
8. Conventions of writing and Grammar should be placed under the task of
editing. 5 errors in each item should be given and accordingly marks should be
awarded. Grades should be awarded in their respective headings or columns of
conventions of writing and grammar.
9. The narratives should be taken either from the textbook with extending the
events or from outside the textbook on the basis of the themes of the textbook.
10. Each task should carry 5 marks. I f you want it in two parts, then it will be 2
marks each, but you should award a single grade for each task. Under each
163
competence one or more tasks may be given, but the marks should be only in 5
multiples (i.e. either 5 or 10 marks).
11. The weightage given under the written discourses is 40%., which means 20
marks in classes 3 to 5 for primary classes. After valuation of the answer scripts
all the marks under these written discourses should be added and a single
grade is to be awarded.
12. While valuating the answer scripts the indicators for each discourse under each
class should be kept in mind and accordingly marks are to be awarded.
Guidelines for Formative Assessment
Formative assessment is to be done basing on the four tools that cover all the
language competencies (academic standards). These are:
(1) Observation (2) Notebooks, (3) Project work and (4) Slip tests.
Weightage for each tool is given in the table. Accordingly the teacher has to assess
the performance of the learners during the term. This is not a single day activity; it
is a cumulative account of what has happened on a day-wise manner.
@@@
164
APPENDIX - I
ENGLISH - SYLLABUS GRID FOR CLASS - I
Unit
T
h
e
m
e
Sub Themes/
Values
LANGUAGE COMPETENCIES
Vocabulary Grammar
Written
Discourses
Oral
Discourses
1
F
a
m
i
l
y
Family Relationships
/ love, respect and
concern for others
Words related to kinship;
demonstrative (this);
possessive words - my, his,
her
He-words; she-words
Graphic
Writing
Description
(using 'This
is..)
2
T
r
a
v
e
l
Awareness on
transport / aesthetic
sense
Words related to vehicles
and places; demonstrative
(that); prepositions - near,
far
Using phrases like 'near the
bank, near the school etc.,)
Framing questions with 'what
is.?; Answering questions
with 'That is ?
Graphic
Writing
Description;
Conversation
3
N
e
i
g
h
b
o
u
r
h
o
o
d
School life /
Democratic values
Words related to school,
Parts of the body; Action
words; Preposition - on
Preposition - phrases
beginning with 'on'
Graphic
Writing
Description;
Conversation;
Song
4
F
r
i
e
n
d
s
Friendship /Love,
Cooperation
Words related to colour;
action words; preposition -
at
phrases beginning with 'at';
Expressing likes using the
structure 'I like' ; Connecting
words using 'and'
Graphic
Writing
Description;
Conversation;
Song
5
S
e
l
f
Daily routine / Self
esteem
Words related to things we
use and things we do;
Expressing possessions using
'have / has'
Graphic
Writing
Description;
Conversation;
Song
6
A
n
i
m
a
l
Zoo /Appreciation,
Love and care for
animals
Words related to animals,
birds, food items;
Recognising phrases beginning
with attributive adjectives
Graphic
Writing
Description;
Conversation
7
P
u
b
l
i
c
P
l
a
c
e
s
Health
Words related to fruits,
vegetables; attributive
adjectives - shape,
colour, size, taste
Recognising phrases
beginning with attributive
adjectives; Using plural
forms of nouns
Graphic
Writing
Description;
Conversation;
Song
165
ENGLISH - SYLLABUS GRID FOR CLASS - II
Unit
T
h
e
m
e
Sub
Themes/Values
LANGUAGE COMPETENCIES
Vocabulary Grammar
Written
Discourses
Oral
Discourses
1
A
n
i
m
a
l
w
o
r
l
d
Zoo / Positive
attitude towards
animals
Words related to zoo;
Action verbs
Present Continuous
Tense; declarative
sentences;
Adding Lines to
the Rhyme
Picture
description
2
D
o
m
e
s
t
i
c
A
n
i
m
a
l
s
Pet animals /
Caring for Pets
Words related to
animals and baby
animals; colours
Preposition - on Description Description
3
T
r
a
v
e
l
a
n
d
T
r
a
n
s
p
o
r
t
Travel Experience /
cooperation,
democratic values
Words related to
vehicles and travel
Declarative Sentences
Adding Lines to
the Rhyme
Description
4
C
u
l
t
u
r
e
Entertainment /
Aesthetic values ,
Social values
Words related to village
fair;' wh' words
Form questions using
'wh' words;
Use of phrases like
'walking like a tiger'.
Adding lines;
Description;
Conversation
Description
5
N
e
i
g
h
b
o
u
r
h
o
o
d
Learning at School
/ understanding
about oneself and
others
Words related to school
and food items
Framing questions
using 'can'.;
I nterrogatives
Description;
adding lines;
conversation
Conversation
166
Unit
T
h
e
m
e
Sub
Themes/Values
LANGUAGE COMPETENCIES
Vocabulary Grammar
Written
Discourses
Oral
Discourses
6
E
n
v
i
r
o
n
m
e
n
t
Rain / Appreciation
Words related to rain;
wh words; preposition-
'on'
Frame structures using
will
Conversation;
Adding lines
Description and
Conversation
7
G
a
m
e
s
Games inside and
outside school /
Sporting Spirit, co-
operation
Words related to games
and sports; use of wh
words
I nterrogatives
Description;
Adding lines;
Conversation
Conversation
8
S
e
l
f
Fantasy and
Reality /
Understanding
about oneself,
Aesthetic values
Words related to living
things, body parts; Wh
words
Expressing 'likes' using
'I would like to';
Description;
Conversation
Conversation
9
P
r
o
f
e
s
s
i
o
n
s
Importance of
professions / Social
values, respecting
all work
Words related to
occupations
Phrases like ' making
pots, catching fish'
Description;
conversation
Conversation
10
U
n
i
t
y
Unity is Strength/
Democratic values
Words related
vegetables and fruits;
many words from a
word
Use the phrase 'such as' Conversation Conversation
167
ENGLISH - SYLLABUS GRID FOR CLASS - III
Unit
T
h
e
m
e
Sub
Themes/Values
LANGUAGE COMPETENCIES
Vocabulary Grammar
Written
Discourses
Oral
Discourses
1
T
r
a
v
e
l
Travel Experience /
Aesthetic values,
Co-operation
Words related to travel
and train; Antonyms
Prepositions- through,
under, along,
Conversation;
Description;
Adding Lines
Narrative and
Conversation
2
F
o
l
k
l
o
r
e
Cultivation /
Dignity of Labour
Words related to plants
Punctuation - comma,
full stop, question
mark, exclamation
Description;
Recipe; Adding
Lines
Conversation;
Description
3
S
c
i
e
n
c
e
a
n
d
T
e
c
h
n
o
l
o
g
y
Importance of
Communication /
Social values
Words related to places;
palindromes
Adding Lines to
the Rhyme;
Conversation
Description;
Conversation
4
H
u
m
o
u
r
Entertainment /
Appreciation
Words related to
Drawing; Framing
words from the given
words;
Adjectives; Asking
questions using the
structures ' Is that.? /
Are those.?' to get
yes/no responses
Description;
Adding lines to
the Rhyme;
Description;
Conversation
5
F
e
s
t
i
v
a
l
s
Importance of
festivals / aesthetic
and social values
Words related to
festivals; Synonyms
I mperatives
Notice;
Conversation;
Adding Lines to
the Rhyme
Description;
Conversation
168
Unit
T
h
e
m
e
Sub
Themes/Values
LANGUAGE COMPETENCIES
Vocabulary Grammar
Written
Discourses
Oral
Discourses
6
E
n
v
i
r
o
n
m
e
n
t
Protection of trees /
Love for nature
Words related to trees
and their uses
Exclamatory sentences
Poster;
Adding lines
to the rhyme
Conversation
7
C
u
l
t
u
r
e
Fantasy,
Entertainment /
Aesthetic values
Words related to giant
bodies on earth;
Rhyming words
I mperatives
Paragraph;
Adding Lines
to the Rhyme
Description
8
A
d
v
e
n
t
u
r
e
Fantasy,
Entertainment
Words related to
furniture
Use of ' too-to'
Description;
conversation;
Adding Lines
to the Rhyme
Conversation
9
N
e
i
g
h
b
o
u
r
h
o
o
d
Fantasy/
appreciation of
individual traits
and abilities
Words related to school;
synonyms; one word
substitutes
Using expressions such
as ' I like, I don't like'.
Description;
Adding Lines
to the Rhyme
Conversation
10
H
i
s
t
o
r
y
a
n
d
C
u
l
t
u
r
e
Entertainment /
Honesty
Words related to
kingdom; word building
Use of 'have' to express
possession
Conversation;
Adding Lines
to the rhyme
Conversation
169
ENGLISH - SYLLABUS GRID FOR CLASS IV
Unit
T
h
e
m
e
Sub
Themes/Values
LANGUAGE COMPETENCIES
Vocabulary Grammar
Written
Discourses
Oral
Discourses
1
F
o
l
k
l
o
r
e
Humour, Fantasy
/Appreciation
Common Adjectives
Antonyms
Rhyming Words
Simple Past and Past
Continuous Tenses
Conversation
Explaining a
process
2
P
u
b
l
i
c
L
i
f
e
Wisdom, friendship
/ Decision-making,
Love and trust,
Building new words
Collective nouns,
Antonyms
Use of Exclamation Description Description
3
N
a
t
u
r
e
Saving bird life /
Love and care for
birds
Possessive Forms
Common words related
to hunt and birds
Agreement between
subject and verb
Picture
Description
Enacting of a
Play
4
S
o
c
i
e
t
y
Superstitions /
Human values
Common words related
to reasons for illness
Synonyms, Compound
words
Adverbs of Frequency
Preparing a
Sign Board
Conversation
5
T
r
a
v
e
l
Adventure / Coping
with adverse
situations
Words related to desert
and travelling
Synonyms
Past and earlier past Conversation
Narrating an
incident
6
B
i
o
-
d
i
v
e
r
s
i
t
y
Conservation of
animals and forest
Adjectives
Using words
contextually
Conjunction (and)
Conversation
and
paragraph
Description
7
C
u
l
t
u
r
e
Mythology /
Honesty
Proper nouns and
Common nouns
Adjectives
Comparative Adjectives Conversation Conversation
8
C
o
m
m
u
n
i
c
a
t
i
o
n
Importance of
letters / Human
values
Making comparisons
using 'as.as';
Vocabulary related to
emotions
Expressing ability
using 'can'
Writing a
Letter
conversation
170
ENGLISH - SYLLABUS GRID FOR CLASS - V
Unit
T
h
e
m
e
Sub
Themes/Values
LANGUAGE COMPETENCIES
Vocabulary Grammar
Written
Discourses
Oral
Discourses
1
S
c
h
o
o
l
l
i
f
e
Picnic / Co-
operation, Care for
others
Words related to food Types of sentences Notice, Letter Description
2
A
n
i
m
a
l
s
Relationship with
man and animals /
Kindness
Adjectives
Action Verbs
Adverbial Connectives
(when, as, if)
Description Conversation
3
N
e
i
g
h
b
o
u
r
h
o
o
d
Unity and
Cooperation /
Social values
Suffixes
Collocations
Noun Phrases, Types of
Adjectives
Recipe Conversation
4
A
g
r
i
c
u
l
t
u
r
e
/
F
a
r
m
i
n
g
Farming / Self
sufficiency, Positive
attitude towards
farming
Words related to fruits,
vegetables, pulses and
tools
Primary Auxiliaries Poster, Letter Description
5
H
e
a
l
t
h
Natural food and
junk food / Positive
attitude towards
natural food
Food vocabulary
Words in context
Synonyms & Antonyms
Common Abbreviations
Degrees of Comparison Advertisement Debate
6
F
o
l
k
l
o
r
e
Humour / Social
values
Homophones
Same word in different
parts of speech
Adverbial Connectives
(because, since)
Conversation Description
7
G
a
m
e
s
&
S
p
o
r
t
s
Importance of
games and sports
/sporting spirit
Finding new words
Same word in different
parts of speech
Modal Auxiliaries Letter Quiz
8
W
i
l
l
p
o
w
e
r
Overcoming
Disability / Self
esteem and
determination
Synonyms
Singulars and Plurals
Gerunds
Preparing a
Speech
Speech
171
Appendix - II
Class wise Discourse wise Features- Primary
By the end of the completion of class V, the learners are expected to produce
a variety of oral and written discourses. The features of a certain discourse at a
certain level are shown in the tables given below. The class wise and skill wise
features of each discourse are marked with "X which means this feature is to be
considered at a given level.
Table 1: conversations
Discourse Features
I II III IV V
L S R W L S R W L S R W L S R W L S R W
Contains I nitiation /
response
x x x x X
Has One or two
meaningful exchanges
x x x x x
Has three or four
exchanges
x x x x x x x x x x
Has proper sequence of
exchanges
x x
Sustains the
conversation
x x
Table 2: Description
Discourse Features
I II III IV V
L S R W L S R W L S R W L S R W L S R W
Contains two connected
sentences describing
objects /things / persons /
places
x x x x x X
Uses attributes for
description
x x x x x x x x x x x x x
Creates vivid images x x x x x x x
Uses a variety of
sentence forms
x x x x x x
Uses proper sequence of
ideas
x x x x x x x x x x x
172
Table 3 : Poems / Songs / Rhymes
Discourse
Features
I II III IV V
L S R W L S R W L S R W L S R W L S R W
Rhymes / songs
/poems with
simple
structural
patterns
x
x
x
x
x
Uses rhyme
scheme
x x x x x x x x x x x x x x
Poems / songs
with emotions,
reflections
x x x x
Table 4 : Narratives
Discourse
Features
I II III IV V
L S R W L S R W L S R W L S R W L S R W
Contains at
least one event
and one
exchange of
dialogue
x x x x
Contains a
sequence of
events and
dialogues
x x x x x x x
Evokes sensory
perceptions
x x x x x
Contains
images, setting
and other
details
x x x x x
Uses
characterization
x x x x
Evokes
emotions
x x x x
Maintains
coherence
x
173
Table 5 : Diary
Discourse
Features
I II III IV V
L S R W L S R W L S R W L S R W L S R W
Diary
containing
events
x x x
Contains
personal
reflections,
thoughts and
feelings
x x
Uses a variety
of sentences
x x
Contains
events other
than routine
events
x x x x
Uses language
appropriate to
the mood
x x x
Table 6 : Letter
Discourse
Features
I II III IV V
L S R W L S R W L S R W L S R W L S R W
Begins and
ends the letter
x x x x x x
Uses language
appropriate to
the context
x x x x
Uses
appropriate
format, layout
and
conventions
x x x x
Expresses
ideas
sequentially
x x x
Maintains
coherence
x x
174
Table 7 : Messages
Discourse
Features
I II III IV V
L S R W L S R W L S R W L S R W L S R W
Contains ideas
relevant to the
context
x x x x
Maintains
brevity
x x x x
Uses
conventions
x x x x
Uses layout,
format,
x x
Table 8 : Notices /Posters
Discourse Features
I II III IV V
L S R W L S R W L S R W L S R W L S R W
Notices for various
occasions and purposes
showing the context
x x x x
Notices containing,
venue, date, time,
salutation, invitation,
programme,
x x
Writes notices for special
purposes with persuasive
language
x x x x
Organisation and Layout x x x x
Table 9 : Slogans / Placards
Discourse
Features
I II III IV V
L S R W L S R W L S R W L S R W L S R W
Slogans and
placards for
specific
purposes
x x x x x x
Maintains
brevity
x
Maintains
rhythm
x x x x x x
175
Table 10 : Drama
Discourse
Features
I II III IV V
L S R W L S R W L S R W L S R W L S R W
Dialogues x x x x x x x x x x x x x
Dialogues
revealing
emotions &
feelings
x x x x
Role-play x x x x x x x
Dramatisation x x
Table 11 : Write-up
Discourse /Text
type
Write up
I II III IV V
L S R W L S R W L S R W L S R W L S R W
Conveys the main
idea and supporting
details
x x x x
Organization of
ideas
x x x x
Uses appropriate
cohesive devices
x x x
Has coherence and
flow
x x x
Class-wise targeted discourses
Sl. No Details of the Discourses I II III IV V
1. Conversations
2. Descriptions
3. Rhymes /songs /poems |
4. Narratives
5. Diary
6. Letter
7. Notice/Slogans/Poster
8. Drama
10. Paragraph
11. Essay
13. Slogans
14. Speech
@@@
176
Appendix- III
Classroom Theatre
Theatre as a pedagogic tool for facilitating the development of language
proficiency. Most of the lessons in primary classes are stories. These will easily
yield classroom theatre. The process of working out classroom theatre is given
below:
1. Process
Elicit responses to questions like thefollowing:
1. Where is the story taking place?
2. Who are the characters?
3. What are the events / actions narrated in the story?
4. What are the characters saying or thinking?
Let children sit in groups and plan the drama.
Ask one group to enact the drama.
I nitiate a discussion on the drama
Did the actors include all the dialogues in the story?
Did they add any dialogues of their own?
Did the groupact out all the events in the story?
Did they add any events?
Could the audienceunderstand where the eventswere taking place?
All the groups have already planned the drama.
Doyou want to make any changes in theplan before presenting the drama?
Let the groups to rework on thedrama if necessary.
Ask one more group to act out thedrama.
I ni ti ate fur ther di scussi on.
What are your observations on thepresent performance?
How manyscenes will be required? Why?
Doyou want to include some actions inthe drama?
What are the slotswhere you can include them?
Howwill you state the mood of a character at a certain moment in the drama?
How can we improve the presentation?
177
I nitiate a discussion on the indicators for the performance of the drama.
Consolidate the indicators on a flip chart.
Ask the remaining groups to present the drama.
Give positive feedback.
2. Why Theatre i n Engl i sh Cl ass
The classroom theatres can yield much pedagogic mileage.
I t creates sustainable linguistic experience.
I t promotes collaboration and cooperation among the learners
I t caters to the development of multiple intelligences.
I t provides space for the spontaneous production of language.
I t paves way for deeper understanding of the lessons.
I t engages all children psychologically as well as emotionally.
I t makes the textbook come alive.
I t helps the learners read the text analytically and critically.
3. The Theoreti cal aspects of Narrati ve
The focus is not on transmittinginformation but transactingexperience. We
areaddressing the inner languageof the listeners whichis generated through
thinking.
Comprehension takes place by virtue of the context,familiar words,
voicemodulation, facial expressionsand optimal gestures.The narrative allows a
holistic treatment of second language. I t accommodates different discourses; we can
incorporate descriptions,
Conversations and rhymes. The focus is not on transmitting information but
transacting experience. We are addressing the inner languageinner language of the
listeners which is generated through thinking. Comprehension takes place by
virtue of the context, familiar words, voice modulation, facial expressions and
optimal gestures.
The narrative allows a holistic treatment of second language.I t
accommodates different discourses; we can incorporate descriptions, conversations
178
and rhymesinto the text of a narrative. Unlike the other discourse forms (for
example, essay, poem, letter, etc.) a narrative as a discourse can accommodate all
these types of sentences quite naturally. I t incorporates all possibleprosodic
features such as stress, intonation, modulation. The narrative gaps created by the
teacher can be filled. I n by the learners by constructing target discourses.
Narratives capitalize on the emotive aspect of the language.This is of vital
importance in the language class because experience is sustained in human minds
asemotional gestalts. I t can channel the thoughts of the listeners so that they can
perform the tasks assigned to them in a better way.
4. Textbook to the Theatre
For most teachers the sole objective of teaching English has been
transmitting information contained in the textbook. However, the new textbooks
demands that there is need to be a shift from transmitting informationto
transacting experience in such a way that from the given text multiple texts are
generated by the learners The theatrical components such as the narrative,
choreography and drama help usmaterialize this shift. Most of the lessons in the
textbooks of primary classes are stories.These can be easily transacted as dramas
because both of these discourses have eventsand dialogues. I n narratives events are
presented either orally or in writing whereas in dramasthese events get translated
into actions that can be performed. Once children get used to performing dramas
basedon the stories given in the textbook they can develop dramas from texts that
are not stories. For this they have to identify the themes of the lessons. From these
themes, plots can be developedwhich in turn can yield dramas. The transition from
Textbook to Theatre will be a pleasant experience forthe learners at all levels.
5. Worki ng on Soci al I ssues and Themes
Children can also develop plots based on social themes if they given chance.
These plots in turn yielded dramas.
The following steps are to be followed:
1) I dentifying a social theme
2) Developing a plot that has a beginning, the middle and the end.
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3) Deciding dramatic events
4) Fixing the characters
5) Deciding the scenes
6) Developing the participants of the theatre workshop got hands on experience
on dialogues and actions
7) Deciding position and movement of characters
8) Planning the drama without writing the script and performing it.
9) Reflecting on the presentation both by the performersand the viewers.
Dramas were worked out on themes such as marginalization and child
labour.
6. Rol e-pl ays and Dramas
I n classes 1 to 5 all storiesare being performedas role-plays and dramas.This
liberates the childrenfrom the lethargy of readingthe text mechanicallyand
reproducing the informationgiven in it. They make sense of the text through
collaborative reading and generate multiple texts from a given text through
personalizing and localizingit.I n the initial stages childrenare likely to
reproducethe dialogues givenin the text. By virtue of thefeedback given to themthey
will be able to reflecton their own performance. This will eventuallyhelp them
improvetheir performance in termsof delivering dialogues,showing
facialexpressions and actionsand maintaining some ofthe theatrical
conventions.The role-plays and dramasperformed in theclassrooms will
provideample opportunities forchildren to develop theircommunication skills.
7. Choreography, a Mul ti faceted Tool
Choreography is a performance art and it makes use of some theatrical
components. I t is a discourse that can communicate effectively to itsviews. As a
pedagogic tool it can be used to facilitate the developmentof communication skills.
Like the drama it caters to the development ofmultiple intelligences.
Choreographing a poem implies deeper understanding of its theme.
The following process isused for choreographingthe poem:
1) I dentifying the theme/themes of the poem(stanza-wise)
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2) I dentifyinginstances from lifethat manifest the theme
3) I dentify the charactersand their actions
4) Decidingthe location wherethe actions take place.
5) Deciding the actions of the chorus to create the setting
6) Sequencing the actions
7) Setting music to the poem
8) Singing the poem and synchronizing the movements and actions of the
characters with the rhythm of the song.
The theme can be interpreted in multiple ways and each interpretation will
yield a different choreography of the poem.
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APPENDIX IV
Reading Material for Teachers
Dear teacher,
A few passages are given below. Please read and reflect on them. You may share
your reading experience with your fellow teachers and friends.
Challenges
I have come to a frightening conclusion. I am the decisive element in the
classroom. It is my personal approach that creates the climate. As a
teacher I possess tremendous power to make a childs life miserable or
joyous. I can be an instrument of inspiration or a tool of torture. I can
humor or humiliate, heal or hurt. In all situations it is my response that
decides whether crisis will be escalated or de-escalated, and a child
humanized or dehumanized.
A. Letter written by a student.
Dear teacher
You once meant the world to me. Among all the people who were there to teach me
something, I believe you were the one who had it all figure out. You enticed me with
your love for the new, you lured me into a world of learning, but yet, I now feel I ve
failed to learn what you were trying to teach me. And I believe that I should
apologize for not being able to learn things so well or should I ? I ve been thinking
it over, and my reasons for doubting my need to apologize go far beyond your need
to constantly say that if I didnt learn it, its because you havent done a good job.
Dear teacher, do you truly mean what you say when you publicly claim that your
students failure are your own? Are you such an almighty being that no one can fail
on their own accord and that your ability to teach or not is what makes it or breaks
it in my education? Perhaps, if you really meant what you say, this would be true. I
must confess I m slightly disappointed in you, though. And I ll now explain why.
You once believed you could teach me by being friends with me. Youve probably
read somewhere that affection makes a difference in learning. Youve also probably
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read, somewhere else, that laughter lubricates learning, and you tried to make your
lessons funny. And then you may have heard from a friend that learning should be
student-centred. How perfect was that, huh, dear teacher? All you had to do was
come to class and chat with your students, let them discover new things on their
own. This is probably something else you claim to have read students ought to
become autonomous learners.
To make things even better, you found arguments to support the use of things you
so much enjoy using in your daily life in our lessons. Youve read somewhere that
I m a digital native, and that technology would make learning a lot easier to me.
Youve enticed me to follow you through a path of discovery of things you were
supposed to be teaching me, but that I d eventually find out on my own by using the
gadgets that are so common to those of my generation. To be fair with you, you
could even mention the names of the people youve supposedly read, and even name
theories.
How much longer do you think you could have gone? Youve read somewhere that
there are teachers using technology and whose students are succeeding, and youve
also read somewhere else that there are teachers who simply talk to their students
and they miraculously learn. Oh, dear teacher, you have as one of your favorite
quotes the one that says that youre not preparing students youre helping them
become life-long learners. I snt it a tad contradictory that you havent been doing
what youve been preaching?
You expect me to accept that mistakes are part of the learning process. However,
you cannot conceive of having done me wrong in your attempts to educate me.
Wouldnt it be much easier to help me if you took your own advice and said, just for
a change, that you may not know exactly what youre doing? How much longer will
you cling to book titles, halves of first chapters, headlines and superficial talks to
base your principles? How much longer, dear teacher, till you start taking
responsibility for the choices youve made for my education to your hands instead of
blaming it on what others have been doing?
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I snt it time you started reading beyond the headline? I snt it time you started
accepting that there are people who know more than you and that you can learn
from them? I s it that heard to keep an open mind to different thoughts and ideas?
Why is it, then, that you keep asking me to keep mine open?
Dear teacher, how often have you said that grades dont represent learning, and yet
it was the final yardstick against which you measured my success or failure? When
will you stop paying lip service to what others say regarding education and start
walking with your own feet? When will you be able to accept responsibility for what
you have done in your classes because you believed that was best for me, not
because a PhD somewhere said this is what had to be done? What if you yourself
bought into the idea of being a life-long learner and were willing to truly lead me to
discovering what I should discover? I nstead, your option has been to say to me
things you dont actually mean. You say one thing, but you do something else.
Dear teacher, its time you stopped mentioning the names of J ohn Dewey or Paulo
Freire if all you know about what theyve done is what someone else has told you.
I ts time you stopped using flashy gadgets and technology in class simply because
youve been told I love that and this is how I learn best. I want to remember you for
what I ve learnt from you, not for the jokes you told me when you were supposed to
have taught me something.
Dear teacher, you have no idea how much I ll idolize you for having taught me
something. Please, understand that my education is not a popularity contest among
all those who walk into my classroom to talk to me. This is serious stuff, and I may
be just a bit too young to realize how serious a business it is. I depend on you to
show me what I can do. Youve often said youd like to be responsible for my
learning I put myself in your hands. As much of a clich this may be, I m placing
all my dreams and hopes for the future in your hands. Will you truly help me live
up to my potential? Have you been constantly trying to improve for that to happen?
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Dear teacher, all I ask of you is that you mean what you say. Dont take the soft
way out by placing all the responsibility of my learning in my hands. Learn what
learner centered education truly is before you say your lessons are learner centered.
Learn how to effectively integrate technology into your teaching before you say that
all those videos and I nternet use are actually teaching. Criticise me! We only set
high standards for those we believe to be able to get there. Dont settle for anything
less than what I can do. You see, I believe all you say about my learning, so if you
say I m ready to move on to the next step, I will be happy to do so I ll only be
mature enough to realize I wasnt ready when its too late. I ts your call, my dearest
teacher.
I ts your call are you going to face the challenge of educating me, or are you going
to really leave me to my own fortune? Are you prepared to challenge me, to tell me
I m wrong, to tell me my work is not good enough, and to put up with my tantrum,
or will you take the easy way out? I f you choose the easy way out, if youre not
prepared to mean your words and to act accordingly, please, step out of the way.
The world is tough enough as it is. I most certainly dont need you holding me back.
You say my failure is your failure, dear teacher. As long as you believe that success
is the same thing as moving on to the next grade or level, youve failed me for sure.
I f youre going to treat me as a human being, youd better understand sooner than
later that education is a complex issue, and theres no way youre going to be able to
help me without hard work from me and you. I m in your hands, dear teacher, make
sure you know what youre doing.
Yours faithfully,
A student
B. INSPIRATIONAL POEM:
THIS SMALL CHILD, WHO IS FOLLOWING ME (WALKING BEHIND ME)
I want to walk very carefully
Because a small child is following me.
I cannot take the risk of losing my path
Because I am afraid that he can lose the path.
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I cannot skip from his vision
As he is observing me, he wants to do
The same thing I do.
He wants to be like me
He wants to imitate me.
While walking I have to always remember that
That a small child is following me.
While walking (moving forward) I have to remember.
I have to face the ups and downs
And I have to prepare for the hurdles ahead?
This little child who is following me
I want to walk, but carefully, because this little child is following me.
I cannot take the risk to get lost because I am afraid that he will also get lost.
I cannot lose sight from him because he sees whatever I do and does the same.
He says he wants to be like me, that little child whos following me
While walking I must remember in the middle of heat of the sun and the coldness of
ice
I am made for the rains.
C. It can be difficult to improve your use of grammar. Why?
Many people, unfortunately, believe that by studying grammar out of books, your
grammar can get better very quickly. Unfortunately, this is not the case. I n fact, it
can be very difficult to improve our use of grammar.
Some of the reasons for this difficulty are as follows:
Grammar skills in a language develop over a long time, so even advanced
learners of English continue to make small mistakes with the language.
J ust 'knowing' about a grammar point does not necessarily mean we will be
able to use it very well. I t takes more time than we think to put into practice
what we have learned.
I t is possible to understand a grammar point very well, yet still make
mistakes when we write or speak.
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Some grammar points are almost 'un-teachable' such as the use of articles.
This is because their use can often depends on psychological perspectives
rather than absolute truth.
We often experience what is known as 'L1 interference'; we have in our mind
patterns from our first language when we write and speak, and these can
affect our accuracy.
We do not always use a systematic checking system when we look over our
writing, because we do not always know what our main grammar problems
are.
There are several theories of language learning that tell us that we have to
be able to make mistakes in grammar before we can get better.
D. Here is a list of the 12 Most Important things that came out of the
conversations with students:
1. Greet me each day
Wish me good morning, and send me off with a see you tomorrow.
2. Smile
When you look at me, let me see happiness in your eyes.
3. Give me your attention
Sit and talk with me privately; even if only for a second.
4. Imagine with me
Help me dream of things I might be able to do; not just the things I need to do now.
5. Give me challenging content and assignments
Show me how to handle it. Teach me what to do.
6. Ask about me
I nquire about my weekend, the game a played, the places I go. I t shows you care
about my life.
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7. Let me have time
Time to let things sink in Time to think. Time to reflect, process, and play.
8. Demand of me
Hold me accountable to high standards. Dont let me get away with what you know
I am capable of doing better.
9. Notice Me
Leave special messages in my desk or locker. J ust a quick not that says you notice
something right.
10. Let me ask the questions
Even if they are off topic. I t will show that I am thinking about new perspectives,
curious, and willing to learn more. Let me have the chance to show what I am
wondering about, not just what I know.
11. Engage me
I came to you in love with learning, keep me excited, keep me wanting more.
12. Trust me
Believe that I can do it. Allow me the chance. I promise to show you I can.
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Appendix V
ELT Terms
ELT terms are the words that are generally used when teaching the English
language. They are words and phrases that you may come across in English
Language Teaching.
Accuracy: The ability to produce grammatically accurate sentences; language is
grammatically correct English with proper vocabulary
Achievement: Accomplishing the objectives of a chapter or a unit
Acquire: Learn a language unconsciously by using it.
Active: An energetic, agile and lively child
Active listening: A method where the student replicates what the facilitator is
saying to reveal his/her understanding; this technique helps when a teacher is not
too keen to openly correct a students mistake
Activity: Something facilitators organize to simplify teaching or to help a child
comprehend what is being taught
Approach: A unified but broadly based theoretical position about the nature of
language and of language learning and teaching that forms the basis of
methodology in the language classroom.
Aptitude: The ability, talent or capacity of a child at which he/she can learn a
foreign language
Aural: Related to listening; the auditory or the acoustic skills of a child
Authentic: Genuine, reliable or dependable material taken from books and
magazines for the betterment of the children
Bilingual: A person who knows and uses two languages equally well or with the
same ease
Brainstorming: A group activity where students freely suggest, give or contribute
their thoughts to a topic to create or produce ideas.
Chorus: Communicating or reciting collectively as a group
Chorus repetition: The entire class, as a group, replicating a sentence or an
example given by the teacher
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Classroom management: The organization of class activities by the facilitator
like the setting up of the classroom, carrying out innovative ideas to teach in the
class, class events, managing group activities, giving directions and supervision of
pupils behaviour.
Cleft Sentence: A sentence which has been divided into two parts, each with its
own verb, to emphasis a particular piece of information, e.g. I t was Ramesh who did
most of the work.
Collaborative Learning: Learning in groups, through discussion, clarification of
ideas, and evaluation of others ideas. I t is based on an age old adage that says two
heads are better than one. Students who demonstrated lower levels of achievement
improved when working in diverse groups.
I n collaborative learning where members support and rely on each other to achieve
an agreed-upon goal. The classroom is an excellent place to develop team-building
skills you will need later in life.
The idea of collaborative learning has a lot to do with Lev Vygotskys idea of the
zone of proximal development. I t considers what a student can do if aided by
peers and adults
Collocation: The way in which words are used together regularly e.g. do the
dishes and do your homework, but make the bed and dont make noise.
Communication: is the act of speaking, writing or giving information to someone
and being understood by them; verbal skills or how a person talks to another
individual
Communicative competence: The capability to converse or correspond
successfully; the aim of learning a foreign language is to be able to speak or talk in
it effectively
Communicative language teaching (CLT): An approach to foreign or second
language learning which stresses that the objective of language learning is to speak
or talk in it effectively or communicative competence.
Competence: Ones underlying knowledge of a system, event or fact; the
unobservable ability to perform language, but not to be confused with performance.
Constructivism: The integration of various paradigms with an emphasis on
social interaction and the discovery, or construction, of meaning.
190
Context: The circumstances, connection or situation in which a thing is done; the
reason why a certain topic or subject is done
Curriculum: The entire portion or the topics month wise that are to be taught
during a full academic year
Dialogue: A conversation or exchange of sentences used to practice or rehearse
speaking
Discourse: A language (either spoken or written) beyond the sentence level;
relationships and rules that govern the connection and inter-relationship of
sentences within communicative contexts.
Discourse analysis: The examination of the relationship between forms and
functions of language beyond the sentence level.
Discourse marker: An expression that typically connects two segments of a
discourse, but do not contribute to the meaning of either, e.g. adverbials (however),
conjunctions (but), prepositional phrases (in fact).
Drilling: Repetition or monotonous repetitive teacher-controlled way of practicing
where the pupils just keep repeating what the teacher has said even without
comprehending it e.g. children might be saying the letters of the alphabet in
sequence without understanding them
Elision: The leaving out of a sound or sounds in speech, e.g. suppose (spose).
Ellipsis: Leaving out words or phrases from sentence where they are unnecessary,
e.g. john went to the door and (he) opened it.(Nominal Ellipsis), I ll go, but he wont
(go) (Verbal Ellipsis)
Embedding (embedded sentence): The occurrence of a sentence within another
sentence, e.g. the news / he had got married / surprised his friends
Extensive reading: Reading widely or a lot; extensive reading is done to build up
good reading habits and expanding knowledge of vocabulary, structure and style of
a language
Facilitator: Facilitator is a teacher who tends to conduct a student-centred class
and is less dominant with the pupils than in the conventional approach to teaching;
in communicative classrooms, facilitators are inclined to work in partnership with
students to build up their language skills; a facilitator may also take the task of
adviser or trainer rather than a teacher.
191
Feedback: Reporting or giving information about a student to a parent or a
teacher can test children to know what they have comprehended; feedback can be
verbal or written
Fluent: Conversing or communicating in a foreign language with ease; talking in a
very natural, free, native like and normal manner, not forcefully or artificially
Forms: (of language): The bits and pieces of language, such as morphemes,
words, grammar rules, discourse rules, and other organisational elements of
language.
Functions: (of language) The meaningful, interactive purposes within a social (pragmatic)
context, that we accomplish with forms of language.
Genre: A typical of discourse that occurs in a particular setting that has distinctive
recognizable patterns and norms of organisation and structure, and has particular
and distinctive communicative function.
Gesture: A facial or body expression like a frown or smile that silently says
something
Idiom: A phrase or a saying where the meaning of the expression is different from
that of the individual words e.g. He backed up his friends claim or Please hear me
out.
Imagery: The pattern of related comparative aspects of language, particularly of
images, in a literary work. Language which appeals to the five sense .E.g: Mother
rocking the cradle. Here child senses with eyes and ears
Inductive Teaching: I t is the most popular method of communicative language
teaching; this is a student-centred teaching methodology where the pupils use the
language extensively to find out the sentence structure and language rules through
various examples first examples then rules.
Integrated approach: A teaching methodology where all the subjects are inter
linked with one another and are taught in synchronization with each other;
teaching is done through a theme which is predominant in all the subjects; all the
four skills, i.e., listening, speaking, reading and writing are taught in coordination
and not cut off from each other
Intensive reading: When a child reads his/her text books slowly, where he/she is
able to understand and grasp everything read.
Intrinsic Motivation: Learning due to an enjoyable of the process itself.
192
J argon: Speech or writing used by a group of people who belong to a particular
trade, profession or interest group, usually disliked by and incomprehensible to
people outside the group.
Language acquisition device (LAD): An innate, metaphorical "mechanism" in
young children's brains that predisposes them to acquire language (cf. Chomksy).
language skills: There are four language skills - listening, speaking, reading and
writing; speaking and writing are productive skills where a child develops his/her
creative ability; reading and listening are the receptive skills where a pupil builds
his/her aural proficiency.
Meta language: Language used to analyse or describe a language.
Metaphor: A comparison between essentially unlike things , Meter The measured
pattern of rhythmic accents in poems . Like the other is a metaphor. Examples are,
Harry was a lion in the fight, the birth of laughter, stealing eyes, noisy looms and
broken heart. Life is a dream. She is a tower of strength.
Method : A coherent, prescribed group of activities and techniques for language
teaching, unified by a homogeneous set of principles or foundations; sometimes
proclaimed to be suitable for all foreign language teaching contexts.
Motivation: An incentive, inspiration or encouragement given to children to learn
something new; the desire to learn.
Multiple intelligence(s): A theory developed by Dr. Howard Gardner. He
suggests that there are at least eight different types of intelligences or ways in
which a child can learn; for ELT, linguistic, intelligence is the most vital, though
other intelligences, like intra-personal intelligence and inter-personal intelligence,
can also have an effect on the activities in the class.
Native speakers: Those people who speak their mother tongue, English is the
native language of the people of UK
Objective: The main purpose, aim or the idea behind teaching a lesson to the
pupils; the learning objective is based on the learning outcome from a lesson;
objectives state particularly what the students will be able to do in a specified time
period
Open-ended question: A question which can have various answers; a question
like What did you eat for breakfast? will have a different answer from each
student; a question which has a very wide range of options
193
Oral: I t is related to speaking or by word of mouth; the verbal ability of a child to
communicate in a foreign language is of immense importance and should be
developed.
Parallelism: I HATE cohesion, I HATE sentence structure, I HATE phonology,
and what is more, I 'm even starting to HATE Quiz let
Pedagogy: The art or science of being a teacher, teaching or educating little
children; the function or work of a teacher; it is the art or the ability to teach; it is
generally the plan or the approach a teacher takes or the style of instruction that is
followed in the classroom; the interest of a child is developed only if the teaching
style is creative; it is sometimes referred to as the correct use of teaching
methodologies or strategies.
Performance: Ones actual doing of language in the form of speaking and
writing (production) and listening and reading (comprehension).
Portfolio: A purposeful collection of student work that exhibits the student or the
students efforts, progress or achievement in a given area.
Portfolio Assessment: The assessment based on the portfolio that consists of
samples of work produced by students over a period of time may be called portfolio
assessment.
Pragmatics: Study of the use of language in communication, particularly the
relationship between sentences and the contexts and situation in which they are
used, e.g. dependence on real world knowledge, understanding of speech acts, and
influence of relationship.
Rapport: A calm association or connection between the facilitator and all the children of a
class
Realia: Real items used as teaching aids to make learning interesting; these can be
pictures from magazines or newspapers, objects, toys, real fruits or vegetables etc.,
Receptive language skills: Reading and listening are receptive language skills
where a pupil builds his/her aural skills.
Redundancy: The degree to which a message contains more information that is
needed, most languages have built-in redundancy, e.g. he looks sad (thes is not
needed for comprehension)
Rubric: I nstructions which indicate what has to be done in a test or instructional
activity.
194
Reinforcement: The support or revision practice which is given to the pupils after
the completion of a lesson or chapter; this is done to make sure the children have
understood what has been done in the class or taught to them
Role play: An activity where pupils enact plays, maybe from their text books; this
innovative methodology helps children comprehend the language and develops an
interest in the students to learn
Rote learning: Mugging up or memorization without understanding the meaning
of the lesson studied.
Scaffolding: Support given to learners to enable them to perform tasks beyond
their capacity.
Sight word approach: When a word is taught to a child as a whole and not
through phonics or spellings; sight words can be put up in the class room and read
daily, helping the children recognizing them as a word rather than mugging them
up.
Stimulus: An incentive or inspiration given to a child to bring about a change for
the better in him/her
Simile : A figure of speech involving a comparison between unlike things using
like, as, or as though. Examples include as cool as a cucumber, as white as snow,
life is just like an ice-cream, enjoy it before.
Social constructivism: A branch of constructivism that emphasizes the
importance if social interaction and co-operative learning in constructing both
cognitive and emotional images of reality
Student-centred: Student is the most important person in the classroom; here the
students actively participate in the teaching or learning; under the supervision of
the teacher, the students organize role play, debates, discussions etc to help each
other learn a topic; facilitators can ask students to create or make teaching aids or
material to facilitate teaching; the teacher is seen more as a facilitator or helper
than the dominant figure in the classroom; in a student-centred class, the focus is
on what the students are doing and saying.
Syllabus: The entire portion or the topics month wise that are to be taught during
a full academic year
Thematic syllabus: A curriculum or syllabus which is based on themes; where all
the subjects of the unit revolve around one idea
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Vocabulary: The words, terminology or expressions which make the foundation of
a language; these should be practiced well by the children till they become a habit
or a routine for the children or till they are fluent with them; children should be at
ease conversing in that particular language
Whole word approach or sight word approach: When a word is taught to a
child as a whole and not through phonics or spellings; sight words can be put up in
the class room and read daily, helping the children in recognizing them as a word
rather than mugging them up
Whole language learning: Whole language integrates reading, writing, listening
and speaking and defines the role of the teacher as one of facilitator and the role of
the student as an active participant in a community of learners.
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196
Appendix VI
Framing Question
Question type and examples
Recalling
Who, what, when, where, how _______?
Identifying Errors
What is wrong with _______?
Comparing
How is similar to/different from_______?
Inferring
What might we infer from _______?
What conclusions might be drawn from _______?
Identifying Attributes and Components
What are the characteristics/parts of _______?
Predicting
What might happen if _______?
Classifying
How might we organize into categories_______?
Elaborating
What ideas/details can you add to _______?
Give an example of _______.
Ordering
Arrange into sequence according to _______?
Summarizing
Can you summarize _______?
Establishing Criteria
What criteria would you use to judge/evaluate _______?
Identifying Relationships and Patterns
Develop an outline/diagram/web of _______?
Identifying Main Ideas
What is wrong with _______?
What conclusions might be drawn from_______?
Verifying
What evidence supports _______?
How might we prove/confirm _______?
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Representing
I n what other ways might we show/illustrate _______?
Question Stems to ask different types of comprehension questions.
Sampl e Questi on Stems
1. What happened after?
2. How many?
3. Who was it that?
4. Can you name the?
5. Describe what happened at
6. Who spoke to?
7. Can you tell why?
8. Find the meaning of?
9. What is?
10. Which is true or false?
11. Can you write in your own words.?
12. Can you write a brief outline?
13. What do you think could have happened next?
14. Who do you think?
15. What was the main idea?
16. Who was the key character?
17. Can you distinguish between?
18. What differences exist between?
19. Can you provide an example of what you mean?
20. Can you provide a definition for?
21. Do you know another instance where?
22. Could this have happened in?
23. Can you group by
24. What factors would you change if?
25. Can you apply the method used to some experience of your own?
26. What questions would you ask of?
27. From the information given, can you develop a set of instructions about?
28. Which events could have happened?
198
29. I happened, what might the ending have been?
30. How was this similar to?
31. What was the underlying theme of?
32. What do you see as other possible outcomes?
33. Why did changes occur?
34. Can you compare your with that presented in?
35. Can you explain what must have happened when?
36. How is similar to?
37. What are some of the problems of?
38. Can you distinguish between?
39. What were some of the motives behind?
40. What was the turning point in the game?
41. What was the problem with?
42. Can you design a to?
43. Why not compose a song about?
44. Can you see a possible solution to?
45. I f you had access to all resources how would you deal with?
46. Why dont you devise your own way to deal with?
47. What would happen if?
48. How many ways can you?
49. Can you create new and unusual uses for?
50. Can you write a new recipe for a tasty dish?
51. I s there a better solution to?
52. J udge the value of
53. Can you defend your position about?
54. Do you think is a good or a bad thing?
55. How would you have handled?
56. What changes to .. would you recommend?
57. Do you believe?
58. Are you a person?
59. How would you feel if?
60. How effective are?
@@@
199
Appendix VII
Class I Page wise Narrative
Unit-1: AMMU AND HER FAMILY
Ammu and Bittu
Narrative (Textbook Page 2 and 3)
Shall we listen to Ammus story? But who is Ammu? Look at this picture. This is
Ammu. She is a little girl like you. Then what could be her age? She is six years old.
One day.
Ammu was sitting with her grandma in the verandah. Her grandmother was
platting her hair. Doggy, her pet puppy was sitting near Ammu. Suddenly a baby
squirrel came there. Ammu saw the baby squirrel.
Page 4
A baby squirrel! Ammu said in joy.
The baby squirrel looked frightened. I t was in search of something. I t had lost its
way.
Doggy looked at the baby squirrel and barked, Bow ...vow.
Doggy jumped at the squirrel. The squirrel ran toward the tree. Doggy ran after it.
Ammu ran after Doggy.
Doggy was about to catch it.
Ammu shouted, Doggy, stop.
Page 5
Bittu speaks
Doggy left the squirrel climb the tree. The squirrel sat on the trunk of the tree.
Ammu ran to the squirrel.
Then something strange happened. Do you know what it was?
The squirrel said, Thank you, dear.
Ammu was surprised. She said, Wow, you are speaking!
Yes, I can speak.
Aha!
Ammu wanted to know its name. What would Ammu ask the squirrel?
200
Whats your name?
Do you know what the squirrel said?
My name is Bittu. Whats your name?
Ammu said, My name is Ammu.
Page 6
Bi ttu stays wi th Ammu
Ammu took Bittu in her hands. She stroke its back and patted it gently on its back.
Ammu wanted to know more about Bittu.
Where is your house?
Bittu said, I t is very far from here?
Then how did you come here?
I saw some men putting guava fruits in the boxes. I crawled into a box to eat.
Suddenly they closed the box. When the box was open again, I found myself here.
Then how will you go back? Ammu asked.
I dont know.
Ammu felt sorry about the baby squirrel. Poor Bittu! He is away from his home.
She wanted to keep the squirrel with her in her house.
Will you stay with me?
Bittu thought for a while. Anyhow I dont know where to go. I will stay with Ammu
only.
Yes, said Bittu. He wanted to know who else were there in Ammus family.
So he asked, Who are there in your family?
Page 7
Si ng the song
Nar rati ve
Bittu has agreed to stay with Ammu. Ammu is happy now.
Ammu showed her family members to Bittu and started singing:
This is my grandmother sitting on a chair
Here is my grandfather sitting on a stool
This is my dear mother
Waiting for my father
This is my little brother
201
Sitting on her lap.
Page 8
Names of Ammus fami l y members
Bittu felt happy looking at Ammus family. He wanted to know their names. So he
asked Ammu What are the names of your family members.
This is my grandfather
His name is Dharmaiah
This is my grandmother
Her name is Leelamma
Page 9
This is my father
His name is Gangadhar
This is my mother
Her name is Hemalatha.
This is my brother
His name is Chintu.
Page 10
The focus of this activity is to build up vocabulary related to family. Encourage the
students to say the words related to family. Allow them to say the words in mother
tongue. You can write them in English on chart paper and display it on the wall so
that children can see them and get familiarised with the graphs.
Unit 2: GOING TO SCHOOL
Page 20 and 21
Ammu and Bi ttu are i n the bus
Ammu started playing with Bittu.
Ammus mother called her, Ammu, what are you doing there? Your school bus has
come.
OK, Amma.
I n a moment Ammu was ready.
Where are you going? Bittu asked.
To school.
202
Ammu took her bag.
Take your lunch box, Amma said.
Ammu took her lunch box. She kept it in her school bag and got into the bus. She
said bye to her mother.
She looked for Bittu. He was not seen anywhere.
Page 22
She heard somebody calling her,
Ammu, Ammu...
Ammu knew whose voice it was. I t was Bittus voice. He was hiding in the bag.
Bittu what are you doing in my bag?
I am coming with you.
But where?
I dont know. I want to be with you, said Bittu.
O.K. But dont go here and there.
Bittu sat silently in the bag. He heard a pee pee sound from the road. He wanted
to know what the sound was. He came out of the bag.
What is that Ammu? He asked Ammu pointing at a car. \
That is car.
Page 23
Sing the song
Ammus bus goes pom pom pom
Nar rati ve
There were several other vehicles on the road. Bittu wanted to know the names of
all the vehicles. Ammu started singing.
Here is the bus
I t goes on the road
Here goes the bus
Pom, pom, pom,
Here is the car
I t goes on the road
Here goes the car
Pee pee pee
203
Page 24
My vehi cl e
Draw the picture of a vehicle you like. Name it, colour it and sing about it.
Page 25
Vehi cl es
Say the names of the vehicles
Page 26
Places near Ammus school
Nar rati ve
The bus stopped near the school. All the children got down the bus. They walked
towards the school. Ammu stopped at the gate and took Bittu out of the bag. She
wanted to show Bittu her school.
Bittu, look. That is our school.
Oh! I ts very big.
Bittu looked around. He wanted to know about the buildings and the vehicle near
the school.
Ammu, what is that near the school?
Ammu looked at the post office near the school and said, It is a post office.
Page 27
Pl aces
Say the names of the places
Page 28
Thi ngs far and near
I nteracti on
Ammu and Bittu are standing near the school gate. Bittu was looking at the
vehicles on the road.
I have told Bittu the names of vehicles. Does he remember those names? Ammu
thought. I will ask him about the vehicles near the school.
Bittu, what are the vehicles near the school?
The school bus and a car, Bittu said.
Ammu was surprised to hear this. Bittu is a good student, she thought. I will ask
him about the vehicles far from the school.
204
What are the vehicles far from the school?
A jeep and an auto, said Bittu.
Page 29
Which is far, which is near
Page 30-31
Pi cture of vehi cl es
Group work
Let each child collect the pictures of any two vehicles and paste them in the space
given in the textbook. Let them sit in groups and talk about the vehicles.
Page 32
Si ng and dance
Sing the song of the letters two or three times so that children get its tune and
rhythm.
Unit 3: AMMUS SCHOOL
Pages 36 and 37
Chi l dren at school
Ammu and Bittu are walking to the school. They are talking about the places near
the school. Ammu says, Hurry up, Bittu. We will be late to the school. Bittu
started running. Ammu ran behind Bittu. Now they are at school gate.
Page 38
Ammu meets Eswar
Nar rati ve
The school bell rang. Eswar, Ammus friend saw Ammu standing near the gate.
Why is she still standing at the gate. I will tell her to hurry up, thought Eswar.
Hi, Ammu! Hurry up! The bell is ringing.
Ammu looked at Eshwar and said, Hello Eswar. I am coming.
Bittu saw Ammu talking to Eswar. Who i s thi s boy? Bittu thought.
205
Page 39
Bi ttu i n the cl ass
Narrati ve
Ammu hurried to her class. She kept her bag on the desk. Then she started
running towards the prayer ground. Bittu followed her. Ammu saw Bittu following
her. She wanted to keep Bittu in the bag as she was going for the prayer. She took
Bittu into her hands, patted it and said, Bi ttu, si t i n the bag. I am goi ng to the
prayer ground.
OK. Come fast, said Bittu.
Page 40
Ammus cl assroom
Nar rati ve
Ammu went to prayer leaving Bittu in the bag. Bittu was alone in the class.
He sat in the bag silently for some time. Then he slowly peeped out of the bag.
There was no one in the class. He came out from the bag. He looked around. He
looked at the table, the chair, black board and the other things in the classroom.
He was seeing a class room for the first time.
Oh! This is Ammus class room.
Page 41
Lets catch the squi rrel
Nar rati ve
After the prayer the children rushed into the class. Bittu did not notice the
children. He was looking at the picture charts. But Ganga saw him. She was
surprised to see a squirrel is the class.
Look, a squirrel in the class. she shouted. She wanted to catch it. Lets
catch it.
Eshwar knew that it was Ammus squirrel. He had seen it in Ammus hand. He
said, This is Ammus squirrel.
206
Page 42
The squi rrel i n col ours
Nar rati ve
Bittu saw all the children standing around him. He got scared. He looked for
Ammu. Fatima saw Bittu moving towards Eswar. She said, Eshwar, catch the
squirrel.
I ll try, said Eshwar.
Page 43
Bi ttu and the chi l dren
Nar rati ve
Eshwar tried to catch Bittu. Bittu jumped on to a table. There were several bottles
of colours on the table. The colours in the bottles spilled out. Bittus body was
covered with the colours.
Bittu jumped here and there in the class. The children screamed and shouted.
Some of them ran after Bittu.
Page 44
Bi ttu, the pai nter
Nar rati ve
Bittu saw the colours spilled out. He looked at the children. He was scared more.
He wanted to run away by jumping on Haris head. Hari screamed. Looking at the
squirrel on his head he said, The squirrel is sitting on my head.
Song
Here is the squirrel
Sitting on my head
Now my head is red in colour.
Ganga also sang
Here is the squirrel
J umping on my knee
Now my knee is blue in colour
207
Page 45
Si ng a song
Encourage children to add lines to the song by substituting words for the other
parts of the body. The pictures will help them to generate ideas. You can help them
by supplying the words required in English.
Page 46
Where i s Bi ttu?
Nar rati ve
Bittu was jumping on every one leaving some colour on them. Ammu entered the
class not knowing what had happened. She looked for Bittu. She heard the children
screaming, Catch the squirrel. She saw Bittu sitting on Kamalas hands. Bittu
saw Ammu.
Hey Bittu. What are you doing? Come here, Ammu said to Bittu.
She watched Bittu jumping here and there. Bittu was on Gangas knee. She
screamed and pushed it away. Then it Bittu jumped onto Haris head. Hari shouted
and pushed it away. Then Bittu jumped onto I ndus nose. I ndu was frightened. She
screamed. Bittu also was frightened. He jumped onto J ohns shoulder and then to
Kamalas back.
Page 47
Ammu catches Bi ttu.
Ammu asked Bittu to come back. But Bittu was scared. He was looking at the
children.
Then Ammu said, Bittu, dont get scared. They are all my friends.
Bittu was in half mind. He looked at the children again. They were all looking at
him. He jumped onto the desk. Then he jumped onto a bench.
They may not hurt me, Bittu thought.
Come Bittu, come to me, said Ammu again.
Page 48
Bi ttu i s happy
Nar rati ve
Bittu came running to Ammu Ammu took him into her hands.
Bittu looked at Ammu.
208
Please dont chase him, she said to her friends. He is just like us. He is small. He
is scared.
She patted the squirrel saying, Dont get scared.
Bittu felt safe in the hands of Ammu.
Ammu saw their teacher coming to the class. Ammu did not know what to do with
Bittu. She thought, Where shall I keep Bittu now?
Page 49 to 52
Activities
Unit 4: AMMU AND HER FRIENDS AT SCHOOL
Page 47
Colour the Picture
Pages 54 and 55
We are learning
Page 56
Here comes, our teacher
Ammu saw the teacher coming into the class. Ammu wanted to hide Bittu. But she
was afraid. What will happen if Bittu comes out again from the bag?
But she had no other way left before her. She put Bittu back in the bag.
Bittu dont come out again. Our teacher is coming, she said to Bittu.
Bittu looked at Ammu and whispered. OK, I will sit in the bag.
Page 51
Teacher i n the cl ass
Nar rati ve
The teacher entered the class. She went to the table to keep her books. She saw the
colour bottles turned over and colours spilled out all over the table. She turned back
to ask children what had happened. She saw colours on their clothes, faces, hands,
legs, hair, neck and all over their body.
They have played with the colours, she thought.
209
What is this? Go and wash yourselves.
Page 58
The col our I l i ke
Nar rati ve
The children came out of the class.
They walked towards the water tap. They look at each other. They looked funny
with colours on their body.
J ohn looked at his arm and said, My arm is red. I like this colour. All the
children started talking about the colours they liked.
Saleem said, I like green colour.
Page 59
Col ours
Page 60
Chi l dren at the water tap
Nar rati ve
Now the children are at the water tap. They are washing the colour on their hands,
legs and face. Fathima and Ganga are looking at each other. They talk about the
colour they have on their body.
Ganga, there is blue colour on your neck, said Fatima.
Ganga smiled and said, I am washing my neck. Look, there is red colour on
your leg,
I am washing my leg, said Fatima.
Page 61
Song at the water tap
Nar rati ve
Eswar also was at the water tap. He liked the colour very much. But he had to
wash it. Otherwise the teacher will not allow him to sit in the class.
I have to wash my hands, he thought. So he started washing his hands. While
washing he watched the colour flowing out along with water. He liked it very much.
And he started singing.
Wash wash
Wash your hands
210
This is the way I wash my hands, wash my hands
Hearing these others also stated singing.
Page 62
Addi ng l i nes
Page 63
Acti vi ty
Page 64
I am sorry
The teacher saw Ammu sitting alone in the class with fear. Teacher called Amuu
near her. Ammu walked solely towards the teacher. Bittu peeped out of the bag
thinking that the teacher would punish Ammu for bringing him into the class.
Teacher saw Bittu with colours all over his body.
I s it your squirrel? the teacher asked.
Yes teacher, Answered Ammu.
You have brought a squirrel into the class. See what it has done.
Ammu felt sorry for what had happened.
i am sorry teacher.
Dont bring pets into the class.
Page 65
Draw your pet and tal k about i t.
The children are in the class room now. The teacher tells the children, You must
not tease the animals. They like us. We must treat them with love. Do you all have
pets at home? Children say something about your pets.
Things we do at school
Page 67
Si ng the song
The bell rings. All children come out. They are singing s song. We are at school
Page 68
Add l i nes to the song
211
Unit- 5: THINGS I DO
Page 71
Thi ngs I do. Col our the Pi cture
Page 74
Nar rati ve
Ammu and Bittu are coming home from the school. Bittu is sitting on Ammus
shoulder. Ammu is telling Bittu, I told you not to come out of the bag. See what
happened.
Sorry, Ammu, said Bittu. Suddenly he screamed. A big crow was trying to peck at
Bittu.
Ammu, help me. That crow will kill me, cried Bittu.
Dont worry. I will drive it away, said Ammu.
Ammu drove the crow away.
The crow flew away.
I nteraction
Where are Ammu and Bittu now?
What do you see in the picture?
Will the crow peck at Bittu?
How will Ammu drive the crow away?
Page 75
Ammu i s back
The crow came back. Bittu was scared. He cried again, Look, Ammu! The crow has
come back.
Ammu picked up some pebbles and threw at the crow. The crow came towards
Ammu . I t was trying to peck at Ammu. This time Ammu too was scared.
She ran into the house.
But after some time it came back. Ammu ran toward home with Bittu.
Grandmother saw Ammu running into the house.
What happened, Ammu, grandmother asked
I nteraction
What will Ammu say?
212
Page 76
Ammu wakes up
The next day. Ammu woke up early in the morning. Ammus family has planned to
visit Zoo. Ammu looked at Bittu. He was still sleeping.
She goes to her mother and asks her Mummy I want a new tooth brush for Bittu.
Mother gave her a new tooth brush. She kept everything ready for brushing and
came back to Bittu. Bittu is lazy. He was still sleeping. Ammu wanted to wake him
up.
Bi ttu, wake up. I ts morni ng.
Page 77
Ammu teaches Bittu good habits
Bittu woke up rubbing his eyes.
Ammu, I want to sleep, he said.
No, Bittu, said Ammu. Wake up. You have to learn many things.
Learn? Learn what? I am hungry. I want to eat first, said Bittu.
No. You must brush your teeth first and take bath. Then you can eat your food.
But I dont know how to do these things, said Bittu.
Get up. I ll teach you how to brush your teeth, take bath, eat food at the table and
many more things, said Ammu.
Page 77
Ammu Teaches Bi ttu
Bittu got up rubbing his eyes. He walked slowly behind Ammu. Ammu took him
into her hands. Bittu crawled on to her shoulder and started sleeping again. Ammu
took Bittus tooth brush and spread paste on it. She saw Bittu sleeping on her
shoulder. Ammu remembered her mother singing for her. She started singing for
Bittu.
Song Brush your teeth brush your teeth
Make your teeth white
Take your bath, take your bath
Keep your body clean
Eat your food eat your food
Keep your body strong
213
Play your game play your game
Keep your body fit
Page 78
Add l i nes to the song
Page 79
Ammu has a bag
Bittu got up listening to Ammus song. Ammu taught Bittu how to brush teeth,
take bath, comb hair and eat at the dining table. Then she started putting her
belongings in a bag. Bittu watched Ammu keeping all her things in the bag."
I have a bag. I keep my things in my bag, Ammu said to Bittu.
He sat near her watching her curiously. He took her mirror and looked at his image
in the mirror.
Ammu has a bag to keep all these things, he thought. I too have a tooth bush, a
comb, a mirror and many other things. Where should I keep them? I must ask
Ammu for a bag. I want a bag. Give me one,
Pages 80
What you do everyday
Nar rati ve
Ammu does many things at home. She wakes up early in the morning. Then she
brushes her teeth and takes bath. She learns her lessons and play with her friends.
What are the other things she will be doing at home?
Page 81
Acti vi ty- Thi ngs I have
Page 83
Ammu gave Bi ttu a bag.
Bittu also has a bag now. He puts his things in the bag. He takes out his mirror and
looks at his teeth. He shouts, My teeth are bright now. Ammu took Bittu into one
hand and his bag in the other. She started singing a song swinging Bittu in her
hand.
Song Little Bittu has a bag
Page 84
Add l i nes to the song
214
Page 85
Goi ng to the zoo
Ammu took Bittu into her room.
Bittu dear, I have something more for you; she said.
Whats that? Bittu asked.
Daddy has brought something for you, said Ammu. She took out a small shirt and
a pair of trousers.
Come, I ll put these clothes on you.
Bittu took the clothes in his hand and started running here and there dancing and
shouting. Meanwhile Ammu got ready to go to the zoo.
She heard her daddy calling her.
Ammu, are you ready?
Ammu ran to her father to show him that she was ready with Bittu.
Ammu, are you ready ? Go and see what your mother is doing?
Yes, dad, Ammu said.
Page 86
Getti ng ready
Ammu went to her mother. Her mother and grandmother were packing their lunch
and some snacks in boxes. Ammus mother saw her.
Ammu, are you ready? she asked.
Yes, mummy. Daddy is waiting for you.
Page 87
Where are we goi ng?
Ammus mother said smiling, We are coming. Ask your dad to take lock and key.
Ammu ran back to her father. By then her father was ready with the lock and key.
They all came out of the house. Ammus father locked the door and put the key in
his pocket. Ammus mother took the basket.
Come, lets move. Bittu wanted to know where they were going.
Ammu, where are we going? he asked.
We are going to the zoo, said Ammu.
Page 88
On the road
215
Ammus family reached the road. They waited near the bus stop for an auto. After
some time an auto came there. They got into the auto.
Will you come us to the zoo, asked Ammus father.
Yes, sir, said the driver.
What is the fare?
Fifty rupees only, sir!
OK, lets go.
They all got into the auto.
Page 89 - 90
Acti vi ti es
Page 91
Unit 6: AT THE ZOO
Pages 92 and 93
Ammus fami l y at the zoo
After some time they reached the zoo.
Please wait here, said Ammus father to the auto driver. Then he went to the
ticket counter to buy tickets. He took out money to buy the tickets.
Will you give me tickets please, he said to the man at the counter. After
taking the tickets they all walked into the zoo in a queue.
Page 94
What a l ong neck!
Bittu seems excited looking at the animals. Ammus father takes them to the
giraffe.
Look at those animals, Ammu, Ammu said.
She looked at the animal. I t was very tall. Ammu wants to know what the animal
is. She asks her father What is that tall animal, daddy?
Bittu points to the long neck of the giraffe and says, Ammu, look at the long
neck. I t is a giraffe
I nteraction
What is Bittu saying?
What are Ammu and her father talking about
216
Page 95
Bi ttu and Ammu wi th ani mal s
Ammu and Bittu move around the Zoo looking at the animals. Ammus family
follows them. Bittu is telling Ammu about the animals.
Ammu sees a strange animal with lines (stripes) on its body. Ammu says O it looks
like a horse but its not a horse, She wants to know what it is. She asks Bittu, Do
you know that animal, Bittu? Bittu says Yes, it is a Zebra. See the lines on
its body.
Pages 96
Whi ch ani mal i s i t?
Bittu shows Ammu other animals and talks about them. Ammu says to Bittu you
say you have seen all the animals .Now let us play a game. I ll tell you some body
parts of the animal; you have to tell the name of the animal. Bittu jumps and says,
Ok. I am ready. Come on start. Ammu remembers the big elephant with a long
trunk. She says, It is big. It has a trunk. What is it? I t is an elephant says
Bittu.
Page 97 to 98
Acti vi ti es
Page 101
Ammus new fri end
Ammu and Bittu are talking about some birds. Ammu is asking about some birds.
Suddenly Bittu runs and climbs a tree. Ammu calls Bittu Bittu where are you
going. Bittu meets his friend on the tree. I t is a monkey. Ammu sees Bittu talking
to the monkey. She asks Bittu Bittu, who is there with you? . Bittu introduces the
monkey to Ammu .He says , Ammu meet my friend. Mittu..
Mittu greets Ammu, Hi, Ammu, how are you?
Ammu says, Fine, Mittu. Thank you.
Page 102
Shari ng food
.I t is lunch time. Ammus father calls every one for lunch. Ammu and her family
are under the tree. They start eating. Mittu offers Ammu a fruit.
Ammu take this fruit.
217
Mother gives Bittu some fruits. She wants to know what Mittu likes to eat. She
asks Bittu Bittu, what does your friend like to eat? Bittu says Mother give
him an apple. Ammus mother gives Mittu an apple. They all enjoy eating
together.
Page 103
Acti vi ty
Page 104
Then Ammu asks her father Daddy shall we play with the ball for some time, He
says ok, but be careful. Dont go here and there. play only here, Ammu takes her
ball and calls Bittu, Mittu and Chintu to play. They play till evening. Ammus
father looks at the watch; its five o clock in the evening. He says, Come lets go
home.
Page 105
Goodbye
Ammus family is now ready to go home. Ammu says Good bye Mittu. But Bittu
doesnt want to leave Mittu. He says We will miss you Mittu. Mittu also feels
sad. He says Good bye, Mittu. Everyone says good bye to Mittu and leaves for
home
Pages 106 to 108
Acti vi ti es
Unit- 7: FRUITS AND VEGATABLES
Page 109
Nar rati ve
The next day Ammu goes to the market with her mother. She takes Bittu along
with her. I t is a very big market. There are many shops of vegetables and fruits.
The fruits are kept in big baskets and kept in front of the shop. Bittu is surprised to
see so many fruits and vegetables at one place. He thought We get all the fruits at
one place here, He asks Ammu Can we eat them. Ammu says, No, we have to
give them money and buy the fruits. Look mummy is buying fruits now. You can
eat them at home. Bittu says Ok Ammu. They all go home.
218
Page 112
I dont l i ke i t.
Ammus mother calls Ammu and Bittu for Dinner. She has prepared bitter goud
curry. She gives Bittu some fresh fruits and asks Ammu to eat rice. Bittu hurriedly
eats all the fruits. Then he observes that Ammu is not eating anything.
What happened Ammu? Why are you not eating?
I t is bitter guard curry. Ammu doesnt like it .She says to Bittu I dont like bitter
guard.
Page 113
Food for heal th
Bittu is surprised to hear that Ammu does not like vegetables. Ammus
grandmother takes a morsel of rice into her hands. She feeds Ammu. She tells
Ammu to open her mouth and says Eat this, dear.
Bittu also says to Ammu, eat, dear.
Grand mother tells ,Ammu we must eat all the vegetables, But Ammu does
not agree. She says I dont like some of them .They are not tasty,
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Rol e-pl ay
Bittu is surprised because he likes all the fruits and vegetables. So he says to
Ammu, Different fruits have different taste.
Yes, says grandmother. You are right. Tell your friend to eat all fruits and
vegetables.
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Ammu asks for a story
Ammu says she will eat but she wants her grandmother to tell a story. So she will
tell her grandmother, grandma Ill eat. Tell us a story please. Grandmother
agrees, she says, Ill tell you a story about
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Page 116
Bi ttus song about frui ts
Bittu likes fruits very much. He starts telling Ammu about the tastes of different
fruits. Ammu is not interested. Then Bittu starts singing talking the colour, size
and taste of each and every fruit.
Ammu also joins Bittu and sings about other fruits. Ammu eats the bitter gourd
curry. Bittu feels happy. Bittu tells Ammu that she must eat all the fruits and
vegetables.
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Acti vi ty frui ts and vegetabl es
Page 118
Addi ng l i nes to the song
STORT TI ME
Pri ncess Tomatos marr i age
Grandmother tel l s the story of Pri ncess Tomato.
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220
Discourse Construction Process
After every reading experience a discourse is to be generated. Identify an appropriate
discourse related to the given passage (as per academic standards). The process for discourse
construction is level-specific as well as discourse- specific. Instructions are to be given for
constructing discourse individually and refining it in groups; meanwhile teacher has to monitor
the group work. Feedback is to be given to the learners while writing the discourse individually
and also refining it in groups. Slots are to be provided for individual presentation as well as
group presentation. Teacher has to present her version; finally editing should be taken up.
Interaction for helping the low-proficient learners
Ask the questions like; What are you going to write? How will you begin? What are the
ideas that you want to write? If you dont know the spelling of a word, guess the spelling and
write. How will you end the writing?
Feedback after individual presentation
Interact the students to give proper feedback; Did you include all the points? (for example, in
a story, events and dialogues) Are there any words missing in the sentences you have
written? Did you use proper word forms? Did you punctuate your writing properly? Did you
check the spellings?
Monitor the sharing process
Enquire whether each one of them share their ideas with others? Did they come to an
agreement on how to begin, what ideas are to be written? Did they check whether all ideas
have been included? Did they check the word order, missing words and unnecessary words?
Did they check the word forms? Did they use proper punctuations? Did they check the
spellings? Did all of them write down the group product?
Editing Process
Select one of the group products for editing in negotiation with the whole class.
Go for discourse level editing (checking the theme, ensuring linkage between the
different pieces, proper sequencing, using proper pronouns, etc.) by asking appropriate
questions to sensitize on these features
Go for syntactic editing (sensitizing the learners on the cases of sentences with wrong
word order, missing words and excess words) through negotiation ( on missing words,
excess words, and word order)
Go for morphological editing (sensitizing the learners on the cases of morphological
errors such as those related to tense, aspects, agreement, inflections and so on) through
negotiation (checking word forms in terms of Tense, prefix, suffix, agreement, etc.)
without using grammatical terminology..
Go for editing punctuation errors; Lead the learners to undertake the editing of spelling
errors with the help of the text book or the dictionary, or by seeking the help of others
(including the teacher).
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