Interpersonal Communications Skills
Interpersonal Communications Skills
Interpersonal Communications Skills
One, apparently large, obstacle for many new Explorers is communication and public
speaking skills. As you will find, public speaking skills will make a huge difference in the
perception your Department and the public has regarding your Post can mean the difference
between first and last place in Explorer competitions.
From this section the Explorer should develop effective interpersonal communication skills
The basic models and principles of communications:
A failure to communicate could result in dire consequences.
Communication is the transfer of meaning.
For communication to be successful, the meaning must not only be sent, but also comprehended.
A Linear Communication Model
Sender
Mental images - Nonverbal feelings, intentions, or mental pictures
Encoding
Method of communication (nonverbal, verbal, or written)
Message
The actual transmission
Decoding
Action process of changing the message back into feelings, intentions or mental pictures
Receiver
Recipient of the message
Linear communication is not a complete representation of the type of communication we want the Explorer to
master, the Explorer needs to be using the interpersonal variety.
In order for the sender to know if the message was received, the sender must obtain feedback.
Interactive Communication
Feedback is achieved by the receiver using the same methods previously used by the sender.
communication is called "Interactive communication."
This type of
The model of interactive communication suggests that after a period of time the mental images of both sender and
receiver ought to match. If this happens then successful communication has occurred. This often does not occur.
The meaning of your message is mistaken.
Examples:
Your constructive suggestion is taken as criticism.
Your carefully phrased question is misunderstood.
Your friendly joke is taken as an insult.
Why does this occur? There are obstacles that must be overcome before effective communication can occur.
Environmental Communication
A person's environment influences how that person decodes the message that was sent. The term environment refers
to a person's history or background. Each individual has different experiences to relate to for a certain situation.
Different types of environments
Rich
- Poor
Sick
- Healthy
Old
- Young
Concern
- Indifference
External, Physiological and Psychological Noise
Helping Techniques
(Also see Helping Techniques Handout at the end of this section)
Non-Verbal Techniques
Eye contact
Body posture
Distance
Touching
Vocalization
Verbal Techniques
Active listening
Clarification
Summarization
Allowing Silence
Stating the Obvious
Personalized Statements
"Mind-Reading"(Insight)
Sharing Feelings
Employing tactical communications appropriate to the situation:
Positioning
Distancing far enough to be safe, close enough to see and hear.
Facing squarely the person, persons, or situation.
Looking directly at persons and situation; making eye contact.
Posturing
Standing erect to show strength and confidence.
Eliminating distracting behaviors, e.g., biting nails, foot tapping, etc.
Inclining forward to show that you are focused, interested, and concerned.
Observing
Looking carefully at behavior appearance, and environment.
Drawing inferences (initial conclusions subject to change as information becomes available) about feelings,
relationships, energy levels, and values.
Determining if things are normal or abnormal.
Deciding whether it's a "trouble" or "no trouble" situation.
Listening
Suspend judgment temporarily so you can hear what's being said.
Pick out key words and phrases.
Determine the intensity considering both volume and emotion. High intensity with an offender is a sign of
danger.
Reflect on the mood as positive, negative, or neutral, and whether this mood is normal or abnormal.
Responding
Responding to content
o Reflecting on what was seen and heard
Responding to feeling
o Reflect on feeling and intensity
o Respond to feeling: "You feel ____."
Responding to feeling and meaning
o Reflect on feeling and reason
o Respond to feeling and meaning: "You feel ____ because ____."
Asking questions
Using the 5WH method (where, who, what, when, why, how)
Thinking about what was said or not said in answering your question
Responding to the answer by reflecting back content, feeling, and meaning.
Information in this section taken from Interpersonal Communications in the Correctional Setting: Instructor's
Guide. National Institute of Corrections, May 1983.
This section will describe certain techniques that have been found useful in crisis intervention.
These consist of verbal and non-verbal communication techniques that experienced officers may
recognize as behaviors they have used intuitively for some time. Naming and describing them
will, it is believed, help both the veteran and the recruit to use them more effectively. Not all
techniques will work for all people; nor is this list presented as a complete catalogue of all the
things one might do to help victims.
NON-VERBAL TECHNIQUES
It is common knowledge that the non-verbal aspects of communication are often more important
than the verbal. That is, what is said is less important than how it is said. The reason for this is that
the non-verbal techniques indicate exactly what interpretation should be put on the words that are
uttered. However, we rarely examine exactly what factors in our non-verbal communication are
most important. The following list examines some of the most important features of non-verbal
communication and indicates how they may be used to help victims.
1. Eye Contact: This behavior is important for communicating that one is listening and is
concerned. Victims will often avoid eye contact, but the officer who keeps looking directly
at the victim's eyes will eventually establish contact. The result is usually an improvement
in the victim's response to the officer, for eye contact usually communicates
encouragement and support. On the other hand, the officer who is looking at a notebook or
somewhere else may inadvertently communicate disinterest or impatience. Looking up to
make eye contact after writing a statement and while asking the next question will often
help establish better communication between the officer and the victim.
2. Body Posture: When we are sympathetically listening or even attentive, we tend to incline
our heads (and sometimes the whole upper part of our bodies) toward the speaker.
Standing or sitting with the head in an exactly upright position usually indicates that we are
being impersonal. Leaning back from the speaker frequently indicates disbelief or
skepticism. When interviewing victims, it is a good idea to monitor one's body posture to
determine what is being communicated. This is less important when the officer is speaking,
for the words will compensate somewhat for any body messages, but it is very important
when the victim is speaking and can gauge the officer's responses and attitude only from
the non-verbal messages.
3. Distance: There is usually an optimal distance to maintain when talking to other people. If
one stands too close or too far away, the conversation is likely to be uncomfortable.
However, there is a catch in the fact that the distance varies from person to person and
across situations. Generally, the closer one stands the more one expresses intimacy. The
greater the distance, the greater the feeling of formality. A police officer must learn to
judge by the victim's responses whether the distance is too great or too small. If a victim
starts to edge away, the officer should back up a half step; if the victim moves forward, the
officer should stand fast until the victim has reached a comfortable place.
Texas Association of Police Explorers
Texas Explorer's Guide to Law Enforcement Training
www.TexasPoliceExplorers.com
4. Touching: People generally feel more comforted when someone gives them a supporting
hand or arm. However, some victims may be threatened if an officer reaches out to them.
This is particularly true of victims of sexual assaults. One way out of this dilemma is for
the officer to make it possible for the victim to initiate touching and to accept such an
initiation if it occurs. (It can be devastating for a rape victim to touch an officer's hand and
have it jerked away). One can facilitate such initiation by putting one's hand on a table
between oneself and the victim or by standing close enough to allow touching.
Alternatively, an officer might make a gesture of offering a hand and allowing the victim
to take it or not.
5. Vocalization: This term refers to the volume, speed and pacing of speech. It is generally a
good idea to speak to victims in a soft and slow voice, while allowing a few seconds to
lapse between questions. People who are upset tend to speak loudly and quickly. The
officer's soft, slow voice will lead them to speak in a similar fashion. People who hear
themselves speaking in this manner are likely to be better able to control their own
emotions than people who hear themselves talking loudly and quickly. Pacing questions
slowly gives an impression of patience and concern. The quick firing of questions leads to
an impression of impatience and adds a note of interrogation that can lead the victim to feel
blamed.
VERBAL TECHNIQUES
The importance of non-verbal behaviors must not be taken to mean that what is said is
unimportant. There are some particular kinds of statements and inquiries that greatly aid the victim
in coping with crisis.
Texas Association of Police Explorers
Texas Explorer's Guide to Law Enforcement Training
www.TexasPoliceExplorers.com
1. Active Listening: When another person is talking, we may simply be present or we may
communicate that we are interested in hearing what is being said. The latter process is
called "active listening". Some of the main features of active listening are listed below.
a. Clarification. We clarify when we interrupt the speaker to ask a question about what
was just said. This indicates that we have been listening and that the details are
important to us. It is best to clarify when the person has finished a segment of the story
and not to interrupt repeatedly to ask about details. For example, when a burglary
victim has finished telling about finding the door open and is ready to begin describing
what has been stolen, one might clarify by asking, "I didn't get about what time this
was"?
b. Summarization. When a person has completed a statement, one can show interest by
summarizing what has been said so far. The summary need not be long. Its purpose
is to demonstrate to the victim that one has been following what was said. For
example, an officer might say to the hypothetical burglary victim just mentioned.
"Let me see if I have this straight...You came home from work about five and found
the glass broken on the window and evidence that someone had entered the house. Is
that the heart of it"?
c. Allowing Silence. Paradoxically, allowing silence to last is a way of showing that
one is listening. Victims often are confused and need time to collect their thoughts.
The officer who lets a silence last after a question is asked demonstrates to the
victim an awareness of this fact. The tendency is to rephrase a question if it is not
immediately answered, and this can often be confusing to a victim, especially if he
or she is somewhat anxious that the police are going to be impatient.
2. Stating the Obvious. Victims are usually confused and thinking slowly. In many
respects, their emotional level has reverted to that of children in that things are not clear
to them. Therefore, the police officer does well to make obvious statements to reassure
the victim. Stating, "I am here to help you", "You are safe now", or "I can see that this
has been an upsetting experience to you", may seem condescending but really is
important for the victim to hear.
3. Personalized Statements. Officers do not differ from other people in large organizations in
their tendency to make impersonal statements on the order of, "It's probably a good idea for
you to see a doctor". When dealing with victims, it is more effective to personalize
statements by prefacing them with, "I feel", or "I think". "I think it's a good idea for you to
see a doctor" conveys personal concern and involvement.
4. "Mind-Reading Officers often recognize similarities between victims that let them know
what to anticipate. Expressing this to the victim can often help the victim by identifying a
response or feeling as common and not a cause for alarm. For example, and officer might
say, "I know burglary victims often wonder whether there is something special about their
house that led the burglars to pick on them...I can tell you that burglars simply go where
they think valuables are and where it looks like they can get in". Mind-reading often helps
anticipate fears that the victim can't voice and lets the officer initiate reassurance without
the victim asking for it. For example, an officer might say, "I wouldn't worry about them
coming back to harm you...victims often worry about that, but most burglars get what there
is to get and then vanish".
5.
Sharing Feelings. Officers are rightfully taught to be impartial. Unfortunately, as noted
earlier, they often translate "impartial" into "impersonal". When dealing with victims, a personal
expression of concern, such as, "I'm sorry this happened", can be very comforting to the victim.
Some situations, especially sex crimes, cause discomfort in the officer. Rather than try to conceal
the emotions, the officer does well to let the victim know that they are present. Non-verbal
behaviors will betray that the officer is uncomfortable and, rather than have the discomfort
misinterpreted by the victim, the officer should acknowledge them. The officer who is
uncomfortable is asking a rape victim about the crime might say, "I'm going to have to ask you a
few questions about exactly what happened...you will probably be a little uncomfortable when I
get to them, and so will I...but there aren't very many, and I'm not going to be asking a lot of
details".
Nonverbal Clues
1. Supportive gestures
2. Increasing manipulators
3. Averting eyes or darting glances
4. Shifting body position
5. Micro or squelched expressions
6. Asymmetrical facial expressions
The Advisor may try using this checklist when evaluation an Explorers
communication skills during a roll-play situation.
Non-Verbal Techniques
Appropriate use of the following techniques.
1.
Eye Contact:
2.
Body Posture:
3.
Distance:
4.
Touching:
5.
Vocalization:
Verbal Techniques
Appropriate use of the following techniques.
1.
Active Listening:
a.
Clarification:
b.
Summarization:
c.
Allowing Silence:
2.
3.
Personalized Statements:
4.
"Mind-Reading":
5.
Sharing Feelings:
Overall Reactions: (Was the communication effective? Was it honest and ethical?)
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Report Writing
Through this section the Explorer should improve their skills of written communication as
it applies to report writing and communicating ideas. Although there are few competition
events that require written reports, this section should help to improve the Explorers over
all communication skills and help those that intend to go into Law Enforcement after
Exploring.
Identifying and writing complete sentences:
CHARACTERISTICS OF A SENTENCE:
A sentence is a group of words that expresses a complete thought.
A sentence is a group of words that contains a subject, a predicate, and, if required by the predicate's verb, a
word or words following the verb that complete its meaning.
The subject of the sentence is the person, place, thing, or idea about which something is said.
The predicate tells something or asks something about the subject of the sentence. The simple predicate of
a sentence is the verb.
IMPORTANCE OF COMPLETE SENTENCES IN WRITTEN COMMUNICATION OF THE PEACE
OFFICER:
Written communication is an integral part of every day for each peace officer.
Without clear, complete sentences in reports, a peace officer's thoughts cannot be understood by the any
number of people who rely upon the report and/or notes.
An understandable and well-written report can help make a case.
Clear notes and reports can help jog a peace officer's memory when needed.
SERIOUS SENTENCE ERRORS:
We typically speak using groups of words that are not complete sentences. If the person listening cannot understand
what is said, s/he can ask the speaker about the meaning. When written, however, the groups of words must state
complete thoughts to help the reader to understand.
Two serious sentence errors occur in written communication as results of our trying to write
in the same way as we talk: sentence fragments and run-on sentences.
Sentence Fragments
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A misplaced modifier is one that attaches itself to the wrong word in the sentence.
This error causes the reader to try to figure out the meaning of the sentence.
Place every modifier as close as possible to the word it modifies.
EXAMPLE:
We saw many swimming pools flying over California.
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When two negative words are used in the same clause, the result is a double negative.
The following negative words should be used one at a time, not in pairs: no, not, never, none, no one,
nobody, nothing, nowhere, neither.
The following words are negative in meaning and should not be used in the same clause with any of the
negative words above: barely, scarcely, hardly.
EXAMPLES:
There isn't no time left.
I can't hardly see the road in this fog.
Passive voice
When the verb is in the active voice, the subject performs the action. When the verb is in the passive voice,
the subject receives the action.
Generally, use the active voice -- the sentence is clearer and stronger. If the actor is not known, however,
the passive voice may be necessary.
EXAMPLES:
Passive: The bystander was hit by a stray bullet.
Active: A stray bullet hit a bystander.
Quotation marks
Quotation marks help the reader by setting off the words of the speaker.
When quoting someone's exact words, set off their words, such as: Carl yawned and said, "Let's go."
If not quoting verbatim, do not use quotation marks: Carl yawned and said that we should go.
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Sight:
Car Noises:
backfire
smooth-running
missing
stand/auto
muffler
clacking
engine sound
gunning the motor
squealing brakes
# of car doors closing
colors
sizes
shapes
distinct marks
shininess
smoothness
brightness
lights (on/off)
cleanness
speed
direction
manner of walking
manner of movement
neatness/orderliness
furtiveness
clothing
accessories
alterations in original appearance
facial expression
simile
compare to familiar
height
weight
proportions
location
relation to surroundings
hand placement
dead telephones
simile
compare to familiar
unexpected noises
distance
direction
Hearing:
volume
pitch
pace
repetitions
hollowness
type of weapon
Walking noises:
Breathing:
Speech:
Noises:
limping
shuffling
running
scooting
jumping
walking
stumbling
heavy
raspy
sighing
hyperventilating
gasping
slurred
guttural
gender
hesitation
accents
stuttering
nasal
scratching
cutting
snapping
ripping
clicking
punching
scraping
slamming
ticking
dragging
sliding
tearing
cocking
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Touch:
temperature
texture
size
shape
vibrations
thickness
cleanness
hollowness
sharpness
wetness
powdery/granular
alive/dead
weather conditions
stickiness
compare to familiar
location clues
locate weapons
firmness
imprints
air flow
Smell:
perfumes
personal scents
motor exhausts
gun powder
sulfur matches
cigarettes/cigars/pipes
drugs/incense
leather
cooking odors
breath
gases
fuels
compare to familiar
location clues
animals
blood
newness of things
mustiness
humidity
Taste:
Most tastes in police work are secondary functions of smell, i.e. salt air.
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