ST-11

CGJN

,.
_

and

FACTS

about

455 EISENHOWER
LOMBARD, ILLINOIS 60148

with
+2
Extended Range

MODEL

MANUAL

OWNER'S

If an extension power cord is used reqularly it would be wise

to invest in the 3 wi re type, which has (or can be converted
to) a receptacle plug with a ground connection. Any local
hardware store or electrical supply store will be able to help
you select the proper cord.

To use this protection feature simply Insert the power cord

into a 3-way adapter (not supplied) and insert the adapter
into a suitable wall receptacle or extension cord. The small
wire attached to the adapter is the ground wire which is to
be connected to any known ground source such as un
painted cold waterpipe, gas line, or radiator. As most house
hold receptacle boxes are grounded, the wire from the adap
ter can be attached to the screw holding the receptacle
faceplate. Simply loosen the screw and slide the "C" shaped
connector behind the screw head and retighten.

For your protection this device is equipped with a 3-prong

grounding type power supply plug. The third round prong is
a connection which when used properly will lessen the possi
bility of accidental electrical shock.

CAUTION:

STl1 DOMESTIC MODEL

15

2 Extended Range Feature

16

Scientific Notation

Schematic and Parts List

15

Replacement Parts

17
14

Range Chart

Publications

11

__

Piano Tuning
_

13

_. . . . . . . . . . . . . . . . . . . . 7

Organ Tuning

Operating Instructions

How The Tuner Works

Introduction

Description
_

ealibration

Band and Orchestral Instruments . . . . . . . . . . . . . . . . . . . . .. 9

Accessories

TABLE OF CONTENTS

Your new model is built with the most modern and efficient com
ponents available. There are no tubes to burn out, weaken, or create
heat. The Strobotuner is assembled with solid-state - parts. It Is
actually a digital computer that maintains its accuracy indefinitely
using a small amount of electrical power. The Strobotuner is de
signed with nine integrated circuits assuring many continuous
hours of accurate use. As a result of the sophlstlcated circuits the
Strobotuner Is accurate within one cent (1/1 DOth of a semitone).

The ST-11 is designed for use on 120 volt, 60 Hz. household power
supplies commonly used in North America. If the tuner is to be used,
In Europe or other areas where different voltages and power fre
quencies occur, a special export model must be used as serious
damage and erroneous readings will result. When traveling overseas
with the ST-11 local power availability should be checked to deter
mine compatibility with the ST-11 tuner.

C. G. Conn pioneered highly accurate tuning devices many years ago

with the introduction of the STROBOCONN. Wide acceptance of the
Stroboconn led to the development of the light-weight Strobotuner
which for years has been the standard of the industry. Modem
transistors and Integrated circuits have led to this advanced model
Strobotuner-the most reliable and accurate machine yet produced.

Your new Strobotuner is a result of many years of research and

experience in bUilding electronic tuning devices.

SOME
FACTS about

A synchronous motor turns the disc at

12 different speeds depend ing on the
note setting of the SELECTOR KNOB.
The disc is made of plastic which light
will show through. Neon lamps are

Your Strobotuner operates in a similar

manner only the "wheel" in the tuner
is a motor driven disc like the one
shown in figure "A".

The Strobotuner works on an optical

illusion known scientifically as the
stroboscopic effect - so the name
STROBOTUNER. The stroboscopic ef
fect is responsible for the apparent
backward rotation of objects such as
wagon wheels seen in motion pictures
when the wagon is clearly moving
forward. This same effect causes the
wheel to appear to slowly rotate for
ward or even appear motionless when
the wagon is going "full speed" ahead.

Fig. A

HOW
THE TUNER
WORKS

The stroboscopic effect has remained

over the years the most convenient
and accurate method for visually dis
playing musical intonation.

placed behind the spinning disc and

are the source of the orange glow
when the tuner is running. The neon
lights actually go off and on (too
rapidly for the eye to see) at exactly
the same frequency as the tone played
into the microphone. When everything
is exactly synchronized, (neon lights
and the spinning disc) the strobo
scopic effect is shown as a semi
circle of motionless lines around the
disc. If the tone is sharp the lines
will appear to revolve to the right or
clockwise. If the tone is flat the lines
in the disc will appear to rotate to the
left or counter-clockwise. If in tune
the lines will appear to stand perfectly
still .

Fig. 8

POWER CORD
PLUG IN

STORAGE
COMPARTMENT
DOOR

FUNCTION
CON TRO L

-+--+1-

CENTS KNoe

AN D

POINTER

-'1\-\---+-1+- IN 01CA TOR

WINDOW

Look at figure "B" and become famil

iar with the names of the controls. The
storage compartment contains the
microphone, microphone stand, micro
phone cord, plug, and power cord.
Notice how all of these parts fit neatly
into the compartment. They must go
back into this small area in the same

Operating your Strobotuner is simple.

And to get the most accuracy and best
operation from the machine, a little
time should be invested in becoming
familiar with it. Developing the habit
of following the sequence of instruc
tions below will insure the proper op
eration and calibration.

Insert the microphone plug into the

receptacle on the front of the tuner.
If you wish to use the microphone
stand, merely insert the microphone
into the flexible holding clips on the
top of the stand similar to figure B.

Connect the power cord to the plug-in

on the back side of the tuner. Connect
the other end of the power cord to a
source of electrical power suitable
for your model tuner.

way as they were packed at the fac

tory. Pull the storage compartment
door open and take out the cords and
microphone.

MODEL
IDENTIFICATION

CORD STORAGE

-tt--f1I+---jJ-+ M ICROP H0 NE &

OPERATING INSTRUCTIONS

MICROPHONE
PLUGIN

KNOB

SE LE CT 0 R --tJ1I--+-++--=

PI LOT LI GHT -+fI--+-+t- 0

~==t

'Jr r~~~~~~- - - CARRYING

HANDLE

Fig. C

-J/-+2

..Note : Due to the great sensitivity of the

Strobotuner the word "motionless" suq
gests that the lines should appear as
stationary as possible-a very slight move
ment is normal.

Notice to the left of center on the win

dow that the various bands where
tuning will be indicated are numbered
1, 2, 3, 4, 5, 6, 7 and 8. When cali
brating with the function knob pointing
to CAL a semi-circle band of lines
should appear in the band labeled
number 2. If the tuner is in perfect
calibration, the lines should appear
motionless." If the fines are rotating

Since the tuner has all solid-state cir

cuits, no lengthy warm up is neces
sary. Sixty seconds after FUNCTION
KNOB is turned on, the machine is
fully stabilized, and the calibration
procedure can proceed . Study the in
dicator window in figure D.

The disc seen throuoh the 'ind ic ato r

window should be rotating. Do not be
concerned if the disc starts spinning
slowly at first-this is perfectly normal.

+2

3 4 5 6 7 8 9 10

Fig. D

NORMAL

5 4 3 2 1

It is important to calibrate the Strobo

tuner before each use. Turn the
FUNCTION KNOB to the CAL position
as in figure C. Doing this turns the
tuner on and sets the machine for
calibration. Be certain that the pilot
light is on. If it is not, check the power
cord connections and the source of
electricity.

OFF '

~,MAL

FUNCTION

CALIBRATION

Make it a habit to always calibrate

the Strobotuner first before tuning.

IMPORTANT:

To realign the pointer to zero without

disturbing the calibration simply hold
the knob perfectly still with two fingers
and with one finger of the other hand
move the pointer adjustment lug until
pointer is straight up and aligned with
zero. If the knob itself has not been
moved, the line pattern appearing in
the window will still be motionless and
you are now ready to operate the ma
chine for tuning.

to the right (clockwise), turn the

CENTS KNOB figure E also to the
right, (clockwise) until the lines stop
rotating. If lines are rotating to LEFT
turn CENTS KNOB also to left (coun
terclockwise). In turning the CENTS
KNOB right or left, the reference
pointer connected to it may not be
pointing to zero as in figure F.

Fig. E

Refer to the bands where the note will

be seen on the tuner window . All
twelve semitones of octave C 4 through
B 4 will be found in the number 4 band
of the tuner. All semi-tones of C 5
through B 5 will be iound on the num
ber 5 band of the tuner. Now look at
the SELECTOR KNOB figure H.

Fig . G

I? 1\MAL
OFF,- jI-+2

FUNCTION

After calibrating, turn the function

switch to NORMAL position as in Fig
ure G.

USING THE TUNER

Engineers and musicians agreed years

ago to use a system showing which
musical octave each was talking
about. Happily this system is in uni
versal use today and is the simplest
and most exact way to refer to musical
pitch. Make a mental note that "middle
C" can be also stated as C 4 . The
octave above middle C is C 5 ; two
octaves above middle C is C 6 . It is
logical that an octave below middle
C is C 3 ; two octaves below middle C
is C 21 etc. You will get a better under
standing of this notation and how it
relates to music by looking at the
range chart on page 14. You will find
that referring to this chart often will
help you in learning the note symbols
if they are new to you. For conven
ience we will refer to various musical
pitches as C 4 , A 4 , FJt 2 , etc. from here
on in this book.

ABOUT NOTATION

What about another note such as E?

Turn the SELECTOR KNOB setting so
that E al igns with the C index (Figure
I). All octaves of E will now show on
the tuner . A little practice in finding
notes of the piano on the tuner will
help in familiarizing you with the

Set the selector knob to the note and

index C as in figure H. For example,
the note we wish to tune is C on the
piano; and since the piano is in the
key of C we use the " C" index. Any
C on the piano keyboard will be indi
cated with this setting. C I will appear
in the first band (number 1). C 2 will
appear in band 2, and C 3 in band 3,
etc.

Strobotuner so that it can be quickly

and accurately used.

The knob itself has all twelve semi

tones marked on it, while around the
outside of the knob are index lines.
We w ill be concerned with the " C"
index now-the others are explained
later.

The actual intonation of any note will

be shown as a band of Iines in an
appropriate band in the window. Cor
rect intonation is shown when the
band of lines stands motionless.

Produce a concert C from any sou rce

such as a musical instrument or tuning
fork . Direct this tone toward the micro
phone turning the GAIN CONTROL
clockwise so that the disc lights up
steadily when tone is produced. The
amount that the GAIN CONTROL
KNOB must be turned to produce a
steady light depends upon how loud
the tone is . If the tone is distant or
very faint the knob will have to be
turned to a higher number. In any
case turn the GAIN CONTROL knob
just enough to produce a steady, clear
pattern.

Fig. I

Fig . H

Fig. K

When tuning a Bb trumpet for example,

the Bb index is used to set the SE

LECTOR KNOB. Figu re J shows the

SELECTOR KNOB setting for the trum

pet (and other Bb instruments) when

tuning the written note C. This setting

Fig. J

Many wind instruments are of the

transposing type-that is , they do not
produce the same p itch that is read
from the staff. There are three com
monly used transposing keys : Bb, Eb,
and F. To save you the mental process
of transposing everything to C before
you use the tuner , other index marks
around the SELECTOR KNOB are pro
vided for these instruments.

2 EXTENDED RANGE

Your Strobotuner has an extraordinary

feature built into it. You may have
noticed that extremely high notes ap
pearing on band 7 and 8 are more
difficult to read than notes appear ing
on band 4 or 5. This is due to the
very fine lines printed on the outside
edge of the spinning disc compared to
the thicker lines toward the center of
the wheel. To help you read band 7
and 8 more clearly a special setting
of the FUNCTION knob is used, called
+ 2. Using the + 2 you will find that
reading of notes normally found in
bands 7 and 8 will be much easier to

Obviously if some other note than C

is to be tuned the selector knob must
be turned to the proper note AND in
dex for that instrument.

Figure L shows the selector knob set

ting when tuning the written note C for
French horn in F (and other F instru
ments).

Fig . L

Figure K shows the selector knob set

ting when tuning the written note C for
alto and baritone saxophone (and
othe r Eb instruments).

will show all octaves of the written

note C produced by the trumpet.

TRANSPOSING INSTRUMENTS

band 5 and
that would
or 8 simply
to the + 2

10

Fig. M

OFF ' - - " -+2

FUNCTION

II ,MAL

Remember, when using the + 2 set

ting . .. notes normally read in band

see as they will be seen in

6. So, when tuning notes
normally appear in band 7
turn the FUNCTION knob
setting. See figure M.

Of interest to the hobbyist, pipe organ

tuner, and recording equipment en
thusiast is that the + 2 feature will
allow the Strobotuner to accurately
indicate frequencies up to 31,600
cycles-beyond the range of normal
human hearing! This is accomplished
by setting the function knob on + 2
and reading bands 7 and 8.

Special + 2 guide numbers are pro

vided on the Strobotuner window to
the right of center. You can see that
these numbers indicate which octave
is ACTUALLY being shown when using
the + 2. Your experimenting with
notes comparing patterns with and
w ithout + 2 will quickly give insight
into this important feature.

7 will appear in band 5 - two bands

lower. The notes normally read in
band 8 will appear two bands lower
in band 6, etc.

As an example, assume the octave

C 4 to 8 4 is our temperament octave
using A-440 standard. Assume also

Choose your temperament octave with

care. Make certain that the " b reak "
or change in string construction is not
in this octave. Mute all but one string
per key so that only one string sounds
when key is struck.

TEMPERAMENT OCTAVE

If the piano is to be tuned to a stand

ard such as a tuning fork simply:
1. Turn function knob to NORMAL
position
2. Sound tuning fork or other sound
source
3. "Stop" one appropriate band of
lines by turning the CENTS knob
4. Hold the CENTS knob stationary
and reset its pointer to "0"
Your Strobotuner is now calibrated to
the frequency of the sound source and
tuning may proceed.

If the piano is to be tuned to A-440

use the calibration procedure given
on page 6.

The following procedure is intended to

fam iI iarize the experienced piano
technician with the Strobotuner. It is
not a course in piano tuning as there
are many complexities to tuning
which ale beyond the scope of this
manual.

If you wish to study the technique of

tuning pianos with the Strobotuner we
suggest that you obtain the specially
prepared manual, "Notes on the Use
of the Strobotuner in Piano Tuning".
Ordering information will be found
on page 17.

The popularity of the Strobotuner is

due to the large number of piano
technic ians who find that the Strobo
tuner can increase their speed in
learning to tune accurately and is a
handy reference to maintain consist
ency in their work.

11

The job of the meticulous piano tuner

would be greatly simplified if when
sounding C 4 , the lesser tones (C s, C b
and C 7 ) were exactly twice, four times ,
and eight times the tone of C 4 . This
is not the case in the piano tone. As the

For example, one string - say C 4

is sounded. This string produces other
notes such as C s, C b t C 7 , in addition
to C 4 . Admittedly, C 4 ;s by far the
most prominent to the ear. But the
human ear - particularly a sensitive
musician's ear will hear C s, C b ,
and C 7 also.

As you know, most pianos with per

fectly tuned octaves do not sound
well, are quite lifeless and produce
aural " beats" when the octave is
struck. This is due to the complex tone
of the piano string. The reason for this
octave phenomenon is that the piano
string produces several tones simul
taneously other than the one it is
tuned to .

INHARMONICITY

Go back and recheck each note of

the temperament octave until you are
satisfied that one string of all 12 notes
in this octave "stops" the pattern in
number 4 band on Strobotuner win
dow.

that the Strobotuner is calibrated and

ready to use. Tune chromatically up
ward starting with C 4. Watch only
band 4 which will indicate all of the
12 notes in this octave . As you pro
ceed from C 4 to C~4' you must turn
the SELECTOR switch to Ct using the
C index. Obviously the switch must
be appropriately set each time a new
note is to be tuned . Since C 4 to B 4 is
your temperament octave you should
adjust the string tension so that each
one of these notes "stops" the pattern
in band 4 only. IF YOU SEE PAT
TERNS IN BANDS 5, 6, 7, or 8
IGNORE THEM FOR NOW UNTIL THE
TEMPERAMENT OCTAVE IS TUNED .

PIANO TUNING

12

Continue your tuning procedure up

ward throughout the C 6 - 8 6 and C 7
8 7 octaves. Use the same technique
of striking the note an octave below
that which you are tuning . Simply
look at the band of Iines an octave
above the struck note to set the tuner.
Then adjust string tension of the note
you wish to tune from this setting ob

Merely strike C 4 and adjust the

CENTS knob clockwise until the num
ber 5 pattern stands still. Then mute
out all but one string of C s, strike it,
and adjust the tuning pin for that
string until the number 5 pattern
stands still. Tune all of the octave
C s - 8 s notes by striking the C 4 - 8 4
notes an octave below, resetting the
tuner CENTS knob and pointer each
time. Then strike the C s - 8 s notes
with the same respective setting, ad
justing tuning pins to stop the pat
terns in band 5.

Having set the temperament octave

you can now tune the C s - 8 s strings.
The tuner SELECTOR knob should be
set on C. Strike C 4 of the tempera
ment octave. However, observe the
band 5 in the tuner window and you
will probably see a pattern of lines
rotating slowly clockwise . If this is the
case you can be certain that inhar
monicity is present and you will have
to sharpen C s so that the C 4 - C s oc
tave w ill not have unpleasant "beats".
With the Strobotuner it is simple to do
this.

TUNING THE HIGHER

OCTAVES

You will find that the degree of in

harmonicity varies greatly between
octaves. In any case the Strobotuner
will show when inharmonicity is pres
ent - and how much is present.

Strobotuner will show, the higher C's

are SHARP when C 4 is sounded . It is
this physical trait of the piano string
(inharmonicity) that makes it neces
sary to "stretch " octaves to make
them pleas ing to hear.

Wound bass strings will produce a

definite change in the inharmonicity
as seen on the tuner. Wound bass
strings have a higher harmonic con
tent than do treble strings. You wilt
have to decide which band you w ish
to refer to in the octave stretching
process. Some of the lower notes will
show very strong patterns in bands
two or three octaves above the note
being tuned. You must decide which
of these bands is the most pronounced
and use that one as a reference. A
good deal of personal expertise and

WOUND STRINGS

Make sure th~t the CENTS knob and

pointer are returned to zero setting
used for the tuning standard and the
function knob is on NORMAL. Tune
the 8 3 string until the number 4 band
pattern is motionless. Th is procedure
will compensate for any inharmonicity
in the 8 3 string and will make the
8 3 - 8 4 octave a pleasant soundinq
interval. Proceed downward through
At 3 , A 3 , G~3' etc., using the number
fou r band pattern to tune to .

After tuning the treble strings you have

gained enough practice in using the
Strobotuner so that tuning bass strings
below C 4 will be faster.

TUNING THE
BASS STRINGS

This operation of the + 2 feature is

explained in detail on page 9 of this
manual.

Earlier model Strobotuners had an ab

solute high range of 8 7 , However, your
solid state model has a number 8 band
making a practical C a to 8 a range.
This extra band allows C a to be tuned
directly. And the + 2 feature allows
you to see the C a and C 7 - 8 7 pattern
more clearly.

tained from the lower note. As your

speed increases you will probably omit
resetting the Strobotuner CENTS knob
pointer and simply read direct.

A~o,

80

You will quickly learn the best micro

phone placement to obtain the clear
est pattern. You may find that in the
high strings where the sustaining time
is short, striking the key in rapid suc
cession will produce the best pattern.
In using the tuner you will immediately
discover that notes are flatter shortly
after being struck. You will have to
determine by ear which part of the
tone is the best in tune - the initial
sound or the sustained pitch. Usually
this decision is easy, as the amount
of discrepancy is small.

OTHER THOUGHTS
ON TUNING

The lowest three notes on the piano

are below the direct range of the
Strobotuner. However, these three
keys can be tuned the same as the
other bass strings by striking the key
and watching the Strobotuner to indi
cate which upper band has the strong
est pattern . Then simply tune the
string to "stop" that pattern.

Ao ,

judgment must be used here. For

example, if when tuning C 2 l band num
ber 5 pattern is very pronounced
more than band 3 or 4,-then you
should use the number 5 band when
adjusting the string. Remember it is
the stronger octave harmonic which
you r ear hears and it is this same
harmonic which produces the clearest
Strobotuner pattern . Use as your
tuning reference the band which
shows the clearest pattern.

13

Most people who tune organs prefer

to tune all octaves of the same note,
i.e., tune all octaves of C then reset
tuner to C#, 0, etc . This procedure
saves switching the tuner back and
forth from one note to the next fre
quently. In contrast to piano tuning,
the organ tuner does not need to be
concerned with inharmonicity and the
process of "stretching" octaves can
be ignored .

Tuning electronic organs is a simple

matter using the Strobotuner. In all
cases the service manual for the par
ticular organ must be consulted for
the precise tuning the instrument was
designed for. If the organ is of the tube
type a 10 or 15 minute warm up time
should be allowed prior to tuning. A
patch cord can be devised to make
a direct connection between the organ
speaker and the Strobotuner - thus
eliminating the need of the micro
phone. The patch cord hook-up has
the additional advantage of eliminating
any room no ises which would inter
fere with the tuning process.

TUNING ORGANS

Most piano technicians like to mute

out all of the strings at once , tune the
single strings, and then the unison
strings. Unison strings are usually
tuned aurally; however, the Strobo
tuner can be used if you w ish. If you
are new to the piano tun ing profession
you may want to check your ear with
the tuner. As a train ing and reference
device the Strobotuner has few equals.

TUNING THE UNISONS

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RANGE CHART FOR BAND AND ORCHESTRA INSTRUMENTS

The solid state circuitry used in the

Strobotuner is as reliable as modern
manufacturing techniques permit. How
ever, as the machine is used continu
ously, service could be necessary.
A full repair facility is maintained by
C. G. Conn, Ltd., where Strobotuner
repairs are done. We strongly urge

SERVICE & REPAIR

Front

you to return the instrument to this

facility if any repairs are necessary.
The Conn Corporation reserves the
option to avoid any warranty claims
where repair to a Strobotuner under
warranty is attempted by any person
not employed by the Conn Corporation.

Back

DELUXE "ROADIE" COVER

A must for the tuner that travels. Cover is black grained vinyl, 3 large
pockets-2 with snap flaps-one large expandable pocket with zipper.
Pockets are large enough to carry microphone, power cord, and a lot
more . A rugged cover w ith heavy stitching and reinforcements. Front of
cover has rigid panel built in to protect viewing window and front knobs.
Complete with sewn-in holder for identification card . Slips over Strobo
tuner in seconds
#8882-3 . . $26.95

PROTECTIVE COVER
An ideal accessory to protect your Strobotuner. Made of heavy expand
ed vinyl reinforced with heavy stitching and extra material. Slips over
the carrying handle
#9999 . . $12.00

ORDER FROM YOUR STROBOTUNER DEALER

ACCESSORIES

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PARTS LIST

Plate Mounting S

Plate Mounting L

Fuse, Pigtai I

Power Cord, 3 Wire With Plug

Disc, Scanni ng

Cont rol 500K

Jack

Potentiometer, " Cents ", 100 Ohm

Plug , Recessed 3P

Hub

Nut, Hub

Switch, Selector

Window Dial

Front Panel

Microphone , W/Cord & Plug

Microphone Stand

Case

Shield, Motor

Lamp NE 024

Knob, .. Function "

Knob, "Gain "

Knob, "Selector"

Knob, "Cents" Control

Motor

Diode GP

Diode GP

Transistor NPN

Transistor NPN

Transistor NPN

Diode, Zener 12V 1W

Diode, Zener 5.6V

Insulator, Transistor

Clip, Window

Transistor PNP

Cover, Escutcheon

Transistor NPN

Transistor NPN

Rectifier 1A 50 PIV

Rectifier 1A 200 PIV

Rectifier 1A 600 PIV

Transformer, Power

Transistor NPN

Transistor PNP

Transistor NPN 4923

Light Ampl itier

Generator Board

Matrix Board

Switch, "Function ", Off/Norm/Call + 2

Socket, I.C . 14P

Socket, I.C. 16P

Integrated Circuit 74121

Integrated Circuit 7476

71521-160
71667-1
72182-2
72232-2
72232-3
72314

71521~130

72186-2
59618-1
59807-1
59970-13
59970-14
70534-1
71497-12
71497-111
71552-1
71681-1
72326-1
72327-1
72328-1
72329-1
72521-1
43743
45223-1
52041
55162
55162-1
55177
58187
58557
59518-1
71521-3
71521-7
71521-21
71521-36
71521-38
71521-41
7152142
71521-46
71521-48
71521-50
71521-63
71521-68
71521-74
71521-90
71521-101
71521-102
71521103
71521104
71521-105
71521-113

Lamp , LED
Capacitor 250 UF 15V
Capacitor 40 UF 75V
Capacitor .10 UF 100V
Capacitor .047 UF 100V
Capacitor 100 MFD 50V
Capacitor 100 PF 100V
Capacitor 12 PF 500V
Capacitor 10 U F 20V
Capacitor 50 U F 6V
Capacitor 20-20 M F 250V
Capacitor 1500 MF 60V
Capacitor 2000 M F 15V
Capacitor 820 PF 500V 5%
Capacitor 5.6 MFD 1OOV NP
Resistor 100 Ohm 1/2W
Resistor 47K 1/2W
Resistor 15K 1/ 2W
Resistor 1K 1/2W
Resistor 1K 1/2W
Resistor 180K 1/ 2W
Resistor 390 Ohm 1/2W
Resistor 10 Ohm 1W
Resistor 2.2K 2W
Resistor 1K
Resistor 10K
Resistor 100K
Resistor .22 Meg
Resistor .10 Meg
Resistor 47K
Resistor 27K
Resistor 10K
Resistor 1K
Resistor 470 Ohm
Resistor 3.3 K
Resistor 4.7K
Resistor 820 Ohm
Resistor .15 Meg
Resistor 4.7K
Resistor 3.3K
Resistor 1.5K
Resistor 1.2K
Resistor 100 Ohm
Resistor 47 Ohm
Resistor 18K
Resistor 2.2 Meg
Resitor 4.7K 1/2W
Resistor 5.49K 1 %
Res istor 270 Ohm
Resistor 150 Ohm
Resistor 2.7 Ohm 1W

NOTE: All Resistors IJ4W Unless Stated Otherwise .

Order above parts from Strobotuner Service Dept., 455 Eisenhower, Lombard, Illinois 60148
Phone: 312 932-5580

59689-10
59689-10
59689-11
59689-12
70107-3
71119-2
71119-4
71226-1
71226-4
71226-5
71411-2
71411-13
71443-102
71657-2
71687-101
71719-10
71819-1
71963-1
72079-1
72079-3
72079-5
72090-2
72091-1
72092-1
72093-1
720972
72097-3
72097-4
72101-2
72179-1
72179-2
72181-1
72185-1

59616~4

43633
44986
48446-2
50903-2
50357-6
55015-9
55052-4
56242-2
56542-101
57809-2
57810-2
57824-3
57828-3
57829-6
57874101
57874-102
58691-5
59292-2

STROBOTUNER (SOLID STATE)

..

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