Stolorow Heidegger Mood and The Lived Body Ontical
Stolorow Heidegger Mood and The Lived Body Ontical
Stolorow Heidegger Mood and The Lived Body Ontical
the Ontological
Robert D. Stolorow
is another such term of art for Heidegger, a term that plays a special role in
Heideggers ontological language-game which terms such as emotion and
feeling do not. Let me try to explain.
Heidegger (1962/1927) claims that in being our there, our
disclosedness, we are three constitutive ways of disclosing our Being-inthe-world: discourse (Rede), understanding (Verstehen), and Befindlichkeit.
To me, the best translation of the latter is the literal one: how-one-findsoneself-ness. How-one-finds-oneself-ness shows up ontically as mood,
through which we are attuned to ourselves and to our situatedness in the
world.3 I believe Heidegger, in this context, is using the term mood to
refer to the whole range of disclosive affectivity. If I am right, mood as a
Heideggerian term of art can encompass all of what is ordinarily meant by
moods, emotions, and feelings, but, and this is crucial, only insofar as
these affective phenomena are disclosing our ways of Being-in-the-world,4
as Heidegger variously claims can be the case for anxiety, homesickness,
turbulence, boredom, melancholy, awe, wonder, and astonishment, and,
in the mode of falling or inauthenticity, curiosity and fearfulness, to which
I have added shame.5
Mood and the Body
It is sometimes said that Heidegger neglected the ontological
significance of the lived body until the Zollikon Seminars (Heidegger,
2001/1987), where he elaborates on the bodily aspect of Being-in-theworld as a bodying forth (p. 196), a term he had introduced earlier
in his Nietzsche lectures (Heidegger, 1987/1961, p. 218). According to
Aho (2009), Heideggers concept of bodying forth, like Merleau-Pontys
(1962/1945) earlier account of embodied perception, belatedly addresses
the previously neglected fundamental role that the lived body plays in
spatially orienting our practical comportments in the world.
Heideggers (1962/1927) claim that Befindlichkeit is equiprimordial
with understanding (Verstehen) and discourse (Rede) as a way of disclosing
Being-in-the-world is, in my view, a definitive answer to criticisms of his
alleged neglect of the body in Being and Time (Stolorow, 2011, chapter 3).
This is so because Befindlichkeit always shows up in lived experience in the
form of a mood (Stimmung), and disclosive affectivity always includes an
experienced bodily component, a bodily attunement, as Levin (1999,
p. 135) aptly puts it. Against those who fault Heidegger for omitting the
lived body from his account of mood (Freeman, 2011; Ratcliffe, 2008), I
am contending to the contrary that it is impossible to think mood, and
10
11
Levin, David. 1999. The Ontological Dimension of Embodiment:
Heideggers Thinking of Being. In The Body: Classic and Contemporary Readings,
edited by Donn Welton, 122-149. Malden, MA: Blackwell Publishing.
Merleau-Ponty, Maurice. 1962. Phenomenology of Perception. Translated by
Colin Smith. New York: Routledge & Kegan Paul. Original work published 1945.
Ratcliffe, Matthew. 2008. Feelings of Being: Phenomenology, Psychiatry and the
Sense of Reality. Oxford: Oxford University Press.
Sartre, Jean-Paul. 2001. Being and Nothingness: An Essay in Phenomenological
Ontology. Translated by Hazel Barnes. New York: Citadel Press. Original work
published 1943.
Stolorow, R. D. (2007). Trauma and Human Existence: Autobiographical,
Psychoanalytic, and Philosophical Reflections. New York: Routledge.
Stolorow, R. D. (2011). World, Affectivity, Trauma: Heidegger and PostCartesian Psychoanalysis. New York: Routledge.
Notes
Furtak (2005) has shown that a similar characterization can be given of Kierkegaard.
I have contended (Stolorow, 2011, chapter 7) that authentic Being-toward-death
always includes Being-toward-loss of loved others, that death and loss are existentially
equiprimordial, and that existential anxiety anticipates both death and loss.
3
Macquarrie and Robinson, translators of Being and Time, tell us, Stimmung
originally means the tuning of a musical instrument (p. 172, fn. 3).
4
Artificially or endogenously induced affect states, for example, are not ontologically
revelatory in this way.
5
A passage in Heideggers 1927 lecture course, The Basic Problems of Phenomenology,
lends support to my claim: To be affectively self-finding [Befindlichkeit] is the formal
structure of what we call mood, passion, affect, and the like, which are constitutive for
all comportment toward beings. (Heidegger, 1982/1975, p. 281, emphasis added).
1
2