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Music - Pianos, Harpsichords, Etc

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The document provides an overview of different types of musical instruments from the 18th century, including grand pianos, harpsichords, organs, and hurdy-gurdies. It discusses the instruments' origins and includes images from various museums.

The document discusses grand pianos, square pianos, harpsichords, spinets, virginals, organs, and hurdy-gurdies.

Museums and institutions mentioned include the Metropolitan Museum of Art, Museum of Fine Arts Boston, National Music Museum, Colonial Williamsburg, Victoria and Albert Museum, and others.

18th Century Material Culture

Music
Pianos, Harpsichords, Etc.

Grand Pianos

Italian Grand Piano


by Bartolomeo Cristofori of Florene 1720
(Metropolitan Museum of Art)

German Grand Piano


by Johann Andreas Stein 1783
(Museum of Fine Arts, Boston)

Side Pianos

English Square Piano


by Johann Christoph Zumpe & Gabriel Gottlieb Buntebart 1770
(Museum of Fine Arts, Boston)

Irish Square Piano from Dublin


by Ferdinand Weber
(Metropolitan Museum of Art)

Harpsichords

French Harpsichord
1667
(Museum of Fine Arts, Boston)

Belgian Harpsichord
by Joseph Hoannes Couchet 1680
(Museum of Fine Arts, Boston)

French Harpsichord
by Henri Hemsch c. 1736
(Museum of Fine Arts, Boston)

English Harpsichord
by Jacob Kirckman 1758
(Museum of Fine Arts, Boston)

English Harpsichord (London)


1762
(Colonial Williamsburg)

English Harpsichord
by Shudj & Broadwood 1772
(Museum of Fine Arts, Boston)

Spinets

Spinet Inscribed Carolus Haward Fecit 1689


by Charles Haward of London
(National Music Museum)

Spinet Inscribed Carolus Haward Fecit 1689


by Charles Haward of London
(National Music Museum)

Spinet Inscribed Carolus Haward Fecit 1689


by Charles Haward of London
(National Music Museum)

Spinet Inscribed Carolus Haward Fecit 1689


by Charles Haward of London
(National Music Museum)

Spinet Inscribed Carolus Haward Fecit 1689


by Charles Haward of London
(National Music Museum)

The English Bureaucrat Samuel Pepys


Who on April 4, 1669 Commissioned a Spinet by Charles Haward
on Aldgate Street and Who was Delivered the Same on July 15, 1668

English Spinet
by Stephen Keene c. 1700
(Museum of Fine Arts, Boston)

English Spinet (London)


Dated 1727
(Colonial Williamsburg)

English Spinet
c. 1730 - 1750
(Museum of Fine Arts, Boston)

English Spinet
by Thomas Haxby 1764
(Museum of Fine Arts, Boston)

Boston, Massachusetts, Spinet


by John Harris 1771
(Museum of Fine Arts, Boston)

Virginals

Belgian Virginal (Muselar)


by Andreas Ruckers, the Elder 1610
(Museum of Fine Arts, Boston)

Organs

Southern German or Austrian Organ


by Simon Bauer 1692
(Museum of Fine Arts, Boston)

English Chamber Organ


c. 1750 - 1775
(Museum of Fine Arts, Boston)

English Bureau Organ (London)


c. 1750 - 1760
(Colonial Williamsburg)

English Chamber Organ (London)


c. 1740 - 1760
(Colonial Williamsburg)

Hurdy - Gurdys

French Hurdy - Gurdy


c. 1775 - 1785
(Victoria & Albert)

French Hurdy - Gurdy


c. 1775 - 1785
(Victoria & Albert)

French Hurdy - Gurdy


by Joseph Bassot c. 1760 - 1774
(Museum of Fine Arts, Boston)

The Hurdy - Gurdy Man


by John Collet

The Hurdy - Gurdy Man


by John Collet

Young Woman with Hurdy - Gurdy


18th Century

Miss Anne Gore as a Savoyard


by Johann Zoany 1774
(Private Collection)

Lovers at a Window
by Nicholaes Berkolje (1673 - 1746)
(Rafael Valls Gallery, London)

Woman with a Hurdy - Gurdy


by French School c. 1750 - 1760
(The Heckscher Museum of Art)

MADAMOISELLE CATHERINA from an Original PAINTING in Vauxhall Gardens.


by Robert Sayer c. 1750
(Lewis Walpole Library)

Remarkable Characters at Mrs. Cornelys Masquerade .


London 1771
(Lewis Walpole Library)

WAYS & MEANS for 1784


by J. Langham 1784
(Lewis Walpole Library)

Ensembles
&
Orchestras

The Minuet,
by Johann Zoany c. 1780 - 1783

Mozart

The Concert - 1740s

The Highland Dance


by David Allen c. 1780

Rehearsal of an Opera
by Marco Ricci c. 1709
(Yale Center for British Art)

Rehearsal of an Opera
by Marco Ricci c. 1709
(Yale Center for British Art)

The Sense of Hearing


by Philippe Mercier c. 1744 - 1747
(Yale Center for British Art)

Acknowledgements
The material contained within these slideshows is presented for educational purposes only. The
18th Century Material Culture Resource Center does not personally own any of the items
depicted herein and is indebted to the countless museums, libraries, and private collectors who
willingly share their collections with the public through the internet. Every attempt has been
made to credit these organizations and individuals for their contributions as best as possible.
If there is a question you have regarding a particular item featured within a presentation, please
contact the 18th Century Material Culture Resource Center and we will try to answer your
inquiry as best as possible. If for any reason you feel there is any item that should not be
presented here, or if there is an error in any listing, or if you know the source for any item whose
credit is unknown, please inform us and we will make sure your concern is addressed as soon as
possible.
Thank you!
- The 18th Century Material Culture Resource Center

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