Discourse Analysis LECTURE 1
Discourse Analysis LECTURE 1
Discourse Analysis LECTURE 1
General Requirements
Attendance:
- lecture attendance: 50%
(3-4 sessions out of 7)
- tutorial attendance: 70%
(5 sessions out of 7)
Activity: participation in class discussions + homework
Grade: 40% activity (class activity + a written assignment) + 60% the exam grade
Outline of Tutorials
Course 1: Introduction. Basic Concepts in Discourse Analysis (I)
Course 2: Introduction. Basic Concepts in Discourse Analysis (II)
Course 3: Positioning and Point of View
Course 4: Intertextuality
Course 5: Linguistic Tools for Doing Discourse Analysis
Course 6: Prejudice in Discourse
Course 7: Advertising in Discourse
WHAT IS DISCOURSE?
http://www.youtube.com/watch?v=z02Ie8wKKRg
Genre is the term used for a specific product of a social practice. It is a form of
discourse, culturally recognized, which, more or less, obeys socially agreed
structures. [...] Examples of literary and linguistic genres are novels, poems, university
lectures, biology lab reports, letters, theatre reviews. [...]
Genre is also sometimes used as a term for social events that use regular linguistic and
discoursal patterns, such as committee meeting, and thus, to some extent, can overlap
with the term social practice. Genres can also be seen from the point of the institutions
within which they evolved. Thus, minutes of meetings, annual reports, business
correspondence are associated with business institutions; lectures, seminars, tutorials,
textbooks, notes, essays, and examination papers are associated with educational
institutions. (Bloor & Bloor 2007: 8)
See Handout
Genre is a recognizable communicative event characterized by a set of communicative
purpose(s) identified and mutually understood by the members of the professional or academic
community in which it regularly occurs. Most often it is highly structured and conventionalized
with constraints on allowable contributions in terms of their intent, positioning, form and
functional value. These constraints, however, are often exploited by the expert members of the
discourse community to achieve private intentions within the framework of socially recognized
purpose(s). (Swales cited in Bhatia 1993: 13)
Other definitions of genre(s):
a socially ratified way of using language in connection with a particular type of social
activity (Fairclough 1995: 14)
ways of acting or interacting through speaking or writing (Fairclough 2003: 26)
Participanta and social roles
The participants [in social practices] are those persons who are engaged in a specific act of
discourse. These may be speakers, listeners, readers, writers and each will be playing a social
role. The term role is used much as it is in drama where an actor plays a role in a film or
dramatic production. Most of us are called on to play many roles in our normal everyday life.
For example, take a man named Ahmed. At home, he is a husband and father but, during his
working day, he is an architect. He is also an accountant of the local tennis club where, on
Saturday mornings, he acts as an umpire. In each of these roles he is engaged in different social
practices, is likely to use different genres and the language associated with those practices and
genres. (Bloor & Bloor 2007: 10)
Q&A:
What are your social roles? Do you use language differently when you perform them?
If one day you were to become the subject of local news, what social roles could you distinguish
in that context?
Discourse Analysis has been employed:
(1) to identify and describe how people use language to communicate; (2) to develop methods
of analysis that help to reveal the categories (or varieties) of discourse and the essential features
of each; and (3) to build theories about how communication takes place. (Bloor & Bloor 2007:
12)
Critical Discourse Analysis is a branch of discourse analysis which starts from the premise that
there is a social problem or wrong (in a particular social context, related to certain social
domains and practices) which has a linguistic/discursive aspect, for example discrimination,
manipulation or other practices that involve unequal power relations. Its main purposes are to
analyse discourse in order to reveal such problems and power relations, so that they may be
rectified.
Activity:
This activity invites you to engage in an (imaginary) social act and consider its relationship with
language and discourse. Imagine that you are dissatisfied with some expensive product you have
purchased (for example, a computer, a refrigerator, or a camera); what means do you have for
complaining?
Consider whom you would contact (participants in the potential exchange), how you would
contact them (possible modes and genres), what responses you would expect, what your intended
outcome would be, and how you would hope to achieve it. Consider how you feel with respect to
your relationship with the company that produced the product in terms of power relationships.
Would you feel in a position of power or weakness?
References:
Bhatia, V.K. (1993). Analysing Genre: Language Use in Professional Settings. London and New
York: Longman.
Bloor, M. And Bloor, Th. (2007). The Practice of Critical Discourse Analysis: An Introduction.
London: Hodder Education.
Fairclough, N. (2003). Analyzing Discourse: Textual Analysis for Social Research. London:
Routledge.