The document provides information about notes and scales in Carnatic music. It defines the 16 basic notes used in Carnatic music and describes the ascending and descending scale. It explains that there are 72 parent scales called Melakartha ragas that are systematically classified. A Melakartha raga must contain all seven notes in both the ascending and descending scale without jumps. The document also describes how the 72 ragas are derived from different combinations of the notes Rishabham, Gandharam, Daivatam and Nishadam.
The document provides information about notes and scales in Carnatic music. It defines the 16 basic notes used in Carnatic music and describes the ascending and descending scale. It explains that there are 72 parent scales called Melakartha ragas that are systematically classified. A Melakartha raga must contain all seven notes in both the ascending and descending scale without jumps. The document also describes how the 72 ragas are derived from different combinations of the notes Rishabham, Gandharam, Daivatam and Nishadam.
The document provides information about notes and scales in Carnatic music. It defines the 16 basic notes used in Carnatic music and describes the ascending and descending scale. It explains that there are 72 parent scales called Melakartha ragas that are systematically classified. A Melakartha raga must contain all seven notes in both the ascending and descending scale without jumps. The document also describes how the 72 ragas are derived from different combinations of the notes Rishabham, Gandharam, Daivatam and Nishadam.
The document provides information about notes and scales in Carnatic music. It defines the 16 basic notes used in Carnatic music and describes the ascending and descending scale. It explains that there are 72 parent scales called Melakartha ragas that are systematically classified. A Melakartha raga must contain all seven notes in both the ascending and descending scale without jumps. The document also describes how the 72 ragas are derived from different combinations of the notes Rishabham, Gandharam, Daivatam and Nishadam.
Tala Angha Symbol Description Laghu I Onebeatandfingercounts Dhrutam O Onebeatandflippingpalm
Anudrutam Tala Dhruva Matya Rupaka Triputa Jhampa Ata Eka
1 2 3 4 5 6 7
U Onebeat Format IOII IOI OI IOO IUO IIOO I
Asdiscussedearlier,laghuisbasedonjaati.AKanda(5count)jaathiekatalawillhave1 beat and 4 finger counts as Eka tala just has Laghu (refer table above) Tisra jaathi RupakaTalawillhave1beatandflipfollowedbyabeatand2fingercounts. LaghuisfurtherbrokendownanddenotedasXforthebeatand1,2,3forthefinger countbasedonjaathi.Dhrutamisagain denoted as X for the beat and a tick mark for flippingofpalm.Example:Chaturashrajaathirupakatalaisdenotedas: XV(ReadVasticksymbol)
X123
SR
SRGM
ChaturashrajaathiTriputatalaispopularyknownasAdiTala. Avarta: One of the frequently used terminology in Carnatic music. An avarta is one complete cycle with all anghas of tala. E.g. Adi tala has one laghu and two dhruthas 4+2+2=8counts,otherwisethenumberofaksharas/notesinaditalais8.Infirstspeed itis8,secondspeedwillhave16notesandthirdspeedwillhave32notesinoneavarta. aftereachangha(viz.laghu,dhruta,anudhruta), a vertical line l is drawn to indicate the endofanangha.Twoparallellinesaredrawntoindicatetheendofavartall. DeshadiTala:ManyofSriThyagarajascompositionsareindeshaditala.Thisconsists ofonenishabdakriya(Kriyameansaction.Nishabdakriyaissilentaction)Thelyrics start after three aksharas in nishabdakriya E.g. Brovabarama in Bahudari,Bantureethikolu in Hamsanadham are examples of Deshadi.The lyrics start after two aksharas in sashabdakriya. um7:55am
FIRST YEAR BA, B SC, B Com, BBA, BCA, BA AFSAL UL ULAMA (2011 ADMN ONWARDS REGULAR, SUPPLEMENTARY, IMPROVEMENT SDE ONLY) PROGRAMMES (CCS&G) APRIL 2016 PDF
FIRST YEAR BA, B SC, B Com, BBA, BCA, BA AFSAL UL ULAMA (2011 ADMN ONWARDS REGULAR, SUPPLEMENTARY, IMPROVEMENT SDE ONLY) PROGRAMMES (CCS&G) APRIL 2016 PDF
