Techne: Unit 5: Photography
Techne: Unit 5: Photography
Techne: Unit 5: Photography
That was why, later on, he began to lose interest in photography: first when colour took over, then
when it became plain that the old magic of light-sensitive emulsions was waning, that to the rising
generation the enchantment lay in a techne of images without substance, images that could flash
through the ether without residing anywhere, that could be sucked into a machine and emerge from it
doctored, untrue. He gave up recording the world in photographs then, and transferred his energies to
saving the past. J.M. Coetzee, Slow Man
Photography is the art, process and practice of producing images of objects on photosensitive surfaces
such as films (reel, photo-film roll, roll-film, reel) and also in digital formats by using a digital camera.
Photography is an occupation of taking photographs and printing photographs.
Photography is a process of recording images on sensitized material by the action of light, Xrays, etc, and the chemical processing of this material to produce a print, slide, orcine film
Photographer is a person skilled to take photographs of someone or something as a means for livelihood
such as a photo-journalist, wedding-photographer, film-photographer and others.
Photojournalism is a visual storytelling of news, natures fury, human interest stories, capturing events
that are newsworthy among others.
Photojournalism is an understanding of the world through photographs: photo essays, photo features,
documentary photography,
In 24/7 news and current affairs television channels and moving images available on Internet-connected
gadgets such as mobile phones and tablet computers, there is significance for the still photography.
Newspapers, magazines and news agencies have photo-journalists working in many parts of the world
along with the photo-desk manned by photo or picture editor.
Established media organizations depute their photojournalists to different parts of the world to cover
events when they unfold and have importance to cover, and report to their audiences.
In 2014, TIMEs commitment to photojournalism remained as strong as ever, as the magazine assigned
photographers to stories all across the U.S. and in Afghanistan, Brazil, Burma, Central African Republic,
Finland, Gaza, Hong Kong, Iraq, Japan, Jordan, Mexico, the Phillipines, Syria and Ukraine among many
other countries. time.com
Brave, independent and unconventional, Homai Vyarawalla is known to be Indias first female photo
journalist. She captured some of the most memorable and incredible moments of Indian history from
the first flag hoisting ceremony at the Red Fort on 16th August 1947 to the cremation of world
renowned dignitaries like Mahatma Gandhi and Jawaharlal Nehru. TBI remembers this amazing lady and
her extraordinary contribution to Indian media. -www.thebetterindia.com
In the digital age, photographers are expected to be familiar and knowledgeable with Photoshop.
Debatable: Photoshop is ruining photography.
Photoshop is also a tool (akin to the darkroom) to manipulate images.
Photo editing
After taking photos by a photographer, the photos that have the quality, newsworthiness or importance
of lasting quality may need to be edited for suitable publication or for display.
With the arrival of computers, photo-editing has become easier, and possible with the help of photoediting softwares such as PhotoShop.
Photo editing
All good journalism requires editing, and that includes pictures.
Editing is a vital part of the photojournalism process, and anyone who takes or works with pictures must
know some of the basic principles and procedures. These include selection, cropping, enhancing and
sizing.
Selection
A photographer or a photojournalist can click many photographs but only few, or one may be selected.
There are no definitive guidelines governing their selection. However, to select a photograph depends
on: that which will capture the attention of the reader, and the selected photograph will illustrate and
supplement the editorial content, or the news item.
Photographic elements considered by editors, news editors and photo editor in the selection process
are: Photographs that capture:
Drama. Drama is the pictures that tell a story that are most likely to be chosen by an editor for
publication.
Pictures that have high dramatic quality can clearly tell the reader what is happening.
A scene can depict several aspects of drama unfolding but only one photograph can summarize
everythingsadness, loss of hope, devastation, hopelessness
Emotion. Photographs with emotional qualities often tell a story. There may not be a dramatic
element but evoke some an emotion in the mind of the viewer.
An old journalistic proverb says that readers will always look at pictures of children and animals.
Action. Editors and readers are most likely to be drawn to pictures with some action or movement in
them. Pictures suggesting movement will be seen and studied by readers more readily than still-life
pictures. Even though a photograph by itself cannot move, if its content indicates movement, it can
serve as an extremely good attention-capturing device for the editor to use.
Artistic or technical quality. Here we are talking about the good photograph, the one that has
sharp, clear focus and good framing or that presents a subject in an unusual or pleasing manner. This
kind of picture often appears in newspapers, especially with the change of seasons.
Bizarre or unusual subjects. A picture of something unusual, something not likely to be seen by
readers in their everyday lives, makes a good candidate for publication. Unusual subjects may stem from
the days news events, such as a fire or wreck, or they may be simply something a photographer has
happened upon or heard about, such as a twelve-pound tomato or an old mans wizened expression.
Prominence. Like the news value of the same name, prominence is a quality editors often consider in
selecting pictures. Pictures of famous people are always likely candidates for publication, even when
they do not contain any of the qualities mentioned above. Readers will look at pictures of famous
people, and editors will use such pictures for precisely that reason.
A good picture editor must have a feel for spotting the good photograph, one that will capture the
attention of the reader, illustrate the editorial content and enhance the overall quality of the
publication.
Cropping
Cropping means taking out parts of a picture. It has two purposes: eliminating unnecessary parts of a
picture and emphasizing or enhancing parts of a picture.
Enhancing
Photographs often need some adjustments or enhancements. Photo editing software allows
photojournalists to change the brightness, enhance the color or even increase the sharpness of a
picture. Photo editors should learn to use these with two principles in mind:
1. Its better to do too little to a picture than too much.
2. The basic subject matter of the picture should never be changed.
Kevin Carters Photograph most famous photograph capturing the suffering of the Sudanese famine,
published in the New York Times on March 26, 1993.
The reader reaction was intense ; not positive. Some people said that Kevin Carter, the photojournalist
who took this photo, was inhumane, that he should have dropped his camera to run to the little girls
aid.
Issues: emotional detachment; livelihood or humanism
This was his suicide note; very depressing:
I am depressed without phone money for rent money for child support money for
debts money!!! I am haunted by the vivid memories of killings and corpses and anger and
pain of starving or wounded children, of trigger-happy madmen, often police, of killer
executioners I have gone to join Ken [recently deceased colleague Ken Oosterbroek] if I am
that lucky.
The suicide: On 27 July 1994 Carter drove to the Braamfontein Spruit river, near the Field and
Study Center, an area where he used to play as a child, and took his own life by taping one end
of a hose to his pickup trucks exhaust pipe and running the other end to the passenger-side
window. He died of carbon monoxide poisoning, aged 33.
PHOTOGRAPHER
Ten years ago, Arko Datta's picture of a tailor named Qutubuddin Ansari became the face
of religious riots which left nearly 1,000 people, mostly Muslims, dead in Gujarat.
In the picture, Mr Ansari, then 28 years old, is standing on a narrow veranda. He is wearing a light
checked shirt stained with dried blood. His faintly bloodshot eyes are glazed with fear. His hands are
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folded in an expression of obeisance, hiding a mouth agape. It's a disturbing study of fear and
helplessness.
"An Indian Muslim stranded in the first floor of his house, along with a few other Muslims and
surrounded by a Hindu mob begs to the Rapid Action Force (Indian paramilitary) personnel to rescue
him at Sone-ki-Chal in Ahmedabad, March 01, 2002," said the caption of the picture put out by Reuters
news agency, for whom Arko worked at the time.