Reloved - October 2015

SARAH BEENY REVEALS ALL
ABOUT HER NEW HANDLE RANGE
THE CREATIVE GUIDE TO UPCYCLING
THE CREATIVE GUIDE TO UPCYCLING YOUR HOME
OCTOBER 2015
Autumn
29
STYLE
SIMPLE YET
STYLISH
PROJECTS
Add a cosy feel to your

home with upcycled
accessories in this seasons
best colours & patterns
Patchwork fruit pin

cushions on p16
Making shapes
Polka dot tray
Diamond cushion
Triangle sideboard
Technique focus
Discover how to
upholster a blanket box
Teapot sewing caddy

RL25.Cover.FOR PRINT.indd 1
Charis Williams
HOME REFURBS
Stencilled steps
3 WAYS WITH...
Wall art
FURNITURE REVAMP OCTOBER 2015

Crystal inlay table
9 772054 347004
DIY EXPERT
9 772054 347004
MIDWEEK MAKES
10
10
Annie Sloan exclusive

Take a look through her
artists sketchbooks
4.99
27/08/2015 11:55
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03/09/2014 11:28
welcome!
Autumn is one of my favourite seasons

when it comes to upcycling and home style.
Not only do the cooler nights give you the
perfect reason to bring colourful throws
and blankets back out from summer storage
to add different layers of texture to your
rooms, but its the perfect time to create
upcycled pieces in beautiful rich autumnal shades. This
issue weve got lots of projects to help you inject a little
autumn style into your abode, from the leafy blanket on
page 28 to the crochet stool cover on page 62, and the
very desirable crystal inlay wooden table on page 72.
Also this issue, Reloved columnist Annie Sloan guides
us through her process when planning and designing
new pieces, and lets us have a glimpse at some of her
sketchbooks on page 13. Property expert Sarah Beeny
joins us on page 24 to talk about her love of upcycling, and
introduces her new home collection, which features some
very desirable handles, ideal for any autumn furniture
revamps. Plus weve got an upholstery masterclass on
how to transform an old blanket box these are always in
plentiful supply when walking around ea markets and car
boot sales, but often have been a little neglected. So turn to
page 33 for inspiration on how to breathe new life into this
very useful piece of furniture.
I hope you enjoy the issue, and if youve got tickets for
The Handmade Fair from 18-20th September, please do
pop by the Reloved stand to say hi, we love meeting you!
See you next month.
SALLY FITZGERALD
Senior Editor
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OCTOBER
RL25.Welcome.FOR PRINT.indd 3
26/08/2015 15:03
Whats in the issue..

HOME REFURB
Refresh your home
dcor with original
upcycled pieces
P44 Affordable plate art
P16 Fruit bowl pin cushions
P28 Autumn leaf

woollen blanket
P42 Metal upcycled wall clock
P48 Garden shutter

message centre
P50 Ping-pong marquee letters
P62 Crochet stool cover
MID WEEK MA KE
P68 String cushion
P108 Clothes hanger

coat hook
P26 Polka-dot tea tray
P60 Vintage paper flowers
Quick makes to
create in an evening
P82 Teapot sewing caddy
P18 Bobbin candlesticks
P88 Plant terrarium
OCTOBER
RL25.Contents.FOR PRINT.indd 4
27/08/2015 11:50
FURNI T URP
R E VA M
P94 Porcelain moss birds
P102 Painted plant pots
P30 Painted step stool
P72 Crystal side table
Learn how to give

your battered
old favourites
a fresh new look
P20 Stencilled cabinet
P86 Antique chair back shelf
P97 Upholstered coffee bag sofa
P78 Scalloped cabinet
P80 Geometric sideboard
PAINTERS IN
RESIDENCE
P112 Mercury glass coffee table
P75 Jelena Pticek
THREE WAYS
P54 Living wall
MASTERCLASS
P56 Pretty patchwork
Features
P58 Copper blocks
P33 Blanket box
Every issue..
IN CONVERSATION WITH: SARAH BEENY

The TV stars new range of handles is revealed
P24
UPCYCLING HEROES: KATE WHITEHEAD

Discover how every scrap of textile gets upcycled
P65
MY VINTAGE HOME: 1920S COTTAGE

P90
Admire Kit Monteneros home, full of fabulous found objects
CREATIVE HUB
ANNIE SLOANS DIARY

SUBSCRIBE
SALVAGE SISTER COLUMN
Finding free timber
P90
P13
P40
P85
P106
Q&A
MAKING MEMORIES
OCTOBER
RL25.Contents.FOR PRINT.indd 5
P7
P114
27/08/2015 11:50
whos who
SENIOR EDITOR Sally FitzGerald
sally.fitzgerald@anthem-publishing.com
DEPUTY ART EDITOR John Thackray
john.thackray@anthem-publishing.com
PRODUCTION EDITOR Bob Wade
CREATIVE DIRECTOR Jenny Cook
SENIOR ADVERTISING EXECUTIVE Laura McLean
laura.mclean@anthem-publishing.com
ACTING MARKETING MANAGER Verity Travers
verity.travers@anthem-publishing.com
MARKETING EXECUTIVE Deirdre Attinger
deirdre.attinger@anthem-publishing.com
Anthem Publishing Ltd,

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make every effort to ensure that the factual
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any responsibility nor be held accountable
for any factual errors printed. No part of
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Anthem Publishing recognises all copyrights
contained within this issue. Where possible we
acknowledge the copyright holder. Reloved is a
trade mark owned by Anthem Publishing.
COMMERCIAL DIRECTOR Simon Lewis
COMPETITION RULES
EDITORIAL DIRECTOR Paul Pettengale
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THIS ISSUES CONTRIBUTORS

NICOLETTE TABRAM
trained as a textile
designer at Central
School of Art and
worked in fashion
for many years,
including as a senior designer for
Monsoon. After leaving her job,
she began to upcycle furniture
using her own stencils, and now
sells them at www.etsy.com/shop/
NicoletteTabram. Discover how
she transforms a set of plain chairs
with her stencils on page 30.
SARAH BEENY
Sarah first
appeared on our
TV screens in
2001 presenting
Property Ladder,
and has continued to give us
essential advice about our homes
ever since. She has recently
moved in a slightly new direction,
launching her Sarah Beeny Home
Collection, and you can find out
all about it as Keith Youngs chats
to her on page 24.
CHARIS WILLIAMS
Charis catapulted
into the limelight as
salvage expert and
designer on Kirstie
Allsopps Fill Your
House For Free TV show, and now
she is Reloveds latest DIY expert.
Charis loves scouring skips and
visiting reclamation yards, then
coming up with creative projects
using her finds. Turn to page 85 to
find her top tips on how to get your
hands on free timber.
OCTOBER
RL25.Flannel.FOR PRINT.indd 6
24/08/2015 12:18
carborough
e
g
a
t
Vin
Fair?
Scarborough
vintage fair p11
Scavenged
sculptures p10
Recycled
timber p8
Creative
Hub
it
o
d
n
a
c
We with 60 stalls of Everything Vintage! Plus
Jewelled
bouquets p8
Entertainment
vintage tea rooms
Hairdressing & Beauty Salon
NAAFI serving a 1940s menu Classic Scooters & Bikes
ThE SPA, SCARBOROUGh
Conc. 2
U12s FREE
SUNDAY 25Th OCT 10Am 5PmNEWS EVENTS PRODUCTS
www.advintageous.co.uk
ORGANISED BY
ADVINTAGEOUS
FAIRS & EVENTS
ARE PROUD
TO SUPPORT
reessential place to come for

This
isethe
u
o
y
e
HHH
Se endless
inspiration from the world
PS. Dont forget your bucket and spade!
of upcycling just turn the

page to begin...
Visit The
Doodle Bar p8
Reinvented
classics p11
OCTOBER
RL25.News.FOR PRINT.indd 7
27/08/2015 14:07
CH
Festive crafting
THE DOODLE BAR
If youre in the mood for a drink in a quirky setting with

some creative inspiration thrown in, head to The Doodle
Bar in Battersea, London. A bar and events space with a
fantastic street food menu and beach dining area, Doodle
Bar is a relaxed venue to meet friends and learn a new skill.
Set against the backdrop of Testbed1, housing a gallery for
inspiration and courses ranging from French knitting and
fashion upcycling to line drawing and block printing. Check
out their upcoming events at www.thedoodlebar.com
Its never too early to start your

Christmas crafts and Sizzix have
brought out a fantastic collection of
Thinlits by Debi Potter, combining
traditional and contemporary festive
elements in these
beautiful die
sets. Use the
cute designs
to make
personalised
Christmas
cards,
wrapping
paper and
to decorate
trinket boxes
and picture
frames as gifts.
If you start soon,
just think what you
will have created come
Christmas! Order the range
at www.sizzix.co.uk
COMMUNITY WOOD RECYCLING
Community Wood Recycling has grown into a national network of 27 wood recycling
social enterprises across the country. They rescue and reuse wood by collecting and
sorting waste timber from building sites, and selling it to the public for DIY, or
making it into bespoke items to be sold on. The organisation also creates sustainable
jobs through training and volunteering opportunities for local people. Visit
www.communitywoodrecycling.org.uk to find your local project and make them your
first stop next time you are starting a DIY project. If youre less handy with timber you
could buy one of their beautiful ready-made items or become a volunteer and gain
some invaluable skills!
Bejewelled
Wonders
Debbie Carlisles stunning bridal accessories

and everlasting bejewelled bouquets are
as unique as they are beautiful. Debbies
luxurious pieces are created from vintage
jewellery, buttons, crystals, pearls, beads and
fabric, as well as items with special memories
donated from the brides for a personal touch.
Debbies studio now has two websites and her
pieces are stocked in bridal boutiques across
the country. Visit www.debbiecarlisle.com
8
RL25.p008.indd 8
OCTOBER
27/08/2015 14:09
GRAND DESIGNS LIVE
Grand Designs Live is back at the NEC

Birmingham from 8-11th October with
over 500 exhibitors covering kitchens
and bathrooms, gardens, grand builds,
interiors and technology. There will
be live demonstrations in the kitchen
area and a host of experts giving out
top tips and tricks of the trade as well
as answering your project questions in
the Grand Interior Theatre. Take the
opportunity to get inspired with Kevin
McClouds Green Heroes, his handpicked
selection of the best eco-innovations on
the market. For details visit
www.granddesignslive.com. Reloved
readers can get a free weekday* ticket
to the show use code RLFREE.
*Terms & Conditions apply Offer valid on
standard admission tickets only, offer ends
07/10/2015, tickets must be booked in
advance, max 2 tickets per household, non
transferable, print at home tickets only, tickets
valid on any one weekday, either Thursday
8th or Friday 9th October, subject to limited
availability, tickets allocated on a first-come
first-served basis.
BLOGS
WE LVE
SEW WHATS NEW
www.sewwhatsnew.co.uk
Winner of the 2015 Great British Sewing
Bee, Matt Chapple, runs blog Sew Whats
New with wife and star baker Gemma, and
children Max and Evie. This creative lifestyle
blog covers the Chapples adventures with
stitching, making and baking and is full of
ideas and projects to try with step by step
guides. Get inspiration from experiments
with more
complex
projects and
pick up a pin,
tin or wooden
spoon and
start your own
adventures!
RECYCLED INTERIORS
www.recycledinteriors.org
Pass The Paint!
Stencils are a fantastic way to add detail

to an upcycled piece or create interest
on plain walls or painted floors. At
Stencil-library.com there are hundreds
of designs to choose from, available in
different sizes to suit your project. If
you have a very specific design in mind
they also make customised stencils
including lettering and signage. With
hints and tips available on the website
and classes at their base in Stocksfield
Hall, Northumberland, it is a technique
everyone can experiment with
regardless of your crafting confidence.
Visit www.stencil-library.com and be
amazed at the range of items you could
stencil in your home!
Based in Adelaide, counsellor, diabetes

expert, entrepreneur and mum of three
Helen Edwards has a wealth of life
experience, a passion for creative design
that cares for the planet and a love of people
that shines through her blog. Covering topics
from sustainable styling, DIY and upcycling,
to green living, wellbeing and mindfulness,
Helens mantra Healthy planet, healthy
people, healthy home radiates through
everything she
does. Grab a
cup of tea and
settle down
to peruse this
warm and
witty womans
wisdom!
LOVE YOUR CLOTHES

www.loveyourclothes.org.uk
Weve fallen in love with the practical tips
and wisdom from bloggers at Love Your
Clothes. Learn how to make school uniforms
last longer, remove pesky stains from your
best jacket, upcycle and recycle unwanted
items and mend and alter that dress you
cant bear to part with. Follow advice on
eco-friendly laundering to help clothes hold
their shape and colour longer. Plus strategies
to organise
your wardrobe
to stop clothes
damage makes
that morning
dressing stress
a thing of
the past!
OCTOBER
27/08/2015 14:06
CH
Eco-friendly
Choices
CREATIVE HAVEN
Leeds based Inkwell Arts is a hive of creative activity with a passion for
developing creative skills to promote robust mental health. As a Leeds Mind
project, Inkwell challenges the stigma of mental health problems and embraces
the local community by providing a safe and inclusive place for those of all
artistic abilities to explore their creative side. Offering workshops and evening
classes ranging from pottery, abstract painting and paper folding, to acoustic
and film nights, there is something for everyone. Why not pop into the Saturday
Caf to enjoy the freshly made, ethically produced menu and be inspired to get
involved? Find out more at www.inkwellarts.org.uk
If you are looking to reduce your carbon

footprint, have you thought about eco-friendly
products when it comes to shopping for
homeware? Nigels Eco store is one of the
largest online independent eco retailers
in the UK, with a huge range of affordably
priced products from everyday items to gifts
and unique pieces for the home. Founded
in 2005, this Brighton-based company
encourages shoppers to make eco-friendly
choices. Visit www.nigelsecostore.com
to check out their
clothing, toys,
eco lighting, solar
powered garden
accessories, energy
saving electrical
appliances, eco
paints and gifts.
SCAVENGED SCULPTURES
London based Artist Michelle Reader specialises in creating figurative sculptures

from household and industrial waste, as well as reclamation yard and charity shop
finds. Her vivid and often humorous sculptures have been commissioned by events
and organisations to draw attention to the amount of waste thrown away. Michelles
inventiveness and ability to see the potential of waste and discarded items is astounding
and her sculptures are both intriguing and delightfully entertaining! Check out her work
at www.michelle-reader.co.uk and we guarantee you will look at the items you throw away
in a whole new light!
Teaspoon jewellery
Silversmith and jewellery designer Caroline
set up Little Bird Studio 22 in 2011, selling
beautiful handmade pieces. Here at Reloved
we adore her spoon rings and bangles made
from sterling silver teaspoons and dessert
spoons. This clever idea stems from the
17th century, when servants made wedding
rings out of their masters spoons! We love
the idea of turning pretty silver teaspoons
into beautiful items to be worn. Caroline
customizes pieces by engraving initials and
dates, making them into special gifts and
future heirlooms. Visit Carolines website at
www.littlebirdstudio22.co.uk and save 10%
with new customer code LBS22NEW.
10
OCTOBER
27/08/2015 14:06
H H H H ARE YOU GOING TO H H H H
By the Sea
Scarborough Vintage Fair on the 25th

October at The Spa, Scarborough, is the
perfect opportunity to step back in time
and bathe in the glory of bygone eras.
With 60 stalls of pure vintage fashion,
homeware and jewellery to enjoy, as
well as a pop-up hair salon, a selection
of vintage motor vehicles, musical
entertainment and a chance to trip the
light fantastic, you will be needing to
rest your feet in the vintage tea room
or NAAFI Caf! Even the poster for the
event could be a collectors item! At the
bargain admission price of 2.50 its set
to be an unforgettable day out by the
sea! For more details, visit the website
Scarborough
e
g
a
t
n
Vi Fair?
Fair?
BOOK
CLUB
THE LITTLE BOOK OF
TYPOGRAPHIC
ORNAMENT
By DAVID JURY
n do it
We cawith
60 stalls of Everything Vintage! Plus
Live Entertainment
vintage tea rooms
Hairdressing & Beauty Salon
NAAFI serving a 1940s menu Classic Scooters & Bikes
ADm
2.50
ThE SPA, SCARBOROUGh

SUNDAY 25Th OCT 10Am 5Pm
ORGANISED BY
ADVINTAGEOUS
FAIRS & EVENTS
ARE PROUD
TO SUPPORT
Conc. 2
U12s FREE
ere
See youH H H
PS. Dont forget your bucket and spade!
Published by LAURENCE KING, 14.95

Opening the pages of this book is like
stepping back in time to the Victorian era
and then being able to reproduce it in
your own craft work. The ornaments are
incredibly varied, from bicycles and carriages
to figures and decorative borders it is a
fantastic resource,
and theyre available
as digital downloads
too. Its not just an
image library though,
it includes history
and background too.
Invaluable for craft
people and designers.
HELLO TOKYO
OVERSIZED UPCYCLING
The city of Linz, Austria, has invited architects, engineers and artists from around the
world to enter a creative contest for the biggest upcycling project of its kind! The 120
year old Danube bridge has come to the end of its working life and the city is keen
to recycle some of its 393 metre steel structure into a functional public space. On
the 27th September the citizens of Linz will take to the polls and vote on the future
of the bridge. Check out the ideas proposed so far at upcycle-the-bridge.jovoto.com.
How would you upcycle a bridge?!
By EBONY BIZYS
Published by MURDOCH BOOKS, 14.99
The author lives and works in Tokyo, so
shes well placed to write on the subject
of all things Japanese and that really
comes across in the huge number of
handmade designs in the book. Instead of
the stereotypical approach to Japan, the
projects are all about the normal, everyday
experience of living there and the lifestyle
they fit into. If you
want fresh and quirky
inspiration, then
this is packed with
it the ideas and fun
projects keep coming
and its particularly
good if youre
planning a party.
A HOT GLUE GUN MESS
New masterpieces
Artist Jane Perkins will blow your mind

with her reinterpretation of classic
paintings and portraits using found
materials. Look closely at her work and
you see plastic toys, buttons, bottle
tops, beads, cutlery, shells and many
more everyday items transformed into
breathtaking works of art! Based in
Exeter, Jane sources items from local
charity shops, boot sales and recycle
centres and, armed with her glue gun,
transforms her loot of colourful items.
View www.bluebowerbird.co.uk to
check out her work and prints for sale.
By KATE ALBRECHT AKA MR. KATE

Published by WILLIAM MORROW, 12.99
The subtitle Funny stories, pretty DIY
projects really does sum the book up and
you could justify buying it for either! The tales
of Kates life are entertaining and no holds
barred while the projects are exceptionally
pretty and well thought out and put together
too. You dont have to read the colourful tales
that accompany each
design, but they do
help put you in the
mood to recreate the
pretty projects, if not
Kates lifestyle! This
book really shows
just how glamorous
upcycling can be!
OCTOBER
11
27/08/2015 14:06
Opening times:
Henley in Arden; Monday-Sunday 10-5pm
Stratford-Upon-Avon; Mon-Sat 10-5pm
Sun 10.30-4.30pm
01564 795979
www.beatriceandclementine.co.uk
Set in the old bakery in picturesque Henley-in-Arden

Antique, vintage and upcycled furniture
Vintage treasures for you and the home
Annie Sloan stockist and
official Chalk Paint workshops
Beatrice and Clementine
92 High St, Henley in Arden
Warwickshire, B95 5BY
01564 795979
Stratford Antiques and Interiors

Dodwell Trading Park
Evesham Rd, Stratford Upon Avon
Warwickshire, CV37 9SY
Would you like to

advertise in Reloved?
Get in touch with
Laura McLean
laura.mclean@anthem-publishing.com
Tel +44 (0) 1225 489989
RL25.Ad page 12.FOR PRINT.indd 12
26/08/2015 17:00
Photo Harriet Matthews
Photo Harriet Thomas
hen I was a child, which

is a rather long time ago,
I had a book where I kept
stickers, labels and pictures
that I liked. I put in pressed
flowers and I did some drawings in it too. It
was something to do on a rainy day.
Later on, I went to art school and was
encouraged to keep a sketchbook on me at
all times. It was drummed into us to draw
anything and everything, note down thoughts
either in words or with a swatch of paint, or
use it to keep a stunning coloured wrapper
that had caught our eye, or a picture from a
catalogue. It was a way to help you become
more observant.
After art school, I became interested in
interiors and I noticed how some designers
and customers kept bulging books crammed
with cuttings of fabrics and catalogues, and
room dimensions. I loved the way the books
looked like a three dimensional mood board.
I started to keep a workbook to help build
up my knowledge of design and have since
continued to use a sketchbook for my ideas.
I find if I draw them, it makes me remember
something. Apparently we remember things
ANNIE SLOANS DIARY

OCTOBER 2015
The inspiration behind

my sketchbooks
Log out of your Pinterest account and pick up a pen

and sketchbook as Annie shares the joy of creating real
scrapbooks to ll with your drawings, colour schemes and
furniture painting inspiration...
in pictures and not in words. I have certainly
found this to be true.
Nowadays people have discovered
Pinterest. What joy! Now we can pluck
pictures with abandon from all over the world
to build up a palette of inspirational ideas and
colours for our dreams of holidays, our house
or garden. We are all addicted!
So how about transferring that virtual
scrapbook idea to real paper and keeping
your own book of ideas? The first thing you
will probably say is that you cant draw. But
thats not really the point. Dont be put off as
you dont have to be able to draw well. Its not
a competition. Just do it! This is what the new
British Childrens Laureate, Chris Riddell, says:
Do you have hands? Excellent. Thats a good
start. Can you hold a pencil? Great. If you have
a sketchbook, open it and start by making a
line, a mark, wherever. Doodle. Take a line for
a walk, as Paul Klee said. Lose your inhibitions
about drawing and just do it.
Chris is an illustrator and storyteller and
one of his aims is to encourage children to
keep a sketchbook. Its a great idea, but I dont
think it should just be for children. Id like to
encourage all of us to do that too. I have
published a Work Book that is just about
that. A book with pockets and plain
pages, as well as some tips and doodles
from me to get you going.
I find a black pen is an essential
item to drawing. I do an outline and then

colour it in. I am not after perfection in these
drawings. Try to draw as if you are describing
the shape of a piece of furniture to someone.
Ive found that people often draw well when
they dont think they are doing a drawing but
are merely describing a shape. If you are not
used to drawing, it makes you do purposeful
lines and not a series of small lines.
Ive been thinking a lot about colour and
style recently, so I have been working on
getting a body of drawings together that show
how each colour can be combined. I am often
asked what my favourite colour is, but this is
a very difficult question to answer because
I dont see colour as isolated. All my colours
are there because they need to be. To achieve
a good balance and to be able to mix them
together so that any colour can be achieved.
Sometimes a colour that may not be top of
your list is exactly what is needed to make a
scheme really work.
The two drawings here were done using
my earthy yellow colour Arles. I wanted to
understand this colour a little better and see
how I could use it in more ways. In one, I was
considering the entrance to our warehouse,
where I have placed a chair painted in Arles
(the same chair I wrote about in the September
issue of Reloved). So I did a simple sketch
showing Arles painted on the floor. Its quite a
bold statement so I wanted to see how it might
work by doing a drawing first. I think it
will work, so thats the next job!
This led on to my second
drawing where I found a French
armoire on the internet and copied
it in outline. I used Arles on the wall,
but added some Old White to soften
it. Arles is a hot colour so it needs
something cool to make it work. Ive
used Paris Grey on the armoire to do
this and then added some Emperors
Silk in the interior, with a little Cream
and Old Violet on the chair next to it.
So get yourself a sketchbook and
start collecting and dabbing colours
maybe even do a drawing, too!
www.anniesloan.com
OCTOBER
RL25.Annie Sloan.FOR PRINT.indd 13
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EAST ANGLIA
ESSEX
INTERIOR SUPERIOR
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STOCKISTS
SOUTH
DEVON
TILLYS
32 Molesworth Road, Millbridge, Plymouth, PL1 5NA
Creative chaos reigns in our quirky shop/workshop - come see!
www.tillymoo.co.uk
01752 559522
DORSET
GESSO INTERIORS
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14 High West Street, Dorchester, Dorset, DT1 1UW

Gesso Interiors is all about Stylist Vintage Living. We offer hand painted
vintage furniture lovingly restored and painted in a delightful Annie
Sloan paint colour. We stock elegant and cosy homewares and Annie
Sloan paint and products that give your home that French/Nordic look..
www.gessointeriors.com
info@gessointeriors.com
Facebook: www.facebook.com/gessointeriors
01305 259312
LONDON
HOME & PANTRY
114 Islington High Street, London, N1 8EG
Stunning Lifestyle Boutique selling French, Scandi & Vintage
Style Home Furnishings, Accessories & Gifts with monthly
Annie Sloan Workshops.
www.homeandpantry.com
www.facebook.com/homeandpantry
Info@homeandpantry.com
020 7226 9528
SHELDON PAINT TECHNIQUES
POETIC DESIGN
36 Station Road, Upminster, Essex RM14 2TR
Interiors showroom stocking various styles from country rustic to
industrial quirky, including furniture, lighting and home accessories
and proud Annie Sloan stockists.
www.poeticdesign.co.uk
www.facebook.com/PoeticDesignInteriors
info@poeticdesign.co.uk
01708 222213
NORFOLK
HECTORS BARN
61 Manor Road, Dersingham, Kings Lynn, Norfolk, PE31 6LH
Hectors Barn specialises in all things quirky, diverse, unique
and inspiring!
www.hectorsbarn.co.uk
Info@hectorsbarn.co.uk
01485 540632
SUFFOLK
LITTLE GEMS INTERIORS
The Barn, The Street, Assington, Sudbury
Modern country and French; painted furniture, home accessories
and gifts.
www.littlegemsinteriors.co.uk
https://www.facebook.com/pages/Little-GemsInteriors/200120920086996
01787 210951
NORTH
CHESHIRE
GIFTSHOP ON THE CORNER AND MOO DESIGN INTERIORS
235 Chester Road, Helsby, Cheshire, WA6 0AD
Rustic Country Style Home Decor by Moo Design.
www.facebook.com/giftshoponthecorner
www.giftshoponthecorner.co.uk
0198897880
HARTLEPOOL / COUNTY DURHAM

ECO CHIC-IT
Unit 5, Usworth Enterprise Park, Usworth Road, Hartlepool
We stock a unique array of elegant vintage painted furniture and
accessories. Annie Sloan Chalk paint stockist, Workshops.
Upholstery service. Commissions taken.
www.ecochic-it.co.uk
www.facebook.com/EcoChicit
07411 680311
THE FOREST BAILIFF
10 Market Place, Pickering, N Yorkshire

Boutique situated in the market place of Pickering specialising in
painted furniture, shabby chic interiors and accessories. AS fabric
to order
www.ebonyinteriorsandgifts.com
www.facebook.com/ebonyinteriorsandgifts
01751 476212
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3 New Broadway, Hampton Road, Hampton Hill, Middlesex TW12 1JG

Chalk Paint stockist. Appointed and trained by Annie Sloan.
Expert advice on your project, help and inspiration. Paint techniques
workshops. Picture Framing
http://sheldonpainttechniques.blogspot.co.uk/
admin@sheldonpaint.co.uk
www.facebook.com/pages/Sheldon-Hamptons-PaintTechniques/228563857301699
0208 9430786
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616 London Rd, Westcliff on Sea, Essex Cm14 5rd

Painted furniture, Workshops, Fabrics, & Gifts & Home Accessories
www.facebook.com/pages/Interior-Superior/253259434732332
Twitter: @is616LondonRd
Instagram: IS616LONDONRD
01702 808489
36 Durham Road, Wimbledon, SW20 0TW

London stockist of Annie Sloan products, accredited Essentials
1 & 2 painted furniture workshops. Beginners and intermediate
sewing classes. Six little rooms full of inspiration with a helpful,
friendly and professional service.
www.forestbailiff.co.uk
shop@forestbailiff.co.uk
020 8947 5115
NORTH YORKSHIRE
EBONY INTERIORS & GIFTS
MIDLANDS
BIRMINGHAM
EL DORADO
26 St Mary Street, Thornbury

Rustic country with a hint of French and Coastal. Picture framing,
furniture restoration and homewares
www.surroundingsonline.co.uk
www.facebook.com/pages/Surroundings-Online/158100753073
01454 411000
22 Augusta Street, The Jewellery Quarter, Birmingham

Stockists of Annie Sloan Chalk Paint, Wax, Brushes & Books
specialising in upcycling & painting of vintage furniture. Regular
introductory essential paint techniques workshops
www.eldorado.uk.com
0121 448 4406 / 07837 810763
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SOMERSET
SURROUNDINGS
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32 Sheep Street, Stratford-upon-Avon, Warwickshire
A quirky mix of past and present and everything Annie Sloan!
www.giftsandforgetmenots.co.uk
info@giftsandforgetmenots.co.uk
www.facebook.com/giftsandforgetmenots
01789 297850
STOURBRIDGE
O G HOMES
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GIFTS & FORGET ME NOTS
Beacon Farm, Barr Beacon, Beacon Road, Aldridge, Walsall

18th century barn brimming with painted and decoupaged furniture
with an English Rustic and country flavour.
www.thevintagehenhouse.com
https://www.facebook.com/TheVintageHenHouse
0121 360 3680
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THE VINTAGE HEN HOUSE
WALES
Ogmore Road, Ogmore by Sea CF32 0QP

A delightful rural store offering the very best in country living
Like us on facebook: The Stone House
01656 651478
SOUTH GLAMORGAN
BETI BIGGS
90 Albany Road AND 1 Romilly Crescent, Cardiff

Stylish Painted Vintage Furniture, unusual gifts and homewares
alongside Annie Sloan CHALK PAINT, waxes and associated products.
www.betibiggs.com
www.facebook.com/betibiggs
02920 312231/372111
TOP TO BOTTOM ACCESSORIES
HAPPY DAYS HOMESTORE
SHROPSHIRE
BELLE MAISON VINTAGE
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WARWICKSHIRE
BEATRICE & CLEMENTINE
92 High Street, Henley in Arden Dodwell Trading Park,
Stratford on Avon
Country Cottage meets Warehouse and Industrial chic.
Upcycled furniture, fabrics and homewares.
www.beatriceandclementine.co.uk
https://www.facebook.com/Beaandclem
01564 795979
CHANNEL ISLANDS
Bonsai House, Southside, St Samspons, Guernsey GY2 4QH

We are a home and interiors specialist with a beautiful showroom
and an e-commerce site. We are part of the Bonsai Group based
in Guernsey, Channel Islands
http://shop.bonsaigroup.gg/
info@bonsaigroup.gg
www.facebook.com/bonsaigroup
+441481200011
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GUERNSEY
BONSAI HOME
KI
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Stone Cross , Penkridge , Staffordshire ST19 5AS

We specialise in one off pieces of hand painted French inspired
furniture and home interiors .
www.jojosinteriors.co.uk
Jojosinteriors@hotmail.co.uk
Facebook: JoJos Interiors
01785 711101
07702 783374
35 Main St, Newcastle. County Down BT33 0AD

The Craft Loft , the local Stockist for all products from
Annie Sloan in Newcastle Co Down , and advice through
workshops in a beautiful setting .
www.annettschildrenswear.co.uk
phyllisg@btinternet.com
Facebook: Annetts Childrenswear and Nursery
Instagram: the_craft_loft
Tel: 02843722293
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STAFFORDSHIRE
JOJOS INTERIORS
COUNTY DOWN
THE CRAFT LOFT AT ANNETTS
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12 Market Place, Shifnal, Shropshire TF11 9AZ

We are situated in the market town of Shifnal, specialising in
French inspired painted furniture, shabby chic interiors and
accessories. We carry all Annie Sloan Products including Fabric.
Annie Sloan Chalk Paint workshops available.
orders@bellemaisonvintage.com
www.facebook.com/BelleMaisonVintage
01952 463227
PLEASE CONTACT LAURA McLEAN ON 01225 489989
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Dolgellau, mid Wales

Nia was an actress for 25 years, then worked on the makeover
programme Real Rooms for BBC Pebble Mill. She has been working
her magic on furniture for many years and her shop is a design led
paradise for interiors and gifts..
www.medi-gifts.com
post@medi-gifts.com
https://www.facebook.com/pages/MEDI/109570549110404
Twitter: @siopmedi
01341421755
KI
5 Portland Road, West Bridgford, Nottingham, NG2 6DN

A home interiors store where modern vintage meets with contemporary
rustic style. A full bespoke service offering restyled and handmade
furniture, home accessories and wall coverings.
www.heidisretail.com
www.facebook.com/heidishomefurnishings
0115 8461083
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NOTTINGHAMSHIRE
HEIDIS HOME FURNISHINGS
Church Street, Cowbridge CF71 7BB

A delightful store brimming with reloved and upcycled wares to inspire
your Annie Sloan projects. Open 7 days
Like us on Facebook: Happy Days Vintage Homestore
01446 771191
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28 Steep Hill, Lincoln.

English Country and French elegance. Hand painted furniture,
homeware and gifts.
www.toptobottomaccessories.co.uk
toptobottom@ Sky.com
Facebook toptobottomaccessories.
01522 394819
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Rough luxe; rustic gallery with hand painted furniture, local artisan,
hand crafted gifts and home decor, architectural salvage, reclaim and
upcycled ideas.
www.facebook.com/JimsYardTealby
bricktreegallery@gmail.com
07745 215689
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LINCOLNSHIRE
BRICKTREE GALLERY AT JIMS YARD
BRIDGEND
THE STONE HOUSE
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Oldswinford Galleries, 106 Hagley Road, Oldswinford, DY8 1QU

Stockists of Annie Sloan Chalk Paint, waxes and workshops as well as
boutique items for your home.
www.oghome.co.uk
info@ogfurniture.co.uk
01384 395577
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OCTOBER
RL25.Cover Project.FOR PRINT.indd 16
27/08/2015 13:59
Fruit bowl
pincushions
HOME R E F
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If youre stuck for ideas for some colourful scraps of fabric, then these
quick-to-make apple and pear pincushions are the perfect project. The more
colourful and varied the fabrics you use the better it looks.
Photography by Camera Press/Marie Claire Ides/Lars Ranek
MATERIALS
Scraps of fabric
Thread
The stem from a plastic apple

Stufng from an old pillow
Newspaper
STEP ONE Start by drawing out the templates

on a piece of newspaper or scrap paper. Pin
onto your scraps of fabric and cut out 10-12
pieces for the apples and 8-10 pieces for the
pears. It will depend how big you want your
fruit to be as to the size of the pieces.
STEP TWO Place two pieces right size
together and, leaving a small seam allowance,
stitch down one long side. Place another
piece of fabric right side onto the free edge
and repeat until you have a long (curved)
piece of fabric.
EQUIPMENT
Sewing machine
Scissors
Iron
Needle
TOP TIP
You can use the
stuffing material
from a variety
of sources, like
unwanted cuddly
toys, or use foam
cut into pieces that
fit the size of fruit
youve made.
STEP THREE Turn right side out, turn under

the seam allowance on each of the raw edges
and iron in place. Carefully slipstitch the
apple or pear together, leaving space at the
top for stuffing.
STEP FOUR Stuff the fruit as much as you
like with old pillow stuffing. Sew the fruit
closed, adding in the plastic stem for the
apple until secure. Now youre ready to add
your pins and put the pincushion in pride of
place in your craft room.
ENLARGE TEMPLATE TO YOUR

DESIRED SIZE
APPLE
PEAR
OCTOBER
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OCTOBER
RL25.Bobbin Candlestick.FOR PRINT.indd 18
24/08/2015 14:55
Bobbin
candlesticks
M ID W E E K
MAKE
Vintage wooden textile bobbins are beautiful and can be repurposed into
alluring candlesticks for a home or to style an event with an old-fashioned
feel. Use taper candles for elegance or pillar candles for robustness.
By Lyndel Miller
MATERIALS
Vintage wooden textile bobbins

with a at base for stability
STEP ONE Choose which end of the bobbin

you wish to glue the candle to. I recommend
you select the larger surface area if you have
a choice.
Craft or wood glue
STEP TWO Place a drop of glue at the end of

the candle and press the candle firmly down
onto the bobbin. Hold in place until you feel
the glue has bonded.
Taper or pillar candles to t your

chosen bobbins
STEP THREE Leave to dry.
TOP TIP
These bobbin
candlesticks are a
great conversation
piece at an event,
and they also
make lovely gifts. I
used these bobbin
candlesticks in the
simple eco wedding
story in the Naked
Cakes book as
both rustic table
decorations and
soft lighting.
This project is taken

from Naked Cakes by
Lyndel Miller, published
by Murdoch Books RRP
20. Photography by
Mindi Cooke.
OCTOBER
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24/08/2015 14:53
Stencilled
Cabinet
You dont need to be an artist to upcycle

a cabinet with the beauty of nature, just
use a Sizzix Big Shot Plus Machine and
a little imagination.
By Pete Hughes for Sizzix (www.sizzix.co.uk)
F U R NI T
RE VA MUPRE
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25/08/2015 14:33
This is a project
you can really
have fun with,
choosing where
to place your
stencils and
letters, adding
and changing
whenever you
feel like it.
Stencilled Cabinet how to...

Materials
Assorted acrylic paints

White chalk paint
Assorted stamps (Stampers

Anonymous by Tim Holtz)
Wooden cabinet
Thin kraft card
Equipment
Sizzix Big Shot Plus Machine

(660020)
STEP Two Add a little blob of the green

paint to a craft sheet (or to any smooth
nonporous surface) and use a brayer to roll
into a thin layer. Decide where youre going
to place your row of numbers and then apply
the green acrylic paint using text design
rubber stamps.
Sizzix Thinlits Die Set 4PK

Scribbles & Splat by Tim Holtz
(660222)
STEP three When the paint is completely

dry, use the Big ShotTM Plus machine to
die-cut the large numbers from thin kraft
card. Attach them in a vertical row over the
stamped detail by applying a thin layer of
repositionable spray adhesive to the rear of
the die-cuts.
Sizzix Bigz Alphabet Die Word

Play by Tim Holtz (657837)
STEP four Decide on your overall

composition and use a sponge applicator to
apply the green paint across the cabinet and
over the die-cut letters.
Sizzix Thinlits Die Set 4PK

Mixed Media by Tim Holtz
(660220)
Sizzix Bigz Alphabet Set 7 Dies

Serif Essentials (655128)
Sizzix Sizzlits Decorative Strip

Alphabet Die Alphabetical by Tim
Holtz (657482)
Sizzix Bigz Die w/Texture Fades

Butterfly Duo by Tim Holtz
(660236)
Sizzix Bigz Die Garden Greens
by Tim Holtz (659436)
Sizzix Bigz Die Tattered Leaves

by Tim Holtz (658261)
STEP five Die-cut the butterflies from thin

kraft card and retain the negative part to use
as a stencil. Repeat this using all the other
die-cut elements.
STEP six Using the same green paint,
apply through the various stencils around the
periphery of the large body of green paint.
STEP seven Mix some of the green paint
with white chalk paint, creating a lighter
shade, and use this to add detail.
Brayer and craft mat
STEP eight Apply some strategically placed

teal coloured acrylic stencilled shapes and
mix some of the paint with a little white to
create a lighter shade.
Top tip
STEP nine Use the brayer to roll out both

white and teal paint and apply using the
rubber stamps to add detail.
Sponge applicator
Paintbrushes
Give the cabinet

a more autumnal
feel by introducing
orange, brown and
red shades to the
colour scheme.
22
STEP ONE Take an old kitchen or bathroom

cabinet and paint it with white chalk paint.
STEP ten Strategically apply some pale

yellow acrylic through your selected stencils
for the finishing touch. Finally, remove the
die-cut letters from the cabinet to reveal the
white paint beneath.
october
25/08/2015 14:33
Glamping is the fastest growing holiday sector worldwide...

With more and more people deciding
to take staycations it is the perfect time
to consider launching a Glamp site.
If you are planning to diversify your
business, then a visit to the Glamping Show
will pay dividends:
Suppliers from all corners of
the industry in one place
Free business advice through a
comprehensive seminar programme
"The Glamping Show will open your eyes with ideas

on getting creative to build your glamping dream."
Max McMurdo,
Designer, upcycler, entrepreneur and TV personality,
Shed of The Year judge and Amazing Spaces regular.
24TH - 26TH SEPT 2015

STONELEIGH PARK WARKS CV8 2LZ
(24th trade only, 26th open to public)
www.theglampingshow.com
RL24.Ad p12.FOR PRINT.indd 21
30/07/2015 08:45
IN CONVERSATION WITH...
Sarah Beeny
You dont get to be a successful property developer and

renovator without knowing how to upcycle and now Sarah is
launching her own range of furniture accessories
Keith Youngs catches up with her to nd out more...
his month has been a treat for

me as I managed to catch up
with one of my personal favourite
people and TV golden girl, Sarah
Beeny. Sarah has been on our
screens now since 2001, when she first
came to everybodys attention presenting
the massively successful Property Ladder,
which ran for an amazing seven series. Since
then she has rarely been out of the spotlight
with hit after hit including Help! My House Is
Falling Down, Beenys Restoration Nightmare
and Sarah Beenys Selling Houses.
Now Sarah is moving in a new direction
and has launched a stunning new handle
range as part of the Sarah Beeny Home
24
Collection. Sarahs also a wife and a mum, so

I kicked off with asking her where she gets
her energy and drive from...
Sarah you never seem to stop, where do you
get your drive and energy from?
Im not really sure either, I mostly fire-fight
my way through the day with a lot of time
juggling and failings!
On top of everything else youve achieved,
you now bring us this great new handles
range. Where did the idea come from?
As an experienced property developer and
home owner myself, Im very aware of the
setbacks that can be caused to a project as
a result of poor quality products.
Partnering with Hfele, a brand that values

good quality, made perfect sense.
I cant stand waste, so handles were
a great place to start in terms of allowing
people to entirely change the look of a piece
of furniture and often a room, without the
financial and environmental cost of doing so.
You have started out with four main sections
to the range, will we see this grow further?
I hope so! I have a lot of fun ideas.
One of the main things Ive noticed is that
you dont go for only one style. Whether with
property renovation or these handles, you offer
something to keep everyone happy. Do you
personally have a favourite period or style?
How boring the world would be if we all liked
the same style! I thought it was important to
create four small ranges that worked really
well together so that whatever your taste,
you can play around within that range and
achieve something exciting. This is about
helping people create something that they will
love. I have to say, Im a big fan of the
Vintage Glamour range, its all so decadent
and frivolous!
OCTOBER
RL25.Interview.FOR PRINT.indd 24
26/08/2015 14:14
You have gone into partnership with Hfele

to bring us this current range of handles. What
made you decide to work with them and what
did you feel they could bring to the table?
Hfele UK is a brand Ive known and trusted
for years, with many Hfele products were
used in my very own restoration project at
Rise Hall. It made perfect sense to join in
partnership with a company with the same
values and high standards as myself. Together,
weve crafted a stunning collection of handles
to suit any interior design project, and its so
wonderful to have reached this point where we
can finally share our hard work with you.
Is this only the beginning of the Sarah
Beeny Home Collection and what would you
like to see be the next part of the range?
We are currently in discussions about what
we would like to see next, but its been
wonderful to launch the Sarah Beeny Home
collection and the stunning collection of
handles, which are perfect for any interior
design project.
If things go well, might we be able to
decorate our entire house in Sarah Beeny
designs and styles, similar to the way people
can with Laura Ashley or Jasper Conran?
As long as we are able to continue to give
choice that allows people to realise a look in
their style, that would be lovely!
Your biggest design challenge to date has
to be the restoration of Rise Hall. So many
viewers bought into the show because we
saw not only the success stories but also the
mistakes. Was that an important part for you?
Every restoration project goes through its
highs and its lows and Rise Hall was definitely
no exception. Rise Hall was a unique project
for us and took up so much of our energy,
especially as we lived there for 20 years. We
were very passionate about the restoration,
so even when we did have setbacks it
was important to show how we solved
these problems and kept going, to achieve
something we are extremely proud of.
How are things going now and is Rise Hall
managing to pay its way?
Rise Hall is now more than just a beautiful
building; as a wedding and events venue it
has become a hub of the local community,
creating local employment and supporting
many local businesses. Its empty rooms are
once again full of love and laughter, the way
a house like this should be. The only way we
can hope to preserve buildings such as Rise
Hall, is to give them a purpose that works for
the 21st century.
Rise Hall was in fact a massively romantic,
maybe slightly mad property purchase in lots
of ways, as it was a stepping stone in the
journey to you and Graham

getting married. Do you still
manage to spend time there
with the children and does it
still feel like home now its a
business as well?
We all still love spending time
at Rise but we have to fit our
visits around weddings and
cant let the boys play football
in the ballroom any more!
Often people see you firstly
as a property developer,
but I often think of you as a
seasoned upcycler would you
say thats fair?
Yes, I think you might be
right. I always think its fun
to take something old and
transform it into something
new. If something is built well, be it a piece of
furniture or a building, its criminal to chuck
it out or tear it down just because it doesnt fit
into the latest design trends.
Apart from knocking walls down, which we
know you are keen on, are there upcycling
projects you really enjoy getting stuck into?
Im up for any upcycling challenge. The good
thing about creatively recycling pieces of
furniture is that you can embrace the style
it has or put your own design spin on it, to
make it work for you and your home.
With many upcycling projects its the final
touches that pull it all together and make the
difference. Handles often play a key part in
that and, looking at the handles in the range,
some are little works of art of their own. How
hands on were you with the actual design and
do you want to do more of that as the range
grows, so it has your stamp on it?
Its been a really lovely experience, which was
particularly helped by the fact that Hfele
very much understood what it was that I

wanted to achieve. Ive had so much input
and together we selected the handles it
truly is a partnership.
2015 is already well underway, but what
is in store for the rest of it for you Sarah, and
what can we look forward to seeing from you
in 2016?
The Sarah Beeny Home Collection with
Hfele will be my main focus for the rest of
year. Were also undertaking a big extension
on our house and, as I get older, I try to
focus on doing less things, but doing them
really well.
And finally, I know everyone will ask, so
where can we get our hands on your new
range of designs?
The new Sarah Beeny Home Collection is
available exclusively through Amazon (visit
www.amazon.co.uk and search for Sarah
Beeny Home) and you can visit our website
at www.sarahbeenyhome.co.uk for more
information about the collection.
OCTOBER
RL25.Interview.FOR PRINT.indd 25
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26/08/2015 13:01
26
OCTOBER
RL25.Polka Dot Tray.FOR PRINT.indd 26
24/08/2015 16:03
Polka-dot
tea tray
M ID W E E K
MAKE
Theres nothing nicer than treating a guest to morning tea or coffee on a cute
tray, adorned with a simple bloom in a miniature vase. This quick and fun
project lets the wood show through in the unpainted dots.
By Ebony Bizys
MATERIALS
Wooden tray
Round stickers
STEP THREE Slowly and carefully peel off

the dot stickers. Use the tip of a craft knife to
gently lift the edges, if needed.
Multi-surface paint
TOP TIP
Make sure stickers
are firmly in place
before painting.
Clear varnish
EQUIPMENT
Paintbrush
Craft knife
STEP ONE Cover the tray with stickers,

making sure to press down on the edges of
each sticker so that they are firmly in place
and no paint will be able to seep under the
edges. Ive used jumbo dot stickers, but
you could also use smaller dot stickers for a
different effect. You could also experiment
with masking tape, masking off different
shapes and areas or creating stripes or zigzag
patterns instead.
STEP FOUR Apply a coat of clear varnish and

allow it to dry overnight, then the tray will be
ready to use.
STEP TWO Use multi-surface paint to cover

the whole surface of the tray. Make sure not
to add too much water to the brush, which
might cause the paint to thin and seep
underneath the stickers. Allow the paint to
dry with the stickers in place.

from Hello Tokyo by
Ebony Bizys, published
by Murdoch Books.
RRP 14.99
Photography by BOCO.
OCTOBER
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OCTOBER
RL25.Leafy Blanket.FOR PRINT.indd 28
24/08/2015 15:20
Autumn leaf
woollen blanket
HOME R E F
UR B
The nights are drawing in and lovely Halloween and Guy Fawkes Night
parties are coming up, so its a great time make a throw from an old blanket,
using fresh fabric to cover up holes and give a great new look.
Project by Amanda Russell and Juliet Bawden from R&B Design (www.randbconsultants.co.uk). Photography by Antonia Attwood
MATERIALS
1 blanket made from British Wool

(www.campaignforwool.org)
STEP FOUR Iron each leaf in place. Check

you have removed all the pins, then sew each
leaf onto the blanket.
Dylon Machine Dye in forest green
1m of Cath Kidston woodland fabric
1m of woodland rose cotton duck

fabric to make bias binding
2 packets of fusible webbing
TOP TIP
Cath Kidston sell a
range of different
fabrics suitable for
this project, so you
can adapt it for
other themes and
times of year than
the autumn leaves.
Thread
EQUIPMENT
Dressmakers pins
Scissors
Korbond water erasable pen

Dressmakers tape
STEP FIVE Cut the bound strip off each end

of the blanket.
Iron
Sewing machine
STEP ONE Follow the instructions on the
packet to dye the blanket. It will felt it slightly
too. Leave the blanket to dry.
STEP TWO Iron the fusible webbing onto the
back of the leafy fabric. Cut out the leaves.
Peel off the backing paper.
STEP SIX Fold the contrast fabric on the

cross and measure a depth of 5cm. Draw a
straight line and cut lengths of bias.
STEP SEVEN Sew the bias strip around the
blanket, first on one side and then fold over
onto the other side of the blanket and sew it.
Note you will have to ease round the corners
of the blanket to fit the bias evenly.
STEP THREE Pin the first leaves so they

cover any holes. Arrange other leaves evenly
over the blanket.
OCTOBER
RL25.Leafy Blanket.FOR PRINT.indd 29
29
24/08/2015 15:21
30
October
RL25.Painted Step Stool.FOR PRINT.indd 30
24/08/2015 15:45
F U R NI T
RE VA MUPRE
Stencilled
Step Stool
These wooden step stools are a perfect

blank canvas for upcycling. Wood stain
and stencilling turn them into something
stylish and expensive looking.
Project and photography by Nicolette Tabram from Decorate Decorate
(nicolettetabram.com)
OCTOBER
31
24/08/2015 15:46
STENCILLED STEP STOOL HOW TO...

MATERIALS
Ikea Bekvam Step Stool
Wood Stain Dark Oak is used here
STEP ONE Before assembling the step stool,

rub the wood stain over all of the components
with a clean cloth and allow to dry.
Nicolette Tabram Stencil Paint
EQUIPMENT
STEP FOUR Using a circular motion, apply

the paint through the holes. Once complete,
carefully lift the stencil and repeat the process
on both of the steps. The paint dries very
quickly and does not need to be varnished.
Clean cloths old sheets are perfect
Selection of stencils from Nicolette

Tabram Designs
Stencil brush or mini roller
Spray adhesive or low tack tape

Stencils and stencil paint available
from www.etsy.com/uk/shop/
NicoletteTabram
STEP TWO Lightly coat the back of the

stencil with the spray adhesive and position
on one of the steps, smoothing it down.
Alternatively, you can use low tack tape to
hold the stencil in place.
STEP THREE Dip the tip of the brush in the
paint, removing any excess. Rotate the brush
onto a piece of paper to distribute the paint
evenly along the bristles. This will prevent the
paint from bleeding.
STEP FIVE Wash the brush and stencil

immediately in warm soapy water.
STEP SIX Assemble the step stool following
the instructions provided.
STEP SEVEN Finally, paint a solid colour
border around the edge of both steps and the
interior of the hand hole.
TOP TIP
Its important when
stencilling not to
load the brush with
too much paint, as
it can spread under
the stencil.
32
OCTOBER
24/08/2015 15:46
MASTERCLASS
Blanket box
A plastic-coated ottoman from the 1950s makes the perfect
blank canvas to create a cosy and comfortable storage box for
blankets, toys or your craft supply treasures its easy once
you know how and creates a lovely impression.
By Vicky Grubb
OCTOBER
RL25.Masterclass.FOR PRINT.indd 33
33
25/08/2015 16:17
MASTERCLASS
Blanket box
lastic-coated ottomans from

the 1950s are the perfect
shape and size for storing
toys, linen or craft supplies.
Two complementary fabrics
can be added to the base and lid to match
your rooms colour scheme, and as the
upholstery process is relatively simple,
the transformation can be achieved fairly
quickly. I have created a domed lid for
extra comfort using a geometric print for
the outside of the lid and a gorgeous pastel
pink print for the base and lid lining.
MATERIALS
Upholstery weight fabric, 150cm

long x 140cm wide or 225cm x
140cm railroaded
Fire-retardant calico, 100cm long x

150cm wide
Platform cloth, 1m long x 50cm wide
56g polyester wadding, 8m long x

67cm wide
2.5cm grey foam, pre-cut to 100cm

long x 50cm wide
1.25cm blue foam, one sheet
measuring 100cm square
Size 6mm and 8mm staples, one

box each
Back tack tape (cardboard tack
strip), 4m
Carpet thread (waxed thread),
100cm
Spray glue
Wood ller (optional)

White spray paint
EQUIPMENT
Basic toolkit
Basic health and safety kit

Notepad and pencil
MEASURING UP
STEP ONE Before you measure up, decide
how you want to place your fabric onto the
base of the box. This can be done in four
separate sections, or the fabric can be
railroaded (as I have done) to attach it in
one length around the front and side edges,
placing a separate section on the back.
Measure the blanket box all the way around
34
the base, and measure both the inside and

the outside of the lid. Create a fabric cutting
plan to follow.
Adding foam to the base as I have done
creates a thicker, puffier look, so make sure
to allow for extra allowance on the fabric.
Leave the cutting of the fabric until you
have added the calico.
re-spraying or re-varnishing as necessary.

Whilst the frame is bare, spray the inside
of the base with white spray paint, making
sure to cover the top edges, which will be
seen when the lid is opened. Work outside
and be sure to wear your face mask its
potent stuff.
STRIPPING DOWN
STEP ONE Unscrew the lid and put the
screws in a safe place. Using a tack or
staple remover and mallet, remove the
plastic coating from the base first, then use
pliers to pull on the braiding around the
top edge and try to rip it off in one piece.
Remove the cover from the lid. Check that
all the staples have been removed from the
base and lid, pulling out any that remain
with pliers. Dispose of all fillings and covers.
If the legs unscrew, remove them.
FABRIC FOCUS
So many choices: a vintage novelty print for a
playroom, an opulent velvet for the bedroom, or
a retro barkcloth, perfect for the fabric hoarder.
REPAIRS
STEP ONE My ottoman has removable
tapered legs, but you can also find them
with cabriole or square legs, which are
hidden. If the legs are attached, you will
need to undertake any repairs before
upholstering, but if they can be removed,
you can set them aside to work on later,
OCTOBER
25/08/2015 16:17
The 1950s style and the tapered legs made this blanket
box appeal aesthetically, but its plastic coat meant it was
shouting out to be made into something less clinical.
OCTOBER
35
25/08/2015 16:18
MASTERCLASS
Blanket box
RE-ASSEMBLY LID SECTION
STEP ONE Chalk a small rectangle in the
centre of the top of the lid. Measure the
rectangle and cut out the shape from the
edge of your 2.5cm foam. Attach the foam
in place with spray glue (A).
STEP TWO Place the remainder of the
2.5cm foam sheet on your table and place
the lid on top of it, with the covered side
facing down. Draw around the lid and cut
out the shape. Spray glue the back of the
foam, leave for 30 seconds to go tacky,
then place it over the foam rectangle on top
of the lid.
(CONT)
wrong side of the fabric in between and to

either side of the hinges.
TOP TIP
You can add single
piping around the lid
edge. Cut the piping
into two pieces, one
to fit between the
hinges and one to
go around the front
edge and sides.
STEP NINE Add a piece of polyester

wadding over the calico and fold the
attached fabric over it. Pin around the sides
and front edge (F), turning the fabric edges
under and pulling it taut as you go. Set the
lid aside.
STEP THREE Tear or cut two pieces of

polyester wadding to fit the top and sides
of the lid. Pull off any wadding from the
underside of the lid and pinch the wadding
over the corners to remove excess (B).
STEP FOUR Measure and cut a piece of
calico to fit over the top and sides, allowing
for a turning allowance to attach it to the
underside of the lid. Lay the calico on your
table and place the lid on top, covered
side facing down. Starting from the middle
of each edge and working towards the
corners, staple the calico in place using
6mm staples. On the back edge, cut around
the hinges using a V cut, and at the
corners, make a bed sheet pleat so the fold
is visible from the side edge only (C).
STEP FIVE Turn the lid top side up and
add one layer of polyester wadding over
the calico, pinching the wadding over the
corners to remove excess.
STEP SIX Measure across the lid to the
underside and cut a piece of your fabric,
with a turning allowance of 3cm. Lay the
fabric face down on the table and place
the lid on top, covered side facing down.
Starting from the middle of each edge,
staple the fabric in place, as with the calico,
making V cuts around the hinges (D).
STEP SEVEN Turn the lid over and cut a
piece of calico to exactly fit the underside.
Staple the calico in place using size 6mm
staples (E).
STEP EIGHT Measure and cut the fabric for
the inside of the lid, allowing for at least a
1.5cm turning allowance. Along the back
edge of the lid, apply back tack tape to the
36
OCTOBER
25/08/2015 16:18
The choice of fabrics to cover the box is entirely up to you

to fit in with your room scheme. The box can be used to
store anything, so the choice of fabric is equally varied.
OCTOBER
37
25/08/2015 16:18
MASTERCLASS
Blanket box
BASE SECTION
STEP ONE Measure the outside of the base
and cut two pieces of 1.25cm foam to fit,
one piece for the front and sides and one
for the back. Working in a well-ventilated
area, spray glue the foam pieces on one
side and stick them to the base. Using
8mm staples, staple the foam in place
around the edges (G).
STEP TWO Apply two layers of polyester
wadding over the foam, tearing away any
excess at the top or bottom edges.
STEP THREE Measure and cut a piece of
calico to fit the front and sides of the base
and another to fit the back. Staple in place
at the back corners using 8mm staples, and
trim off any excess (H).
STEP FOUR Starting with the back of the
base, measure and cut a piece of fabric to
fit, allowing for a turning allowance of 3cm
on all sides. Turn the fabric to the wrong
side and lay the top edge of the fabric along
the rim of the base. Use some back tack
(CONT)
tape to attach the fabric to the top edge of

the base.
STEP FIVE Add one layer of polyester

wadding to fit over the calico on the back of
the base. Fold the fabric around the sides
and staple a line down the edge into the
base side using 8mm staples. This line of
staples will not be visible as the front panel
of fabric will cover them.
STEP SIX Measure and cut the fabric for
the front and sides of the base (cut as one
piece). Attach using back tack tape to the
rim, as before. Snip into the corners of
the fabric as you turn the corners to avoid
puckering (I).
STEP SEVEN Add one layer of polyester
wadding to fit over the calico on the sides
and front of the base only. Pull fabric over
and staple it to the underside of the base
using 6mm staples. Fold under the side
edges and pin them all the way down using
small pins.
38
OCTOBER
25/08/2015 16:18
The techniques used on this blanket box can be applied

to other items, so you can create matching smaller
boxes and footstools to go with the main piece.
THE FINISHING TOUCHES

STEP ONE Stitch the pinned edges of the
lid and the base with slip stitch (J).
STEP TWO Measure and cut a piece of

platform cloth for the underside of the
base. Attach with 6mm staples all the way
around, placing the staples every 2.5cm.
STEP THREE Start in the middle of each
side and work your way out to the corners,
pulling taut as you go.
STEP FOUR Use a quick unpick to make
little slits in the platform cloth over the
screw holes where the legs are attached.
Screw in the legs.
STEP FIVE Screw the lid to the base and
start filling your finished blanket box.
TOP TIP
Keep the slip
stitches close
together for a
neater look.

from The Beginners
Guide to Upholstery by
Vicky Grubb, published
by David & Charles
RRP 15.99
OCTOBER
39
25/08/2015 16:18
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RL25.Subs.FOR PRINT.indd 40
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RL25.Subs.FOR PRINT.indd 41
26/08/2015 16:27
42
OCTOBER
RL25.Wall Clock.FOR PRINT.indd 42
25/08/2015 16:02
Metal upcycled
wall clock
HOME R E F
UR B
Every craft person and DIYer has random bits of metal lurking in drawers
and pots, just waiting for the right project to come along to use them on
and here it is, a wall clock with a bit of steampunk retro feel.
Project and photography by Dremel (www.dremeleurope.com/gb/en/)
MATERIALS
Silver and brass pieces, to mark

clock numbers
Clock movement
EQUIPMENT
Hot glue gun
Dremel 8200, with brass brushes

19mm, 13mm and 3.2mm, and
bristle brushes 13mm and 3.2mm
1mm multipurpose high temperature

glue sticks
STEP ONE Once you have chosen the pieces
you would like to use to create your clock,
begin brightening them up by polishing with
your Dremel Rotary Tool. If you are cleaning
brass pieces, we recommend using brass
brushes. These brushes are non-sparking
and softer than steel, so they will not scratch.
Use brass brushes if youre cleaning soft
metals like gold, copper or brass.
STEP THREE Mount your polished pieces to

the wall, here we used hot glue.
STEP FOUR Add a finishing touch to your
clock by embellishing the clock movement
(the centre of the clock with the hour and
minute hands). Note that if you are going to
be adding polished pieces to the movement
itself, a battery powered movement may not
be able to sustain the weight. We found that a
corded movement worked best in holding up
heavier pieces of silver.
TOP TIP
When using any
polishing brushes,
always run your tool
at 15,000 RPM and
no higher.
STEP FIVE We took the centre of an old

corded movement and hot-glued the handle
of an old spoon and a knife to the hands
of the clock. We hid the cord by running it
through the wall.
STEP TWO Slowly make light passes across

your workpiece. We began by cleaning
larger areas with the 536 brush and got into
tighter spaces with the 537 brush. If you are
cleaning silver pieces, use bristle brushes.
These are perfect for light de-burring,
cleaning or polishing of silverware, jewellery
and other precious metals. For extra shine,
use bristle brushes with polishing compound.
OCTOBER
RL25.Wall Clock.FOR PRINT.indd 43
43
25/08/2015 16:04
44
october
RL25.Plate Art.FOR PRINT.indd 44
25/08/2015 14:36
affordable
Plate Art
Challenged to recreate expensive
plate art on the cheap, heres the
fabulous result Sarah Goldberg came
up with, which you can do too...
Project and photography by Sarah Goldberg from While They Snooze

(whiletheysnooze.blogspot.co.uk)
HOME R E F
UR B
OCTOBER
45
25/08/2015 14:39
AFFORDABLE PLATE ART HOW TO...

MATERIALS
30 plates I got mine at Dollar Tree

for a buck! (you might want to buy a
couple of extras in case of breakages)
Something to hang the plates with

I used 30 medium Command Strips.
You could use actual plate hangers,
but they were too expensive for me
(around $3 each). Ive also seen some
people hot glue some sort of loop on
the back to hang plates
EQUIPMENT
A Sharpie
A projector My husband was lucky

enough to borrow one from work
that hooked up to the computer, but
I think you can rent/borrow them
from libraries too. Also, there are lots
of tutorials around the net on how
to make a projector if you dont have
access to one
Botanical line drawn image to
project onto the plates
STEP ONE Buy some plain white plates!

STEP TWO Stick Command Strips to all of
your plates, just inside the rim on the back
and label your plates. A1, A2, A3... B1, B2,
B3... and so on. This way, when they come
down, youll know how to put them back up.
TOP TIP
This piece would
look great in colour
too, but Sarah
wanted to stay
as close to her
inspiration Lost
Arcadia by Molly
Hatch (sold by
Anthropologie for a
whopping $7,500)
as possible.
46
STEP THREE Make a level line on your wall

to align the first row of plates. I taped a scrap
board to my wall to act as a ledge. I stuck the
centre plate up first and then stuck the next
ones right beside, almost touching.
off the wall, leaving only the Command Strip

on the wall to cure before hanging your piece
permanently. I failed to do this, and had a
plate crash down like a giant game of Plinko,
taking the plates below with it. I might also
add that this happened at 2am. My husband
thought we were being invaded. It was not a
fun evening, not at all. Lets have a moment
of silence for the two plates lost in the chaos.
STEP FOUR Continue sticking your plates. I

put the centre plate up first for each row and
then worked my way out from there. Push
hard. I just eyeballed to get it in the centre of
the plate below. Keep going until all of your
plates are up.
STEP SIX After your strips cure and

you stick the plates back up (this time it
worked, theyve been up over a week and no
casualties), youre ready to trace. I chose to
do a botanical print I found via Thrifty Decor
Chick. Its from the NYC Digital Gallery. Set
up the projector so that the image is fairly
centred and go to town. The tracing part only
took about an hour.
STEP FIVE Take the plates down! This is

why you need to label them. The Command
Strips clearly say to stick your item, then rip it
STEP SEVEN After I had it all traced, I went

back over some parts to make them darker.
Now youre done.
OCTOBER
25/08/2015 14:37
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device, any time!
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RL25.App ad.FOR PRINT.indd 47
26/08/2015 15:32
48
OCTOBER
RL25.Garden Shutter Centre.FOR PRINT.indd 48
24/08/2015 16:57
Garden shutter
message centre
HOME R E F
UR B
An old shutter doesnt have to be left outside to ake and rot, it can be
brought inside, given a little care and attention, then converted into a
message board that adds rustic style to your home.
Project and photography by Susan Stevenson from Homeroad (www.homeroad.net)
MATERIALS
An old shutter
Miss Mustard Seed Milk Paint

French garden sign
Strong glue or nails

Copper basket
Screws
Miss Mustard Seed Tough Coat
EQUIPMENT
Paintbrushes
Hammer
Drill
Sandpaper
STEP ONE First paint the shutter with Miss

Mustard Seed Milk paint in Curio and attach
an old arched French garden sign to the top
to resemble a roof, using strong glue or nails.
STEP TWO Next, drill a couple of holes in
the bottom of the shutter and attach a copper
basket with a beautiful patina to the bottom of
the shutter with screws.
TOP TIP
Attach a few hooks
to the bottom of
the copper basket
to make a handy
place to hang your
sets of keys.
STEP THREE To finish off, use Miss Mustard

Seed Tough Coat to seal the milk paint and
darken the chalky milk paint colour.
STEP FOUR When the sealer dries, heavily
sand the piece to remove some of the shine
and to distress the slats.
STEP FIVE Add DIY aged clothes pins to the
shutter slats to hold cards and memos.
OCTOBER
RL25.Garden Shutter Centre.FOR PRINT.indd 49
49
24/08/2015 16:58
50
OCTOBER
RL25.Ping-Pong Marquee Letters.FOR PRINT.indd 50
24/08/2015 16:42
Ping-Pong
Marquee
Letters
There are better things to do with dented

ping-pong balls than try to play table
tennis, like making a sign t for a star.
By Kate Albrecht AKA Mr. Kate (www.mrkate.com)
HOME R E F
UR B
OCTOBER
51
24/08/2015 16:42
The letters give a marvellously

theatrical feel to a room, so
spell out what creates a little
drama in your life.
PING-PONG MARQUEE LETTERS HOW TO...
MATERIALS
Papier-mch letters
Spray paint, colour of your choice
STEP ONE Use the craft knife to cut out the

backs of your letters.
LED twinkle lights (4-5 boxes,

depending on your word length)
STEP TWO Set up the drop cloth outside

and spray paint the letters the colour of your
choice. Let dry for about 1 hour. You may
want to apply two coats.
Twine
STEP THREE On the front side of each letter,

make evenly spaced X cuts along the centre
of the letter shape, where you want the lights
to show. I left 6-7.5cm between each cut.
White ping-pong balls (10-12 for

each letter)
Picture ledge shelf, long enough for
your word
Level
Screws and anchors
EQUIPMENT
Craft knife
STEP FOUR Think about where you plan to

display the word and make sure the plug end
of a string of twinkle lights will be where you
need it.
STEP FIVE Starting with the first letter in
your word, grab a string of twinkle lights and
push the light bulbs through the X cuts from
the back. Connect another string of lights as
needed, going from letter to letter and storing
the cord and any extra bulbs in the hollow
back of a letter if you need to.
Drop cloth
STEP SIX Make a small X cut on one pingpong ball for each light bulb thats showing.
Push a ball onto each light bulb.
STEP SEVEN Wrap any cord that is showing
with twine to achieve a more finished look. Tie
a knot every 10-15 wraps to keep the twine
from unravelling.
STEP EIGHT Hang the picture ledge using a
level and the appropriate nails or screws for
your wall.
STEP NINE Arrange the marquee letters,
tucking the connecting cord behind the lip
of the picture ledge, and plug in your brilliant
new light art.
This project is from A

Hot Glue Gun Mess
by Mr. Kate, published
by William Morrow,
an imprint of Harper
Collins. RRP 12.99
52
OCTOBER
24/08/2015 16:42
THREE WAYS
Wall art
Like an empty page in a sketchbook, a plain white wall cries
out to be lled and these three projects are superb inspiration
to ll your walls with art. Take the ideas and techniques and
develop your own unique designs...
By Clare Youngs
OCTOBER
RL25.Take three.FOR PRINT.indd 53
53
25/08/2015 14:50
THREE WAYS
Living wall
MATERIALS
2 tongue-and-groove oorboards,
each measuring 127x20cm
Wood glue
Wire mesh measuring 80x50cm
Strip of wood measuring 200x4cm

and 1cm in depth
2 plastic seedling trays, the deeper

the better
Panel pins
Plants
Compost
EQUIPMENT
Tape measure
Wood saw
Wire cutters
Staple gun
Hammer
Gardening gloves
STEP ONE To make the frame, use a wood
saw to cut a 24cm length from one end of
each of the floorboards. Run wood glue down
each side of the shorter lengths and sandwich
them top and bottom between the two
floorboards, as shown.
STEP TWO Turn the frame over. Place wire
mesh over the hole in the frame, with a 10cm
overlap all the way around. Use wire cutters
to trim the mesh to the right size and a staple
gun to fix it in place.
STEP THREE Cut two batons from the strip
of wood. Make them 10cm longer than the
width of the seedling trays. Arrange the trays
over the hole in the frame face down and
short edge to short edge. Keep any overlap
with the frame more or less the same top,
bottom and sides. Centre the batons above
and below the trays, just catching the lips of
the trays, and hammer in a couple of panel
pins to hold the trays in place. (Hammer in a
couple of panel pins from the other side for
extra strength, if you like.)
STEP FIVE Turn the frame over. Make cuts

in the wire mesh and bend it back on itself
so that you can plant the trays. Fill any gaps
between the plants with compost and wear
gardening gloves to prevent getting scratched
by the wire.
STEP FOUR Measure the space between top

and bottom batons and cut two batons from
the strip of wood to the same measurement.
Place these between the top and bottom
batons so they cover the lips at the side edges
of the trays. Hammer in panel pins to secure.
STEP SIX Water the plants. It is a good idea

to leave the frame flat for a few days to let
the plants settle and start rooting in. Once
mounted, it is best to lift the frame from its
position and water the plants while the frame
is flat.
54
OCTOBER
25/08/2015 15:04
Vertical indoor greenery raises the humble pot plant to new

heights and creates a stunning feature in any contemporary
setting. Succulents are ideal plants to bring this project to life.
October
55
25/08/2015 14:50
THREE WAYS
Pretty patchwork
MATERIALS
Templates
Plain or graph paper
Tracing paper
Thin card stock (card)

Scraps of paper
Craft (PVA) glue
EQUIPMENT
Masking tape
Pencil
Craft knife
Cutting mat
Ruler
STEP ONE Enlarge the hexagon templates

to the right size using a photocopier.
Alternatively, scale them up using graph
paper. Trace the templates, transfer them to
card stock (card), and cut them out. Use a
craft knife and protect your work surface with
a cutting mat.
STEP TWO Draw around each card template
on the backs of different plain and patterned
scraps of paper.
STEP THREE Cut out your hexagons using a
ruler and craft knife for nice crisp edges.
STEP FOUR Start assembling your patchwork
on the wall. Take each large hexagon, spread
glue over the back and position it where
desired on the wall. Align the bottom edge
of the hexagon with the straight edge of the
baseboard (skirting board).
ENLARGE TEMPLATE TO YOUR

DESIRED SIZE
STEP FIVE Continue until you have stuck

down all of your large hexagons, keeping an
even gap of 8mm between each one.
STEP SIX To complete the patchwork, stick
some of the smaller hexagons onto the larger
ones, centring them by eye. You dont have to
put a smaller shape on all of the large ones. It
is quite nice to vary it.
56
OCTOBER
25/08/2015 14:50
Mix geometric patterns with sections cut from old comics,

add more typography for a graphic and contemporary look, or
mix in sections cut from the kids paintings and drawings.
October
57
25/08/2015 14:50
THREE WAYS
Copper blocks
MATERIALS
Wooden blocks in various sizes.

Mine were cut from 8.5x3.5cm
planks. I cut lengths measuring
14cm, 10cm and 8.5cm
ENLARGE TEMPLATE
TO YOUR DESIRED SIZE
White paint
Templates
Coloured paper
Craft (PVA) glue
Copper leaf (the rub-down type

with backing paper)
Tracing paper
Spray adhesive
EQUIPMENT
Paintbrush
Craft knife
Cutting mat
Ruler
Pencil
Scissors
Face mask
STEP ONE Paint the sides of the blocks in

white paint.
STEP TWO You can use the templates
provided or create your own designs. If
using the templates, enlarge them to the
right size on a photocopier and cut them
out. Alternatively, scale them up using graph
paper. Cut strips of coloured paper to cover
each block front. Use a craft knife and ruler
for this, and protect your work surface with
a cutting mat. Using craft (PVA) glue, stick
each strip down, butting edges up against
each other for a nice, flat surface.
STEP THREE Use the templates to make
shapes from the copper leaf. Enlarge the
templates to the right size and use a pencil
to draw each shape onto tracing paper and
transfer it to the reverse (backing paper side)
of the copper leaf. Cut different shapes, if you
like, and make circles of different sizes. Use
scissors to cut curved edges.
STEP FOUR Coat the surface of the copper
leaf pieces with a thin layer of spray adhesive.
Always follow the manufacturers instructions
when using this glue you should wear a
mask. Carefully pick up each shape by the
overlapping edge of the backing paper (see
58
tip) and lay it, copper side down, in position

on the block.
STEP FIVE Peel off the backing paper. Lay
a piece of tracing paper over the top of the
shape and rub down smoothly.
COPPER LEAF
When cutting the copper leaf, draw each shape
so that one edge is right on the outer edge
of the copper leaf. This will give you a small
overlapping section of backing paper to hold
when sticking down the copper leaf.
RE ADER OF FE R
To buy this book for the

special price of 9.99
including free UK P&P
call 01256 302699 and
quote code EC9.
These projects are

taken from Wall Art by
Clare Youngs, published
by CICO Books. Visit
www.cicobooks.co.uk
RRP 12.99
OCTOBER
25/08/2015 14:50
The gorgeous copper leaf shimmers in the changing light,

making an eye-catching feature. Ive used wooden blocks for
this project, but small, ready-made canvases work well too.
October
59
25/08/2015 14:50
60
OCTOBER
RL25.Vintage Paper Flowers.FOR PRINT.indd 60
25/08/2015 15:49
Vintage
paper flowers
M ID W E E K
MAKE
The best creations arent just about the end product, but about the materials
you use to create it. These paper owers are lovely decorations, made all the
more so for being made from vintage paper dressmaking patterns.
By Lyndel Miller
MATERIALS
Vintage paper dressmaking

patterns
Millinery stamens
Jewellery wire (ne)
Twigs (if making them for a vase to

display as a oral arrangement)
EQUIPMENT
Scissors
Wire cutters
STEP ONE Open out a pattern piece.
Measure and cut it into four 20x50cm strips.
Layer the strips on top of each other.
STEP FIVE Fan open the paper and the

flower stamens.
STEP SIX Working first with one side of the
fan, separate the top layer of the paper from
the rest, pulling it gently and slowly away,
starting at the ends and pulling towards the
centre. Work slowly and carefully so as not to
rip the delicate paper.
STEP SEVEN After the first layer is separated,
begin on the second layer, doing the same
thing on each layer until one half of the flower
is full and rounded. Repeat the step for the
other side of the flower.
TOP TIP
We love these
paper flowers in a
vase, using tortured
willow for the
stems. They can
also be used as an
adornment for a
wrapped gift, tied to
the back of a party
chair, used as part
of a paper garland,
or even to make a
door garland using
varied sizes could
look lovely.
STEP TWO Accordion-fold the paper to the

end of the strip. Set aside.
STEP THREE Cut a 15cm length of jewellery
wire. Wrap it around the centre of the
stamens. Twist the wire firmly to secure.
(How many stamens you use is up to you I
generally like to use 8-10 per flower.)
STEP FOUR Attach the stamens to the centre
of the folded paper. Wrap the wire around
and twist it at the base.

from Naked Cakes by
Lyndel Miller, published
by Murdoch Books RRP
20. Photography by
Mindi Cooke.
OCTOBER
RL25.Vintage Paper Flowers.FOR PRINT.indd 61
61
25/08/2015 15:47
62
OCTOBER
RL25.Crochet Stool Cover.FOR PRINT.indd 62
24/08/2015 15:07
HOME R E F
UR B
Crochet
Stool Cover
Crochet your own granny square-covered
stool as a colourful and trendy update for
any cosy kitchen or craft room.
By Claire Culley and Amy Phipps
OCTOBER
63
24/08/2015 15:08
There is no set order to put your yarn colours in, so go

wild with mismatched row striping for a dramatic look.
crochet stool cover how to...
Materials
Lots of different colours of chunky

yarn you can use new balls or
leftover bits and bobs
Stool
Equipment
9mm crochet hook (UK00, USM/13)
STEP ONE Using your first yarn colour, make

3ch and join with sl st and make a loop.
Round 1: Ch3 (counts as first tr), 2tr into
centre of ring, ch2, *3tr into centre, ch2; rep
from * twice more, sl st into top of 3 ch to
join. You should have four clusters of 3tr sts
bridged together by 2ch that form your corner
spacing. Break yarn.
Scissors
STEP two Round 2: Change to your next

colour, make a loop and push the hook
through the ch/corner sp closest to your castoff tail. Place your new colour loop onto the
hook and slip through to join the new colour
to square. Ch3, then work 2tr into this corner
sp to make the first of two tr clusters.

from Crochet by Claire
Culley and Amy Phipps,
published by GMC
(www.thegmcgroup.
com). RRP 12.99
tension
3 tr st clusters and 4 rows to 4in (10cm) using
chunky yarn and 9mm hook.
Note: With this project youre using a hook
larger than would normally be used with this
weight of yarn, to give a more relaxed tension
to the finished giant granny square. This allows
you to fit the square over the stool top easier.
64
STEP three Ch2 (acts as corner spacing)

and 3tr into same sp. Each corner will have
two tr clusters to make the angle.
STEP four Place hook into the next corner
sp, *3tr, ch2, 3tr (there are no ch sts between
the clusters on the flat sides, only between
corner clusters). Rep from * twice more to
end of round and sl st to join at top of 3ch.
STEP five Round 3: Start as before and sl

st next colour into corner sp to join. (Ch3,
2tr, ch2, 3tr) into same space = first corner
cluster. Place your hook into next sp, *3tr.
There will only be one cluster repeat in this
side space. Move your hook into the corner
ch sp and work 3tr, ch2, 3tr; rep from * to
end where you will have four corner double
clusters and four side single clusters.
STEP six Round 4: Starting at corner, work

as Round 3, adding an extra single cluster
between each of the corners. (Corner, 3tr
into next sp, 3tr into next sp, corner.) Rounds
513: Rep this pattern of corner shaping with
3tr, ch2, 3tr then working single clusters into
each of the next side sps. (Corner, 3tr into
next sp, 3tr into next sp; rep as many times
as it takes to work along the side; corner.)
Break yarn and fasten off after round 13. Use
the hook to weave in any cut ends.
STEP seven Lay the square neatly on top
of the stool with corner points lined up, right
side facing you. To attach the piece, weave
around the edge of the entire square with the
hook, picking up every 3rd st.
STEP eight When you get to the corner,
hook your yarn through the central space in
the corner of the row below. Later, well tuck
this pointy corner underneath out of sight.
STEP nine When youve woven all the way
around your square and back to the start, tie
a half knot and pull the ends, drawing the
crochet fabric to fit around the square base
top of your stool. Tuck all four pointy corners
underneath the main body of crochet and out
of sight. Tie again to secure tightly.
STEP ten Snip the ends down and tuck up.
october
24/08/2015 15:07
UPCYCLING
HEROES
Kate
Whitehead
Sally FitzGerald meets an upcycler with a passion for all
sorts of textiles and making the most of local resources
to create items of beauty.
OCTOBER
RL25.Upcycling Hero.FOR PRINT.indd 65
65
26/08/2015 16:12
UPCYCLING
Here Hand woven shawls.

Left Hand woven textile
HEROES
Bottom left Origami

zip bags.
Top right Kate with some
of her creations.
Middle Fusing different
materials together
Bottom Handmade
kimonos and bags
ade in Britain is a label that is

increasingly back in fashion for
people in the UK. Theres a real
desire to resurrect our industrial
heritage, bring our traditional
crafts back to life and be proud of the skills
that many of our ancestors spent decades
perfecting. This patriotic notion spills into
upcycling as well, and its a concept that
textile upcycler Kate Whitehead is particularly
passionate about.
After crafting a dolls house from a
cardboard box at the age of seven, Kate was
hooked on crafting and continued to pursue
it as a hobby until she completed a diploma
in Jewellery through Art and Design at the
Bradford School of Arts and Media in 1984
and then decided to set up her own jewellery
design business.
When she went back to study as a mature
student in 2011, her interests changed from
jewellery to textiles, and in particular weaving,
embroidery and upcycling. Kate tells us how
her new business direction began, In our
first year, we had the opportunity to play
and experiment with knit, print, weave and
embroidery. I found knitting on the machines
very stressful and too mathematical for me I
enjoyed print, especially hand pulled print
66
rather than digital. I took to weaving from day

one, it was like finding a gentle friend. I fell
in love with its meditative quietness and the
simplicity of it. After winning a first prize from
Holland and Sherry and a commendation
from the clothworkers society in my first year,
I was hooked. My love for embroidery then
developed in my third year. During research
for my final collection I learnt about slow stitch,
again a gentle slow process that steps away
from our busy lives. I love simple stitches
running stitch, cross stitch and stitches for
repairing fabric.
Combined with Kates love of traditional
stitching and weaving methods was her longstanding relationship with fabric. She reveals,
My father and grandfather were in textiles. As
a child I remember the smell of the cloth that
had been dyed and finished at their mills and
seeing fabric remnants at home. My mother
used to make dresses as children my sister
and I wore handmade clothes. One of my
favourite all time things is a patchwork quilt my
mother made from our old dresses. I still love
seeing and touching the quilt that holds and
depicts happy stories and memories. A reason
I particularly like using salvaged fabrics now is
that I love the fact that they have a past, that
they have stories. I see beauty and potential in
OCTOBER
26/08/2015 16:12
poor and discarded materials. As an adoptee

I have a passion to cherish the abandoned and
the rejected.
When Kates final degree collection was
shown at New Designers, Polly Leonard, the
director of Selvedge magazine, invited her to
show her work in the Selvedge shop window
in Archway, London for five weeks, where it
got a lot of interest. I became aware during
my creative journey of just how many British
designs are outsourced to low cost economies,
the bottom of the value chain. I decided to
set up my business to go against the grain of
our materialistic values, to slow things down,
to recycle, upcycle. Basically to nurture and
cherish. I believe it is important to be mindful
about British craft.
So now Kate likes to travel the country,
scouting out unloved materials to be
transformed into treasures. I love to find
slightly broken, torn and unwanted items
yarns and fabrics collected from flea markets,
car boot sales, charity shops. I particularly
like going to Brick Lane in London, Brighton
Marinas Sunday flea market, and Hebden
Bridges second hand market.
Once Ive gathered the materials I mainly
work with my intuition. I assess the size,
weight, colour and texture of the materials I
find and see the potential in those qualities
as to what they could contribute towards
creating an item of beauty. Lightweight cottons
are mainly used to create patches for my
handmade, dyed and embroidered kimonos.
Heavier fabrics lend themselves to weave or
to embroider into. Getting the colour right is
key. Working with colour has always been one
of my strengths, making sure that the fabrics,
yarns and embroidery thread sit side by side in
great combinations.
The majority of Kates work involves
washing, dying and repairing fabric to either
weave, if the piece is large enough, or as
embroidered patches for her handmade
kimonos for smaller pieces. However, one
memorable commission saw her embrace
another form of upcycling, as she explains. At
the time of the Tour de France bike race one
year, I was asked to do a piece that involved
using inner tubes of bicycle wheels to cut
into lengths and use in weave. I used lengths
of found fabric stitched to lengths of inner
tube to create a long ribbon, which I used
in weave. The smell of the rubber was very
unpleasant and the whole process was very
time consuming and hard to manipulate. I was
pleased with the finished piece, but it made
me appreciate the materials I normally work
with even more.
Now Kate has returned to her normal
materials and is busy planning for the Great
Northern Contemporary Craft Fair. My plans
this year are to create a collection that is a
continuation of my current work, developing
more handmade, hand dyed and hand
embroidered garments to sit alongside my

kimonos. To produce more unconventional
artefacts that can be worn, hung or framed. I
will also be making more ink and stitch books,
taking inspiration from the homeless and life
on back city streets. The collection will be
called The Beauty of Poor Materials. But most
of all, I want to support British craft the best
way I can.
Kate will be on stand number 46 at this years Great
Northern Contemporary Craft Fair from 9-11 October
in Manchester. To find out more about Kate and what
shes up to next, visit www.kate-whitehead.co.uk
GO AGAINST THE GRAIN OF

MATERIALISTIC VALUES,
SLOW THINGS DOWN,

RECYCLE, UPCYCLE,
NURTURE AND CHERISH
OCTOBER
67
26/08/2015 16:13
68
october
RL25.String Cushion.FOR PRINT.indd 68
25/08/2015 16:19
String
cushion
Use up all your precious scraps of fabric

by making this cheerful cushion the
more fabric types you have, the better!
By Jessica Alexandrakis
HOME R E F
UR B
OCTOBER
69
25/08/2015 16:20
Pressing seams open when assembling will eliminate a

bulky centre and make the cushion easier to quilt.
STRING CUSHION HOW TO...
MATERIALS
Assorted scrap fabrics in strips or

strings, separated into brights and
neutrals (the equivalent of 812 fat
eighths)
Two pieces of fabric for the cushion

back, 42x30.5cm each
STEP ONE Cut out four pieces of paper,

measuring 21.5cm square, from thin paper
such as newsprint.
STEP TWO Follow steps 1-8 opposite to
make the string blocks, then stitch them
together to make a 42cm square. Press the
seams open.
STEP SIX Layer your top, wadding and lining

fabrics, and spray tack. You can use calico
for the lining fabric, or any fabric youre trying
to use up.
51cm square piece of wadding
51cm square piece of lining fabric
5x18cm piece of fusible interfacing

2 buttons
2 small hair elastics
190.5cm of binding, cut 5.5cm wide

Thread for piecing, thicker thread
for attaching the buttons
40.5cm cushion pad
EQUIPMENT
STEP SEVEN Quilt as desired.
Spray tack
Thin paper or newsprint

Sewing machine
STEP THREE Carefully begin to remove the

foundation papers. Press along the seam
with your fingernail to loosen it slightly before
tearing it.
STEP EIGHT Stitch a hem on two pieces of

the cushion back. First fold over 6mm of one
long edge and press with a hot iron. Then fold
over 1cm and press again before topstitching
by machine.
CUSHION SIZE
The finished
cushion will be
40.5cm square.
70
STEP FOUR Be careful not to pull or distort

any of the stitches.
STEP NINE Layer the backing pieces on the

wrong side of the quilted piece and mark
where the buttons and hair elastics will go.
STEP FIVE Carefully remove the foundation

paper from the seam allowance. A pair of
tweezers might be helpful here. Give the top a
good press.
STEP TEN Iron the interfacing strip

horizontally on the wrong side of the lower
backing piece, behind where the buttons are
going to go.
OCTOBER
25/08/2015 16:19
STEP ELEVEN Attach the buttons by hand

and attach the hair elastics by machine.
MAKING STRING BLOCKS

STEP ONE Draw a diagonal line across each
of your four paper foundation squares. Draw a
second line from the centre of the square out to
a third corner.
STEP TWO Work with the short side strings first.
Take two light-coloured strings, place them right
sides together and pin them to the foundation
paper, starting about 6-13mm over the marked
centre line. These raw edges will be covered by
another fabric in a later step.
STEP TWELVE Reposition the backing fabrics

on the wrong side of the cushion top and pin
into place.
STEP THIRTEEN Pin the binding to the front
of the quilted piece. Attach the binding by
machine, assembling the cushion back at
the same time. Take care to backstitch at the
openings of the cushion back. Remove the
pins and attach the binding to the cushion
back by hand.
STEP THREE Lower your sewing machines stitch

length to 1.7mm (15 spi) or around there. A
shorter stitch length will make it easier to remove
the papers later. Stitch along one side of these
strings, sewing through the paper, with a 6mm
seam. Make sure to backstitch at the beginning
and end of the strip.
STEP FOUR Open the fabrics and lightly press
with a dry iron. Align two strings on either end
of the stitched pieces and pin them into place.
Stitch with a 6mm seam as before.
STEP FIVE Continue adding light-coloured

strings until the paper foundation is completely
covered. It is helpful to pin each string and press
them open in turn to avoid puckers and excess
fabric in the block.
STEP SIX Take your first dark-coloured string
and pin it across the raw edges of all the light
strings. Stitch into place. Your sewing line should
follow the original pencil markings on the paper,
or corner to corner.
STEP SEVEN Press, pin and sew more dark
strings parallel to this one until the block is
completely covered. Flip the block over and
trim off the excess fabric with your acrylic ruler
and rotary cutter. Use the foundation paper as a
guide.
STEP EIGHT Repeat steps 1-7 three more times
to make four units. Arrange as in the example
under step two opposite and stitch them together.
Press seams open.
STEP FOURTEEN Stuff the finished cushion

cover with the cushion pad and enjoy.

from The Complete
Quilter by Jessica
Alexandrakis,
published by Search
Press. RRP 12.99
OCTOBER
71
25/08/2015 16:19
72
OCTOBER
RL25.Crystal Side Table.FOR PRINT.indd 72
24/08/2015 15:14
crystal
side table
Combine two of the worlds natural

wonders, wood and crystals, to create
your own unique and dazzling table.
F U R NI T
RE VA MUPRE
OCTOBER
73
24/08/2015 15:15
You can inlay

the crystals in
any pattern
you like, just
chisel the wood
away and decide
if you want
the crystals to
protrude from
the surface.
CRYSTAL SIDE TABLE HOW TO...

MATERIALS
Wood stump (I raided mine from

my neighbours tree trimmings; nd
them at lumber yards or landscaping
supply stores)
Crystals
2-4 boxes of epoxy resin, depending

on the size of the stump
Polycrylic (seals and keeps out the
wood critters)
Table legs and screws (optional if

your stump is thin and you want to
add height)
EQUIPMENT
Sandpaper (optional)
Wood chisel
Hammer
Disposable container and stir stick,

to mix your epoxy
7.5cm wide paintbrush
Drill
STEP ONE Wood stumps that have been cut

with a mechanical saw usually have smooth
faces, so pick the side of the stump you want
to be the top of the table. You may want to
sand down some of the uneven ridges I
chose to leave them for an organic look. If
you have a thick stump that wont need legs
to make it the right height for a side table to
a chair or couch, make sure its stable. If you
have a thinner slice of wood, like mine, make
sure the legs will be able to attach evenly
to the underside after youre done with the
crystal inlay.
STEP TWO Using a wood chisel and
hammer, carve out areas of the wood stump
where you want to inlay the crystals. If you
want them to lie flush with the rest of the
wood, chisel a deeper inset. Tip chiselling
is easy, just hammer the end of the chisel
handle to chip out pieces of wood. Dont
worry about making it perfect. Practice your
technique on a scrap piece of wood first.
74
STEP THREE Fill in the chiselled areas with

crystals, packing them as densely as possible.
STEP FOUR Follow the instructions on the
box to stir together the epoxy resin. This
usually involves heating up the two bottles in
warm water and stirring equal parts together
for around 4 minutes. Stir the resin slowly to
avoid air bubbles.
STEP FIVE Slowly pour the resin mixture
over your crystal insets its up to you if you
want to leave the crystals peeking out of the
resin or cover them completely. For a glossier
look, add a thin layer of epoxy over the wood
top. (Dont worry if a little drips down the
sides you can wipe it off or let it cure as
glossy drips.) Tip use a small propane torch
to pop any bubbles that form and achieve a
high shine while the resin is still wet. I didnt
use a torch and instead used my resin stir
stick to pop and smooth any bubbles that
rose from the spaces in the crystals after the
initial pour.
STEP SIX Let the resin cure for three full
days in a still, dust-free area.
STEP SEVEN If you havent covered it in a
coat of resin, seal the wood on all sides with a
painted coat or two of polycrylic.
STEP EIGHT Use the drill to screw the table
legs to the underside of the stump I used
three hairpin style legs.
TOP TIP
Use baked polymer
clay to make a
setting for a crystal
necklace pendant.
Paint the clay with
metallic acrylic
paint and hang on
a chain or rope!

Hot Glue Gun Mess
by William Morrow,
Collins. RRP 12.99
OCTOBER
24/08/2015 15:14
Painters
in residence
Jelena Pticek had no idea her upcycled furniture
was admired so widely, even thinking the Painter
in Residence invitation was a mistake, but it was
real and recognition of her great work...
OCTOBER
RL25.PIR Opener.FOR PRINT.indd 75
75
26/08/2015 13:18
IN CONVERSATION WITH...
Jelena Pticek
Art and furniture have been part of Jelenas life since growing
up in Croatia and her interest has blossomed into a business
and a place as one of Annie Sloans Painters in Residence.
e start by asking Jelena to

tell us a little about herself,
I live in Toronto, Canada,
but my life story started
in Croatia. Growing up, I
never thought that I would end up working as
an artist and believed that I was destined for
an office career. Looking back and thinking
of how I used to play as a child, suggested
otherwise though I loved rearranging
furniture in my parents house and once I even
painted our front door with my watercolours.
After I left school, I did indeed work in an
office environment. It was a good job, but
deep down I knew that it was not the right
thing for me.
Six years ago I moved into my new home

and decided to equip it on a budget with
hand-me-down furniture, which I would make
my own by painting it out. I found the process
so relaxing and the end results so rewarding.
Soon I started doing it for my friends too and
before I knew it I was in business. Quitting my
job to pursue this independent career path
was the best thing I could have done, and I
have never looked back.
When did you start upcycling?
I started upcycling as a teenager in Croatia.
I had turned 16 when the war broke out
and upcycling was a way of life, it was out of
necessity rather than out of fashion. At the
time I was making shirts out of
bed sheets and hadnt started to work with

furniture at this point.
Where did you learn your techniques?
I am a self taught painter. Ive acquired most
of my techniques by trial and error.
Where do you source your furniture?
Most of my furniture comes from secondhand stores and antique markets. Some
comes from friends and acquaintances, and
I have been known to pick a piece off the
street too! I always make sure that the pieces
are sturdy, and I clean them thoroughly
before I pass them on to my buyers.
What is your favourite painting technique?
I love mixing different techniques, but my
favourite involves decoupaging old paintings
directly onto painted wood.
Where do you get the inspiration for your
furniture designs?
Most of the time, the piece dictates the colour
and the finish itself. When I first see them I
already have an idea of what they are going to
look like. I also like seeing
76
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what other artists are doing and finding a way

to put my own spin on their techniques.
How did you come to start using Annie
Sloans Chalk Paint and become one of the
Painters in Residence?
Before I had been invited to participate in
the Painter in Residence program, I had only
heard about Chalk Paint. I had considered
working with it, but it somehow never came
to happen. From everything I had heard and
read about it, I knew that it was a superior
product and that Annie was an extraordinary
artist and businesswoman. When the invitation
from Annies team came to take part in the
program, I was a bit surprised and very excited
to join in. It came out of the blue and until
I received an email with more information
about the program, I thought that it may have
been a mistake! I regarded this invitation as a
special kind of acknowledgment of my work
that made me very proud.
All my expectations were exceeded when
I started using Chalk Paint. It is smooth and
easy to work with. It mixes easily to create new
colours and has great coverage and adhesion
quality. Because of all these properties a little
bit of paint goes a long way, and any mistake
can be fixed by simply repainting over it. What
I found most fascinating is how the colours
really come to life after applying the clear wax
and how you can add years to your project
by simply applying a thin coat of dark wax.
Annies books were also a great guide and
resource as to all the possibilities that working
with her products offers.
What sort of designs and styles can we
expect to see from you?
As a part of the residency I completed four
pieces. Only one of them is painted in a solid
colour and straight from the can. The other
three feature different colour combinations and
patterns. You will see stripes, scalloped edges
and triangles. You may like some better than
others. I have tried to stay true to my style,
but also to push myself a bit outside of my
comfort zone. Keeping a project under wraps
for a few months for the residency was a hard
thing to do and I couldnt wait to share it with
the world.
What do you have planned

to develop your success
further this year?
I have just launched a new
website, besides my own
work it also includes works of
other artists and artisans. My
goal is to keep growing it, and
add new products to what
already exists eventually
making it a go to place for one
of a kind home decor.
Visit Jelenas new website at
www.poppyseedcreativeliving.
com or her previous blog
going back to 2009 at
poppyseedliving.blogspot.co.uk
Have you any top tips for anyone just

starting to upcycle?
Like everything, you have to love doing what
you do to be successful at it. Whether thats
as a business or a hobby. If you put your
heart and soul into it, this will always show in
your work.
What are your favourite materials to
upcycle with?
Wood is probably my favourite material to
work with, but fabric and textiles in general
come a close second.
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26/08/2015 13:08
Scalloped
cabinet
Jelenas friend gave her this cabinet with instructions to make the piece look
different and to use green as a base colour. Jelena used Annie Sloans Chalk
Paint and scallop shape masking tape to create a fun gradient colour effect.
Project and photography by Jelena Pticek from Poppyseed Creative Living (www.poppyseedcreativeliving.com)
MATERIALS
Annie Sloan Chalk Paint
Annie Sloan Clear Soft Wax
EQUIPMENT
Pencil
Ruler
Paintbrushes
STEP FOUR Apply Chalk Paint in Olive to

the top section. Again, make sure the Olive
slightly overlaps the Versailles.
STEP FIVE Once the piece is thoroughly dry,
re-draw the straight lines just under each
section of colour, and then apply scallop
shape masking tape to the bottom of the Olive
and Versailles section. Jelena used Frogtape
Shape Tape.
STEP ONE Plan where your three colours

will start and stop, and use a pencil to mark
this out. Do this in block sections, drawing a
straight line all the way around the cabinet.
STEP SIX Paint above the scallop tape,

covering the lines where each colour meets.
STEP TWO Using an Annie Sloan Flat Brush,

apply Chalk Paint in Old Ochre to the
bottom section youve drawn out.
STEP EIGHT Finish the piece with Annie

Sloan Clear Soft Wax. You can use an Annie
Sloan Wax Brush to make this really easy, or
use a lint-free soft cloth.
STEP THREE Apply Chalk Paint in Versailles

to the section above the Old Ochre. Be sure
to overlap the Old Ochre slightly.
TOP TIP
The scallop waves
can be repeated as
many times as you
want, varying the
paint colour with
each strip.
STEP SEVEN Wait for the paint to dry

thoroughly and then remove the tape.
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80
OCTOBER
RL25.PIR.Geometric Sideboard.FOR PRINT.indd 80
26/08/2015 13:13
Geometric
sideboard
Jelena created a wonderfully modern, geometric piece using Chalk Paint
and a cardboard template. Follow the simple step-by-step guide and you can
repeat the technique on your own pieces of furniture.
Project and photography by Jelena Pticek from Poppyseed Creative Living (www.poppyseedcreativeliving.com)
MATERIALS

Card
Annie Sloan Soft Clear Wax
STEP THREE Once the paint is thoroughly

dry, use the template to create your layout
try to keep this balanced through the centre.
Use masking tape to tape off each triangle.
Masking tape
STEP FOUR Select your colour palette

and paint in the triangles. Jelena has used
Antoinette, Provence, Barcelona Orange and
Scandinavian Pink, as they complemented
the colours in the floral handles.
Cutting mat
STEP FIVE Allow the paint to completely dry

and carefully remove the masking tape.
EQUIPMENT
Paintbrushes
Pencil
Craft knife
STEP ONE Using an Annie Sloan Flat Brush,

paint on your base colour of French Linen.
TOP TIP
Jelenas design
uses triangles, but
you can create
card templates of
other geometric
shapes to suit the
piece or room. Stick
to straight-sided
shapes for ease
of taping-off, but
curves are possible
too with care.
STEP SIX Finish the piece with Annie Sloan

Clear Soft Wax. You can use an Annie Sloan
Wax Brush to make this really easy, or use a
lint-free soft cloth.
STEP TWO While you wait for the paint to

dry, create your triangle template from a
piece of card. Make sure the card triangle is
large enough, and fits the scale of the piece
of furniture.
OCTOBER
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82
october
RL25.Teapot Sewing Caddy.FOR PRINT.indd 82
25/08/2015 15:28
Teapot
Sewing Caddy
An old, chipped teapot is perfect for
creating a hidden pincushion under the
lid for sharp pins to be safely stowed.
Project and photography Sarah Norton Ramberg from Sadie
Seasongoods (www.sadieseasongoods.com)
M ID W E E K
MAKE
OCTOBER
83
25/08/2015 15:29
TEAPOT SEWING CADDY HOW TO...

MATERIALS
STEP ONE Trace the inner lip of the teapot

lid (the portion that sits inside the pot) onto
some cardboard and cut out.
Teapot
Cardboard
Fiberll
STEP FIVE Place your fiberfill ball directly on

top of the pattern area of the fabric you want
to show as your pincushion, and then balance
the cardboard on top of the fiberfill.
STEP SIX Collect the corners of your fabric,
adjust as necessary, and use a rubber band
to hold the fabric in place underneath the
cardboard it will look like an odd-shaped
ghost at this point!
Rubber band
Fabric
Double-sided Velcro
EQUIPMENT
Pencil
Scissors
Strong glue
STEP TWO Using your scissors, snip off

enough cardboard so that your cut-out just
barely fits inside the teapot lid.
STEP THREE Take a handful of fiberfill,
clumping and compressing it in your hand
to form the shape of your cardboard cut-out
(oval, round, etc). Dont worry, it doesnt have
to be perfect.
STEP SEVEN Snip off the excess fabric,

leaving a 3-4cm tail.
STEP FOUR Lay out a piece of fabric

(approximately 11-12cm longer than your
cardboard cut-out on each side), right side
facing down.
STEP EIGHT Dot the inside rim of your teapot

lid with glue and gently tuck your pincushion
into the underside of the lid. Allow to dry and
fill with your pins!
TOP TIP
Store the rest
of your sewing
accessories in the
teapot, along with
little notes about
what your next
project should be.
84
OCTOBER
25/08/2015 15:28
SALVAGE SISTER COLUMN

Photo Harriet Thomas
OCTOBER 2015
llo ello you lot! Hows September

shaping up for you? Bet you
couldnt wait for the kids to go
back to school and now youre all
fingers and upcycling-thumbs,
with so many projects planned you dont know
where to start?! Do not fear, I am here to offer
some inspiration and motivation!
Introducing... Slenda Brenda (below),
she beautiful, useful and very tough, but dont
worry shes armless! (Sorry). She was made for
Mathers Ice Cream parlour in Brightons Open
Market. I was asked by Mr Mathers (or Brett for
short) if I could come up with an eye-catching
display unit for his homemade fudge and
chocolate. Funnily enough I already had an
idea for a mannequin display modelled on the
old usherettes from the early days of cinema
and I had been waiting for the right opportunity
to unleash it! Luckily for me Brett is a crazy
Scotsman and open to quirky, unusual ideas!
I got to work using entirely salvaged
materials to build her the actual mannequin
is an old shop dummy, the same kind you
see in high street windows sporting the latest
apparel. She had to be cut a bit in the most
eye-watering of places but she kept pretty still.
She is supported by a reclaimed fence
post, which Ive aged and stained. She is
finished with real copper leaf in a rustic fashion.
I wanted to make her look vintage, like shed
been through the wars a bit, so the finish of all
the materials is stained
Charis Williams
TV presenter, reuse expert and Salvage Sister Charis Williams

is our expert on all things upcycled. This month Charis creates
Slenda Brenda the fudge-selling ex-mannequin and advises on
the best ways to track down free wood...
UPCYCLING SOS
Any tips on how and where to get ya
hands on timber for free Auntie?
@rhinogram007 Instagram, Gosport, UK
You have come to the right place my
dear, come sit on Aunties knee Theres
nothing better than free, especially when it
means saving materials from landfill.
I have built my entire workshop from
free timber, including pallets, fence posts,
boarding and joists. The best thing to do is
keep an eye out in lots of different places,
for instance, pop to your local wood reuse
centre and check out their free pile. You
could find all sorts, including doors, pallets
and scrap pieces. I would also cruise
past any wood retailers from big chains to
independent retailers, these guys will have
some wood that may have been returned,
could be slightly damaged or its end of
line and they need it gone. Ask them very
and aged to match the theme in the ice-cream
parlour. The displays base is a salvaged metal
floor tile, the kind they use under carpets
in office blocks, and I attached wheels with
brakes, so Brett could easily move her about.
Her wooden tray and the shelves underneath
are all bespoke and handmade by myself, to fit
perfectly and be easily removable. Her head is
a chalk board, which I drew then cut out with a
jigsaw and painted with chalk board paint.
She is quite possibly my most favourite
mannequin-make to date, and there have
politely if they have any wood they are

scrapping that you could have, they may
even tell you the day of the week its best
for you to pop in.
Keep an eye on Freecycle and Freegle,
sign up to these sites and every day you will
have a barrage of freebies to choose from
(and not just wood), but be quick or itll be
gone! Keep an eye on your local classified
free section and also check out building
sites that you drive past, they will most
likely have a skip and be throwing usable
wood away. Always remember to be polite
and always ask, even if its definitely being
chucked out you have to ask or you could
end up with more than you bargained for!
Hope this helps. Remember to get in
touch via my social networking to ask me
to solve your upcycling dilemmas people! If
you dont ask you dont get that should be
my epitaph!
been a few! A very close second place goes to
a vintage bowler light. In fact there are so many
cool things you can make from mannequins, let
your imagination run wild!
During the month of September B&Q are
giving away one wooden letter of the alphabet
every day for 26 days! Each and every one of
them was designed and handcrafted by moi in
my workshop. They are big too, at 40cm high
these babies are bound to make a statement.
So how can you WIN WIN WIN? Head over to
B&Qs Facebook page and all shall be revealed.
I will be posting updates on my Facebook page
too, so find me! It will be worth it, I promise.
One more treat for this month, whos going
to Kirsties Handmade Fair? I will be there on
the 19th September in the morning, giving a
masterclass workshop where you can learn how
to make a herb planter out of a pallet. Come
and see me! Book your show tickets here
www.thehandmadefair.com
Facebook Charis Williams AKA The
Salvage Sister; Twitter @CharisWilliams;
Instagram @CharisWilliams777; YouTube
TheCharis777; www.salvagesister.co.uk
OCTOBER
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OCTOBER
RL25.Chair Back Shelf.FOR PRINT.indd 86
24/08/2015 15:02
Antique chair
back shelf
F U R NI T U R
R E VA M P E
Decorative woodwork like the attractively turned spindles on a chair back is

a shame to waste, so one alternative is to elevate the back onto the wall and
turn it into a shelf. A lick of paint and the job is done...
Project and photography by Susan Stevenson from Homeroad (www.homeroad.net)
MATERIALS
An old chair
Scrap wood
White paint
EQUIPMENT
Saw
Paintbrushes
STEP ONE First cut off the back of the chair,

leaving the metal L brackets on the chair.
STEP TWO Make a shelf from scrap wood. I
added a trim to the shelf, which is optional.
Attach to the bottom of the chair back.
STEP THREE Repaint the shelf and the chair
back white to unify the piece. I kept one
of the chair bars on the bottom and it just
happens to be perfect to hold towels. Attach
to the wall and your towel rail is ready to use.
TOP TIP
Complete the
bathroom look
with a mirror hung
from the top of the
chair back. Hang it
with string or wire
attached to the
spindles sticking up
on each side.
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88
OCTOBER
RL25.Plant Terrarium.FOR PRINT.indd 88
24/08/2015 15:51
Plant
terrarium
M ID W E E K
MAKE
Old demijohns that are no longer needed for storing liquids can serve
an excellent new purpose as plant terrariums. The thick glass and
open neck are perfect for nurturing young plants.
Project and photography Almie Louis from Grand Recycler (grandrecycler.com)
MATERIALS
Demijohns
EQUIPMENT
Small scraper
Permanent marker
Masking tape
An assistant
A workbench
Dremel tted with a speed-click

diamond cutting wheel bit
Heavy wooden blocks or books
Kettle with boiling water and

running cold water over a sink
Electric hand sander
2 pairs of safety glasses (for you and

your assistant)
STEP ONE Remove the labels from the

bottles by soaking them in hot water or by
using a scraper.
STEP TWO Draw a line with permanent
marker all the way around each bottle, close
to the base. Stick masking tape on both sides
of the line. Put on your safety glasses.
SAFETY TIP
Always wear safety
glasses while
working with glass.
STEP THREE While your assistant holds the

bottle firmly on its side on the workbench,
find a comfortable position to hold the Dremel
at the same height as the bottle. You may
need to use some wooden blocks or thick
books to achieve the correct height.
STEP FOUR While your assistant rotates
the bottle slowly, hold the Dremels diamond
wheel steady at the correct angle between the
two pieces of masking tape. This will score
a line in the glass, which should eventually
meet up with itself.
STEP FIVE To crack the glass neatly along
the score mark, pour boiling water over
the scored line, then hold the bottle under
running cold water over a sink. Repeat this
a few times, until the glass cracks. Because
demijohns have thicker glass, you will need
more patience.
STEP SIX Finally, grind off the sharp edges
from the cut bottle with an electric hand
sander. Ask your assistant to hold the bottle
firmly as you sand the glass on a very slow
speed setting.
STEP SEVEN Wipe the glass with a damp
cloth and your terrarium is ready to protect
your strawberries from birds and chilly nights.
OCTOBER
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Here Birdhouse
chic for a lamp.
Left The
kitchen features
an upcycled
pine server and
farmhouse island
with stair balusters
for legs.
Below left
Antique rock
maple pieces
renovated to go in
the bedroom.
90
OCTOBER
RL25.My vintage home.FOR PRINT.indd 90
26/08/2015 16:22
MY
vintage HOME
1920s
cottage
Kim grew up in a bland house with no
character or history, but just a stones throw
away was the dream home she now lives in...
By Kim Montenero
OCTOBER
91
26/08/2015 16:22
MY
vintage HOME
Here Favourite
roadside rescue
table and rooster
lampstand.
Right Colour
and life are
used throughout
the house,
adorning lovingly
repurposed
furniture.
Far right
Roosters pop up
in the kitchen
decor too.
live in the same small town I grew up in and

yet, a world apart. My childhood home was
a builders special, a brand new, cookiecutter high ranch made for the masses
big, open rooms and no character. As a
little girl, its style never bothered me, it was
home. As a teen and budding artist, I began to
notice the bland nature of the structure and its
lack of history. It stood in stark contrast to my
grandmothers home, a regal 1890s farmhouse
with tons of aged charm, which I adored.
When I was ready to leave the nest, I
found myself dreaming of a property more like
that. My husband and I found it less than five
miles from my carefully planned childhood
development. It was a neighbourhood of
bungalows tucked into sandy hills, just steps
from the beach. The homes were originally built
in the 1920s as summer residences, but had
been updated for year round living. They were
not grand in scale, yet the quirky dwellings
92
possessed an elegance all of their own,

haphazardly placed on odd shaped lots, each
one filled with tons of cosy charm. Our greatest
challenge was deciding which one to choose.
We settled on a two-bedroom cottage and
seven years later traded up to our present
home, a three-bedroom, which was literally
across the street. While the rooms are not big,
they are well conceived and filled with period
architectural details. Chunky mouldings, aged
wooden floors, beams on the living room
ceiling and a stone fireplace are just a few
of the features that drew me in. From the
moment we walked through the front door, the
house seemed to hug me and I was smitten.
When it was time to decorate this old
charmer, I wanted to respect her roots. She
had a story to tell, evidenced by each creaky
floorboard and squeaky door hinge. I wanted
furniture and accents that had their own tales
to tell. I chose pieces from thrift and antique
stores rather than furniture showrooms

and I upcycled items from my first home or
treasures found at the roadside. The long
repressed artist and amateur designer in me
had a chance to re-emerge. An accomplished
builder and handyman, my husband was
thrilled to be included in the process.
We enjoy working and creating together.
Im usually the one with the crazy what if
ideas and hes the one with the power tools.
He loads the truck, sands, stains and rewires.
Im on painting, sewing and dreaming duty.
Weve no formal workshop I often paint and
stitch on the kitchen counter, while he sets up
saw horses on the patio. Some of the items
that fill our home needed just a bit of wax,
others needed a full makeover and still others
were made from scratch.
Our bedroom furniture belonged to a
neighbours elderly father. The antique rock
maple pieces are sturdy and fit all that we
OCTOBER
26/08/2015 16:22
moment
FROM THE
WE WALKED THROUGH
THE DOOR THE HOUSE SEEMED TO
need. A few drawers needed repair, but where
some saw trash, we saw treasure. The set suits
the room and blends with the nightstand my
husband built from old boards.
The pine server in my kitchen is from the
1970s and has knots and chips from years of
wear, but when I saw it at the thrift store I had
to have it. I wasnt looking for perfect condition,
I was looking for a perfect fit. Sometimes its
the age and character of a piece that calls to
me. I polished the wood, lined the drawers
with pretty paper and changed the hardware
to make it my own. I am a firm believer that
creating gorgeous home decor doesnt have to
be complicated.
A sweet favourite, my little red table, is
hug me
another basic DIY. It was a curbside find that

sits proudly in the office area, next to an aged
deacons bench from my moms basement.
The tables top was broken and sitting in
the dirt, but I knew it had potential. Once I
secured it to the base, I painted the table red,
my signature colour. I had a piece of glass cut
and tucked a scrap of old fabric underneath
for interest. A tag sale rooster lamp sits on top.
It was pitted, rusted and broken when I made
my nominal offer, nothing a few new wires and
a can of spray paint couldnt solve.
The farmhouse island that sits in our
kitchen is another marital collaboration. It was
born out of my desire for a rustic workspace. I
searched everywhere, but was unable to find
what I wanted for a price I was willing to pay.

After brainstorming, we decided to replace
our current tables standard-height legs
with inexpensive stair balusters from a local
hardware store. We simply chose counterheight balusters and stained them to match
the existing tabletop. It was a perfect fix and
now my old table has a new life.
Crafting and creating my own home decor
has become a favourite hobby. My heart
races each time I find something in need of
a makeover or come up with an original and
easy idea to decorate with. Teaching others
how to make their house a home with simple
projects has become my passion as well. The
thought of selling my creations has whispered
through my mind, but Id rather instruct and
empower others to dream and do on their own.
If this self-taught girl can do it, anyone can.
Visit Kim at www.exquisitelyunremarkable.com
OCTOBER
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26/08/2015 16:22
94
october
RL25.Moss Birds.FOR PRINT.indd 94
24/08/2015 15:36
porcelain
Moss Birds
Imitate the look of intricately shaped

hedge designs using moss scavenged from
the garden and animal gurines.
Project and photography Almie Louis from Grand Recycler
(grandrecycler.com)
M ID W E E K
MAKE
OCTOBER
95
24/08/2015 15:36
If you dont
have access to
a garden, just
visit an area of
woodland and
gather some
there, its fine
to collect moss
from anywhere.
96
PORCELAIN MOSS BIRDS HOW TO...

MATERIALS
Birds made from clay or porcelain
Dry moss (pick it from the garden

and leave to dry in a dark, dry place)
Green spray paint
Spray adhesive
Spray varnish
EQUIPMENT
Newspaper and old shoe box

Protective gloves
Spray mask
Small teaspoon
SAFETY TIP
When using spray
paint, always wear
a mask and gloves
and work in a wellventilated area.
STEP ONE Wash and dry the birds.

STEP TWO Place the birds on newspaper
and spray them in quick, thin bursts. Wait for
one layer to dry before you spray paint the
next one.
STEP THREE While you wait for the birds to
dry, place the dry moss into a food processor
to make a dry moss sludge.
STEP FOUR Place the birds in a small box
and spray them with the adhesive. Use a
teaspoon to dust the birds with the sludge.
You must work very quickly before the
adhesive dries. If you have missed an area,
repeat the process. Allow to dry.
STEP FIVE When the birds are completely
dry, spray them with the varnish and allow to
dry again.
STEP SIX Your birds are ready for display.
OCTOBER
24/08/2015 15:36
F UR N
RE VAI T URE
MP
upholstered
coffee bag sofa
Why have an ordinary sofa when you
can have an extraordinary one, like this
unique upcycled Victorian piece?
Project and photography by Deanna Zouari from Reclaimed Rapture Design

(reclaimedrapture.blogspot.co.uk)
OCTOBER
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25/08/2015 15:37
You can really have fun painting this piece because its
best to apply the chalk paint in a random fashion.
UPHOLSTERED COFFEE BAG SOFA HOW TO...
MATERIALS
An old settee our one measures

203cm long, 94cm at the highest
wing and 84cm at centre
Lots of coffee bags
Fabric softener
Wood ller
Artisan Enhancements Antico

Annie Sloan Craqueleur

Annie Sloan Clear Wax
Annie Sloan Dark Wax
Jute twine
EQUIPMENT
Safety pins
Staple remover
Stapler
Sandpaper
Paintbrushes
Cloths
Upholstery needle and pliers
STEP ONE Inspect your piece closely for

damage or structural weakness. This settee
was badly damaged by a cat. Structurally it
was solid and the springs and foam felt firm.
STEP TWO Drape your fabric loosely to cover
the entire piece, making sure to compensate
for any channelling. In this case, the only
channel I had to consider was the separation
between the seat and back cushions. I used
T-pins and safety pins to secure coffee bags
all around. I ultimately used 10 coffee bags
for this piece. Leave the double layers of the
bag intact. You will want that thickness in
your edges when you are done. I soak all my
bags in a half-filled tub with an entire jug of
fabric softener before using them. They will
be dirty and burlap is a very rough fabric
to begin with. Snap a photo or sketch your
bag placement, so when you are ready to
apply the fabric you can recall where you
intended each bag to live. Coffee bags are
a fantastic option because you are reusing
and repurposing at the same time, not to
mention recycling! Coffee bags are generally
very inexpensive as well and can typically
be found at large coffee houses or roasting
companies. They feature fabulous graphics
and art from their respective countries.
DRY BRUSH TECHNIQUE

Dry brush technique means that you barely dip
your brush into the paint, then wipe your brush
on a paper towel, to remove the excess. Then
continue to paint. Your brush should literally be
so dry that you are practically pushing the paint
into the surface, as opposed to laying paint on
the surface.
98
STEP THREE Using your staple remover

(upholstery type), begin removing existing
fabric by prying up the staples and releasing
the fabric. For this type of project, you do not
need to save your old fabric.
STEP FOUR Luckily for me, despite the

rough shape the settee was in, it appeared
that it was reupholstered not long ago, as all
the foam and batting was perfectly clean and
did not need to be replaced. If your project
has poor foam or batting, visit your local
craft store to purchase new materials. You
definitely do not want to create a beautiful
new statement piece with dirty or old insides.
STEP FIVE Take your time to safely remove
all staples. You will probably also be using
pliers to aid in removal. It is important to
remove as many as possible to get your wood
frame as exposed as you can. Typically when
furniture has been reupholstered each time,
the staple line moves further and further out
into the wood frame. To be able to get back to
the original allowable wood trim is ideal.
STEP SIX Using a 60 or 80 grit sandpaper,
sand the entire staple line or any scratches to
insure a smooth paint finish. Sand thoroughly
to remove as much roughness and as many
remaining staple holes as possible.
STEP SEVEN Due to the cat scratching

damage, I had to add wood filler in two
applications to obtain a smooth surface. Also,
because of the amount of deep scratches
throughout the piece, I had a lot of sanding in
my future.
STEP EIGHT After sanding, wipe down all
wood with a damp cloth to remove any dust
or sanding particulates.
OCTOBER
25/08/2015 15:36
STEP nine I wanted to add some texture

to the otherwise flat wood surface, so I used
Artisan Enhancements Antico and applied
with a palette knife with a dabbing motion,
so as to create small peaks and valleys of
product. Sand away any sharp edges with a
220 grit sandpaper.
STEP ten I then applied Annie Sloan
Craqueleur to the entire wood frame. The
trick with any crackle product is to apply it
in a thick, single stroke. Do not brush on in a
typical back and forth paint motion. Allow to
dry completely.
STEP thirteen Remember when applying

your paint over the crackle, to brush on in a
single, one direction swipe. Painting in a back
and forth motion will ruin the crackle finish.
appear and number them. For example, my

number one piece was the small section on
the far right of the seat. Number two was the
Guatemala bag and so forth.
STEP fourteen I wanted to still see some

Duck Egg, Cocoa and even wood in my
finished piece. So I went over the entire wood
frame with 220 grit sandpaper. This is just
a light removal to allow the different shades
of paint to shine through, plus the beautiful
mahogany wood.
STEP eighteen Use your jute twine doubled,

because pulling tight, staying tight and
stitching tight is imperative.
STEP eleven Apply, using a dry brush

technique, Duck Egg Chalk Paint. Do not
cover the entire piece with paint. Your strokes
should be random, leaving wood still showing.
STEP twelve Next add layers of dry
brushing in Cocoa and Old Ochre Chalk
Paint. Apply each colour in a random, almost
haphazard, way. No pattern, no system. Allow
yourself to have fun. The best part of a project
like this is there are no rules, no right or
wrong way. You can even let your kids help.
Let it be as serendipitous as possible. On the
last shade of Old White, working in 30cm
sections, I mixed 3:1 parts, paint to water. I
applied it heavily with a fat, short bristle brush
and wiped it back. Again, allowing for another
shade to be applied, but just ever so lightly.
STEP fifteen Lastly, using a damp/wet lint

free cloth, I wiped down the entire frame.
This process gently pulls back your paint
layers and distresses the look, while still
preserving the stunning crackle finish that
lives underneath. Wipe heavier in areas to
show more distressing, like the feet or legs,
armrests or the back. Additionally, because
of the beautiful Chalk Paint, no finish sanding
is required. This process softens the paint up
perfectly and feels like velvet to the touch.
Seal your beautiful work with clear wax.
STEP nineteen Using an upholstery needle,

jute twine and pliers, begin sewing the fabric
to your piece. I was able to use existing foam
and batting, so the interior frame wasnt
visible. Going from the back of the sofa,
insert your needle through the back channel.
With a hefty knot tied at the end of your jute,
push the needle through with pliers. Insert
your fingers as deeply as possible into the
front channel to feel for the needle coming
through. When you feel the needle is in the
right place, use the pliers to push the needle
all the way through the front. Because you
are using jute twine, you have to pull firmly
from the front to coax the needle and twine all
the way through. Going no more than 2.5cm
over, insert the needle back down through
the front channel with your pliers and pull
through from the back. Each time you stitch
through, pull as tightly as you can. Repeat
until the entire section is sewn through the
channel and tucked into place. Always have
your beginning knot and tie-off knot in the
back, so you wont see or feel it when sitting.
STEP sixteen I then added dark wax into

nooks and crannies, edges, the hand rests
and bottom of the legs to add even more
depth. Now the paint work is finished.
STEP seventeen Refer back to your photo
or sketch for bag placement. Assign an
order, based on where you want the seams to
October
99
25/08/2015 15:36
All the staples removed at the start of the project have

to be replaced and this settee needed more than 2,000.
UPHOLSTERED COFFEE BAG SOFA HOW TO...
STEP TWENTY Using a different upholstery
needle and pliers, bend the tip in the shape
of a fish hook. The next step is to sew the
bag directly to the foam and batting. Having
the fish hook will allow you to penetrate those
layers, assuring that your bag will be most
tightly secured. If you only sew through the
batting, your fabric will not stay tight over the
years. You must be sure to sew into the foam.
Knot off your twine and continue to the next
section of bag.
side. When using your staple gun, you want

to get as close to the edge of your frame and
batting as possible. We want all that wood
and paint work to really show.
STEP TWENTY FOUR The back is done with

the same plan of arranging your bags where
you want them. The back is much easier,
because I only had to staple the bags into
place, working from the top line of the sofa,
then pulling tightly and stapling the bottom.
The two bags on the end wings of the settee

are placed on an angle and overlap the
underneath bags by about 15cm. There
was no need to sew these sections together,
because of the large overlap. Therefore, there
is no sewing on the back of the settee. Keep
in mind that tight stitching is the key. When
my hands get tired or sore, I pull the burlap
with the pliers in one hand and pull the
needle tight with the other hand.
STEP TWENTY FIVE Lastly, you want to trim
your burlap about 1.25cm, no less than,
close to your staples. Using a box cutter or
really sharp scissors, travel all along the edge
of your wood to trim excess fabric. This also
gives you the opportunity to fray up your
edges and separate the layers of the bag to
really add that additional character.
STEP TWENTY SIX Remember all the vast
number of staples you pulled out in the
beginning of the project? Well you end up
replacing them. I used over 2,000 in this
settee and 3 cords of jute twine!
STEP TWENTY ONE I try to use the braided

side of the coffee bag as often as possible,
because it helps in disguising your stitches.
Sew in each bag in your patchwork design,
always making sure you have pulled tightly
through all of your stitch work, especially in
the back channel. You definitely do not want
any loose stitches, as your fabric will appear
loose and, over time and wear, it will only
come to look worse.
STEP TWENTY TWO Staple the front line
of the sofa first, then pull tightly to secure
the stitch work that runs through the back
channel. Keep in mind do not try to be neat
or perfect, your staples can be crooked,
overlapping or even several staples in the
same place. It adds detail and character to
the finished piece. Work slow and be mindful
to be right on the edge of your batting.
STEP TWENTY THREE I completed the entire
front of the sofa before moving onto the back
100
OCTOBER
25/08/2015 15:37
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RL25.US subs.FOR PRINT.indd 101
26/08/2015 15:38
Painted
Plant Pots
Mini-potted gardens are a Japanese

speciality and you can create your own
green oasis with painted plant pots.
By Ebony Bizys
M ID W E E K
102
MAKE
OCTOBER
RL25.Painted Plant Pots.FOR PRINT.indd 102
24/08/2015 15:40
october
103
24/08/2015 15:40
These decorated pots are ideal for creating a little

potted garden on a balcony or other outdoor area.
PAINTED PLANT POTS HOW TO...
MATERIALS
Plant pots
Multi-surface paint
Spray paint
SPRAY-PAINTED POTS
PAINTED POTS
Create an original pot by using spray paint

for a speckled or multicoloured blended
effect. Finish with varnish.
You can paint ceramic plant pots with

multi-surface paint, as I have done with the
yellow pot shown here. Or try using masking
tape to cover horizontal sections of the pot
before painting the remaining areas with allpurpose paint, as in the blue pot with a white
lip. Ive used Martha Stewart Crafts Multisurface paint.
Stickers
Varnish
EQUIPMENT
Masking tape
POSCA water-based paint markers

Paintbrushes
RETRO TIN POTS

Repurpose tins that are way too cute to
throw away by removing their lids with a tinopener that doesnt leave a sharp edge, and
make a few drainage holes in the bottom of
each tin before planting.
DOTTY POSCA POTS

Use POSCA water-based paint markers to
draw a pattern of your choice on a ceramic
pot. I used a black POSCA marker to draw
random polka dots on a coral-glazed pot (see
main image on page 102).
POLKA-DOT STICKER POT
If you have a little pot plant that you keep
inside, you might like to stick dot stickers all
over the pot. You could also use gemstone
stickers or any stickers of your choice to
decorate a pot that is kept away from the
elements.
TOP TIP

from Hello Tokyo by
Ebony Bizys, published
by Murdoch Books.
RRP 14.99
Photography by BOCO.
104
If you use the pots

for flowering plants,
then use plants
with complimentary
colours to the
pots, or choose
paint shades that
match the flowers
of existing plants
youre re-potting.
STRIPED POT
Use masking tape to mask off vertical
stripes on the plant pot. Paint the exposed
area with multi-surface paint of your choice.
Let the paint dry completely before you
carefully remove the tape.
OCTOBER
24/08/2015 15:40
NEW MAGAZINE
from the makers of
ON
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NOW!
Relax and unwind with our brand new adult colouring magazine
Available for 3.99 from WH Smith and independent newsagents
CH02 house ad FH.indd 1
20/08/2015 11:30
ADVICE FROM THE EXPERTS

In our new Q&A section you have a chance to pitch any
upcycling questions to the experts. Get involved by emailing
your queries to sally.tzgerald@anthem-publishing.com
SCRAP TABLE
I want to create a work table for my craft
area, and Ive got a bit of an industrial theme
going on. I dont have a very big budget
though, and I dont really want to just decorate
a normal table, as I want it to look quite
unique. Do you have any suggestions for how I
can create a table from raw scrap materials?
Oh boy! I love industrial. Lets talk craft
tables! First you need to think of what you
want your table to provide you. Do you need
a lot of storage or just a little? Do you need
nothing more than a flat surface on top with
open area below? Answering these questions
will help you decide what things you can
incorporate into the creation of your table.
If you need storage solutions to go along
with your table, you might want to consider
incorporating things like antique sewing
machine drawers (in a row), old prescription
boxes (with doors), or maybe as large as
the two or three-drawer tall old, metal filing
cabinets as the base for your table. It might
also be more convenient to have your storage
at the ready on top of your table. You can
achieve this by creating a specified area to
house things like vintage wire locker baskets
or small to medium sized metal
106
RL25.Q&A.FOR PRINT.indd 106
boxes. Galvanized boxes or baskets really

play into the industrial vibe.
Once you find the right storage option
for your table, you can incorporate those
elements into your design. One suggestion
might be to take several similar drawers and
run them horizontally across, sandwiched in
between two large board pieces for a quick
and simple table top. Or get more elaborate
by using doors that offer a flat surface to work
with as your sandwich materials. If you find
just the right door, but it has too many details
or pockets on the top that wouldnt allow
you to have a flat enough surface for your
crafts, just get a custom cut piece of glass
to fit on top and youll be set. A hard surface
like glass also enables you to use things like
Exacto knives on the surface and any messes
can be cleaned up easily on glass. Even dried
glue is easy with a flat razor scraper.
Another direction, if youre looking for a
more rustic industrial vibe, is to use old wood
like barn wood. You can use a large piece of
plywood as a base and mount the reclaimed
boards on top and frame it up. The plywood
board underneath provides added strength.
You can use existing vintage table legs, go
the metal route with strong hairpin legs, or
pieces from vintage iron pieces from
porches and railings. For a skinnier
appearance, invest in steel piping with
screw on flanges to attach to the table
and for feet. Add a lower ring of piping
toward the bottom of your structure for
added stability. Antique iron sewing
machine bases make quick options
for smaller table bases. Another robust
option would be using 10x10cm to
15x15cm posts cut to size. If youre
incorporating storage into the design,
these posts are great features to tuck
storage cabinets between the post legs.
Another quick trick is to take a large
piece of plywood (2 to 3 ply thick), or an
old door that doesnt look attractive, and
cover it with sheet metal. Just lay your
sheet metal out, start at one end and
lightly tap down the corners gradually
until youve worked around the perimeter. Cut

the extra material away at the corners and
hammer it on home with some roofing nails
for sure, strong edging. Tap the corners with
your hammer to reduce sharp edges.
Brian Carlisle
www.gadgetsponge.com
FLAT PACKING STORAGE
Im really lacking storage in my flat, but I
want to create some interesting types myself,
rather than just buying it from a shop. Do you
have any suggestions?
If you lack space, start by keeping everything
organized. A friend of mines tag-line goes
something like a bag of stuff in, a bag of stuff
out on the same day, that way he doesnt risk
being inundated with extra clutter.
Think of every space being a possible
storage area. Put a shelf above the bathroom
door for storing towels or spare toiletries. Put
rows of hooks on the back of doors to hang
clothes from. Hang one with a shoe tidy, it
doesnt need to hold only shoes, use it for
storing cleaning items too. Screw the lids of
jam jars to the underside of shelves, making
handy storage for workshop or haberdashery
items. Paint shoeboxes bright colours, label
and use to store collections like notebooks,
reels of ribbon and fabric stashes.
Develop the skill of thinking dual purpose,
for example, create a coffee table from a
bin and add a tea tray for the top. Make a
handy bedside table from an upended wine
crate. Adding wheels to tables makes them
mobile, so they can be moved out of the way
when you need more space. They can then
be wheeled in again when you need a work
surface, like when you are cooking.
Hang as much as you can on the walls
folding chairs, a bike and clothes, think in
terms of creating decorative statements. Bang
on trend is pegboard made of perforated
hardboard, buy it online and paint it in your
colour choice. Its great for hanging all kinds
of things from, office equipment, sewing bits
and pieces or even jewellery. If youre really
strapped for space, magic more by creating
OCTOBER
27/08/2015 11:41
BRIAN CARLISLE
GADGETSPONGE, www.gadgetsponge.com
GadgetSponge.com is the vehicle for Brian
Carlisles passion to take discarded, spent items
and breathe new life into them. GadgetSponge
has moved through many avenues of creation:
birdhouses, bird feeders, furniture, lamps,
clocks, home
accessories and
unique storage
solutions. The big
picture for Brian is the
satisfaction of keeping
things out of landfill
and giving them a
second life.
R&B CONSULTANTS
AMANDA RUSSELL AND JULIET BAWDEN, R&B

www.randbconsultants.co.uk
a bed on stilts. Hard to better on price, Ikea

have the perfect high bed, you sleep closer
to the ceiling, freeing up the room below for
working and living.
Amanda Russell and Juliet Bawden
www.randbconsultants.co.uk
DESIGN YOUR OWN PROJECTS
Ive been upcycling for a while and would
like to try designing my own projects. Where
do I start? How do I know the best way to
adapt something I already have?
Sometimes you will see an item and
immediately think of what it would be great
as for a project. For times when you are
struggling for ideas, think of something you
need, or would like to make. Then brainstorm
ideas of materials you could use that you
have on hand and pick the best one. Play
to your strengths as a crafter. Do you sew?
Are you great with jewellery techniques? Or
woodworking? If you sew, upcycle your old
sheets into shopping bags, or some new
jammies. If jewellery is your forte, pull out
your button stash and go to town. Sometimes

playing around with materials will inspire you.
If you still feel stuck, browse around on
the internet and see what strikes your fancy
and if you can make your own version with
what you have on hand. If youve a particular
material you want to work with, like old
handkerchiefs or books, and dont really know
what to do with it, do a search on Pinterest for
some inspiration.
If you know what you want to make but
not how to make it, search the internet for a
tutorial to see the technique you need. For
example, if you want to make a zipper pouch
using an old place mat, but you have never
sewn a zipper before, you can search for
zipper pouch tutorials. If you are wanting to
make something and you cant find a tutorial,
try forums or asking for help from your crafty
friends. Trial and error is always something
you can fall back on.
Ashlee Park
www.mysocalledcraftylife.com
Design duo Amanda Russell and Juliet Bawden,

both trained in surface design. Juliet studied
both printed and woven textiles at Camberwell
School of Art. Amanda trained in graphics and
has designed wallpapers, fine art prints and
fabrics. They recently
set up R&B, www.
randbconsultants.
co.uk, creating design
solutions start to finish
with exciting projects
for the home and
fashion. See their
website for details.
ASHLEE PARK
MY SO CALLED CRAFTY LIFE,

www.mysocalledcraftylife.com
Ashlee spends her days creating and thrifting.
Her website has all kinds of features, including
a heap of DIY projects, things for sale and
a healthy dose of
vintage goodness. She
loves vintage styles
and her background
and degree is in
fashion. She styles
everything from
people to pets and, of
course, her home.
OCTOBER
RL25.Q&A.FOR PRINT.indd 107
107
27/08/2015 11:44
108
october
RL25.Wardrobe Upcycling.FOR PRINT.indd 108
25/08/2015 16:23
HOME R E F
UR B
Clothes hanger
coat RACK
Take one set of hangers out of your
wardrobe and upcycle them into a
different hanger for your hallway.
Project and photography by Dremel (www.dremeleurope.com/gb/en/)
OCTOBER
109
25/08/2015 16:23
Old clothes hangers should be easy to get hold of, you

could even use plastic ones if they are solid enough.
Wardrobe Upcycling how to...
Materials
5 wooden coat hangers
Hard oil, wax, paint or varnish

10-40mm wood screws
Equipment
STEP ONE Start by making a pattern. You

trace the outlines of a coat hanger on paper
and mark the line where half of the hanger is
to be sawn off. Using your paper pattern you
can now transfer the sawing line to your five
coat hangers.
STEP five Now for the fancy work. Between

the holes, transfer the floral patterns from
your template, using pencil and tracing paper.
Or create your own designs entirely to your
own taste.
Paper
Pencil
Ruler
Screwdriver
Board (50x10x2cm)
Tracing paper
Dremel 8100
Dremel DSM20
Dremel Engraving Cutter 1.6mm
template
(Enlarge to your
desired size)
STEP two With the practical Dremel DSM20

compact saw and the multipurpose carbide
cutting wheel, the coat hangers are easily cut
to the right length.
STEP six Trace the floral design carefully,

using the Dremel 8100 and an engraving
cutter 106. The detailers grip attachment
ensures that you cut precisely. Finish the
board with a coat of, for example, hard oil.
Screw the shortened coat hangers through
the holes into the board and the eye catcher
for your hall is complete.
STEP three To hold the hangers you need

a length of wood a fence plank, for instance
that is 10cm wide and 2cm thick. Cut it to a
length of 50cm. Here too the Dremel DSM20
compact saw demonstrates how powerful and
precise it is. You can then sand the edges of
the cut wood.
STEP four Now mark on the board where
you are going to drill the holes to fix the coat
hangers to it. Centred from the edge, make
two hole marks each at 5cm + 10cm + 10cm
+ 10cm + 10cm. You can drill the holes
cleanly and exactly with the handy Dremel
8100s 4mm wood drill bits 636.
110
Dremel creative tip

Fancy a little colour? Give your creativity a free
rein and add a dash of colour using wood paint
and varnish. For an even more personal note,
experiment with the design. Why not engrave
the initials of family members or icons such as
a hat, coat or umbrella?
october
25/08/2015 16:23
November issue...
on sale 8 October
S
PLUSI V E
LU
E XC I E S L O A N Y
A N N N I V ERS A R
N
25TH A RCE BOOK
SOU
Project by Dremel (www.dremeleurope.com/gb/en/)

* contents subject to change
GET SET FOR

CHRISTMAS
Its time to start crafting for
Christmas with our beautiful
festive upcycled gifts and
decorations
Discover how to upholster a

vintage sewing box
Get creative with quilts
OCTOBER
RL25.Next month.For Print.indd 111
111
24/08/2015 14:16
112
OCTOBER
RL25.Mercury Glass Coffee Table.FOR PRINT.indd 112
24/08/2015 15:32
Mercury glass
coffee table
F U R NI T U R
R E VA M P E
Mercury glass is a much desired silvering effect and complicated to achieve

authentically, so its terric when you can easily and cheaply get the look on
a glass coffee table using spray paint and some articial ageing.
MATERIALS
Glass-topped coffee table (make sure

that the glass can be separated from
the base)
3 cans of Krylon Looking Glass
spray paint
STEP ONE Remove the glass top from the

coffee table. Lay the glass on the drop cloth
with the underside facing up. Spray a layer of
the Looking Glass paint evenly over the glass
and let it dry it will take only a few minutes.
EQUIPMENT
Drop cloth
Spray bottle, lled with half water

and half white vinegar
TOP TIP
Create a mercury
glass vase by using
the same technique
on the inside of a
clear vase. Make
sure the paint is
fully cured before
you add water for
your flowers.
Paper towels
STEP TWO Spray the vinegar-and-water

mixture over the spray-painted glass. Use a
paper towel to blot and wipe up the drops
of vinegar-water. When blotting, vary your
rubbing pressure to leave more or less paint
in areas for a natural look.
STEP THREE Repeat steps 1 and 2 with
multiple coats of spray paint and blotted
vinegar-water until you have your desired
aged effect. I used five coats of spray paint.
STEP FOUR Flip your glass over and place
it back on the table base, so the painted
area is on the underside. This will give it that
mercury glass effect and protect your paint
from wear and tear.

Hot Glue Gun Mess
by William Morrow,
Collins. RRP 12.99
OCTOBER
RL25.Mercury Glass Coffee Table.FOR PRINT.indd 113
113
24/08/2015 15:30
AN UPCYCLED LIFE...
making
memories
Theres a little bit of everything to be found in Katie Essams

work, using found materials and a huge array of techniques and
skills to create her unique contemporary textile art.
Why did you start upcycling?

I love using materials that people
would normally throw away or
regard as unuseful. I get a kick out
of spending as little as I can and
transforming an item or making
something from scratch.
Whats the first thing you made
and what did it lead to?
I think I was around 8-9 years old.
I started helping out with home
improvements. I sanded an old
dark varnished chest of drawers,
bringing it back to its original
gorgeous wood. I loved how you
could turn something old fashioned
into something beautiful and
functional by stripping it or adding colour and
Ive been hooked ever since!
Since my art career took off, I try to use
interesting bits of vintage furniture and items
to display my work at shows and talks. I
like the way they make me stand out and
complement my work. I also enjoy using
old wooden boxes, suitcases, baskets and
furniture for the storage of all my materials
and stock. It adds character to my studio,
making my storage look more like stylish
dcor than just functional.
Not only do I love re-utilising fabrics and
incorporating small found objects into my
pieces, from book pages to buckles, but at
the moment I have a thing for pallet board
planks. Ive made myself a sewing table
for my shows and started using them and
other used wood as a backing to mount my
artwork. I love the way they add texture and
contrast to the fabric, allowing the piece to
be out from behind the glass of a frame and
more interactive and accessible.
However, my most adventurous and
memorable upcycling period was when I was
doing my Art A-level. I always had my eyes
114
helps me not get bored, as there

are so many different mediums
and found items to incorporate.
Whats best about vintage?
I adore vintage things, the
character, interest and
uniqueness of each item. The
story behind the piece, the life it
has lived before it came to me.
I really appreciate the fact that
these objects are made well, in
a time when it wasnt all about
mass production, but about
craftsmanship and things made
to last and be handed down.
peeled looking out for rusty bits of metal I

could incorporate in my work my favourite
find was a rusty old gate post.
Where did you learn your crafting skills?
Ive learnt my skills from all over the place;
some are self-taught; such as my freehand
machine embroidery, needle felting, painting
and more. I learnt a lot at University and I
have attended many workshops and courses
silver, acrylic and wooded jewellery, crochet,
tatting and hand stitch. I have also learnt lots
from family and friends, watching them tile,
paint, hang shelves, sand, do woodwork and
many more things Ive picked up.
Whats best about mixed media art?
I love the freedom and the experimental
nature of mixing media. There are no
rules and the more texture, materials and
techniques you add in to a piece, the more
engaging and intriguing it becomes. I find
mixing my media brings a piece to life, it
challenges me as an artist to keep adding
new skills to my repertoire and to keep
exploring and developing my work. It also
Where do you collect found

objects for your pieces?
Both Grandmas have been very creative
ladies, talented makers and stitchers. I have
inherited stock piles of sewing paraphernalia
from them both. I also love visiting vintage
shops, whether collecting furniture to store
my mass of materials, to display my work
at fairs or smaller bits to incorporate into
my pieces. I can easily get lost for hours
searching through hordes of vintage goodies.
What do you have planned next?
Im at three fairs: The Handmade Fair at
Hampton Court (September), the Knitting and
Stitching Show at Alexandra Place (October)
and the Country Living Christmas Fair at the
Islington Business Design Centre (November).
Im looking to increase my product range
with new greetings and business cards. Im
designing new pieces, planning and making
new large mixed media, 3D pieces with
found objects. However, its the workshops
teaching people the skills to let their creativity
loose that Im most looking forward too.
See more at www.katie-essam.co.uk
OCTOBER
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What projects are featured in this issue?

What projects are featured in this issue?

What does Sarah Beeny talk about on page 24?

What does Sarah Beeny talk about on page 24?

SARAH BEENY REVEALS ALL

ABOUT HER NEW HANDLE RANGE

THE CREATIVE GUIDE TO UPCYCLING

THE CREATIVE GUIDE TO UPCYCLING YOUR HOME

Add a cosy feel to your

Patchwork fruit pin

Teapot sewing caddy

FURNITURE REVAMP OCTOBER 2015

Annie Sloan exclusive

RL013.OBC, IBC, IFC.FOR PRINT.indd 115

Autumn is one of my favourite seasons

Whats in the issue..

P44 Affordable plate art

P16 Fruit bowl pin cushions

P28 Autumn leaf

P42 Metal upcycled wall clock

P48 Garden shutter

P50 Ping-pong marquee letters

P62 Crochet stool cover

P68 String cushion

P108 Clothes hanger

P26 Polka-dot tea tray

P60 Vintage paper flowers

P82 Teapot sewing caddy

P18 Bobbin candlesticks

P88 Plant terrarium

P94 Porcelain moss birds

P102 Painted plant pots

P30 Painted step stool

P72 Crystal side table

Learn how to give

P20 Stencilled cabinet

P86 Antique chair back shelf

P97 Upholstered coffee bag sofa

P78 Scalloped cabinet

P80 Geometric sideboard

P112 Mercury glass coffee table

P75 Jelena Pticek

P54 Living wall

P56 Pretty patchwork

P58 Copper blocks

P33 Blanket box

IN CONVERSATION WITH: SARAH BEENY

UPCYCLING HEROES: KATE WHITEHEAD

MY VINTAGE HOME: 1920S COTTAGE

ANNIE SLOANS DIARY

Anthem Publishing Ltd,

COMMERCIAL DIRECTOR Simon Lewis

EDITORIAL DIRECTOR Paul Pettengale

By entering a competition you are bound by

MANAGING DIRECTOR Jon Bickley

*Calls cost 7 pence per minute plus your phone

THIS ISSUES CONTRIBUTORS

vintage tea rooms

Hairdressing & Beauty Salon

NAAFI serving a 1940s menu Classic Scooters & Bikes