Morphy To Botwinnik
Morphy To Botwinnik
Morphy To Botwinnik
CHESS
FROM
MORPHY
BOTWINNIK
TO
IMRE KONIG
LONDON
G.
PREFACE
THE idea of dealing historically with the development of Chess occurred
to me some time ago, but the difficulty of writing a book of this nature
soon became apparent. After several unsuccessful attempts the solution
to this problem suddenly came upon me: to show how the masters of
the past and present have tried to take up the fight for the centre, which
is the fundamental idea of Chess.
September, 1950
I.K.
CONTENTS
page xiii
INTRODUCTION
PART I
Game
Page
Chapter I
WHITE ATTEMPTS IMI\fEDIATE CONQUEST OF THE CENTRE
1. Morphy-Lowenthal
2. Barnes-Morphy
3. Alekhine-Keres
Chapter 11
WHITE KEEPS THE CENTRE CLOSED
Anderssen's treatment . .
Steinitz' treatment (as White)White holds the centre and
advances on the King's side .
4. Anderssen-Max Lange
5. Steinitz-Lasker
Chapter Ill
THE BERLIN DEFENCE
Early Beginnings
The Modern Continuation Schlechter's Treatment
8
10
12
13
7. Schlechter-Reti
14
8. Lasker-Steinitz
9. Bernstein-Lasker
10. Pillsbury-Bardeleben
11. Euwe-Capablanca . .
Chapter V
THE STEINITZ DEFENCE DEFERRED
Blackburne's Treatment
Black establishes a stronghold in
the centre-Schlechter's Treatment
6. Winawer-Lasker
Chapter IV
THE STEINITZ DEFENCE
Steinitz' Treatment
Lasker's Contribution
White chooses an attacking for
mation-The Showalter Con
tinuation
Capablanca's Contribution
16
17
18
20
21
23
12. Mackenzie-Blackburne
23
13. Teichmann-Schlechter
25
vii
CONTENTS
White tries to restrict Black's
development on the King's
side-Capablanca's Defensive
Method
Black foils White's attempt at
simplification - Alekhine's
Treatment
Bogoljubov's Contribution
The Modern Continuation White defers the Fight for the
Centre . .
Steinitz' Defence System
Alekhine's Continuation
The Siesta Variation
The Duras Variation
Black holds the centre-Alek
hine's Defensive Method
Black Eases the Tension in the
Centre-Capablanca's Defen
sive Method
Black Holds the Centre-The
Modern Continuation
Conclusions
Game
14. Romanovsky-Capablanca
27
15. Stoltz-Alekhine
16. Yates-Bogoljubov . .
29
30
17.
18.
19.
20.
21.
32
32
34
35
36
37
Marco-Steinitz
Sergeant-Alekhine
Reti-Capablanca
Euwe-Keres
Book-Andersen
22. Keres-Alekhine
38
23. Keres-Capablanca . .
40
24. Keres-Reshevsky
41
42
Chapter VI
THE TcHIGORIN DEFENCE
Early Beginnings
The Modern Form of the Tchigo
rin Defence
White Keeps the Centre Open
Lasker's Treatment . .
Rubinstein Improves the Defence
White Plays for a King's Side
Attack-Rubinstein's Defence
White Maintains the Tension in
the Centre-Keres' Contribu
tion
Black Chooses an Active Defen
sive System - Tchigorin's
Continuation . .
Later Trends in the Tchigorin
Defence - The Bogoljubov
Variation
The Modern Continuation of the
Tchigorin Defence
The Modern Continuation (for
White)-The Rauser System
White Resumes the Fight for the
Centre-The Worrall Attack
Page
43
25. Lasker-Tchigorin
43
26. Duras-Tchigorin
45
27. Lasker-Tarrasch
28. Leonhardt-Rubinstein
47
49
29. Bogoljubov-Rubinstein
50
30. Keres-Reshevsky . .
52
31. Schlechter-Tchigorin
32. Luckis-Najdorf
54
56
33. Euwe-Keres
57
34. Alexander-Keres
59
35. Rauser-Rumin
61
36. Lasker-Teichmann
63
viii
CONTENTS
Game
37. Fine-Keres . .
38. Alekhine-Keres
Keres' Continuation
Alekhine's Treatment
Conclusions
Page
64
67
70
PART 11
THE QUEEN'S GAMBIT
73
Chapter VII
THE ORTHODOX DEFENCE
The Orthodox Defence of the
19th Century
Steinitz' Treatment
Pillsbury's Treatment
The Modern Continuation against
the Fianchetto in the Orthodox
Defence
The Modern Form of the Ortho
dox Defence-Lasker's Treat
ment
Showalter's Continuation
Rubinstein's Continuation-The
Tempo Struggle System
Capablanca's Freeing Manceuvre
Capablanca's Contribution (with
White)
Bogoljubov's Contribution
Alekhine's Preventive System
Lasker's Defensive System
Conclusions
74
39. Steinitz-Anderssen
40. Pillsbury-Schiffers
74
74
75
41 . Alekhine-Cuckiermann
77
42. Steinitz-Lasker
43. Pillsbury-Showalter
44. Pillsbury-Showalter
78
81
83
45. Rubinstein-Maroczy
46. Marshall-Capablanca
84
85
47.
48.
49.
50.
87
89
91
94
95
Capablanca-Steiner
Bogoljubov-Thomas
Alekhine-Capablanca
Alekhine-Lasker
Chapter VIll
THE EXCHANGE VARIATION OF THE QUEEN'S GAMBIT
The Minority Attack in the Exchange Variation-Early Beginnings
Capablanca Revives the Minority
Attack
Alekhine Chooses a Better Defensive Formation
Flohr's Treatment
The Defence System to the
Minority Attack-Capablanca's
Defensive System
The Modified Capablanca Defence
System . .
Heterogeneous Castling in the Ex
change Variation-Reshevsky's
Treatment
96
51. Steinitz-Lee
96
52. Capablanca-Alekhine
98
53. Capablanca-Alekhine
54. Flohr-Euwe
100
101
55. Alekhine-Capablanca
103
56. Najdorf-Eliskases
104
57. Reshevsky-Stahlberg
ix
. . 106
CONTENTS
Game
Page
Chapter IX
THE QUEEN'S GAMBIT ACCEPTED
The Queen's Gambit Accepted in 58. de la BourdonnaisMcDonnell . .
the Last Century
59. de la BourdonnaisWhite Plays for a King's Side
Attack
McDonnell ..
Staunton's Treatment . .
60. Saint-Amant-Staunton
Morphy Defends the Queen's
61. Harrwitz-Morphy . .
Gambit
The Steinitz Variation-Steinitz
62. Zukertort-Steinitz
Establishes his System
Steinitz Improves his System . 63. Pillsbury-Steinitz
White Builds up an Attacking
Formation-Schlechter's Continuation
64. Schlechter-Tchigorin
.
109
109
111
113
115
118
120
.. 122
Chapter X
THE 8TEINITZ VARIATION IN MODERN TIMES
The Steinitz Variation by Transposition from the Caro-Kann
Defence
Lasker's Treatment
By Transposition from the Ortho
dox Defence - Botwinnik's
Continuation . .
Capablanca's Treatment
124
65. Botwinnik-Euwe . .
66. Lasker-Reshevsky
124
126
67. Botwinnik-Vidmar
68. Flohr-Capablanca
128
129
Chapter XI
THE Q uEEN's GAMBIT AccEPTED IN MoDERN TIMES
Alekhine's Defence System
Euwc's Continuation
Botwinnik's Treatment . .
Conclusions
69. Euwe-Alekhine
70. Euwe-Alekhine
71. Botwinnik-Keres
131
131
133
134
136
PART Ill
THE ENGLISH OPENING
137
Chapter XII
THE ENGLISH OPENING IN THE LAST CENTURY
The English Opening in the Last
Century
The English Opening as Played
in the London Tournament,
1851
72. Staunton-Saint-Amant
73. Staunton-Horwitz
X
138
138
. . 140
CONTENTS
Game
74. Wyvill-Lowe
75. Wyvill-Kennedy
76. Anderssen-Morphy
Wyvill's Treatment
Anderssen's Continuation
Conclusions
Page
142
144
146
148
Chapter XIII
THE ENGLISH OPENING IN MODERN TIMES
Nimzovitch's Contribution
Flohr's Treatment
The Four Knights' System in the
English Opening-White Aims
at Immediate Conquest of the
Centre-Reti's Contributions
The Modern Continuation
The Modern Form of the English
Opening-Mason's Continuation
Alekhine's Continuation
Golombek's Continuation
Black Adopts a Safer Defensive
System . .
Rubinstein's Defensive System
Conclusions
149
77. Nimzovitch-Spielmann
78. Flohr-Landau
149
151
79. Reti-Przepiorka
80. Reti-Griinfeld
81. Botwinnik-Levenfish
153
155
156
82. Mason-Mieses
83. Alekhine-Tarrasch
84. Golombek-Cruz
157
159
161
85. Flohr-Kashdan
86 . Nimzovitch-Rubinstein
163
164
166
PART IV
THE KING'S GAMBIT
167
Chapter XIV
THE KING's GAMBIT AccEPTED
The Kieseritzky Gambit
The Berlin Defence
Morphy Strengthens the Attack
The Paulsen Defence
Blackburne's Contribution
The Modern Continuation of the
Kieseritzky Gambit . .
The Classical Defence .
.
87.
88.
89.
90.
91.
Anderssen-Kieseritzky
Rosanes-Anderssen
Morphy-Medley
Steinitz-Zukertort
Steinitz-Schlechter
168
168
170
171
172
174
92. Stoltz-Samisch
93. The Gambit of Greco
94. Spielmann-Griinfeld
175
177
178
95. Kramer-Euwe
96. Spielmann-Bogoljubov
179
181
xi
CONTENTS
Game
Page
Chapter XV
THE KING's GAMBIT AccEPTED IN MoDERN TIMES
The Modern Defence to the
King's Gambit
97.
Rubinstein's Continuation
98.
The Latest Trend in the King's
Gambit
99.
Bronstein's Treatment . .
100.
182
Schallop-Paulsen
Hubinstein-Yates
182
184
Santasiere-Levin
Bronstein-Ragosin
186
187
Chapter XVI
THE KING's GAMBIT DECLINED
Morphy's Continuation
Spielmann's Contribution
Reti's Continuation
101. Morphy-Boden
102. Spielmann-Tarrasch
lOB. Stoltz-Spielmann
189
189
191
193
Chapter XVII
THE KING'S GAMBIT DECLINED (CONTD.)
The Falkbeer Counter Gambit . .
Morphy's Continuation
104. Schulten-Morphy
White Adopts a Safer Line
105. Schulten-Morphy
Tarrasch's Contribution
106. Spielmann-Tarrasch
Keres' Continuation
107. Castaldi-Trifunovic
Conclusions
194
194
195
196
197
198
200
201
SuMMING UP
xii
INTR ODUCTION
WHAT is chess technique? Does it really exist or are we merely playing
with words when we refer to it?
Many an experienced player will profess a disbelief in the conception
and then, almost in the same breath, will go on to discuss whether the
great Paul Morphy would have been able to hold his own in a modern
tournament; thereby admitting the existence of fundamental differences
between past and present standards and methods of play.
What kind of changes has, in fact, taken place? The object of this
book is to trace the evolution of technique through the course of the last
hundred years within the framework of the major openings.
Capablanca writes in his Primer of Chess . . . Fundamental strategic
principles never change, though their mode of application may not always
be the same . . . . ' Here is the key to all that we mean when we speak
of technique. In chess we deal with the elements of force, space and
time, represented respectively by the varying powers of the pieces, the
chess-board with its arbitrary dimensions and inherent attributes and
limitations, and the movements of the pieces on this board.
'
xiii
INTRODUCTION
time their successors not only did not progress beyond the ideas of these
masters, but failed even to understand and assimilate their contributions
to the game.
When we speak of absorbing previous la;lowledge we, as ordinary
players, should not, in the first place, expect to be able to do this for
ourselves. The ridicule accorded Steinitz and Nimzovitcb during the
greater part of the ir careers shows that not even the greatest contempo
raries of the truly inventive masters are always able to grasp the ideas
at once. What happens is that, slowly but surely, the less-inventive
masters, playing regularly in tournaments, experiment with the new ideas.
When these ideas have withstood the searching test of tournament play,
they become better understood, and finally, common knowledge.
This process was surprisingly slow in the last century and in the early
years of this one. The fact is, that the tiuly inventive masters did not
surpass the other masters as players, so that the importance of their ideas
was not quickly realized. An example is the case of Lasker and Steinitz.
Lasker was the great player par excellence; Steinitz the great thinker.
Distinctly superior to Steinitz as a player, Lasker himself has explained
how he learned from Steinitz, and was able to put the latter's ideas into
practice in tournament play. This the more temperamental Steinitz was
never able to do with any measure of success. It is not surprising, there
fore, that the lesser contemporaries of Steinitz were slow in appreciating
his ideas, particularly as the competitive nature of the game serves to
obscure the evolutionary tendencies.
To illustrate the different approach of the older masters to the game,
we have selected characteristic examples from the past as well as the
present. They are considered together so that they can be readily com
pared. As we are to deal with the evolution of opening and middle game
technique, we have tried to analyze the games of the earlier masters from
two points of view:
( 1 ) Embracing the ideas underlying their moves, with regard to the
concepts prevalent at the time.
xiv
PART I
THE R UY LOPEZ
IN the last century there was much controversy as to the merits of this
remarkable opening. Although it has been established that the opening
was known in 1490, in the English-speaking world it bears to-day the
name of the Spanish priest who published an analysis of it in 1561.
It was the research of Ruy Lopez which first drew attention to the
opening. His bold assertion that the opening moves of a game could be
decisive roused the critics. Although one of the greatest players of his
time, he was declared to be a poor analyst.
Even in the last century leading masters frequently adopted unsatis
factory opening variations purely out of convention, believing the initial
stages of the game to be of only incidental importance, the final outcome
being decided at a later stage through some romantic combinations.
Two nineteenth century authorities had definite views on the subject.
Blackburne called it 'an opening for the safe and cautious player'; whilst
Steinitz was of the opinion that White could obtain only equality against
the best defence, which he 1hought hinged on the move 3 . . . . . P-Q3;
now known as the Steinitz Defence.
Despite these weighty condemnations, however, the Ruy Lopez not
only continued to flourish, but increased in popularity. Differences arose
as to what, in fact, was the best defence-a sure sign of strength in an
opening. All this controversy indicated what we know to-day: that the
Ruy Lopez is an elastic opening, affording several good lines to both
attacker and defender, a factor which has made it indisputably the most
popular of the King's side debuts.
I
"rHITE ATTEMPTS
IMMEDIATE CONQUEST OF THE CENTRE
MORPHY'S TREATMENT (AS WHITE )
THE earlier great masters of the game-de la Bourdonnais, McDonnell,
Staunton, Saint-Amant-did not adopt this opening, an interesting fact
that requires some explanation.
It is not difficult to conclude that the Evans and the Scotch Gambit
afforded more opportunities of open, tactical struggle coupled with central
control than the Ruy Lopez. Even when this opening was introduced
as a tournament weapon by Bird against Horwitz in London, 1851, it
was in a form where White played for early control of the centre by
P-Q4. On the rare occasions that Morphy adopted the Ruy Lopez he
played this line, which was at that time considered to give White the
initiative.
Morphy was not a theoretician in the modern sense of the word. Tar
rasch compared him with Capablanca, maintaining that Morphy was not
an opening expert, preferring to employ the best continuations conceived
by Max Lange. According to Steinitz and Staunton on the other hand,
Morphy was the leading exponent of the openings in his day. These
conflicting views may be reconciled. Morphy accepted what he considered
sound and recast it to suit his style, retaining a critical perspective of
any contradiction of general principles; an approach later accepted by
other great masters, as Lasker and Capablanca.
In this light, it will be interesting to observe how Morphy embarks on
the main problem of the opening-which is the main problem of all
openings-the struggle for control in the centre.
It is rarely seen nowadays, for
reasons which we shall discuss later.
1
White
P. Morphy
J.
Black
5.
6.
7.
8.
9.
Lowenthal
P-K5
Castles
B x Kt
Kt x P
PxP
Kt-K5
Kt-B4
QP x B
Kt-K3
P-K4
1 . P-K4
Kt-QB3
2. Kt-KB3
P-QR3
3. B-Kt5
Kt-B3
4. B-R4
5. P-Q4
A straightforward move, which
aims at securing the superiority in
the centre by the most direct means.
10. Kt x Kt
1 1 . Q-K2
2
B x Kt
B-QB4
16. Kt-Kt31
But Morphy finds the right reply.
BxP
16. . .. . . .
P-KKt3
17. P-B4
The reply to the tempting 17.
. . . . Q-Kt5; would have been 18.
R-B2; and the Black Bishop
would have got into trouble, for
instance 18. .. . . Q x KtP?; 19.
QR-QB1, or 18 . . . .. B-R5; 19.
P-Kt3.
18. P-K6! !
The combination of this move
with the previous one reveals
Morphy's genius in open positions.
The Pawn cannot be taken, because
of 19. Q-QB3; and if 18. . . . .
.
Castles QR; 19. Q-R7, would
follow.
18.
B-B4
19. Kt x B
P x Kt
20. P x P eh.
KxP
21. Q-KR3
Q-B3
22. QR-K1
QR-K1
23. R-K5!
Now that the skirmish is over,
we can sit back and admire Mor
phy's fine judgment of position,
which guided him in making his
Pawn sacrifice. Superficially Black's
game appears defendable, for his
King's side is only partially broken
up, and there are only heavy pieces
left on the board. But this move
shows what a strong grip White has
on the game.
Morphy-perhaps
quite unconsciously-had a very
good idea of the modern theory of
strong points. Black now cannot
exchange the Rook, because this
would bring White's King's Rook
into play, with great effect, so he
must allow White to build up an
attacking formation.
23. . . . . . .
K-Kt3
RxR
24. KR-K1
25. R x R
R-Q1
26. Q-Kt3 eh.
K-R2
R-Q2
27. P-KR3
P-Kt3
28. Q-K3
29. K-R2
P-B4
30. Q-K2
Q-Kt3
Q-Kt2
31. R-K6
This part of the game is con
ducted by both sides in a manner
which could not be surpassed even
to-day. With our modern technical
knowledge, we should express it as
the struggle for the vital squares at
K5 and KR5. The Black Queen
cannot hold both of these squares,
as 31. . . . . Q-B2; would be
answered by 32. Q-K5, threatening
both 33. R-KB6 and 33. R-K8.
Q- Kt2
32. Q-R5
R-Q4
Not 32 . . . . . R-B2; 33. R X P eh.
P-Kt4
33. P-QKt3
Black is reduced to making only
Pawn moves. If 33 . . . . . Q-B1;
34. Q-Kt6 eh., K-Rl ; 35. R-K8.
R-Q3
34. R x P
35. Q X BP eh.
Q-Kt3
36. Q x Q eh.
KxQ
The foJlowing ending is not diffi
cult, and is handled irreproachably
by Morphy.
37.
38.
39.
40.
41 .
42.
43.
44.
45.
46.
47.
48.
49.
R-R5
P-KKt4
K-Kt3
R-R7
PxP
P-B5
R-K7 eh.
P-B6
P-Kt5
K-B4
PxP
K-B5
R-K3
R-Kt3
P-B3
P-R4
PxP
K-B3
K-K4
K-Q3
R-Ktl
R-KB1
P-B5
PxP
P-B6
Resigns.
At the time this game was played, it was probably not so highly appre
ciated as it is to-day. When we consider Morphy's fine Pawn sacrifice
with its tactical points (shutting out the Bishop), his transition into a
seemingly insignificant advantage in the middle game, and the simple
looking way in which he demolishes the defence, we are reminded of the
same masterly ease of technique displayed by Capablanca on so many
occasions.
White
P. W. Barnes
Black
P. Morphy
RxP
12. P x P
R-Kt3
13. Q-K2
B-Q3
14. K-R1
15. QR-Q1
Q-R5
16. P-B4
B-Kt5
If 16 . . . . . R-R3; 17. Kt-B3,
with the threat of B X Kt followed
by Q-K8 eh. and R-Q8.
Q-R4
17. Kt-B3
BxB
18. B x Kt
B-Kt3
19. Kt-K4
The defensive move 19.
B-K2; also leads to a favourable
position for White after 20. Kt
Kt3, B X Kt; 21. Q X QB.
20. Kt(K4)-Kt5 P-R3
K-R1
21. Q-B4 eh.
K-R2
22. Kt-B7 eh.
R-B3
23. Kt(7)-K5
Q x Kt
24. Kt x B
Q-K3
25. Kt-K5
26. Q-K4 eh.
Barnes has played these combined defensive and attacking
manreuvres with great skill.
Q-B4
26 . . . . . . .
RxQ
27. Q x Q
28. P-KKt4
This and the following two moves
were considered weak by Max
Lange and according to him were
the cause of the loss of the game.
To-day it is natural in such a
position to post a Knight at KKt6.
It only shows what a hypnotic
influence Morphy had on his con
temporaries.
28
. . . . .
29. P-B5
80. Kt-Kt61
R-B3
R-K1
R-K7!
31. R-Q8?
The position looks fairly simple,
but when faced with the inventive
genius of Morphy, great care is
needed. Maroczy has pointed out
that the correct move was 31.
KR-K1 ! If then 31 . . . . . R X
QBP; 32. R-K8, R X Kt; 33.
R(Q1 )-Q8, R-B8 eh.; 34. K
Kt2, R X KtP eh.; 35. K-R3 and
White wins. After the best move,
31. . . . . R-B7; 32. R-K8, R X Kt;
33. P X R eh., K X P; the White
Rook is on the King's file-not
subject to attack by the Black
King-and this renders impossible
the fine defensive manreuvre of
Morphy's 34th move.
R x Kt! !
31. . . . . . .
KxP
32. P x R eh.
R X BP
33. R-Q7
B-Q5!
34. R(1 )-B7
Here is the point of the ambush
sprung on Black's 30th move. The
text move would be useless if the
White King's Rook now stood on
K7.
35. R x BP
R x KtP
R x QRP
36. R x QKtP
P-QH4
37. P-R4
38. . . . . . .
K-Kt4
K-R5!
39. Rx KtP eh.
40. R(KKt7)-K7 P-R5!
This move bars the White Rook
from coming to the 3rd rank which
would prevent the Black King from
penetrating with mating threats.
Black won.
A. Alekhine
Black
P. Keres
Kemeri, 1937
1.
2.
3.
4.
5.
6.
P-K4
Kt-KB3
B-Kt5
B-R4
Castles
P-Q4
P-K4
Kt-QB3
P-QR3
Kt-B3
B-K2
PxP
Kt-K5
7. P-K5
Kt-B4
8. R-K1
QPxB
9. BxKt
Castles
10. KtxP
R-K1
1 1 . Kt-QB3
This move is not new and was
played in the game Lasker-Tchi
gorin, St. Petersburg, 1895, which
continued 12. B-B4, Kt-K3;
13. KtxKt, QxQ; 14. QR x Q,
B x Kt; 15. P-QR3, QR-Q1;
16. P-R3, R x R; 17. Kt x R,
R-Q1 ; 18. Kt-K3, R-Q5! and
Lasker,
who
previously
in
his
1 6. B-B2
Protecting the K4 square.
16. . . . . . .
QR-Q1
17. R-K3!
A very ingenious way of doubling
the Rooks, since 17 . . . . . RxKt?
would be answered by 18. RxR.
B-B1
P-B3!
B-Kt3
17.
18. QR-K1
B--Q3
19. RxR eh.
RxR
20. RxR eh.
BxR
21. P-KKt3
B-B2
22. P-QKt4!
A last attempt to force the Black
pieces out of the centre and to
make use of the superior Pawn
position on the King-side.
With this move Black liquidates
White's centre instead of playing
for a King's side attack. Certainly
a more objective treatment of the
position than shown in the previous
game.
Kt-K3
22.
Q-Kt3
23. Kt-K4
Kt X Kt
24. P-B5
Q-R4!
25. B X Kt
The best 25. .
Q-R3; 26.
B-K3, Q-R6; 27. B-B5, would
leave White the initiative.
. .
14. PxP
QxP
15. Q-B3
B-B4!
Again demonstrating unprejudiced judgment. One would at first
think that Black's strength lies in
26.
27.
28.
29.
QxQ
P-B3
KtxB
P-B6
BxQ
B-B6
PxKt
Drawn.
Though the game, compared with the two of Morphy's, looks uneventful,
this is because both players mastered the positions which arose and took
account of the limitations imposed. But it has its fine points, and even
to-day only outstanding players could as effectively execute the general
plan.
11
Black
A. Anderssen
Max Lange
Aachen, 1868
1 . P-K4
P-K4
2. Kt-KB3
Kt-QB3
3. B-Kt5
P-QR3
4. B-R4
Kt-B3
5. P-Q3
P-Q3
6. BxKt eh.
PxB
7. P-KR3
P-Kt3
8. Kt-B3
B-KKt2
9. B-K3
Castles
10. P-KKt4
R-K1
1 1 . Kt-K2
P-Q4
12. Kt-Kt3?
A mistake which must, as the
annotator says, be recognized. But
even the recommended move 12.
Kt-Q2, would have left Black
with the initiative.
KtxKtP
12. . . . . . .
An original sacrifice.
If now
13. P X Kt, B X P; (with the threat
. . . . Q-B3) 14. K-B 1 , P X P;
15. QKt X P, P---KB4; winning back
Or 14. R-KKtl,
the piece.
Q-B3; 15. Kt-B5, P X Kt; 16.
R-Q1
10
32. R-Ktl
R-KKt3
33. B-R4
R-Q6
34. B x P
R x RP
35. R(2)-Kt2
K-R2
36. K-Ql
A recommended continuation
here was 36. B-Q8, R x R; 37.
R x R, B-KR3; 38. K-Ql, B x
Kt(? ) with good drawing chances
for White, as the Bishops are of
opposite colours. But Black could
play 37 . . . . . R-Q6;! 38. B x P,
B X P; and the two Bishops are very
strong on their open diagonals.
36. .. . . . .
B-QBI
37. B-Q8
B-Kt5 eh.
38. K-B2
R-QB3
39. Kt-Bl
R-B6 eh.
40. K-Kt2
B-Ra
41. R-Kt3
If 41 . Kt-Kta, the reply
B-K6; with the threat
B-Q5; is too strong.
R-B8
41. . . . . . .
42. R-Q31
A very subtle trap. If now 42.
. . . . B-K7; 43. R-Q7 eh., K-Rl;
44. B x P, R x B; 45. R x R, R x Kt;
46. R x R, B X R; 47. P-B5, P-R5;
48. P-B6, P-R6; (or 48 . . . . .
B-R6; 49. R-B7, B-Kt5; 50.
R-B5, or here 49. . . . . B-K3;
50. R-B6) 49. R-B8 eh., K-R2;
50. P-B7, B-R3; 51. R-R8,
B-QKt2; 52. R-QKt8, with a
draw.
R-K7 ch.
R x KP
R-Q5
PxR
B-Kt2
P-Q6
B-Ra eh.
P-Q7
RxKt
P-Q8(Q)
BxR
B-B5
11
that an attack on the wing could only be successful if the centre was
secured. In contrast to Morphy, he did not seek to gain command of
the centre, but contented himself with consolidating his position in this
theatre. When, and only when, his centre was secure, Steinitz com
menced his attack against the opposing King. The following game,
played in a World Championship match with Lasker, is a typical example
of his profound strategy.
more normal-looking move Kt-B I .
The text intensifies Black's task of
carrying out .. . . P-Q4;
5
W.
White
Steinitz
Black
Em. Lasker
ex
6.
P-KKt3
7. QKt-Q2
B-Kt2
8. Kt-B4
An important deviation from the
Castles
8.
Kt-K2
9. Kt-K3
10. B-Kt3
P-B3
Here 10. . . . . Kt-Kt5; was
worth considering, with the idea of
exchanging the strong Knight on
K3 and preparing for the advance
of the King's Bishop's Pawn.
U. P-KR4
Q-B2
12. Kt-Kt5
Very fine. Superficially it looks
like a simple attacking move, but
its chief aim is the defence of the
centre as is subsequently apparent.
P-Q4
12.
QR-Q1
13. P-B3
14. P-Kt4
Comparison with the previous
game will show how carefully
Steinitz has prepared his attack.
PxP
14. . . . . . .
Another slight inaccuracy. Black
releases the tension in the centre
too early.
P-KR3
15. BP X P
16. Q-B3!
B-K1
If 16 . . . . . PxKt; 17. PxP,
Kt-R2; 18. Kt-B5! defending the
Kt5P and threatening Q-R3; with
tremendous effect.
Kt-Q2
17. B-B2
18. Kt-R3
And now the Knight is taken
back for defensive purposes.
18.
19. Kt-B2
Kt-QB4
P-QKt4
12
P-KR4
P x Kt
26.
27.
28.
29.
30.
31 .
32.
33.
34.
35.
36.
37.
38.
39.
40.
41.
42.
PxP
RxB
Q-B5 eh.
Q x RP eh.
Q x Kt
B-K3
P-R4
PxP
QxQ
R-R6
Kt-Kt4
B-B5
Kt-K3
B-Q4
P-R5
B-Kt3 eh.
Kt-B5
K-R2
KxR
K-B2
K-Ktl
Q-K4
P-R3
KR-Kl
RP x P
RxQ
R-QBI
R-K2
R(2)-Kl
B-Bl
K-B2
B-K2
K-Bl
Resigns.
Ill
THE BERLIN DEFENCE
THE two previous chapters have shown that neither Morphy's early
opening of the centre, nor Anderssen's retention of the closed centre,
brought White any lasting initiative.
It has been found that after 1. P-K4, P-K4; 2. Kt-KB3, Kt-QB3;
3. B-Kt5, Kt-B3; White can safely castle since his King's Pawn is
only seemingly threatened; this continuation, recommended by Max Lange,
gave White new scope. Black has now to decide whether to accept or
decline the pseudo-sacrifice of the Pawn. Acceptance constitutes the
Berlin Defence, 4. . . . . P-Q3; the Steinitz Defence.
13
When Black plays the Berlin Defence, he does not expect to hold the
Pawn on his K4 (White, if he wishes, can recover it at once by 5. R-K1,)
but by exchanging the centre Pawns, he aims at a less restricted develop
ment for his pieces than he would achieve in the Steinitz Defence.
EARLY BEGINNINGS
6
White
S. Winawer
Black
Em. Lasker
Nuremberg, 1896
I. P-K4
P-K4
2. Kt-KB3
Kt-QB3
3. B-Kt5
Kt-B3
4. Castles
Kt x P
5. P-Q4!
This move, rather than the for
merly popular 5 . R-K1, is to-day
recognized to be strongest, as is
shown by Max Lange's fine but
almost forgotten analysis. Black
cannot hold the Knight on his J\..5
square (see following note).
B-K2
5. . . . . . .
6. Q-K2
Kt-Q3
If 6 . . . . . P-Q4; 7. Kt x P,
B-Q2; 8. B X Kt, P X B; 9. R-K1,
Kt-B3; 10. B-Kt5, Kt-Ktl;
11. Kt x B,
7. B x Kt
KtP x B
8. P x P
Kt-Kt2
9. Kt-Q4
Castles
10. Kt-QB3
B-B4
1 1 . Kt-B5
This old-style attacking move is
not justified by the position. For
the correct continuation see next
game.
1 1. . . . . . .
P-Q4
12. Q-Kt4
B x Kt
13. Q x B
R-K1
14. B-B4
B-Q5
15. KR-K1
Necessary because of the threat
. . . . P-Kt3; winning a Pawn.
15 . . . . . . .
Kt-B4
16. QR-Q1
Ifl 6. B-Q2,R-Ktl; threatening
. . . . P-Kt3, and . . . . R-Kt5.
B x Kt
16. . . . . . .
Q-B1
17. P x B
18. Q-R5
Q-R3
19. R-K3
QxP
20. R--QB1
Q-B5
21. R-B3
If 21 . R-R3, Q x B; and the
Black King can escape.
21 . . . . . . .
Kt-K3
22. B-Q2
R-K2
23. R-R3
Q-K5
24. P-B3
On 24. P-KB4, Kt-B1; and
the pressure on "\-Vhite's King's
Pawn prevents his playing P-B5.
24. . . . . . .
Q-Kt3
25. Q-R4
R-Q2
26. P-KB4
Q-K5
27. P-Kt4
Kt-B1
White was threatening P-B5,
28. Q-B2
P-QR4
29. R-K3
Q-B5
P-R5
30. P-B5
30. . . . . Q X P eh.; 31. R-Kt3,
and the open file would strengthen
White's attack.
P-R6
3 1 . R-B1
32. R(3)-K1
32. P-K6, is not good because
of 32.
P x P; 33. P x P,
Kt x P; 34. R x Kt?, Q x P eh.
32 . . . . . . .
P-R7
33. P-R3
P-QB4
34. K-R2
34. P-K6, is again prevented by
34 . . . . . P x P; 35. P x P, Kt x P;
36. R X Kt?, P-R8(Q);
14
34.
35. Q-B3
P-Q5
P-QB3!
R-KBl
39. R-QR1
Kt-Q1
40. KR-Kl
R(2)-KB2
41 . Q-QKt6
R-R7 eh.
42. B-Kt5
43. K-Kt3
or 43. K-Ktl , Q-Q4.
QxP eh.
43. . . . . . .
Resigns. 44. K-R4, QxP eh.
and Mate in two follows.
K. Schlechter
Black
R. Reti
Vienna, 1914
1 . P-K4
P-K4
2.
3.
4.
5.
6.
Kt-KB3
B-Kt5
Castles
P-Q4
Q-K2
7. Bxl{t
Kt-QB3
Kt-B3
KtxP
B-K2
Kt-Q3
KtPxB
......
B-K3
QR-Ql
P-Kt4!
Q-B3
B-B4
P-QR3
15
16
R-KBI
34.
PxP
R-Kt2
35. K-R2
36. R-KKtl !
R( I )-B2
36 . . . . . R x R; 37. K x R, Q-
42.
43.
44.
45.
46.
47.
B x RP
K-Kt3
B-B4
K-B3
K-K2
Draw.
Kt x P
Kt x P
K-R2
P-Q4
KKt3
Kt-R4!
IV
THE STEINITZ DEFENCE
WHEN the Berlin Defence was at the height of its popularity and seemed
to solve the problem of a valid defence to the Ruy Lopez, Steinitz, in
stinctively distrusting the loose Pawn formation, had gone his own way.
He was firmly convinced that a player who has a strong hold on the
centre need have little fear of being overrun by an attack on the flanks,
and therefore sought an adequate defence based on this theory.
Unfortunately he was temperamentally unfit as a player to prove the
soundness of his theory. To maintain his grip, on the centre he often
made bizarre moves which brought both his play and his theory into
disrepute. Nowadays his theory is accepted without reserve. The pro
gress we have made in technique enables us to use his basic theory in a
practical and successful manner. Further examples of this progress will
appear later when we examine the 'Steinitz Defence Deferred.'
17
STEINITZ' TREATMENT
The following game is an excellent illustration of Steinitz' theory of
the centre.
8
White
Black
Em. Lasker
W. Steinitz
18
P-Q4
23. . . . . . .
The alternative was 23.
P x P; 24. P-R5, P-KKt.4; 25.
P-R6, P x P; 26. KR x P, R-K1;
and Black should be able to repel
White's attack.
KxP
24. P x RP eh.
K-Ktl
25. B-Q3 eh.
R-K1
26. P-R5
P-KKt3
27. P-R6
K-Kt2
28. P-R7 eh.
Q-K4
29. K-Ktl
P-QB4
30. P-R3
P-B5
31. Q-B2
32. Q-R4!
Steinitz writes: 'At first glance it
would seem that White could win
by B X KtP.
But this does not
realize 32. B X KtP, P X B; 33.
. . .
Q-K3
37. R x P
QxR
38. R x R
K-B4
39. R x BP eh.
R-K2
40. Q-R6
41. Q-R2!
Not 41 . R-B8? because of 41
. . . . R x P!
Q-Q2
41 .
41. . . . . Q-Q1; was suggested
as a better defence, but White
could play 42. Q-B2 eh. , K-Kt.4;
43. P-R4 eh., K X P; 44. Q-QB5.
42. Q-Ktl eh.
43. Q-Kt5 eh.
44. R-B5
45. Q x Q eh.
46. Q-B6 eh.
P-Q5
Q-Q4
QxR
K-Q3
Resigns.
LASKER'S CONTRIBUTION
In the last years of his life, in the Vienna 1 898 and the London 1899
Tournaments, Steinitz resorted to the more natural
. . . KKt-B3
.
19
White
Bernstein
Black
Em. Lasker
. . .
12. B x B
13. Q-Q3
14. R-K3
3
QxB
KR-K1
Kt-B1
P-QB4
15. Q-B4
16. Kt-Q5
This looks very menacing, but
simpler was 16. Kt-B3, B-K3;
17. Q-R6, with the intention of
exploiting Black's weakened Pawn
position.
16. . . . . . .
Q-K4
B-K3!
17. Kt-Kt3
Threatening . . . . P-QB3; and
leading to interesting complications
in which Lasker is able to display
his tactical skill.
18. Q-K2?
18. Q-R4 was better in order to
answer 18 . . . . . Q X KtP; with 19.
Kt X P(B7), P-B5; 20. Kt X KR,
P X Kt; 21. RP X P, B-Q2; 22.
Q-R3, Q x Q; 23. R x Q, B x Kt;
24. R-Q3, with about equal
chances.
18.
19. P-QB4
Q x KtP!
20
QxQ
19.
B x Kt
20. R x Q
21. BP x B
P-QR4!
22. P-QR4
Kt-Q2
23. P-B3
KR-Ktl
Other players might have hesitated to commit themselves to 2 1 .
. . . . P-QR4; binding the Q R to
the defence of its Pawn, but Lasker
saw that White's QR Pawn would
25.
26.
27.
28.
29.
30.
31.
32.
33.
Kt-B1
R(3)-R3
Kt-Q3
Kt x R
R-K3
RxP
R-K7
RxP
R-KB1
Resigns.
R-Kt5
Kt-Kt3
P-B4!
P x P!
RP x Kt
Kt x QP
Kt-B6
P-Kt6
P-Kt7
RxP
H. N. Pillsbury
Black
C. von Bardeleben
1. P-K4
2. Kt-KB3
3. B-Kt5
4. Castles
P-K4
Kt-QB3
Kt-B3
B-K2
P-Q3
5. Kt-B3
6. P-Q4
B-Q2
7. B x Kt
BxB
PxP
8 . Q-Q3
Black gives up the centre one
move too early. Correct is 8 . . . . .
Kt-Q2; 9 . B -K3, ( 0 . P-Q5,
Kt-B4; and . . . . B- c, 2) 9. . . . .
P X P; 10. B X P, Cas';
1 1 . Kt
Q5, B X Kt; 1 2 . P X D, .i. -B3; 13.
KR-Kl, B X B; 14. Q X B, (Mar-
21
B x Kt
Kt-R4
Q-B5
Kt x Q
P-KR4
P-R5
R-B3
K-R2
RP x P
R-K2
PxP
R-B3
R-K8
PxB
P-Kt4
QxQ
KR-Ktl
P-QR4
P-R3
P-R5
PxP
R-R7
P-B5
PxP
R-Kt5?
R(Kt5)
-Kt7
3 1 . R-Kt3 eh.
Resigns.
An impressive demonstration of
the Showalter attack. It is difficult
to detect any major mistake on
Black's part prior to his 29th move.
CAPABLANCA's CoNTRIBUTION
Capablanca was the third world master to accept the Steinitz Defence.
He did not employ it exclusively, but his faith in its soundness is proved
by his adopting it regularly against his great rival, Lasker, after his loss
to him at St. Petersburg, 1914.
Though the games between them do not constitute the last word on
this defence, they do reveal many new possibilities in its mode of conduct.
22
11
\Vhite
M. Euwe
Black
J. R. Cap ablanca
London, 1922
I. P-K4
P-K4
Kt-QB3
2. Kt-KB3
Kt-B3
3. B-Kt5
P-Q3
4. Castles
B-Q2
5. P-Q4
PxP
6. Kt-B3
Capablanca gives up the centre
a move before 7. R-K1 (or 7.
B Kt, B x B; 8. Q-Q3, ) forces
him to do so but thereby avoids
Showalter's variation (see previous
game). A good example of Capa
blanca's preventive technique.
B-K2
7. Kt x P
8. R-K1
A more useful move appears to
be 8. P-QKt3, but it only gives
White equality after 8. . . . . Kt x
Kt; 9. Q x Kt, B x B; 10. Kt x B,
Kt---,-Q2; 1 1 . B-R3, P-QR3; 12.
Kt-B3,B-B3; 13. Q-K3,Castles;
14. QR-Q1, B X Kt!
Lasker
Capablanca, New York, 1924.
Castles
8
R-K1
9. B-B1
10. P-B3
Tarrasch recommends 10. P
QKt3, and B-Kt2.
.
Kt x Kt!
10. . . . . . .
One of Capablanca's characteristic
moves by which he evades the dan
ger arising after 10 . . . . . B-KB1;
11. B-KKt5, P-KR3; 12. B-R4,
P-KKt3; 13. Kt-Q5, B-Kt2;
14. Kt-Kt5, -KKt4; 15. KKt X
P, P x B; 16. Kt x QR, Q x Kt;
17. Kt-B7, (better Q X P) (Lasker
Capablanca, 1921, 1 2th match
game).
11. Q x Kt
B-K3
To meet 12. P-QKt3 with 12.
. . . . Kt-Q2 and . . . . B-B3,
besides preparing . . . . P-Q4.
12. Q-B2
P-B3
13. B-Q2
If 13. B-K3, Q-R4.
Q-Kt3
13. . . . . . .
14. Kt-R4
This puts the Knight out of play
but 14. P-QKt3, P-Q4; is also
good for Black.
Q x Q eh.
14 . . . . . .
15. K x Q
P-Q4
16. P-K5
If 16. P x P, Kt x P; and Black
threatens P-QKt4 followed by
. . . . B-B4 eh. and Kt-Kt5.
.
. . . .
Kt-Q2
16. . . . . . .
17. P-KKt3
Better, but not quite satisfactory,
is 17. P-KB4, P-QKt4; 18. Kt
B3, B-B4 eh.; 19. K-B3, P-B3;
20. P X P, Kt X P; with the threat
of . . . . P-Q5.
17. . . . . . .
B-KB4
P-QKt4
18. QR-B1
19. Kt-B3
B-B4 eh.
20. K-Kt2
Kt x P
The liquidation of White's centre
is carried out in Capablanca's con
vincing style.
21.
22.
23.
24.
P-KKt4
K-Kt3
B-KB4
B x Kt
B-KKt3
P-KR4
P-B3
PxB
23
33. P-QB4
RXP
34. P x QP
PxP
35. B-Ktl
B-B3
36. R-Q1
R(B6)-B5
37. B-K4
B-B4
38. Kt-Q3
P X B!
Resigns. 3 9 . K t x B, R-Kt5 eh.
leads to mate.
Truly a Capablanca game. Chiefly
impressive is that even within the
strict limitations of the Steinitz
Defence Capablanca is able to
demonstrate his smooth and ap
parently effortless style.
26. P-Kt5
P-Kt3
B-Q3
27. R-K2
28. K-Kt2
K-Kt2
29. QR-K1
R-K2
R-KB1
30. Kt-Q1
31. Kt-B2
B-K1
32. P-Kt3
R(2)-KB2
The game is won for Black; it is
nevertheless interesting to observe
the ruthless way in which Capa
blanca exhibits his opponent's
weaknesses.
V
THE STEINITZ DEFENCE DEFERRED
THIS most modern defence was played during the nineteenth century;
for instance, we know an example of its adoption by Louis Paulsen in
1871. However, since his mode of treatment was quite different from
present-day methods, we begin our study with a game played by Black
burne in 1 877, in which we see our modern strategical ideas beginning to
assume a definite shape.
At a later date, Steinitz himself revived this defence (which came to
be known as the 'Steinitz Defence Preceded') when, according to his
contemporaries, he had become disillusioned in his old defence. He
vigorously denied this saying, 'Some critics remarked that I had lost
faith in my usual favourite 3 . . . . . P-Q3; but it will be seen the same
idea is carried out after the move (3 . . . . . P-QR3; ) which secures a draw
at least against the most formidable attack, which according to the theory
and practice of first-class masters White has at his disposal.'
(As we
shall see in the notes to game No. 16 Yates-Bogoljubov, San Remo, 1930,
it has since been proved that White cannot force the draw.) Steinitz
adopted it consistently during the Hastings Tournament of 1895, and at
last it seemed as if he achieved his objective of maintaining the centre
albeit at the expense of a cramped position.
The ultimate judgment on the Steinitz Defence Deferred has yet to
be given, but we can say in general that Black can maintain the centre,
and if he should have to give it up, he can do so safely in the knowledge
that he can secure a free development for his pieces.
BLACKBURNE'S TREATMENT
In the following interesting game Blackburne, a player of individual
outlook, adopting the defence for the first time, demonstrates his sound
appreciation of its principles.
24
12
White
Black
G. H. Mackenzie J. H. Blackburne
Played in a short match of
3 games after the Bradford
Tournament, 1877
P-K4
I. P-K4
2. Kt-KB3
Kt-QB3
P-QR3
3. B-Kt5
P-Q3
4. B-R4
B-Q2
5. P-B3
P-KKt3
6. Castles
7. P-Q4
B-Kt2
Black has now reached the ideal
position in this variation.
It is
certain that this was not deliber
ately planned, nevertheless it is
remarkable that Blackburne treats
it quite in the modern spirit.
8. B-K3
KKt-K2
9. Q-Q2
The usual move played to-day is
9. P x P, with the idea of bringing
the QB to B5.
9. . . . . . .
Castles
B-Kt5
10. B-R6
Black avoids the trap!
If (a)
10 . . . . . Kt x P; 1 1 . P x Kt, B x
KB; 12. B x B, K x B; 13. P x P,
P x P; 14. Kt x P, regaining the
Pawn with the better position; (b)
10 . . . . . Kt x P; 11. P x Kt, B x
QB; 12. Q X B, B X B; 13. Kt-Kt5,
wins.
1 1 . Kt-R3
Contemporary critics here recom
mended 1 1 . B X B, K X B; 12. Kt
K1 , with attacking chances for
White, but this shows that they
misjudged the position.
By ex
changing the Bishops White has not
unduly weakened Black's King
position and furthermore he has no
minor pieces left on the King's side
with which he can attack.
u.
12. P x B
B x Kt
P-Q4!
Kt-B4!
19. . . . . . .
A fine, and by no means obvious
Pawn sacrifice.
Q-Q1
20. Q x P
Kt-R5
21. K-R1
P-KR4!
22. Q-Kt4
Kt x P
23. Q-Ktl
Q-Q2
24. Q-Kt3
Takes control of the important
Kt5 square.
25. Kt-B2
P-R5
26. Q-Kt2
It is interesting to see how Black
has succeeded in controlling all the
important squares thus restricting
the movements of the White Queen.
26 .
27.
28.
29.
......
Kt-K3
Q-Kt3
R-Q3
R-B5
P-R6
QR-KB1
P-B4!
25
32.
33. Kt-B1
Resigns.
KR-B2
Q-K7
R. Teichmann
Black
K. Schlechter
P-K4
Kt-QB3
P-QR3
P-Q3
PxB
5. B x Kt eh.
6. P-Q4
White's aim is to force Black to
play 6. . . . . P x P; which would
lead to an ordinary Steinitz De
fence.
6. . . . . . .
P-B3
But this move, played by Alapin
against Tarrasch in Nuremberg,
1 892, foils White's attempt.
26
7. Kt-B3
With regard to the currently
popular 7. B-K3, see the following
game.
7. . . . . . .
P-Kt3
Kt-R3
8. B-K3
Kt-B2
9. P-KR3
B-KKt2
10. Q-Q2
Black's method of developing
his King's side pieces is even to-day
considered best-an ideal which can
be realized only by indifferent
handling of the opening on the part
of White.
1 1 . R-Q1
Q-K2
12. Castles
Castles
P-R3
13. KR-K1
14. Kt-K2
K-R2
P-QR4
15. Kt-Kt3
Kt-Q1
16. P-QR4
17. Kt-R2
Kt-K3!
With this well-timed Knight
manreuvre Black not only prevents
18. P-KB4, on which 18. . . . .
P X QP; 19. B X QP, Kt X B; could
follow, but clarifies the tension in
the centre, since 18. P-Q5, P X P;
19. Q x QP, B-Q2; followed by
P-KB4; would be too strong.
18. P-QB3
P-QB4
19. Kt-K2
If 19. P x BP, Kt x P; 20. B x Kt,
P x B; and the position is in favour
of Black, who can now play 21.
. . . . B-K3; with the threat B
Kt6 and . . . . KR-Ql .
19. . . . . . .
B-Kt2
By superlative manreuvring Black
at last induces White to close the
centre, since he was threatening 20.
. . . . P-KB4; in which case the
two Bishops would have enhanced
powers.
20.
21 .
22.
23.
24.
P-Q5
P-B3
Q-B2
B-B1
Kt-Kt4
Kt-Kt4
P-B4!
P-KB5
B-B1
B-Q2
B-Kt2
25. P-QKt3
More precise was at once 25.
P-B4, for now Black had the alter
native break-through with 25 . . . . .
P-B5; 26. P x P, Q-Kl.
P-R4
25. . . . . . .
Kt-B2
26. Kt-B2
27. P-B4
P-Kt4
All this is superbly played. The
Queen's side and the centre being
blocked, Black can prepare the
break-through on the King's side at
his leisure.
28. K-B1
Kt-R3
P-Kt5
29. Kt-B3
30. RP x P
PxP
31 . K-K2
B-KB3
32. R-R1
B-R5
33. QR-Ktl
R-KKtl
34. K-Q1
R-Kt3
35. Q-K2
QR-KKtl
PxP
36. R-B1
This break-through proves to be
too early and, as will be seen, it
should have been prepared by
QR-Kt2 and K-Ktl since the
Black King on R2 is exposed.
37. P x P
R-Kt7
38. K-B2
Q-Kt4
Q-Kt6
39. B-Q2
B-R6
40. Kt(B3)-Q1
41. K-Q3
Loses the Queen for Rook and
27
the
best
41 .
B-Kt5
42. Kt x B
RxQ
43. K x R
Q-Kt7 eh.
44. K-Q3
Kt x Kt
45. R x B eh.
Owing to the disadvantageous
position of the Black King, White
has now this defensive resource at
his disposal.
45 .
46.
47.
48.
......
R-B2
K-K2
R(2)-R2
Kt-R3
Q-Kt8
R-Kt6
Kt-Kt5
49 . . . . . . .
50. B x R
Kt x R
Q-Q5
51. B x Kt
K-B2
52. R-Kt4 eh.
53. R-Kt2
Q-RS
54. K-Kl
Q-Kt8
55. R-KB2
QxP
56. Kt-Kt2!
As a result of the manreuvre
initiated by the 52nd move, White
was able to defend aU the weak
points of his position.
56 .
57.
58.
59.
60.
61 .
62.
63.
64.
65.
66.
67.
68.
K-Kl
......
K-Bl
K-Q2
K-Kt2
K-Bl
R-K2
K-Kt2
B-Ktl
K-R3
K-R2
B-B2
B-Kl
K-R3
K-R2
B-R4
Q-Ktl
B-QS
B-R4
Q-Kt6
B-Kl
K-R3
K-B2
K-Kt3
K-R3
B-Q2
Drawn.
28
White
14
Black
P. Romanovsky J. R. Capablanca
Moscow, 1935
I. P-K4
P-K4
Kt-QB3
2. Kt-KB3
P-QR3
3. B-Kt5
P-Q3
4. B-R4
PxB
5. B x Kt ch .
P-B3
6. P-Q4
7. B-K3!
P-KKt3
Another line of development is
7 . . . . . Kt-K2; 8. Kt-B3, Kt
Kt3; 9. Q-Q2, B-K2; 10. P
KR4, P-KR4; l l . Castles Q,
B-Kt5; 12. Q-Q3, P X P; 13.
B X P, Kt-B5; 14. Q-B4, Q-Q2;
Bogoljubov - Alekhine, Exhibition
game, Baden-Baden, 1934.
8. Q-Q2
9. Kt-B3
B-KKt2
B-Q2!
Q-Kt5!
16. . . . . . .
One of Capablanca's typical "pre
ventive" moves. Now he eliminates
White's attacking chances before
they become dangerous.
If now
17. P-B4, Q x P eh.; 18. Q x Q,
P x Q; and in the end game White's
centre is weak.
17. Q-K3
QR-K 1 !
Preventing again 18. P-KB4,
on which could follow 18.
P x QP; 19. R x P, Q-Kt3; with
the threat . . . . Kt-B4;
PxP
18. QKt-K2
Q-Kt3
19. R x P
P-QB4
20. Q-Q2
Q-Kt5!
21 . R-Q3
22. P-QB4
White cannot avoid exchange of
Queens, for if 22. Q-B4, Kt-QB3!
is too strong.
QxQ
22.
B-B3
23. R x Q
P-B4
24. Kt-B3
25. Kt-Q5
Kt x Kt
29
26. KP x Kt
27. P-KB4
28. R-B3
29. Kt-B1
Drawn, for if 29. . . . . P-Kt4;
30. Kt-Kt3 would follow.
While the previous game has shown that White cannot forcibly trans
pose from the Steinitz Defence Deferred into the Steinitz Defence, a
second equally important question has to be solved, namely, whether
White by simplification can remove the sting of Black's play-rendering
the variation useless as an aggressive weapon.
15
White
Black
G. Stoltz
A. Alekhine
Bled, 1931
P-K4
I. P-K4
Kt-QB3
2. Kt-KB3
P-QR3
3. B-Kt5
P-Q3
4. B-R4
5. P-Q4
P-QKt4
Kt x P
6. B-Kt3
7. Kt x Kt
P x Kt
8. B-Q5
R-Ktl
9. B-B6 eh.
Alekhine remarks, if White
thought that by simplification he
could easily obtain a draw, he was
certainly ill advised.
9.
B-Q2
10. B x B eh.
QxB
u. Q x P
Kt-B3
12. Kt-B3
B-K2
13. Castles
Castles
14. B-Q2
14. B-Kt5 is not good because
of 14. . . . . P-Kt5; 15. Kt-Q1 ,
(15. Kt-Q5, Kt X Kt; 16. Q X Kt,
R--Kt4;) 15. . . . . Q-Kt5;
KR-K1
14.
P-Kt5
15. Q-Q3
16. Kt-K2
16. Kt-Q5, Kt x Kt; 17. Q x Kt,
(or 17. P x Kt, Q-Kt4;) increases
White's drawing chances, in har
mony with the policy of simplifi
cation.
16.
17.
On
lowed
Q-B3
......
P-KB3
17. Kt-Kt3, Kt-Kt5; fol
by . . . . Kt-K4; is strong.
P-Q4
17.
Kt x P
18. P x P
B-B3
19. QR-K1
Q-B4 eh.
20. P-QB4
21. R-B2
Kt-K6
22. P-QKt3
QR-Q1
23. B x Kt
RxB
B-R5
24. Q-B2
After breaking up White's centre,
Black is able to win a Pawn, but
not without allowing White some
counterplay.
25. P-Kt3
26. R-KB1
27. K-Kt2
28. R x R
R x BP
B-Kt4
R x R eh.
Q-B3 eh.
30
29. K-R3
30. R-BI
B-K6
R-Q4!
P-QB3
B-Kt4
P-KKt3
P-KR4
Q X P eh.
White to simhas a point!
P x Q eh.
38. Q x Q
R x Kt eh.
39. K x P
40. K x B
K-Kt21
Resigns.
There is no defence
against 41. . . . . P-B3 eh. 42.
R X P, R-K4 eh. winning the
Rook.
This game is important not only from the opening point of view but
for its contribution to middle game strategy, in demonstrating the dif
ference between the strong and weak centre. As White is backward in
his development, Alekhine is able to break up the position and to use the
lines gained for manceuvring his pieces, transforming this again into a
material win. As soon as this is realized, a direct attack is launched to
conclude matters.
BoGoLJUBov's CoNTRIBUTION
Although in the previous game Alekhine demonstrated that Black can
undermine White's attempts at simplification, it was left to Bogoljubov
to expound that, contrary to popular opinion, White cannot force a draw
by a Pawn sacrifice. Even Steinitz was unaware of this, as he observed
that this refinement constituted a possible blemish of the pefence Deferred.
White
F. D. Yates
16
Black
E. D. Bogoljubov
2. Kt-KB3
3. B-Kt5
4. B-R4
5. P-Q4
6. B-Kt3
7. Kt x Kt
P-K4
Kt-QB3
P-QR3
P-Q3
P-QKt4
Kt x P
P x Kt
8. P-QB3
Up to here the game is identical
with Hymes-Steinitz, New YoTk,
1894, which was drawn by repeti
tion of moves after 8. . . . . P X P;
9. Q-Q5, B-K3; 10. Q-B6 eh.
B-Q2. It is interesting to note
that in his attempts to find a line
to avoid a draw, Steinitz analyses
10 . . . . . K-K2; coming to the
conclusion that it is too dangerous
for Black-and yet fails to find
Bogoljubov's simple reply.
Kt-Kt5
QR-K2
31
25. . . . . . .
RxP
Bogoljubov's direct method of
breaking up White's centre by
sacrificing the exchange is most
impressive. White was threatening
Kt-B4, followed by P x P and
Kt-K6.
PxP
26. P x P
27. B x R
RxB
P-Kt4
28. B-B4
28. . . . . Kt-K6; 29. B x Kt,
R X Kt; is worth considering.
29. B-Bl
R-K4
30. Q-Q3
Q-Kl
If 30 . . . . . B X P; 31. B-Kt2 is
too strong whilst if 30. . . . . R x P;
31. Q-Kt6 gives White a strong
attack.
31. Kt-Kt3
RxP
32. R-K2!
A clever tactical stroke to pro
mote complications.
If 32. . . . .
B-K4; 33. Q-B5, B-Q5 eh.; 34.
K-Rl, R X Q; 35. R X Q eh.,
K-B2; 36. R X R eh., K X R; 37.
P-R3, wins.
R-K4
32. . . . . . .
R xR
33. B x P
34. Kt X R
Q-K5
35. Q x Q
BxQ
36. P-R3
Kt-K4
37. B-K7
Kt-B2
37 . . . . . B-Q6! would win an
important tempo since if 38. R-B2,
Kt-B2; White cannot play 39.
Kt-Kt3 because of B-Q5.
38. Kt-Kt3
B-Q5 eh.
39. K-Rl
B-QB7
40. Kt-B5!
B-K4
41 . Kt x QP
The only chance. White must try
to break up Black's Pawn position.
41. R-B3 is met by P-B5!
41. . . . . . .
Kt x Kt
Not 41. . . . . B x Kt; 42. R x Kt
with Bishops of opposite colours.
42. R-Bl
BxP
32
43. R x P
B-KB5
If 43 . . . . . Kt-B5; 44. R--B8
eh., K-B2; 45. B x P,
44. R-B6
Not 44. R X P, B-B7;
44. . . . . .
Kt-B4
45.
46.
47.
48.
4.9.
50.
BxP
B-Q4
RxP
Kt-R5
B-Kl
B x P eh.
K-Ktl
B-Kt2
R-KB6
B-Kt4
B x Kt
BxR
Drawn.
G. Marco
17
Black
W. Steinitz
Hastings, 1895
I. P-K4
P-K4
Kt-QB3
2. Kt-KB3
3. B-Kt5
P-QR3
P-Q3
4. B-R4
Kt-K2
5. Castles
P-KKt3
6. P-B3
B-Q2
7. P-Q4
B---:-Kt2
8. B-K3
9. P x P
PxP
10. QKt-Q2
Castles
Kt-B1
1 1 . R-K1
As usual in this variation the
development of the King's Knight
is Black's opening problem. Steinitz
developed the piece early to K2
instead of at a later stage and
retaining the option of going to
KB3, leaving the K2 square for the
Kt x B
Kt-Kt4
sufficient
Pawn.
33
compensation
for
the
21.
Kt-Q3
22. Q-Kt3
Kt x P
23. QR-Q1
Kt-Q3
24. Kt-Q5
Better was at once 24. Kt-Q2.
24 . . . . . . .
25. Kt-Q2
26. Q x B
Better than
27. Kt-B4.
26.
P-K5
B x Kt
P-K6!
B x P;
27. R x P
RxR
28. P X R
R-Ktl
Not 28 . . . . . B X P; 29. Kt-B4.
29. Kt-B4
RxP
30. B-Kt3
This involved manreuvre endan
gers White's game. 30. Kt x Kt,
P X Kt; 31. Q X P, would have
drawn.
30.
R-Kt4
31 . Q-B6
B-B l !
32. Q x RP
Q-Kt4
33. R-KBl
Kt x Kt
34. B x Kt
Q x KP eh.
35 . K-R1
R-KB4
36. R-Rl
Or 36. R x R, P x R; 37. P-KR3,
B-B4; 38. K-R2, K-Kt2; (to be
able to play . . . . P-B5 without
interference of Q-B8 eh. and
Q-Kt4) and Black's attack is
decisive.
A mistake.
Correct was 21.
Kt-B4, with the threat Kt-R5.
21.
Q-K2; 22. P-QR3,
B-QB 1 ; 23. Kt-K3! prevents 23.
. . . . B-Kt5; and Black has no
36. . . . . . .
B-Q3
37. B-B1
If 37. P-KR3, Q-Kt6;
37. . . . . . .
B xP
Resigns. There is no defence to
. . . . R-KR4.
This is not one of Steinitz' great games, but one in which we can per
ceive the Steinitz Defence Deferred coming into being; and for this reason
it is of great interest. As the following game will show, the strategical
rql!irements of the position were well recognized by Steinitz, only the
.
t1mmg of the moves bemg wrong; but complete accuracy on the very
first occasion would be too much to expect.
34
ALEKHINE's CoNTINUATION
Forty-two years later Alekhine was faced with the same problem
that Steinitz failed to solve. And his continuation is a good answer to
those critics who have condemned Steinitz for his unfruitful endeavours.
18
White
E. G. Sergeant
Black
A. Alekhine
Margate, 1937
P-K4
1. P-K4
Kt-QB3
2. Kt-KB3
P-QR3
3. B-Kt5
P-Q3
4. B-R4
5. Castles
More exact is 5. P-B3, since the
text-move allows Black to exchange
the KB with Kt-QR4.
B-Q2
5. . . . . . .
P-KKt3
6. P-QB3
B-Kt2
7. P-Q4
8. P x P
8. B-KKt5would only help Black
after 8. . . . . P-B3; 9. B-K3,
Kt-R3; followed by . . . . Kt-B2;
and the Knight has reached its
ideal post in this variation. (Bogol
jubov-Alekhine Match, 22nd game,
1929).
P x P!
8. . . . . . .
8. . . . . Kt X P; gives White more
chances after 9. Kt X Kt, P X Kt;
10. P-KB4, B X B; 1 1 . Q X B eh.,
Q-Q2; 12. Q X Q eh., K X Q; 13.
P X P, K-K3; 14. B-B4, R-KB1 ;
15. Kt-Q2, B X P ; 1 6 . Kt-Kt3,
B x B; 17. R x B, P-Kt3; 18.
P-QR4, (Fine-Alekhine, Avro,
1938.)
Kt-B3!
9. B-K3
The most important move in this
variation; the Knight goes to B3
instead of to K2, as in the previous
game.
Q-K2
10. QKt-Q2
1 1 . P-QKt4
This manreuvre was com;idered
14 . . . . . . .
Kt-Q1
15. P-QR4
Kt-Kt2
16. B-Kt5
Kt-B4
17. B-Q5
QR-Q1
18. Kt-B4
P-R3
19. B x Kt
B xB
20. Q-B1
White plays for a trap.
20.
Q-B2, still gives him a playable
game: 20. . . . . B-Kt2; 21. Kt-K3,
B-K3; 22. B x B, P x B!
20. . . . . . .
Not 20. . . . .
K-Kt2
Kt-Kt6? ;
21 .
22. R x Kt
23. QR-R1
35
B x Kt
24. P x R
R-Q1
25. KR-Q1
B-Kt6
26. Q-K4
27. R-Q2
Q-B4
28. Kt x P?
An oversight, but White's posi
tion is naturally hopeless.
28. . . . . . .
Q x BP!
Resigns. White has three pieces
attacked.
R. Reti
J.
Black
R. Capablanca
Berlin, 1928
I. P-K4
2. Kt-KB3
3. B-Kt5
4. B-R4
5. P-B3
6. P-Q4
For the superior
following game.
6.
4
P-K4
Kt-QB3
P-QR3
P-Q3
P-B4
6. P x P, see
P x KP
7. Kt-Kt5
If 7. Kt x P, P x Kt; 8. Q-R5
eh., K-K2; 9. B-Kt5 eh., Kt
B3; 10. B x QKt, P x B; l l . P x P,
Q-Q4! 12. B-R4, K-Q21 Up to
this point both Steinitz' and Capa
blanca's analyses are identical.
Capablanca gives here 13. Q-Kt5,
P-R3; 14. Q-B5 eh., K-K1; 15.
Q-Kt6 eh., Q-B2; 16. Q X Q eh.,
K x Q; 17. P x Kt, P x P; with an
equal game.
7.
8 . Kt x KP
9. B-KKt5
10. Q x P
PxP '
Kt-B3
B-K2
36
......
Kt x Kt ch.
Q-Q5
B-R6
P-QKt4
P x Kt
P x KB
14. . . . . . .
B-Kt2
15. B-Kt7
Castles Q
16. B x R
Kt-K4
B-B6!
17. Q-Q1
Hastening the end.
18. P x B
There is no defence against 18 .
. . . . Q-R6;
18
Resigns.
.
. . . . .
Q-R6
The following game shows the latest tendency of the Siesta Variation,
and it is particularly interesting since one of our greatest opening experts,
Euwe, is caught unprepared by a new variation.
White
M. Euwe
20
Black
l l . Q-B3
P. Keres
10. P-KB4
B-Q3
37
Q-B3
11.
12. Q x P eh.
After 12. B x P, Kt-K2; the
White pieces are scattered and
disunited.
. . . . .
12. . . . . . .
Kt-K2
13. B x Kt eh.
If 13. Castles, Castles KR; 14.
Kt-B3, B X Kt; 15. R X B, Q-Kt3!
followed by 16 . . . . . B X P; But had
0 0 0
B-K5
Euwe came in for considerable criticism over this game, and annotators
suggested various moves to improve the defence; yet with unlimited time
they overlooked more than Euwe did under the strict time limit. The
only point on which censure is justified is that he went into an extensively
analysed variation unprepared. Which just shows the pains that must
be taken in this technical age if, avoiding over-solid lines, one wants to give
the game a more dynamic character.
THE DURAS VARIATION
This modern line is named after the Czechoslovakian master who
adopted this formation, though he treated it as a kind of Steinitz system,
by first playing 5. P-Q3, then 6. P-B4, and ultimately P-Q4: therefore
with the loss of a tempo compared with the modern continuation.
Black
E. E. Book
E. Andersen
P x Kt
8. Q-R5 eh.
K-K2
9. B x Kt
QxP
At last Black realises that after
9. . . . . P X B; 10. B-Kt5 eh.,
Kt-B3; 1 1 . P x P, he cannot play
Steinitz' fine defensive move 1 1 .
. . . . Q-Q4; since the B P controls
that square.
Position after 9. B x Kt
Better was 9. . . . . Kt-B3; 10.
Q x KP eh. , K-B2; 11. B-Q5 eh. ,
Kt x B; 1 2 . Q x Kt eh., Q x Q; 1 3 .
P x Q, B-KB4; 1 4 . B-B4, R-B 1 ;
and Black can still fight on.
10. Q-K8 eh.
K-Q3
1 1 . B-K3
Q x BP
1 2. Kt-B3
B-Kt5
13. R-Q1 eh!
Resigns
13 . . . . . B x R; 14. Q-Q7 Mate
would follow.
"\\7hile this game may impress many by its brilliancy and brevity its
importance lies in its theoretical value, for it shows that Black cannot
counteract White's move 6. P-Q4, by playing 5 . . . . . P-KB4.
P. Keres
22
Black
A. Alekhine
Margate, 1937
I. P-K4
P-K4
2.
3.
4.
5.
6.
Kt-KB3
B-Kt5
B-R4
P-B4
Kt-B3
7. P--Q4
Kt-QB3
P-QR3
P-Q3
B-Q2
P-KKt3
B-Kt2
89
10. B-B5!
With this move, characteristic of
the opening, White gets the upper
hand.
10. . . . . . .
Kt-KR4
To bring the Knight to Q5 via
B5-K3.
1 1 . Kt-Q5
Kt-B5
12. Kt x Kt
P x Kt
13. P-K5
White's superiority is obvious.
As subsequent analysis showed, 13.
BxB
17. . . . . . .
B-Q2
18. Q-Q3
Black gives up a Pawn in order
to castle, otherwise Kt-Q4 would
follow.
Castles Q
19. Kt x P
20. Kt-B3
P-KB3
21. P x P
RxP
22. KR-K1
Q-Kt5?
An oversight, but even 22 . . . . .
R-K3; 23. Q-Q4, with the threat
Q-R7 and also Q x BP, leads to
a loss.
23. Q x B eh.
Resigns.
Mate in two follows.
40
A complex game, especially in the opening which had not been previously
essayed, and was therefore untrodden ground. This game brought the
defence into discredit as is usual when a great player loses while adopting
a new system. As this variation has been rarely seen, the final word has
not yet been said. Black's counter-chances are very limited and for this
reason it has not found favour in modern tournament practice, more
elastic variations being preferred.
P. Keres
Black
J. R. Capablanca
2.
3.
4.
5.
6.
7.
8.
Kt-KB3
B-Kt5
B-R4
P-B4
Kt-B3
P-Q4
Kt x P
P-K4
Kt-QB3
P-QR3
P-Q3
B-Q2
P-KKt3
PxP
B-Kt2
9. B-K3
Another important line is shown
in the game Boleslavsky-Fine,
Radio-match, U.S.S.R.-U.S.A. 1945
which brought the variation into
15. Q x B
Kt-B3
16. Q-Q5
QR-Kl
17. Kt-B3
Through his 12th move Black has
gained a useful tempo.
17
. . . . .
Q-K3
41
RxP
RxQ
R-K4!
21. . . . . . .
The key of the defensive man
reuvre. It is not difficult to see at
this stage; but Black based his
defensive system on this move.
Naturally 21. . . . . R X R? 22. P X R,
would lose a piece.
RxR
22. R x R eh.
23. R-Q1
If 23. Kt-Q5, R-K7;
23 .
24.
25.
26.
27.
28.
29.
30.
31 .
32.
33.
......
K-B1
P-QKt3
Kt-Q5
Kt-B4
P-Kt3
Kt-K2
P-B3
K-B2
RxR
K-K3
K-B2
Kt-K4
Kt-Q2
P-B3
R-K5
K-K2
Kt-B4
R-K6
R-Q6
Kt x R eh.
Kt-K4
Drawn.
A game in Capablanca's convincing style. It is instructive to observe
how he defeats White's intentions to make use of the hole at KB6 by
B-Q4 and Kt-Q5.
Black
P. Keres
S. Reshev8ky
. . . . .
Kt-K2
B x Kt
42
Kt-Kt3
8. Q x B
9. Kt-Q5
R-QKtl
10. Kt-Kt4
Kt-K2
10. . . . . Q-Q2; would be too
rigid, though possible. 1 1 . B x Kt,
P X B; 12. Kt X P? R-Kt3;
20. P-Kt4
21. B-K3
Kt-K3
Kt-B5!
1 1 . Kt-B2
Q-Q2
12. P-Q3
White has no better prospects
after 14. P-Q4, P x P; (not 14 .
. . . . P-QKt4; 15. P X KtP, Kt X
P; 16. Kt x Kt, P x Kt; 17. B-Kt3)
15. Kt x P, P-QKt4; 16. Kt X Kt,
Kt X Kt; 17. B-Q1, Kt-Q5; and
the White Bishops have no freedom
to manreuvre.
Kt-B1
12. . . . . . .
13. B-Q2
Preventing the exchange of the
Bishop by 13. . . . . Kt-Kt3; and
. . . . Kt-R4; but more aggressive
was 13. P-QKt4.
13.
B-K2
B-B3
14. Q-Kt3
15. R-QB1
Kt-Kt3
1 6. B-Kt3
Q-Q1
Kt-Q2
17. Castles
18. P-QR3
Kt-B4
19. B-R2
Castles
The superiority of the Knights
over the Bishops is apparent in
such closed positions.
22. Q-B3
On 22. B X Kt, P X B; 23. Q-B3,
(23. Q X P? B-Kt4; ) 23 . . . . . Kt
K4; 24. Q-Q1, P-B4; Black
would secure a strong post for his
Knight.
Kt x QP
22. . . . . . .
23. R-Ktl
Kt-B5
White threatened to trap the
Knight with 24. P-Kt3.
24. P-Kt5
Drawn.
If 24. B x Kt, P x B ; 25. Q x P,
and Bishops of opposite colours
foreshadow the draw.
Although the game is cumbersome, and the early draw might suggest
that both players avoided battle, the contrary is true. The structure of
the defence demanded both caution and patience, and it is not surprising
that both players got into time trouble seeking a solution to their diffi
culties-but it should be realized that this is one of the first-known
examples of the opening in tournament play.
CONCLUSIONS
This concludes the chapters on the Steinitz and Steinitz Defence Deferred.
While the former is crystallized and very unlikely to undergo radical
changes, the latter has reached only a transitory state in its development.
We have dealt with its primary form, where the fight for the centre can
clearly be demonstrated.
These chapters show how great masters like Lasker, Capablanca,
Alekhine have put Steinitz' ideas into practice. It is interesting to see
how easily a player like Capablanca expresses Steinitz' fundamental
concepts. In his three games as Black, Capablanca displays perfect
43
VI
THE TCHIGORIN DEFENCE
THE other great pioneer in the Ruy Lopez was Tchigorin, who, like Steinitz,
distrusted the then fashionable Berlin and 'Open' defences.
Whilst trying to evolve a solid defensive system against the Ruy Lopez,
he seems to have passed through a period of mental conflict, and two
well defined phases in his approach can be clearly recognized.
In 1893, according to Tarrasch, his ideas on the defence were still
influenced by Steinitz. Indeed, in his match against Tarrasch in that
year and in the Hastings Tournament of 1895, he adopted a passive
defence similar to Steinitz', developing his KKt at Q2 via KB3 instead
of KKt3 via K2.
Later, he conceived a bolder plan, namely, advancing the Queen's side
Pawns, to drive back White's KB, gaining manceuvring space behind
the Pawn chain.
EARLY BEGINNINGS
The following game was the first in which he introduced his new system
into tournament play.
25
White
Em. Lasker
Black
M. I. Tchigorin
London, 1899
1. P-K4
P-K4
2. Kt-KB3
Kt-QB3
3. B-Kt5
P-QR3
4. B-R4
Kt-B3
5. Castles
The 15th game of the Tarrasch
Tchigorin match in 1893 went 5.
Kt-QB3, P-Q3; 6. P-Q4, Kt
Q2? !; 7. Kt-K2, B-K2; 8. P-B3,
Castles; 9. Kt-Kt3, B-B3; 10.
P-KR3, Kt-K2; 1 1 . Castles,
Kt-KKt3; 12. B-Kt3, R-Kl; 13.
Q-Q3, Kt(Q2)--Bl ; 14. Kt-K2,
Q-K2; 15. B-Q2.
This was
Tchigorin's original system, and it
P-QKt4
Castles
P-Q3
44
9. B-K3
Lasker must have realised that
9. P-QR4, (a move that he should
have played in place of 8. P-Q3),
is easily met by 9 . . . . . B-Kt5;
10. P X P, Kt-Q5;
9.
10.
11.
12.
13.
......
Kt-K2
P-B3
P x Kt
Kt-Kt3
Kt-QR4
P-B4
Kt x B
Q-B2
P-Q41
P-QR4
19. Kt-Ktl
20. P-B31
This fine defensive move is
typical of Lasker. First, he secures
the centre and then he manreuvres
with his Kts; his handling of such
tasks has always been admired.
P-Kt5
20. . . . . . .
Preferable is 20. . . . . P-B5;
21 . KtP x P, KtP x P; 22. P-Q4,
QR-Ql. Black should try to open
diagonals for his Bishops.
21 . Kt-B5
Q-Kt2
22. Kt-R3
B-B3
23. P-QB41
Now White gets the upper hand,
since 23. . . . . P-Q5; is met by
24. P-B4, and White will be able
to break through on the King's side.
Moreover, Knights are stronger than
Bishops in closed position of this
nature.
23 .
24.
25.
26.
27.
......
QP x P
PxP
Q-B3
Kt-K3 1
P x KP
P-R5
P-Kt6
RxP
R-Ktl
Kt-K1
P-B3
45
Though the game aroused interest and Black's treatment of the opening
was highly praised a few years later as one of the best of the London 1899
Tournament, it took a long time for the chess world to appreciate that a
new vista had opened for Black in the Ruy Lopez. To-day the Tchigorin
is the most widely played defence in this opening.
0.
Duras
Black
M. I. Tchigorin
Nuremberg, 1906
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
P-K4
Kt-KB3
B-Kt5
B-R4
Castles
R-K1
B-Kt3
P-B3
P-KR3
B-B2
P-Q4
P-K4
Kt-QB3
P-QR3
Kt-KB3
B-K2
P-QKt4
P-Q3
Castles
Kt-QR4
P-B4
Q-B2
12. QKt-Q2
K-R1
The idea of this move is to secure
the King's side.
To-day this is
carried out in other ways and at a
later stage, but it wil1 be seen that
the fundamental principles are the
same.
13. Kt-Bl
Kt-Ktl
14. Kt-K3
B-K3
15. Kt-B5
Better was 15. P x BP, P x P; 16.
Kt-Q5,
15. . . . . . .
B-B3
16. P-Q5
White closes the centre, as Black
threatens 16 . . . . . BP x P; 17.
46
P x P, B x Kt; 18.
winning a Pawn.
P x B, P x P;
16 . . . . . . .
B-Q2
17. P-KKt4
P-Kt3
1 8. Kt-Kt3
B-Kt2
19. K-R2
Kt-B5
20. Kt-Q2
If 20. P-Kt3, Kt-Kt3; and
Black can pursue his attack with
. . . . P-QR4 and . . . . P-B5!
20 . . . . . . .
Kt-Kt3
21. P-KR4
Q- Q1
22. K-Kt2
Not 22. P-Kt5, P-B3; 23.
Kt-B3, P x P; 24. P x P, B-Kt5;
with a strong position for Black.
Whether the 21st move was a
sacrifice or oversight is difficult to
decide.
22. . . . . . .
QxP
23. P-B3
B-R3
24. R-Rl
The open KR file gives White
good attacking chances, and Tchi
gorin 's defence of the position is
very instructive.
24 . . . . . . .
Q-B3
25. R-R3!
It looks as if 25. R X B, Kt X R;
26. P-Kt5, would win, but Duras
avoids the trap 26. . . . . Q x KtP;
27. Kt-B4, Q-R5; 28. Kt x Kt,
Q-R6 eh.; 29. K-B2, Q-R7 eh.;
56. K-B4
57. K-Kt3
Resigns.
47
R-B2 eh.
Q-K6 eh.
Tchigorin played this game when he was fifty-six years old during the
twilight of his chess career, when except for the Gambit tournament at
Vienna in 1903, success eluded him. This was the only defeat inflicted
upon Duras (who won the tournament), and Tchigorin had the satisfaction
of seeing his system triumphant.
27
White
Black
Em. Lasker
S. Tarrasch
18.
48
QR-Kl
B x Kt
Q-K3
Kt-B5
Q-Kt5
B xB
R-Rl
R-QR2
Q-KB3?
34.
K-Bl
QxB
R-B2
Q-QB3
Resigns.
This game is important as it is here we see for the first time the fight
for the centre, Black forcing White either to lock the centre (by advancing
the QP) or to allow Black to break it up (as in this game) and initiate a
counter-attack (cf. the 3rd match game in the note to White's 16th move).
How is one to explain Tarrasch's demoralization and his condemnation
of the defence? He was never fond of passive resistance and believing
Black's pressure in the centre insufficient compensation for White's King's
side superiority, he dogmatically considered the defence inadequate.
49
P. S. Leonhardt
Black
A. Rubinstein
Kt-B5
Position after 19 . . . .
Kt--K4!
21. Q x QP
If 21. Q-K2, Kt-KR4; would
follow with the threat of
Kt-B5.
21.
QxQ
2 2 . Kt x Q
Kt x KtP
23. Kt-B6
P-Kt4!
24. Kt x B eh.
R x Kt
25. B-KKt3
Kt-B5
26. Kt-B3
QR-K1
27. QR-Q1
lf 27. B x P, Kt x B; 28. P-K5,
Kt(Q3)-K5.
P-Q4
27. . . . . . .
28. P-K5
Kt-KR4
Kt-Kt2
29. B-R2
30. P-Kt4
B-B 1 !
Rubinstein handles the technical
part of the game with his usual
artistry.
31. R x P
32. R-Q3
33. R x B
B-Kt2
B x Kt
Kt x P
50
34. B x Kt
Forced, since if 34. R(3)-K3?
there follows Kt-B6 eh.
RxB
34.
35. R x R
R xR
36. K-B1
Kt-K3
Kt-B5
37. R-R3
Not the simplest.
37.
Kt-B4; was better since after 38.
R-QB3, K-B1;
39. R-B1,
K-K2; 40. R-Q1, P-Kt5; the
White Rook is bottled up and a
speedy decision can be forced on
the Queen's side.
38.
39.
40.
41 .
42.
43.
R x P!
R-R8 eh.
R-K8
K-Kt2
K-B3
R-QKt8
R-QB4
K-Kt2
Kt x P
Kt-B5 eh.
Kt-K3
R-B6 eh.
44. K-Kt2
R-B5
45. B-B5
Kt-B5 eh.
46. K-R2
P-Kt5
47. R-Kt7
Kt-K7
48. K-Kt2
If 48. B-K6, R-B5; 49. KKt2, Kt-Q5.
48.
R-B5
49. P-B3
P-R4!
50. K-B2
Kt-B6
51. R-R7
P x P!
52. B x P
K-B3
53. P-R3?
A mistake. With 53. K-Kt3,
White could have made Black's
task very difficult.
53 . . . . . .
54. R-Kt7
Resigns.
.
P-Kt6
P-Kt71
Though this game may have restored the confidence of many, it did
not popularize the defence, for in the great St. Petersburg Tournament
of 1914, we do not see this line played at all.
WHITE PLAYS FOR A KING's SIDE ATTACK-RuBINSTEIN's DEFENCE
In the previous games, the fight was mainly for predominance in the
centre. This was really a preliminary stage, to enable White to carry
out his King's side attack, and Black to start a counter-attack on the
Queen's side.
It was shown that White cannot keep up the tension in the centre
without a rather dubious Pawn sacrifice. This might have suited Lasker's
philosophical style which induced him to play doubtful variations, but
it was theoretically unsound.
The logical course, therefore, was for White to close the centre, which
seemed the more justified as he was able to close the Queen's side as well,
and have undisputed command on the King's side.
The following game is a good example of this system.
29
White
E. D. Bogoljubov
Black
A. Rubinstein
Baden-Baden, 1925
1.
2.
3.
4.
P-K4
Kt-KB3
B-Kt5
B-R4
P-K4
Kt-QB3
P-QR3
Kt-B3
5. Castles
B-K2
6. R-K1
P-QKt4
7. B-Kt3
P-Q3
8. P-B3
Castles
9. P-KR3
Kt-QR4
10. B-B2
P-B4
1 1 . P-Q4
Q-B2
12. QKt-Q2
It is important to note that after
the interpolation of the moves 8.
. . . . Castles and 9. P-KR3 the
51
Kt-B3
12. . . . . . .
13. P-Q5
This move appears to be a simple
solution of the problem set in the
opening, but there is another equally
important problem to be solved.
White has to close the Queen's side
as well as the centre, otherwise he
could not attack on the King's side
without the risk of a dangerous
counter-attack by Black on the
other wing.
Kt-Q1
13. . . . . . .
The alternative is 13. . . . . Kt-
QR4; 14. P-QKt3, B-Q2; 1 5.
Kt-B1 , Kt-Kt2; 16. P-B4,
KR-Ktl; 17. Kt-K3, P x P; 18.
Kt x BP, B-KB1; 19. P-QR4,
Kt-QR4; 20. KKt-Q2, (C. H.
O'D Alexander-Keres, Hastings,
1937-8). Although Black has suc
ceeded in preventing the blockade
of the Queen's side, White has the
superiority there.
14. P-QR4
R-Ktl
14 . . . . . P-Kt5; is no better, as
White can either play 15. P-B4,
transposing to the actual game, or
15. Kt-B4, P--QR4?; 16. KKt x P,
B-R3; 17. B-Kt3, P x Kt; 18.
P-Q6, B x P; 19. Q x B, Q x Q; 20.
Kt x Q, Kt-Kt2; with the better
end game for White ( Capablanca
Vidmar, New York, 1927).
15. P-B4
P-Kt5
If 15 . . . . . B-Q2; to keep the
Queen's side open, 16. Kt-B1,
P x BP; 17. Kt-K3!, R-Kt5; 18.
Kt-Q2, regaining the important
QB4 square for the Knight.
16. P-QKt3
White'& first task is completed.
5
16.
17. P-KKt4
18. K-R1
19. R-KKtl
Kt-K1
P-Kt3
Kt-KKt2
19. . . . . . .
P-KR41
This looks like an attacking move
and appears to violate the principles
of defence; i.e., not to move Pawns
where your opponent has the
superiority and is preparing for
attack. However, the strength of
this move lies in the fact that
Black, by exchanging the Rooks'
Pawns, reduces White's chances to
break through with Pawn ex
changes to two files. The opening
of the Rook's file is not dangerous
for Black.
20. Kt-B1
20. P-Kt5 is bad because the
R3 Pawn is undefended. But, even
- if White had developed the King
previously to R2, on 20. P-Kt5,
P-B3; 21. P x P, R x P; would
have followed, with pressure on the
King's Bishop file.
20. . . . . . .
PxP
21. P X P
P-B3t
Now 22. P-Kt5, can be an
&wered by 22. . . . . P -B4.
52
22. Kt-K3
Kt-B2
Kt-Rl
23. Kt-R4
Black's timing of the defensive
moves is perfect.
24. P-B4
PxP
25. Kt(K3)-B5
This sacrifice of a piece was
planned before White's previous
move.
Kt x Kt!
25. . . . . . .
Acceptance of this sacrifice would
have led to ruin for Black: 25 . . . . .
P x Kt; 26. KtP x P, B-QI; (lf 26.
. . . . R-B2; 27. Q-R5!) 27. Q
R5, R-B2; 28. B x P, and the
Black King cannot escape, since he
would lose his Knight on R8. White
again could build up his position
with R-Kt2, QR-Ktl , R-R2,
Q-R6 followed by Kt-B3 or
Kt-Kt6.
P---Kt4
26. KtP x Kt
R-B2
27. B x P
28. B-R2
R-R2
Kt-B2
29. Kt-Kt2
30. Kt-K3
B-Q2
31. K-Kt2
K-Kt2
R(Kt)-KRI
32. R-Rl
33. Q-K2
Q-Bl
34. B-Kt3
Q-KKtl
RxR
35. Kt-Kt4
36. R x R
RxR
37. K X R
Q-R2 eh.
38. K-Kt2
Q-R4
Kt-R3
39. B-Ql
This leads to a dead draw. After
the exchange of Rooks there is
nothing in it.
Kt X Kt
40. Q-Kl
41 . B-B3
And the Knight cannot escape.
41.
P-R4
42. Q-K2
B-Kl
Q-R3
43. B x Kt
44. K-Ktl
B-B2
Drawn.
This, and two other encounters between these two players, threw some
light on the attack and defence of the Tchigorin variation. But while
White's attack is along usual lines and is easy to carry out, Black's
defence requires real mastership, and in this respect Rubinstein with his
unprejudiced preventive action ( 19th move) has certainly brought a new
idea into the game, and enriched the technique of the defence.
WHITE MAINTAINS THE TENSION IN THE CENTRE
ERES' CONTRIBUTION
Among contemporary masters, the greatest contribution to the Ruy
Lopez has been made by Keres. His combinative style urged him to create
positions with attacking possibilities. The problem was how to vitalize
the game without resorting to doubtful variations. He therefore made
an extensive study of the opening and discovered hidden tactical possi
bilities which he merged into a cohesive system that opened new per
spectives.
The following game is a good example of his system.
White
P. Keres
30
Black
S. Reshevsky
Stockholm, 1937
1 . P-K4
2. Kt-KB3
P-K4
Kt-QB3
P-QR3
3. B-Kt5
Kt-B3
4. B-R4
5 . Castles
B-K2
6. R-Kl
P-QKt4
P-Q3
7. B-Kt3
8. P-B3
Kt-QR4
According to Keres, this move is
Castles.
not as accurate as 8
.
P-B4
Q-B2
Kt-R4
B-B3
19. . . . . . .
PxP
It was certainly not an easy
decision to give up the centre after
holding it so tenaciously, but on
19. . . . . Q-Ktl ; 20. Kt-Kt4,
B X Kt; 21 . P X B, Kt-B5; (the
only move, as 21. . . . . Kt-Kt2;
22. P-Kt5, wins a Pawn) 22.
P-Q5, P-Kt4; (White was threat
ening 23. Q-Q2 and P-Kt3 win
ning the Knight) 23. P-Kt3, Kt
Kt3; 24. K-Kt2, followed by
R-KRI-R5 with a decisive
advantage.
20. Kt x P
Not 20. B X P?, Kt X P; winning
a Pawn.
20.
Q-Q2
R-B4
21. R-Ktl
22. Kt(Q4)-B5!
This forces the exchange of the
Black Bishops, with resulting weak
nesses on the black squares.
. . . . .
22
B x Kt
23. P x B
BxB
24. R x B
R-K1
25. B-Q3
25. Q-Kt4 with the double
.
16. . . . . . .
P-KKt3
It is doubtful whether the alter
native move 16 . . . . . Kt-B5; 17.
Kt X Kt, B X Kt; 18. B-Kt5, fol-
53
. . . . .
54
be 30. .
K-B1; 31. Kt-Q5,
Q-B4; 32. R X R, R X R; 33. R X R,
P X R; 34. Q-B5 eh. , K-Ktl;
35. Q x P, Q-B8 eh.; 36. K-R2,
Q-Q8; 37. Q-Kt8 eh., winning
the QKt.
. .
31.
32.
33.
34.
35.
Kt-B5
Q x Kt eh.
Q-Kt5 eh.
Q-Kt7 eh.
Kt x P eh.
R{Kl )-K3
K-Ktl
K-Bl
K-K1
Resigns.
This game proves that White is able to maintain the tension in the
centre if Black plays inaccurately (8 . . . . . Kt-QR4; instead of 8 . . . . .
Castles; see game 33, page 57, note to move 9). The idea was tried some
time ago by Tarrasch, who in his game against Lasker (shown in the
notes) almost succeeded in demonstrating White's superiority; but Keres'
method of combining the defence of the Queen's side with an attack on
the centre is more convincing. However, this is not the final word, as
Keres has found a better defensive system for Black.
Black
K. Schlechter
M. I. Tchigorin
Ostend, 1907
1. P-K4
P-K4
2. Kt-KB3
Kt-QB3
3. B-Kt5
P-QR3
4. B-R4
Kt-B3
B-K2
5. Castles
6. R-K1
P-QKt4
P-Q3
7. B-Kt3
8. P-B3
Castles
9. P-KR3
Kt-QR4
The simplifying move 9. . . . .
B-K3 was revived recently by
P-B4
55
Q-B2
BP x P
12. QKt-Q2
This is Tchigorin's new system.
Some idea of its merits will be seen
when we come to game 32, page 56.
13. P x P
B-Q2
14. Kt-B1
Kt-B3
Even 14 . . . . . QR-B1 does not
give Black full equality after 15.
B-Q3, Kt-B3; 16. B-K3, (Chris
toffel-Bernstein, Groningen, 1946).
He contests the centre a move too
late.
R x Kt
QKt-Kt5
15. B-K3
16. B-Ktl
KR-B1
17. Q-Q2!
A fine move which foils Black's
plan to play 17 . . . . . Kt-B7; and
exchange White's King's Bishop
the 'dreaded' Lopez bishop.
P-Q4
17. . . . . . .
There is nothing better than this
opening of the centre, which is
advantageous to White on account
of his superior development for if
17 . . . . . Kt-B7; 18. R-B1, fol
lows winning the Queen for two
Rooks and leaving Black's Knight
on QR8 out of play.
18. Kt-Kt3
KP x P
After 18
QP X P; 19. Kt X P
(K5), Black's Pawn at K5 would
prove very weak.
.
. .
19. B x P
PxP
20. B x Ktl
This splendid and by no means
obvious move is the right continua
tion of White's attack.
20. . . . . .
2 1 . Kt x P
.
BxB
B-K2
27. Q x R eh.
This sacrifice of the Queen for
two Rooks is not difficult to see, but
it is noteworthy in that it is the
logical sequel of White's superb
strategy.
Kt x Q
27. . . . . . .
Q-Kt3
28. B X B
29. Kt-K5
K-Ktl
Q-R3
30. Kt-Q7
Q-Kt4
31. R X B
32. Kt-B6 eh.
Resigns.
A worthy conclusion !
56
From the previous game we can see that Black's defeat was due to the
faulty timing of his moves (see the following game) and Schlechter's skill
in taking advantage of his redoubtable opponent's lapses in such masterly
fashion.
32
White
Black
M. Luckis
M. Najdorf
I. P-K4
P-K4
2. Kt-KB3
Kt-QB3
P-QR3
3. B-Kt5
Kt-B3
4. B-R4
5. Castles
B-K2
6. R-K1
P-QKt4
P-Q3
7. B-Kt3
8. P-QB3
Kt-QR4
9. B-B2
P-QB4
10. P-KR3
Castles
1 1 . P-Q4
Q-B2
12. QKt-Q2
BP X P
This exchange, which opens the
QB file, changes the whole course
White has to forgo
of the game.
any idea of a King's side attack
and turn his attention to the
Queen's side where Black possesses
temporary superiority in develop
ment.
13. P X P
Kt-B3
P-QR4
14. Kt-Kt3
P-R5
15. B-K3
16. QKt-Q2
B-R3
Apart from this move, which
seems safest for Black in a cramped
position, he has the choice of :
(a) A counter-attack by 16 . . . . .
QKt-Kt5; 17. B--Ktl , P-R6; 18.
Q-Kt3, Q-R4; 19. P X KP, P X
KP; 20. Kt x P, B-K3; 21. Q x P,
Q x Q; 22. P x Q, R x P; 23. QKt
B3! winning a pawn (23. . . . .
B x P? 24. B x B, R x B; 25. Kt
B6! R-K1 ; 26. Kt x B eh. , R X Kt;
27. B--B5! R x R; 28 R x R, Kt
B7; 29. R-R2! winning a piece)
Boleslavsky - Hagosin, Leningrad,
1947.
17.
18.
19.
20.
21.
. . .
QR-B1
Kt-Bl
B-Ktl
Kt-Kt3
B-Kt5
Q-Kt2
B-Q1
R-K1
P-KKt3
QKt-R4
22. P-Q5
White at last decides to accede
to Black's desire and close the
centre. White seems to have had
nothing better since Black is threat
ening to initiate a strong attack on
the Queen's side with Kt-B5.
Q-Q2
22. . . . . . .
Not at once 22 . . . . . Kt-B5;
because of 23. P-QKt3, Kt-R6;
57
30. Kt-B3
R-Ktl
31. R-B3
R-Kt2
32. R-R3
B-Kt4
33. P-QKt4!
Draw agreed.
This move secures the draw since
33. . . . . RP X P e.p.; 34. P X P,
P x P; leads to the liquidation of the
Queen's side Pawns, and on other
moves Black is unable to break
through on the Queen's side.
M. Euwe
33
Black
P. Keres
B-Kt5
10. . . . . . .
Kt---QR4
P-B3
1 1 . B--B2
12. P x P
QKt x P
This and the following move do
not seem to help Black's preparation
of . . . . P-Q4, without which the
Black Q3 Pawn might later become
a weakness.
The Kashdan-Res
hevsky, Hollywood, 1945, game con
tinued 12 . . . . . Q-B2; 13. P-KR3,
B-K3; 14. Kt-Kt5, B-B1; 15.
Kt-Q2, Q x P; 16. Kt-B1, P-R3;
17. Kt(5)-B3, B-K3; 18. Kt
Kt3, Kt-R2; 19. Kt-B5, KR
K1; 20. Kt X B eh., with the better
game for White.
But Keres' idea
will become clear later.
13. QKt-Q2
P-Kt5
14. B-R4
H-B1
15. B x Kt
P x P!
P x Kt!
16. B-Kt7
Not 16 . . . . . R-Ktl; 17. B x P,
P x P; 18. B x P, R x B; 19. Kt-B4,
R-Ktl; 20. Kt-K3, preventing
. . . . P-Q4.
58
R-Ktl
chances.
20. B X B, P X P; 2 1 .
B x P, Kt x B; 2 2 . R x Kt, R x P;
23. B-B3, R X RP; would lead to
an equal game.
20. . . . . . .
B-B4!
Creating complications.
If 20.
. . . . P x P; 21. B-B3,
2 1 . R-Ktl
Simpler was 2 1 .
PxP
Q-Kt3.
2 2 . B-K3
Avoids the trap!
22. P X P,
B x P eh.; 23. K x B, Kt x P eh.
P-Q41 !
18.
Not 19. . . . . R x P; 20. B-B3,
and White would force on his QRP.
With the text-move Black not only
carries through his strategic idea,
but begins an attack against White's
King's side.
B-Q5?
22. . . . . . .
Keres recommended 22.
B x B; 23. P x B, {23. Q x Q, KR x
Q; 24. P x B, R-Q7; with advan
tage for Black) 23. . . . . Q-Kt3 !
PxB
Q-Q4
25. P x P
Kt x P
26. Q-B3
P-B4
Q-R1
27. P-Kt3
Simpler was 27. . . . . K-R1; to
meet the threat 28. B-B4.
23. B x B
24. B-B1
19. B-K2
(a) 19. P x P, P-K5; 20. P
KR3, B-R4; 21 . P-KKt4, P X Kt;
22. P x B, Q x P; 23. R x B, KR
Q1; would give Black a strong
attack while (b) 19. B-Q3, P x P;
20. B X P, Kt X B; 21. R X Kt,
B x Kt; 22. P x B, R x P; 23. B-B3,
Q x Q eh.; 24. R x Q, R x RP; would
lead to a draw.
R-Kt3
28. P-QR4
Q-R4? ?
29. QR-Q1
A blunder under time pressure.
First 29. . . . . R-Kt3 eh.; 30.
B-Kt2,
(30.
K-R1?
Kt x P
Mate) 30 . . . . Q-R4! would have
led to an interesting fight.
B x Kt
19. . . . . . .
20. P x B
The only move offering winning
oF
59
The following game shows how Tchigorin's two systems are merged
into one very effective defence.
34
White
C. H. 0'D.
Alexander
Black
P. Keres
Kt-R4
P-B4!
Kt-Kt3
60
38. K-Kl
QxR
39. B x Kt
PxB
40. Q x P
Kt-Bl
41 . P-Kt4
Alexander gives here 41. Kt-B5,
Q-R4; 42. Kt(2)-Kt3, Q x P; 43.
B-Ql, as a better line of defence.
PxP
41. . . . . . .
Kt-K2
42. P X P
Kt x KtP
43. Q-Kt7
R-B2
44. Kt-B5
45. Q-B8 eh.
K-R2
If 45 . . . . R-Bl? 46. Kt-K7
eh.
R-B2
46. Q-K6
47. Kt x B
QxQ
RxB
48. Kt x Q
49. Kt X P eh.
K-Ktl
R-Kt7
50. K-QI
RXP
5 1 . Kt-QB3
52. K-B2
Kt-Bl
53. Kt-B3
Kt-Q2
54. Kt-KR4
Kt-B4
55. Kt-B5
R-Kt3
55. . . . . Kt X P; 56. Kt X Kt,
R x Kt; 57. Kt x P, R-Q5; 58.
Kt-B5, R-KB5; was also suffi
cient to win, but exchanging Pawns
would be an unnecessary risk.
56. Kt-K3
K-B2
57. Kt-B4
R-R3
58. K-Q2
K-K2
R-R8
59. K-K3
60. K-K2
R-QB8
61. K-Q2
R-KR8
62. K-K3
R-R7
The first phase of the interesting
end-game is over. Black's aim was
to separate the two Knights which
he was able to force by "zugzwang"
manreuvre. (63. K-B3?, R-R6
61
R-Kt6
66. . . . . . .
67. K-B2
The only move. Neither of the
Knights can move because of . . . .
Kt-Q5 eh. But now the King is
forced away leaving the other side
unprotected.
Kt-Q2
Kt-B3
K-K2
Kt-QKt5
R-R6 eh.
K-Q2
Kt-Kt6
R-Ktl
67. . . . . . .
68. K-K8
R-QB1
69. K-Q8
69. . . . . R-B4; 70. Kt-R3,
R-B6 eh.; 71. K-K2, Kt-B8 eh.
was threatened.
69 .
70.
71.
72.
......
K-K8
Kt-B3
K-Q2
Resigns.
Kt-B4 ch.
R-QKtl
R-Kt6
Kt x P eh.
Black
V. Rauser
N. Rumin
Leningrad, 1936
1.
2.
3.
4.
5.
6.
7.
8.
P-K4
Kt-KB3
B-Kt5
B-R4
Castles
R-K1
B-Kt3
P-B3
P-K4
Kt-QB3
P-QR3
Kt-B3
B-K2
P-QKt4
P-Q3
Kt-QR4
9. B-B2
P-B4
10. P-Q4
Q-B2
1 1 . QKt-Q2
Kt-B3
1 1 . . . . . Castles; is less direct
since it does not exert pressure on
Q5, and can be answered by 12.
Kt-B1 , B-Kt5; 13. P x KPI,
P x P; 14. Kt-K3, B-K3; 15.
Q-K2, KR-K1; 16. Kt-Kt5,
P-B5; 17. P-QKt41, P x P e.p.
18. Kt x B, P x Kt; 1 9. P x P,
P-Kt5; 20. P X P, B X P; 21.
B-Q2, B X B; 22. Q x B, Kt-B3;
(Alekhine-Flohr, Avro, 1938). Al
though Black was able to control
the important squares on his Q4
62
1 2. P-QR4
R-QKtl
If 12 . . . . . P-Kt5; 13. P x KtP,
P x KtP; 14. Kt-B4, foUowed by
Kt-K3.
RP x P
13. P x KtP
PxP
14. P x BP
B-K3
15. Kt-B1
On 15 . . . . . Castles; 16. Kt-K3,
R-Q1 ; 17. Kt-Q5, Kt x Kt; 18.
P X Kt, B-K3; 19. Kt-Kt5, fol
lows with strong attack.
16. Kt-K3
Castles
KR-Q1
17. Kt-Kt5
R-Q3
18. Q-B3
If 18. . . . . P-R3; 19. Kt x B,
P X Kt; 20. Kt-Kt4, R-KB1 ; 21.
Kt X Kt eh., R X Kt; 22. Q-Kt4,
with advantage for White.
19. Kt-B5 1
B x Kt
19 . . . . . . .
20. P x B
P-R3
Kt x Kt
21. Kt-K4
22. B x Kt
B-B3
23. B-K3
Black's King's side is secure for
a while, but now White turns to the
Queen's side again.
Kt-K2
23 . . . . . . .
P-B5
24. P-QKt4
R--Q2
25. P-Kt3
Q-Q1
26. R-R7
27. R x R
QxR
28. P-R4
K-R1
29. P-Kt4
And now White is able to transfer
the fight to the King's side. This
shows how much more vitality can
be achieved in the game when the
centre is not closed.
Kt-Ktl
29. . . . . . .
If 29. . . . . B x P? 30. Q-R3,
B-B3; 31. P-Kt5, wins.
30.
31.
32.
33.
34.
35.
36.
37.
38.
P-Kt5
R-Q1
P-B6
PxB
B-B2
BxP
B xR
B-B4
Q-K2
B-K2
Q-B2
B x BP
Kt x P
R--Q1
R x R eh.
P-K5
Q-Ql
Resigns.
ft3
Em. Lasker
Black
R. Teichmann
64
16. P--KKt4
B-B2
B-Kt3
17. P-K6!
Kt-R4
18. Kt-R4
P x Kt
19. Kt x B
P-KB4
20. B-B2
B-Q3
21. K-Rl
Q-R5
22. P x P
23. Q-B3
PxP
24. R-KKtl
White threatens 25. B X P, Q-B3;
26. Q-Kt2.
P-B5
24 . . . . . . .
Q-R3
25. R-Kt4
26. P-K7!
A fine move bringing about a
quick decision. If 26. . . . . R-B2;
Resigns.
This game is one of the very earliest examples of the adoption of the
Worrall Attack, and it is a good example of the potentialities of White' s
push i n the centre. Even to-day Black's defensive system i s considered
sound, but it has not the solidity of the Tchigorin Defence; and as Lasker
so forcibly demonstrated, even a slight inaccuracy can seriously endanger
Black's position.
But can White prevent Black from adopting the Tchigorin defensive
system? This is the problem with which we deal in the two following
games.
KERES' CONTINUATION
37
White
R. Fine
Black
P. Keres
Castles
13. Q-K2
This withdrawal involved a diffi
cult decision, for it is clear that the
best White can hope for is a hard
fought draw. The alternative is 13.
Q-R5, Q X PI; ( 13. . . . . Kt X P;
14. B-Q5!) 14. Q X Kt, B X Kt; 15.
P x B, Q x Kt; 16. Q x P, (16. Q
K3, Kt-R4!) Q-Kt3 eh.; 17.
K-R1, Q-Q6; 18. K-Kt2, Kt
R41 with a winning attack. Wheher
Keres had prepared this variation
or relied upon his intuition is
difficult to say, but it is an apt
illustration of his willingness to
submit to a long and complicated
variation, simply to meet the strate
gical requirements of the position,
rather than to fight a difficult defen
sive game.
13 . . .
QxP
Kt x Q
14. Q x Q
15. P-Q4
It is difficult to avoid the
doubling of the Pawns for if 15.
B-Q1, Kt-B4; 1 6. B-K2, P-K5
and White has a serious weakness
at his Q3.
65
17. K-Kt2
Preferable is the simplifying 17.
B x Kt, B x B; 18. P x P, P x P; 19.
R-K1 , B -B5; 20. R-QI ! stop
ping 20 . . . . . R-Ktl on account
of the threat of mate.
17.
R-Ktl
18. B-QB4
PxP
19. P x P
Kt-K3
20. P-Q5
A sad necessity. If 20. R-K1,
B-B3; 21. B x Kt, P x B; 22. R x P,
K-B2; with advantage to Black.
0 0 0
20.
Kt-B4
Kt-B1
21 . Kt-B3
22. R-K1
K-Bl
23. R-K2
P-B4
More exact is 23. . . . . R-Kt5
and the Bishop has to surrender one
of its diagonals for if 24. B-R2,
Kt-Q6; or 24. B-QKt5, Kt-R2.
Kt-Kt3
24. Kt-Kt5
25. P-Kt3
Kt X QPI
A well-calculated move, as will
be seen from the next move.
0 . 0 .
15.
16. P x B
B x Kt
Kt-KKt4
26. Kt-Q4
This looks very strong, since not
only is the BP attacked, but R x B
and Kt-B6 eh. are threatened in
certain lines.
Kt-Kt5!
26. . . . . . .
The only good move.
66
27. B-Q2?
White persists in his original plan.
Had he foreseen Keres' fine com
bination, he would have played 27.
Kt x P.
27. . . . . . .
P4! !
28. B x Kt
RxB
29. Kt-B6
If 29. R X B, K X R; 30. Kt-B6
eh., K-B3; 31. Kt x R, P x B; 32.
P x P, and White has a lost end
game on account of his weak QBP.
P x B!
29. . . . . . .
30. Kt x R
PxP
31. Kt-Q5
To prevent 31. . . . . B-B3 and
P-Kt7.
38. Kt-B2
Kt-KS ! r
If in reply 39. Kt X Kt, B X Kt;
40. K-Q3, B-Q7; wins.
B-B4
39. Kt-R3
Good enough, but 39 . . . . . B-R5,
40. Kl, Kt X P; is quicker.
40. K x Kt
B x Kt
41. K-Ql
B-Q3
42. K-B2
White must give up the Pawn
and
B-B8
otherwise B-B5
is decisive.
BxP
42. . . . . . .
43. R-KRl
If 43. K x P, B-K4 eh. wins
easily.
K6!
81.
The right reply, for if 32. Kt x B,
Kt-B5 eh. wins, or if 32. R x B,
P-Kt7!
B-K4
43.
More precise is 43
B-B5;
44. R x P, B-Q7; as will be seen
on the 49th move.
82. R2
P-Kt7
33. R-Ql
If 33. Kt--B3, B-Kt5; 34.
R X Kt, B x Kt; 35. R8 eh.,
K-K2; 36. RKt8, P-B4 wins.
K-B2
45. R-Rl
P-Kt4
K-B3
46. R-Kl
K-Kt3
47. R-KKtl
B-B3
48. R-Kl
49. R-KKtl
P-Kt5!
The only way to make progress,
since the Black King is unable to
penetrate. This shows the disad
vantageous position of Black's
Bishop at K4.
. . .
P--B4
33. . . . . . .
Inexact; 33. . . . . Kt-BS (keep
ing the Rook out) 34. Kt-B3,
B-Kt5; 35. Kt-Ktl , P-B4; and
PB5 wins quickly.
PB5
34. RKtl
B-B4
85. K-Bl
36. K-K2
If 36. Kt-K3? B X Kt; 37. P X B,
P-B6 wins.
36.
BxP
37. Kt-K3!
A fine move making Black's task
difficult, for if 37. . . . . B X Kt; 38.
K x B, and Black loses his Queen's
side Pawns.
. .
37. . . . . . .
P-B6!
A very subtle move, for if 38.
K x Kt, B x Kt; 39. K x P, B-B8;
and the White Rook is incarcerated.
. . . . .
. .
44. R x P
50. P x P
P-B5
5 1 . P-Kt5l
Otherwise 51. . . . . K-Kt4 fol
lowed by P-B6 decides.
51.
51.
B5
B X P? only draws.
. . . . .
. .
B-K6!
R-Ql
B--B8
KxP
KxP
R-Q6 eh.
P-B6
R-Kt6
K-B5
K-Q3
K-Kt6
R-Kt8
Resigns.
If 58. R-Kt8 eh., K-B7; 59.
K-B2, K-K7; 60. R-KS eh. ,
52.
53.
54.
55.
56.
57.
67
Alekhine often adopted the Worrall attack when he played the Ruy
Lopez, since being less analysed it gave his combinative powers far greater
scope and allowed him to introduce that element of surprise so charac
teristic of his dynamic style.
In the next game we see the two greatest attacking players of modern
times engaged in a variation favoured by both. From the start Alekhine
introduces surprises by inverting the order of moves, although the greatest
surprise comes when he introduces the Rauser system (exchange of the
centre Pawns instead of blockading the centre by P-Q5), infusing new
life into the Worrall attack.
38
White
Black
A. Alekhine
P. Keres
Salzburg, 1942
P-K4
1. P-K4
Kt-QB3
2. Kt-KB3
3. B-Kt5
P-QR3
Kt-B3
4. B-R4
5. Castles
B-K2
P-QKt4
6. Q-K2
P-Q3
7. B-Kt3
The other line is 7. . . . . Castles;
8. P-B3, P-Q4; where Black
offers a Pawn for a vigorous
counter-attack.
Though the line
has been much analysed, it is so rich
in possibilities that it may be a long
time before an ultimate conclu:aion
6
68
9. R-Q1
Instead of playing 9. P-Q4 at
once which would allow B-Kt5,
White waits to see what system
Black will adopt.
9. . . . . . .
Kt-QR4
If 9
B-Kt5; 10. P-KR3,
B-R4; 1 1 . P-Kt4, B-Kt3; 12.
P-Q3! and the Bishop is out of
play as Alekhine played against
Samisch at Bad Nauheim, 1937. A
striking illustration of the use of
transposition of moves.
.
. . .
P-B3
P-B4
10. B-B2
Q-B2
1 1 . P-Q4
Superficially it appears that Black
has achieved a normal Tchigorin
defence formation and, indeed, this
has often been recommended as the
safest defence for Black to adopt
against the Worrall attack, since
White cannot play 12. QKt-Q2 as
12. . . . . BP x P wins a Pawn (the
Bishop at B2 is now unprotected).
12. B-Kt5
To all appearances a developing
or waiting move, but Alekhine has
other aims.
12.
13. P x KP!
14. QKt-Q2
B-Kt5
PxP
R-Q1
Kt-QB5
PxP
69
25. Kt--Q5!
Just at the moment when Black
thought that he had successfully
overprotected his Q4, Alekhine
plays the thematic move in the
Rauser system, Kt-Q5 offering a
Pawn sacrifice which Black dare
not accept. If 25 . . . . . B x Kt; 26.
Q-K4
33 . . . . , . .
A better defence is given by 33 .
. . . . R-Ktl; 34. Kt-Kt2, P-B4;
35. Kt-B4, Kt-KKt2; and Black
can either oppose his Rook on
QKt7 or use it aggressively at QKt5.
K-Ktl
34. R-R7!
Q-Q5
35. Kt-Kt4
36. B x PI
Decisive! If 36.
Kt x B; 37.
Kt-R6 eh. , K-R1; (37. . . . .
K-B1? 38. R-B7 mate} 38.
70
Q-B3
38. B-B2
Q-K7 was threatened.
39.
40.
41 .
42.
43.
Or
Q-K6
QxQ
R-Bl
PxQ
Kt x Kt
Kt-B7 eh.
P X Kt
Kt-Q3
B-Q3
K-Kt2
43. . . . . R-Bl; 44. R-B7.
P-B4
K-Rl
KXQ
K-Ktl
45. R x P
46. R-Q7
Kt-Kl
47. P-R5!
Now 47 . . . . . Kt-B3 is met by
48. R-Q6!
47 .
48.
49.
50.
51.
52.
53.
54.
55.
56.
57.
......
BxP
B-K6 eh.
R-Q5
RxP
K-Kt2
B-B5
R-B7 eh.
R-B7
P-B4
P-Kt4
PxP
R-Rl
K-Rl
Kt-B3
K-Kt2
R-R7
R-R6
K-R3
R-R3
P-R5
Resigns.
CoNCLUSIONS
Our survey of the central struggle in the Ruy Lopez discloses three
principal conceptions, which may be classified according to the precepts
enacted by the three great players whose ideas dominate the founda tions
of these lines.
71
PART
11
T H E Q U E E N ' S GA M B I T
IF any opening has experienced marked changes in its treatment during
the last hundred years it is certainly the Queen's Gambit-the modem
opening. Despite its modernity, it is one of the earliest of recorded
openings (circa 1500 according to von der Lasa), and it appears to ante
date the King's Gambit.
Comparisons have been drawn with the King's Pawn Openings, and
for a long time the Queen's Gambit was considered dull and unenter
prising, a debut for the cautious player, whereas King's side Openings
remained the choice of the venturesome. To-day we know that this
classification is artificial, since many games in the Q.G. Orthodox Defence
illustrate brief and brilliant combinations (see Alekhine-Lasker, Game 50,
page 94), while even in the King's Gambit Accepted, games of a lifeless
and mechanical character have been played (see Santasiere-Levin, Game
99, page 186). In fact, by mastering the closed game and perfecting the
transition from the closed to the open formation, one can give the game
that liveliness applauded by the connoisseurs, whereas 'pure' open games
tend to lead to draws by rapid exchanges.
73
VII
THE ORTHODOX DEFENCE
WE commence with the Orthodox Defence. It derives its title from
Tarrasch who ridiculed those players who religiously adhered to this
old variation, electing to have a cramped. position without organic weak
nesses rather than accept the lasting weakness (isolated Pawn on Q5)
of the Tarrasch Defence (3 . . . . . P-QB4) with a free and open game.
This defence attained its peak of popularity during the latter part of
the last century, although this can be attributed rather to the paucity
of good defensive systems than to its inherent solidity ; for the 'Slav'
Defence had not been developed, nor had the Tarrasch Defence come
into favour.
The Orthodox Defence is characterised by White's ability to develop
his Queen's Bishop (after 1. P-Q4, P-Q4; 2. P-QB4, P-K3;
3. Kt-QB3, Kt-KB3; 4. B-Kt5 ) whilst Black's Queen's Bishop is
shut in, the satisfactory development of this piece being Black's main
problem.
,
STEINITZ' TREATMENT
many years; as Gunsberg expressed
a similar opinion when Pillsbury
adopted this line consistently in the
Hastings Tournament of 1895.
39
W.
White
Steinitz
Black
A. Anderssen
4.
B-K2
Castles
5. P-K3
6. Kt-B3
P-QKt3
This plausible move appears the
simplest method of solving the
development of the Queen's Bishop.
Vienna, 1873
1. P-Q4
P-Q4
2. P-QB4
P-K3
3. Kt--QB3
Kt-KB3
4. B-Kt5
This move, considered strongest
even to-day, was adj u dged danger
ous by Staunton who thought that
White's QKt Pawn might become
weak, a view that persisted for
7.
8.
9.
10.
74
B-Q3
Castles
PxP
R-Bl
B-Kt2
QKt- Q2
PxP
P-B4
75
11.
12. Q-R4
R x Kt
Q-Kt3
Q x P eh.
P-KR4
RxP
QxR
QxP
R-Q1
R-Q6
Kt-Q1
K-B1
Q x Kt
KR-Ktl
B-B3
K-R1
Q-Kt5
R xR
RxP
Q-K3
P-R3
Q-B2
R-K7
Resigns.
40
H. N. Pillsbury
Black
E. Schiffers
Vienna, 1898
I . P-Q4
2. P-QB4
P-Q4
P-K3
3.
4.
5.
6.
7.
8.
9.
Kt-QB3
B-Kt5
P-K3
Kt--KB3
PxP
B-Q3
Kt-K5
Kt-KB3
B-K2
Castles
P-QKt3
PxP
B-Kt2
76
Q-K2
20. . . . . . .
P-Kt3
21 . Q-Q1
22. P-R5
1{-Kt2
23. Q-Q4
QR-Q1 ?
Black overestimates his chances.
With 23. . . . . P-QB4; 24. P X P
e.p., B X P; 25. P-K6 eh. , K-R3;
he could win a Pawn and leave
White with only few attacking
chances for it.
24. P-K6 eh.
25. P x P
26. Q-K5 !
K-R3
KxP
Q-R2
14. P-KKt4
An aggressive move in keeping
with Pillsbury's style. In later years
Pillsbury recognized that Black's
weaknesses lie on the Queen's side
(as demonstrated by Steinitz in the
previous game) and in fact against
Barry in his last tournament at
Cambridge Springs, 1904, he played
14. Q-Kt3 eh., K-R1; 15. KR
Q1, Kt-B3; 16. QR-B 1 , P-B3;
17. Kt-K2, and won in a convin
cing style.
Kt x Kt
14. . . . . . .
15. BP x Kt
Not 15. QP x Kt, because of 15.
. . . . QR-Q1 ; followed by
R-Q6.
Q-Kt4
15. . . . . . .
P-KR4
16. R-B4
17. Q-Kt3 eh.
K-R2
18. QR-KB1
RP X P
P-Kt6
19. P-Q5!
White threatened 20. Kt x P, but
this could have been met by 19.
B-R3; 20. R-B2, (20.
Kt x P, Q-K2!) 20 . . . . . B-Q6.
20. P-KR4!
20. Kt X P? P X P; dbl. eh. 21.
K x P, P x Kt; 22. R x R, R x R;
27. R{4)-B2! !
This move must have been a
complete surprise to Black. Whilst
admiring the beauty of the Rook
sacrifice we recognize that the
strong centralized position of the
'Vhite pieces indicates the possi
bility of such a combination.
27.
28.
29.
30.
31.
32.
33.
34.
35.
36.
37.
0 . 0 0 0 0
RxP
R-Kt2 eh.
Q X QBP eh.
R-R2
K-B2
Q x Q eh.
Q-B7 eh.
QxB
Q-R6
Kt-K2
P x R eh.
Q-R3
K-R2
K-R1
R-Ktl eh.
Q x R eh.
K-Kt2
K-R3
R-Kt2
K-Kt3
K-B3
77
QR-KKtl
R--R2
K-Kt4
R-R7 eh.
42.
43.
44.
45.
K-K1
K-Q1
Q-K1
Kt-K2
K-Kt5
K-B6
RxP
Resigns.
White
A. Alekhine
Black
J. Cuckiermann
Paris, 1 933
1. P-Q4
P-Q4
2. P-QB4
P-K3
3. Kt-QB3
Kt-KB3
4. B-Kt5
B-K2
5. P-K3
QKt-Q2
6. Kt-B3
Castles
7. R-B1
P-QKt3
8. P x P
PxP
9. B-Kt5
A move previously made by
Capablanca, who explained that he
made it on a momentary impulse.
It gives Black difficult tactical pro
blems to solve, since on the one
hand the driving off of White's
King's Bishop creates further weak
nesses, and on the other hand White
threatens to exchange off Black's
minor pieces and to exploit the
weakness of Black's Pawns.
9. . . . . . .
B-Kt2
10. Castles
P-QR3
P-B4?
1 1 . B-QR4
The position now reached is iden
tical with that in the Steinitz
Anderssen (Game 39, page 74)
where this same weakening move
was made except that White's
King's Bishop is on R4 instead of
Q3.
12. KB x Kt!
7R
26. Kt-,---Q
- 7
27. P-QR3
28. R-R7
29. K-B1
There is no
Kt-Kt6.
R-Ql
Kt-Q6
R-QBI
Resigns.
defence to
30.
LASKER'S TREATMENT
42
White
W.
Steinitz
Black
Em. Lasker
P-B3
7. . . . . . .
This is characteristic of the
modern defensive system, preparing
for the following simplification.
8. B-Q3
PxP
79
P-QB4
Kt-B5
11.
.
'Exchanging followed by
P-K4, was feasible; but then
White's centre might be strong, and
troublesome,' writes Mason, with the
typical contemporary view. How
ever, after 11 . . . . . Kt X Kt; 12.
R X Kt, P-K4; 13. Castles, P X P;
14. Q x P, P-QKt4, as in the fol
lowing game, Black has solved his
opening problems.
.
12. P-KKt3
Lasker considered this weakened
\Vhite's position and recommended
instead 12. Castles, followed by
Q-Q2.
Still after 12. Castles,
P-K4; 13. P X P, Kt X KP; 14. Kt X
Kt, Q x Kt; 15. P-KKt3, Kt-R6
eh.; 16. K-Kt2, Kt-Kt4; 17.
P-B4? B-R6 eh. ; and Q-QB4
Black has solved his opening pro
blems by the satisfactory develop
ment of the Queen's Bishop.
Kt-I{Kt3
12. . . . . . .
13. Castles
R-Q1
14. . . . . P-K4 is not so strong,
since after 14. P- Q5, P x QP; White
is always able to recapture with a
piece on Q5, therefore Black con
centrates on developing his Queen's
Bishop at QKt2.
14. Q-K2
P-QKt4
We see that both players are fully
aware of the problems posed by the
position, namely, the development of
P-B4
PxP
80
27. Q-B2
In view of the threat 27.
Kt x P eh.
P-Kt3
27. . . . . . .
Kt(B4)-Q2
28. Kt-B4
Q-Q3
29. Kt-Q5
R-BS
30. R(B)-Q2
31 . Kt-K3
RXR
By offering the Queen for two
Rooks which White dare not accept,
Lasker is able to force the exchange
of one pair of Rooks, thus greatly
diminishing White's defensive re
sources.
Q-K3
32. Kt x R
33. K-Bl
Black threatened 33 . . . . . Kt X P
eh.; 34. Kt X Kt, B X Kt; 35. Q X B,
Q-KS eh.
R-B4
33. . . . . . .
R-Q4
34. Q-K3
QxR
35. R x R
Q-B3
36. Kt-B3
37. K-B2
K-Kt2
Q-Q3
38. Kt-K2
Q-KB3
39. Kt-Q4
40. Kt-Kt2?
Kt-B3
'An extraordinary oversight ac
countable for only by the pressure
of the time limit. 40. . . . . B x KBP
instead obviously gains a clear Pawn
and leaves Black with a winning
advantage' (Lasker) .
K-Ktl
41 . Kt-K6 eh.
Q--K4?
42. B-B2
Lasker writes, 'Again the chance
to win at once is overlooked. 42.
. . . . Kt(3)-K4; 43. Kt-Q4, B x
KBP wins without much difficulty.'
...... .
PxP
B x KKtP
Kt-Kt3
P-KR4
B-Kt2
B-K6
Kt-Q4 eh.
B x Kt
KxB
Kt-B3
B-Bl
Kt-Kt5
P-KR4
Kt-K4
B-B4
K-B4
Kt-B3 eh.
K-Q4
Kt-K4 eh.
Drawn.
This game, considered one of the best in the first Steinitz-Lasker match
for the world championship, shows clearly the characteristics of the new
defence system. Black gives up the centre but tries to maintain equili
brium in an attempt to break White's centre by means of a vigorous
counter-attack. Lasker's execution of this plan is admirable, though he
is helped to some extent by White's weak handling of the opening.
Far more important from our point of view is the beautifully conducted
middle-game. Here we see White in complete possession of the centre,
but unable to do anything with it. 'Ve cannot blame Steinitz overmuch,
for he was unaware that the centre is not an end in itself but only a means
to an end, since even the great teacher Tarrasch failed to realize this.
81
SHOWALTER'S CONTINUATION
Whilst Lasker had done much to place
the Queen's Gambit on a sound footing, it
the defensive system which even to-day is
to adopt. Showalter's frequent adoption
was more than a fortuitous experiment.
43
White
H. N.
Pillsbury
Black
J. Showalter
P-Q4
P-K3
Kt-KB3
B-K2
QKt-Q2
Castles
P--B3
PxP
Kt-Q4
QxB
Kt x Kt
P-K4
2. P-QB4
3. Kt-QB3
4. B-Kt5
5. P-K3
6. R-B1
7. Kt-B3
8. B-Q3
9. B x BP
1 0. B x B
1 1 . Castles
12. R x Kt
13. P-K4
The logical move, according to
the nineteenth century tenets, pre
venting 13. . . . . P-K5; and gain
ing the advantage in the centre.
PxP
13. . . . . . .
P-QKt4
14. Q X P
A bold manceuvre. Modern theory
recommends 14. . . . . Kt--Kt3; 15.
B-Kt3, B-K3; with equality.
15.
16.
17.
18.
B-K2
Q-Q5
R-Q1
R-K3
P-QB4
R-Ktl
P-B5
R-Kt3
21 . . . . . . .
If 21 . . . . . Q x KtP; 22. Kt-B6,
R-Kt2; 23. P-K5, Kt-Q2; (23.
Kt-R2; 24. Kt-K7 eh.,
K-R1; 25. Kt X B, R X Kt; 26.
82
R-Kl
22. P-QKt3
23. Kt-B2
Q-B4
24. P-QKt4
Q-Kt4
By exchanging Queens Black gets
the better game, since White cannot
make much use of the open Queen's
file, whereas Black's passed Pawn
is a potential asset for the end-game.
25. Q x Q
PxQ
26. P-K5
Kt-Kt5
27. B x Kt
B xB
28. R-Q5
28. R-Q2 threatening 29. RKKt3 is better.
43.
R x KKtP
If 43. . . . . R-B6; 44. Kt-B5,
R X P; 45. Kt-K6 follows.
. . . . .
B-K3
28 . . . . . . .
B-B4
29. R-Q4
R-QB3
30. Kt-Kl
B-KtS
31. P-KKt4
P-B6
32. P-QR3
B-Kt3
33. R-Ql
KR-QBI
34. K-Bl
35. R-QBI
Forced since Black threatens 35.
. . . . R-R3 winning the QRP.
R-B5
35. . . . . . .
35 . . . . . K-Bl looks much more
promising. If 36. Kt-Q3, B x Kt;
37. R x B, K-K2; could follow and
White's KP is weak.
P-B3
36. P-K6
P-B7
37. P-K7
38. R x P
BxR
39. P-KS(Q) eh. R X Q
40. R x R eh.
K-B2
B-R5
41. R-QRS
White has eliminated the dan
gerous passed Pawn, but Black still
has the superior game since his
Rook and Bishop co-operate better
than White's Rook and Knight.
42. R x P eh.
43. Kt-Q3
K-Kt3
B-QS
45. R-Q7
If White plays 45. Kt-K6,
B-B6; 46. R x P eh., K-B4; 47.
Kt-B5, R-QB5; gives Black a
strong attack.
44. Kt-B5
45 . . . . . . .
B-B6
46. R-Q3
B-Kt7 eh.
47. K-K2
R-R5
48. R-Q7
R x RP
49. Kt-K6
R-R5
50. P-KB3
R-QB5
51. R X KtP eh.
K-B4
52. Kt-B7
R-B7 eh.
53. K K3
B-BS
54. K-Q4
' . R-B5 eh.
55. K-K3
R-B6 eh.
56. K-B2
B-B5
57. R-K7
R x RP
58. Kt-KS
R-R7 eh.
59. K-Kt3
If 59. K-Kl, K-B5; is too
strong.
-
59 . . . . . . .
60. Kt-Q6 eh.
61. Kt-K4
B-BS
K-Kt3
R-Kt7 eh.
83
64. Kt-B5
R-Kt7
dis. eh.
65. K-Kt3
RXP
and Black won on the 91st move.
White
Black
H. N. Pillsbury
J. Showalter
P-K5
Kt-Kt5
Q x Kt
Q x KP
PxP
Kt x Kt
R-B3
R-Q4
84
44.
45.
46.
47.
48.
49.
50.
51.
52.
53.
0 0 0 0
RxQ
R-K3
K-B2
R(Q1)-K1
P-R4
R-QB1
B-R2
B-Ktl
PxP
BxP
RxR
K-K3
K-Q4
K-K3
P-Kt4
Resigns.
QxQ
R-Q4
R(B2)-Q2
K-B3
R(Q4)-Q3
P-Kt5
B-R3
R-QB2
P-B6
PxP
RxB
BxR
B-B4
P-B7
R-Q2
R-Q8
White
A.
Rubinstein
G. Maroczy
Goteborg, 1920
Kt-KB3
1 . P-Q4
P-Q4
2. Kt-KB3
P-K3
3. P-B4
4. B-Kt5
B-K2
QKt-Q2
5. P-K3
6. Kt-QB3
Castles
7. R-B1
R-K1
This defence, preferred to 7. . . . .
P-B3 (as played previously by
Showalter), reflects the dogma then
prevailing: namely, time must not
be lost by playing 7 . . . . . P-B3 as
ultimately . . . . P-B4 will be
,
necessary.
To-day this move is
thought to give Black a difficult
defence.
8. Q-B2
PxP
If 8. . . . . P-B3; 9. B-Q3,
P x P; 10. B x P, Kt-Q4; 1 1 . B x B,
Q x B; 12. Kt-K4! KKt-B3; 13.
Kt-Kt3, would make it difficult
for Black to carry through the
freeing move . . . . P-K4, since
White would threaten both Kt-B5
and Kt-Kt5. These threats show
the weakness of 7. . . . . R-K1;
leaving Black's KB2 exposed to
attack.
9. B x P
10. Castles
P--ll-t
PxP
85
22.
23.
24.
25.
B x Kt
Q-K4!
RxB
QR-Q1
B-K3
BxB
QR-B1
Q-R4
12. KR-Q1
13. B-R4
Kt-K4
Kt-Kt3
14. B-K2
P-K4
15. B-Kt3
Black has seemingly freed his
position and he was able even to
develop his Queen's Bishop along
the QB1-R3 diagonal, which is
still considered the soundest plan.
But Rubinstein calculated deeper.
Q-B2
16. Kt-Kt3
17. Q-Ktl !
Q-Ktl
Necessary.
18. Kt-Kt5, was
threatening winning the exchange.
18. B-B3
Q-R2
A remarkable position. At the
moment when Black hoped to bring
his Queen's Bishop into play White
prevents this development by tac
tical threats. On 18 . . . . . B-KKt5;
19. B x B, Kt X B; 20. Kt-Q5, with
the double threats Kt-B7 and
Kt-Kt6 would decide. If 18 . . . . .
B-K3; 19. Kt-Q41 and finally if
18.
B-Q2; 19. Kt-Q5!
Kt x Kt; 20. B x Kt is too strong.
19. Kt-R5!
Preventing Black from playing
19. . . . . R-Ktl ; and 20. . . . .
P-QKt4; by the threat Kt-B6.
19.
20. Kt-B4
21 . Kt-Q5
B-QKt5
B-Q2
Kt x Kt
P-QKt4
Kt-Q6
B x Kt
RxB
R-B2
P-KR4
P-B3
Q-Q5 eh. !
K-R1
P-R5
Kt-B1
P-R6
Kt-Kt3
Q-K6!
R-KB1
R-Q7
PxP
B-R4!
Resigns.
35.
Kt x B; 36. Q-K7,
86
46
F.
White
Marshall
Black
J. R. Capablanca
P-QKt3
12. Q X Kt
13. P-K4
The game Alekhine-Capablanca,
London, 1922, continued 13. Q-Q3,
18. . . . . . .
Q-K4!
An excellent
The only move!
example of Capablanca's intuition,
as the only visible compensation for
the sacrificed Pawn is a slight
initiative.
18. . . . . Q-Q2; 19.
87
R-K3
24.
K-Kt2
25. R( 1)-QB1
P-Kt4
26. P-QKt4
R-Kt3
27. P-R3
R-R7
28. K-B1
29. K-Ktl
Better was 29. P-K6.
0 0
P-KKt41
PxP
P-R6
29.
P-QR3
30. P-Kt3
R x KP
31. P-K6
32. P-Kt4
If the Knight moves 32. . . . .
P-R7 eh. ; 33. K x P, R-R3 eh.;
34. K-Ktl, R-R8 Mate would
follow.
0
Position after 17 . . . . Q x B
0 . 0 . 0
32. . . . . . .
R-R3
33. P-B3
On 33. P-Kt5, P-R7 eh.; 34.
K-R1, R x Kt; 35. R x R, R x BP;
wins.
33. . . . . . .
R-Q3
Better than the obvious 33.
P-R7 eh.
34.
35.
36.
37.
38.
39.
Kt-K7
Kt-B5 eh.
Kt-R4
Kt-B5
K-B1
P-B4 eh.
Resigns.
R(Q3)-Q7
K-B3
K-Kt4
R-Kt7 eh.
P-R7
K x BP
This game shows that in order to carry through the idea of the defence
(the development of the Queen's Bishop), tactics as masterly as those used
by Capablanca are necessary. By his fine Pawn sacrifice Black, according
to Capablanca, obtains an easy game.
88
47
White
Black
J. R. Capablanca
H. Steiner
Budapest, 1928
Kt-KB3
P-Q4
P-K3
P-QB4
P-Q4
Kt-QB3
QKt-Q2
B-Kt5
B-K2
P-K3
Castles
Kt-B3
P-B3
R-B1
8. B-Q3
PxP
9. B x P
Kt-Q4
10. B x B
QxB
Kt x Kt
1 1 . Castles
P-QKt3
12. R X Kt
As this game demonstrates, Black
has only one adequate move: . . . .
P-K4.
1.
2.
3.
4.
5.
6.
7.
P-QB4
13. Q-B2!
13. . . . . B-Kt2; is not satis
factory, since after 14. B-Q3,
Black must play the weakening
move . . . . P-KB4; for after 14.
. . . . P-Kt3; 15. B-K4, he would
lose the QB Pawn. This variation
would not be available for White if
his Queen were standing before his
Rook. (The reason for this is that
Black could pin White's Bishop
after 16. B X BP.)
Kt x P
14. P x P
15. P-QKt4
Kt-R3
Black hopes to win a tempo by
attack on the QKtP. On 15 . . . . .
Kt-Q2; 16. B-Q3, P-Kt3; 17.
R-B7, with the threat 18. B-K4
is too strong.
B-Kt2
16. P-QR3
P-Kt3
17. B-Q3
18. R-B1!
Preventing Black from opposing
the Rook. After 18 . . . . . QR-B1;
19. R x R, R x R; 20. Q x R eh. ,
B X Q ; 21 . R X B eh., K-Kt2; 22.
B X Kt, White gains Rook and two
minor pieces for the Queen.
18 . . . . . . .
QR-Q1
19. Kt-K5
Q-Q3
20. P-B4
Kt-Kt l
21. R-B7
B-Rl
22. R x RP
Kt-B3
23. R x B!
Far stronger than 23. Kt x Kt,
B x Kt; 24. Q x B, Q x B; with some
attacking chances for Black.
Kt x Kt
23. . . . . . .
RxR
24. R x R
25. B-K2!
Q-Q7
A desperate counter-attack. On
25.
Kt-Q2; 26. R-Q1,
Q-K2; 27. Q-B7, K-B1; 28.
B-Kt5, is decisive.
26. Q x Q!
Typical of Capablanca to choose
a simple and conclusive line instead
of the gain of a piece for after 26.
P x Kt, Q x P eh.; 27. K-R1,
R-Q7; Black can still hold out
a while.
RxQ
26. . . . . . .
K-Kt2
27. R-B8 eh.
Kt-Q2
28. K-B1
Black cannot avoid the pin, the
point of White's 26th move.
K-B3
29. R-Q8
30. B-Kt5
R-Q4
31. P-QR4!
Stronger than 31. B x Kt, K-K2;
32. R-QKt8, R x B; 33. R x P,
89
32.
33.
34.
35.
36.
37.
PxR
H -QB 8
R-B6
K-K2
K-Q2
K B3
-
K-K2
P-K4
P-K5
P-B4
K-B2
Resigns.
From this game we discover that when the White Rook is on the Queen's
Bishop file with the Queen behind it, Black cannot develop his Bishop
on the QKt2-R8 diagonal without fatally weakening his Queen's side.
(See Game 46, page 86, for an example when he can do it safely!)
BoooLJunov's CoNTRIBUTION
In this game, an interesting counterpart to the previous one, Bogoljubov
shows that White can prevent Black playing the liberating move . . . .
P-K4; thereby restricting Black's methods of development to one line
only (see note to move 11 ).
White
48
Black
9. B x B
QxB
Kt X Kt
10. Q-B2
R-K1
1 1 . Q x Kt
Black is trying for . . . . P-K4;
but this game shows that it is not
feasible. Capablanca's continuation
is best: 1 1 . . . . . P X P; 12. B X P,
P-QKt3; and . . . . P-QB4.
14. Castles
B-Ra
QR-B1
15. P-QKt4
16. R-B1
P-K4
On 16 . . . . . P-B4; 17. KtP x P,
P x P; 18. Q-R5 would follow.
1 2. R-Q1
With this move White prevents
12 . . . . . P x P; 13. B x P, P-K4;
since after the exchanges on K5,
P x QP
17. KR-Q1
17 . . . . . P-K5; 18. Kt-Q2, and
ultimately
White will break up
B lack s position by P-B3.
'
90
Kt-K4
18. Q X P!
On 18 . . . . . Q x Q; 19. Kt x Q,
P-QB4; 20. B-Kt4! is decisive.
19. Kt x Kt
20. Q x Q
Q x Kt
RxQ
33. K-K3
R-R7
34. P-Kt3
K-Bl
35. B-K8
With this move White conceives
a plan of giving up his QR Pawn
for Black's B Pawn. This would
give him a two Pawn superiority
on the King's side.
K-Ktl
35. . . . . . .
36. R-Q7
K-Bl
On (a) 36 . . . . . B-R5; 37. B x PI
R x P eh.; 38. R-Q31 wins; and on
(b) 36 . . . . . R x RP; 37. R-Q3,
wins.
_
K-Ktl
R-R7
R x RP
R-K71
K-Q4!
K-Bl
K-Q1
K-K5
B-B5
K-B6
P-B4
P-QKt4
R-R3 eh.
B X BP
P-Kt5
44. B-K6!
The Queen's ending is interesting
after 44 . . . . . R X B eh.; 45. R X R,
B x .R; 46. K x B, P-Kt5; 47.
K-B71, P-Kt6; 48. P-K5, P
Kt7; 49. P-K6, P-Kt8(Q); 50.
P-K7 eh., K-B2; 51. P-K8(Q),
Q-Kt6 eh.; 52. K-Kt7, Q x P;
53. Q-K7 eh., followed by Q
Kt5 and White would win both
Black Pawns.
37.
38.
39.
40.
41.
42.
43.
21. P-Kt51
Forcing the issue, since after 21.
. . . . P X KtP; 22. P X KtP, B-Kt2;
23. R x R eh., B x R; 24. R-QBI,
followed by R-B7 would lead to a
winning position.
21. . . . . . .
B-Kt2
Black decides to sacrifice a Pawn
to obtain some play.
22. P x BP
R x BP
Better than 22. . . . . B x P; 23.
P x P, B-Kt2.
RxR
23. P x P
24. R x R
K-B1
If 24. . . . . R x QP?; 25. B-B3
wins.
25. R-B7
BxP
26. R x RP
B-Kt6
27. K-Bl
R-QB4
28. B-Q3
ll-B8 eh.
29. K-K2
R-QR8
30. P-K4
P-Kt3
3 1 . P-KR4
K-10
32. B-Kt5 eh.
K-QI
45. P-B5
PxP
B xB
46. P x P
46 . . . . . R-Kt3; 47. R-Q7 eh.,
K-Kl; 48. R x P, K-Q1; 49.
R-R8 eh., K-B2; 50. R-B8 eh.,
followed by R X B wins.
47.
48.
49.
50.
51 .
52.
53.
54.
55.
PxB
R-Q7 eh.
P-Kt4
K-Kt5
RxP
R-QKt7
P-R5
P-H6
K-R5
R-R6
K-Kl
R-B6 eh.
R-K 6
RxP
R-K5
K-Bl
K-Ktl
Resigns.
91
upon him. Here is expressed the essence of the Orthodox Defence ; but
though it appears simple, its development was protracted and complex.
( See also Game 47, page 88.)
ALEKHINE's PREVENTIVE SvsTEM
Black
A. Alekhine
J. R. Capablanca
K-Kl l P x P; 18. R x P, R x R;
19. Kt x R, gives White the advan
tage), as Capablanca played in the
6th match game in which he was
unable to play either of the freeing
moves P-B4 and P-K4.
Q-Kt5 eh.
12. Kt-Kt3
13. Q-Q2
Q x Q eh.
R-QI
14. K x Q
P-QKt3
15. KR-QI
16. P-K4
B-Kt2
Kt-Kl
17. P-K5
18. K-K3
K-B1
In the 16th match game Capa
blanca played 18. . . . . P-QB4 at
once, but drifted into an inferior
position after 19. P-Q5, P x P; 20.
B x P, B x B; 21. R x B.
19. Kt-Kt5
In the 28th match game Alekhine
continued with 19. P-KR4, but he
considers the text-move far superior.
P-KR3
19.
K-K2
20. Kt(5)-K4
21. P-B4
P-KB4
22. Kt-B3
After 22. P x P e.p. eh., Kt(2) x
P; Black gains command of his Q4
with sufficient counter chances.
22.
Kt-B2
23. Kt(Kt3)-K2 P-KKt4
92
24. P-KR4
P-Kt5
Playable was 24. . . . . P x RP;
25. R-KRI, KR-Ktl ; 26. R x P,
R x P.
25. Kt-Kt3
P-QR4
26. B-Kt3
QR-Bl
In the 24th mate game Capa
blanca played the stronger 26. . . . .
P-Kt4; and soon equalised.
27. P-QR3
R-Bl
28. R-Q2
B-Rl
To free the QKt file for the Rook.
R x R eh.
29. R(2)-QB2
P-B4
After 29(! !) moves Black is at
last able to play this important
move which ought to give him
equality.
30. P x P
Kt x BP
Alekhine considers this the deci
sive mistake, suggesting that with
30. . . . . P x P; followed by occupy
ing the QKt file and his Q4 square,
Black would have obtained suffi
cient counter-play.
31. Kt-R4
Kt(2)-R3
36. P x R! !
A surprise for Capablanca who
probably expected 36. R x R, when
36 . . . . . R x Kt; 37. P-Kt4, P X P;
38. P x P, Kt x P! 39. R x Kt,
R-R6 eh. followed by Kt-Q6 eh.
would have given him the advan
tage.
36. . . . . . .
R x Kt
37. R-Ql
R-KBI
Necessary, for if 37 . . . . . KtKt2; 38. R-QKtl .
32. B x P!
A most difficult type of sacrifice,
White obtaining two Pawns and an
attack for his Bishop.
KxB
32. . . . . . .
R-QKtl
33. Kt X KtP
Alekhine considers 33. . . . . QR-
K-K2
38. R-Q6 eh.
Kt-B2
39. R x P
K-Ql
40. R-R7 eh.
Kt(2)-K3
41 . P-B4
42. R-QR7?
A mistake: Alekhine points out
that he had an easy win by Kt
K2-B3-Q5, preventing Black's
counter of Kt x P (on account of
T HE ORTHODOX DEFENCE
46. K x Kt
47. K-K3
48. K-B2
49. K x P
50. R-Q5 eh.
5 1 . P-B5
52. P-B6
53. R-B5
54. K x P
55. K-B3
93
Kt-K3 eh.
P -B5 eh.
P x Kt eh.
R-KRl
K-K2
RxP
Kt-Bl
K-Ql
R-Kt3 eh.
K-B2
position
of the
42. . . . . . .
Kt-B2
Kt(4)-K3
43. R x P
44. P-R5
Stronger was 44. Kt-K2, but
Black is still able to hold the posi
tion by 44. . . . . K-Q2; 45. Kt
Q4, Kt x Kt; 46. K x Kt, R-QKti !
47. R-R7, K-B3; 48. P-K6,
K-KKt3; 49. R-R4, Kt x P eh. ;
50. K-K5, R-Kl; 5 1 . K x P ,
P-Kt6! a variation given by
Alekhine.
44. . . . . . .
45. P-R6
K-Q2
45. . . . . . .
Kt x P!
65.
66.
67.
68.
69.
70.
71.
72.
73.
74.
75.
P-Kt4
R-Q5
R-B5
R-Q5
R-R5
K-K4
R___.:.R7 eh.
R-R6 eh.
R-R7 eh.
R-R6 eh.
P-R4
R-R6
K-Q4
P-R5
R-R7 eh.
P-R6
P-R7
R-QKt7
R-Kt2
R-Q2
Kt-K3
Kt-Bl
Kt-K3
Kt-Bl
R x BP
R-B8
K-K3
K-Q2
K-K3
K-K2
Kt-Q2
R-K8 ch.
Kt x P
Kt x P
K-Q3
R-QR8
Kt-B3
Kt-Q2
RxP
Kt-B4
94
76.
77.
78.
79.
80.
81.
K-B3
R-R5 eh.
R-KKt5
R-Kt6
K-Kt4
K-B5
82.
83.
84.
85.
86.
R-R4 eh.
K-B2
R-KB4
K-Kt2
K-B3
Draw.
K--B6
R-Q6
K-Q7
R-Q4
K-Q6
Black
A. Alekhine
Em. Lasker
Ziirich, 1934
P-Q4
1. P-Q4
2. P-QB4
P-K3
Kt-KB3
3. Kt-QB3
B-K2
4. Kt-B3
QKt-Q2
5. B-Kt5
6. P-K3
Castles
P-B3
7. R-B1
8. B-Q3
PxP
9. B x BP
Kt-Q4
QxB
10. B x B
KKt-B3
1 1 . Kt-K4
P-K4
12. Kt-Kt3
An enterprising and rather dan
gerous attempt to solve the pro
blems presented by the defence, at
the expense of some insecurity of
position.
PXP
13. Castles
14. Kt-B5
The simple 14. P x P gives White
more chances. Alekhine suggests
the Pawn sacrifice 14. P X P, Kt
Kt3; 15. R-K1, Q-Q3; 16. B-
Q-Q1
Kt-K4
B x Kt
Q-Kt3?
QKt-Q2
18. Q-Q6!
If 18 . . . . . Kt-Kt3; 19. Kt-R6
eh.
19. KR-Q1
20. Q-Kt3
QR-QI
P-Kt3
95
KR1
2 1 . Q-Kt5
White threatened 22. RQ6 ,
Kt-K5; 23. R x KtP eh., K-Rl ;
24. Q-R6.
22.
23.
24.
25.
26.
Kt-Q6
P-K4!
R-Q3
Kt-B5 eh.
Q x P! !
K-Kt2
Kt-KKtl
P-B3
K-RI
Resigns.
As Alekhine remarks, the final attack could hardly have been more
efficiently directed after Black's wasted 17th move. Examining Alek
hine's conduct of the final attack, we cannot help noticing the enormous
strides that attacking technique has made since the age of the HEvergreen"
and the "Immortal" and also the technique of changing a closed position
into an open one.
Whether Lasker's system is an improvement on Capablanca's is difficult
to say since it has rarely been played, and the other lines suggested for
White have never been subjected to the rigorous test of tournament play.
However, Alekhine himself says that his move (Kt-K4) is no better than
the normal l l . Castles, which seems to show that Black can achieve
approximate equality.
CoNCLUSIONS
The problem of the Orthodox Defence is this: how is Black to develop
his Queen's Bishop? In the preceding games we have endeavoured to
show how masters of the past and present tried to solve this problem.
In the first example Anderssen attempts a straightforward solution
by playing . . . . P-QKt3, and though Steinitz refutes it on the first
occasion, the defence is to be found in the tournament repertoire for the
next 50 years. In this period Pillsbury adopted a system based on his
famous Kt-K5 position, yielding victory through a King's side attack.
But the defence technique progressed, and even Pillsbury in his last
tournament at Cambridge Springs, 1904, changed his strategy and sought
to exploit Black's concrete weakness on the Queen's side instead of the
illusory weakness on the other wing. Capablanca introduced a more
convincing line strengthened by the addition of some refinements by
Alekhine (see Game 41, page 77).
This leads us to the modern defence illustrated by Lasker's treatment,
which avoids the Pawn weaknesses and deliberately surrenders the centre
( . . . . P x BP;) to prepare for the freeing moves . . . . P-K4; or . . . .
P-QB4; with the dual purpose of restoring the equilibrium in the centre
and gaining an outlet for the Queen's Bishop. This object we see carried
out ideally by Showalter, but it failed to be appreciated or universally
adopted.
The next milestone occurs between the years 1907-1920, when Rubin
stein achieved singular victories with the Queen's Gambit, attributed at
that time to his superb positional play ; whereas we now know that the
explanation of his success lies not only in his technique but also because
no clear-cut defensi \-e systems had been evolved. To-day, against his
"tempo struggle" system (Q-B2) not less than five adequate defences
have been form ulated. A definite line for Black was introduced by
96
Capablanca who, in the war years, revived the old Showalter continuation
and by enriching the defence tactically introduced what we call 'Capa
blanca's Freeing Mamcuvre.'
Alekhine's attack (Kt-K4) offered White
chances, chiefly dependent on the su rprise elemen t, but these were
overcome.
VIII
THE EXCHANGE VARIATION OF
THE QUEEN'S GAMBIT
THIS is one of the most important variations of the Queen's Gambit, as
White can usually force some line of it upon his opponent, and because it
also provides a means of avoiding the many and varied tactical complica
tions of the Cambridge Springs and allied defences.
By exchanging in the centre (BP x P, KP x P), White sets up a rigid
formation and transfe.rs the fight to the wings. It might seem that such
a policy would deprive the game of its dynamics, reducing it to a mere
djsplay of technique. This is fortunately not the case. Many great
masters manage, as we shall see, to infuse into this system many novel
ideas and personal refinements, despite the reduced material resources.
We divide the Exchange variation into two main lines:
1. The Minority Attack, where \Vhite (and in some cases Black) attacks
the opposing Pawn majority with a view to isolating and weakening the
Pawns.
2. Heterogeneous Castling, where the players castle on opposite sides
and attack the enemy King's position.
THE MINORITY ATI'ACK IN THE EXCHANGE VABlATION
EARLY BEGINNINGS
This modem variation of the Queen's Gambit Declined poses a middle
game problem: Can White succeed in attacking Black's seemingly solid
Queen's side Pawns with his minority? The attempt opposes a dogma
which was generally accepted in the period between Steinitz' death and
the First World War: that a Pawn minority should not advance a{!,ainst
a majority.
Thus we find no examples of this system from the time when the theory
of Tarrasch held sway until Capablanca's revival of the system in 1921 .
We have to return to the nineteenth century to find examples from
tournament play.
Here we discover that it was played by Pillsbury against Showalter,
and by Steinitz against Lee. Since Pillsbury's treatment has little in
common with modern methods, we start our study with Steinitz v. Lee
in the London Tournament 1R99.
,
Steinitz
Black
F. J. Lee
London, 1899
P-Q4
1. P-Q4
P-K3
2. P-QB4
Kt-KB3
3. Kt-QB3
B-K2
4. B-Kt5
Castles
5. P-K3
6. B x Kt
BxB
PxP
7. P x P
8. Q-Kt3
Steinitz' manreuvre in the last
three moves indicates that he was
deliberately aiming at 1eaching this
position. With the experience of
modern theory as support, we now
know that it is possible to arrive
at this type of position without the
committing 6. B x Kt, and the
tempo-losing Q-Kt3.
97
RP X P
15. P-Kt5
16. P x P
R xR
17. R x R
P-KB4
Kt-Q2
18. R-R8
There is nothing better.
19. Kt-R4
Kt-Kt3
20. Kt x Kt
Q x Kt
B-Q2
21. Kt-B3
22. Q-R2
RxR
23. Q X R eh.
B-Q1
If the suggested line 23.
K-Kt2; 24. Kt-R4, Q-B2; 25.
P-Kt6, Q-Bl; 26. Q-R7, B-Q3;
threatening to dislodge the Queen
after B-Ktl is played, there fol
lows 27. Kt-B5, B x Kt; 28. P x B,
with the threat 29. B-R6.
24. Kt-R4
25. P-Kt6
Q-B2
Q-B1
8. . . . . . .
P-B3
9. B-Q3
R-Kl
10. KKt-K2
This move, adopted thirty years
later by Alekhine and Flohr, is
much more elastic than the usual
Kt-B3.
Kt-Q2
10.
1 1 . Q-B2
Kt-Bl
P-KKt3
12. Castles KR
P-QR3
13. P-QKt4
B-K2
14. P-QR4
Now we have reached the critical
position, and it is interesting to note
what one contemporary critic said:
'The plan of attacking on the left
wing practically four Pawns with
two should not succeed.
Black
might have played 14. . . . . P
QKt3;
stopping
15.
P-Kt5,
because of 15.
P-QB4;
threatening . . . . P-B5, and estab
lishing a passed Pawn.' Though
this remark is correct, it proves only
that White should have gained
control of the Queen's Bishop file
first and omitted the premature
6. B x Kt.
26. Q-R7
Safer was first 26. Q-R5, and
if 26 . . . . . P-B5; 27. P x P, B
KB3; 28. Q-Kt4. Against other
moves, White can secure his King's
side and eventually break through
on the Queen's side with Kt---,.B5,
followed by Q-R7 and B-R6.
P-B5
26 . . . . . . .
The only move, but an ingenious
resource.
27. Kt-B5
A tempting alternative is 27.
B-R6, but Black simply replies
98
27.
P x P; and if 28. B x P,
then 28.
P-K7 wins.
27. . . . . . .
28. Kt x P
If 28. P x P,
B-Kt4.
PxP
then
28.
P x P eh.
28.
B-B4
29. K-Bl
30. B x B
If 30. B-K2, B-Kt5; or if 30.
QxB
Q-Q6 eh.
Kt X B
Q-Q7 eh.
KXP
Q-Q6 eh.
K-B3
Q-B4 eh.
K-Kt4
Q-Q6 eh.
K-Kt3
Q X P eh.
K-R4
Q-B3 eh.
P-Kt4
Q-K4 eh.
K-Kt3
Drawn.
Except for a slight transposition of the opening moves, this game has
quite a modern appearance.
Its clear-cut strategy and purposefulness might well have given new
life to the 19th century Queen's Gambit Declined, but contemporary
players passed it by unnoticed.
Unfortunately, we do not know Steinitz'
own views on this line as he played it in this, his last tournament, only
a few months before his death.
J. R.
White
52
Capablanca
Black
A. Alekhine
99
18. Q-B2
P-R3
19. P-QR4
Q-Q3
20. R-Ktl
KR-QBI
B-Kt5
21. KR-QB1
22. Kt-Q2
R-B2
23. Kt-Kt3
B-R4
If 23. . . . . Q X P? 24. Kt-B5.
Kt X Kt
24. Kt-B5
25. Q X Kt
Q-B3
Naturally Black keeps the Queen
since his whole defensive chances
lie in a possible counter-attack on
the King's side.
26. P-Kt5
Premature. He must play 26.
R-Rl l B-Kt3; 27. B-B1 first,
retaining his advantage by keeping
the Bishop for the defence of the
30 .
31.
32.
33.
34.
35.
36.
37.
38.
39.
40.
41.
. . . . .
......
R-R7
KR-Rl
Q-B2
P-Kt3
R-R8
R xR
R-R7
P-R4
K-Kt2
Q-Q3
K-R2
R-Q2
K-R2
P-B4
R-K2
R(l )-Kl
R-K5
RxR
R-QKtl
P-R4
Q-K3
K-Kta
Drawn.
100
TO BOT,VINNIK
53
White
J.
R. Capablanca
Black
A. Alekhine
Kt(B3)-K5
B-K3
Kt X Kt
The ideal position of White's
Knights prompts Alekhine to adopt
a simplifying manceuvre which
hinges on his 21st move. Better was
his
recommendation 19.
Q-B3; when White plays 20.
B x Kt, P x B; (20 . . . . . Kt x B;
21. Kt x Kt, P x Kt; 22. Q x P,
QR- Ktl ; 23. Q x BP!) 21. Q-B2,
B-Q4; and after preparation P
B3, obtaining the superiority in the
centre.
20. P X Kt
21. P-R4
22. B-Ktl
Kt-Kt4
Kt-B2
B-Bl
Kt-K3
24. P-K4
The position is now clarified. By
means of his complicated Bishop
and Knight manreuvre, Black has
been able to prevent White from
carrying out his minority attack,
but not without allowing him
chances in the centre.
24. . . . . . .
PxP
25. RxP
R-K2
26. QR-Kl
B-Q2
If 26 . .. . . KtxP? 27. RxR,
B-K3; (R-K8 is threatened) 28.
Q-B2.
27. Q-B2
P-KKt3
28. B-R2
Q-KBl
Q-Kt2
29. Kt-K5
If 29. .... B-B1; 30. KtxKtP,
P X Kt; 31. B X Kt eh., K-Kt2;
(31. . .. . K-R2? 32. B-Kt8 eh.)
32. BxB, RxR; 33. QxR, RxB;
34. Q-Q4 eh. wins.
30.
31.
32.
33.
KtxB
BxKt
R-KKt4!
RxP
34. Q-K4
35. P-B4
RxKt
PxB
K-R2
R-KKtl
R-KB2
Q- Bl
36.
37. K-Bl
38. K-B2?
This game shows that Black is able to prevent White from carrying
out the Minority Attack, but he is unable to solve satisfactorily the
other problems of the opening.
Herein lies the importance of the game from our point of view. We
see that by merely threatening to play the Minority Attack White can tie
down Black's pieces and force a decisive break-through in the centre.
Alekhine himself was full of praise for his opponent's fine play.
FLOHR'B TREATMENT
Another great 'technician' to adopt the Minority Attack was Salo Flohr.
He used this system mainly to prevent his opponents from adopting the
Cambridge Springs and Manhattan defences, with all their attendant
tactical complexities.
Especially instructive is the way in which he neutralises Black's King's
side counter-chances, so that his eventual action on the Queen's side
may proceed unhindered, and with the greatest effect.
54
White
S. Flohr
Black
M. Euwe
Castles
R-Kl
Kt-Bl
Kt-Kt5
12. B x B
QxB
13. Kt x Kt
B x Kt
14. KR-Kl
In the 5th match game against
Showalter, Pillsbury played 14.
QR-Kl, Q-B3; 15. P-QR4,
R-K2; 16. P-QKt4, QR-Kl ; 17.
P-Kt5, Q-Kt4; and in order to
meet the dangerous attack, played
the weakening move 18. P-B4,
after which his minority attack
should not have been successful.
The idea of the text-move is to free
KBl for a minor piece, where it
would be well placed for defensive
purposes.
14. . . . . . .
QR-Ql
15. Kt-K2
R-Q3
An easier defence is given by 15.
. . . . B x Kt; after 16. R x B, P
KKt3; 17. R-Ktl, Kt-K3; 18.
P-QKt4, P-QR3; 19. P-QR4,
102
R-R3
17. B-B5!
In a similar
Very important!
position (the White QKtP was at
Kt4) against Keres at Semmering
Baden, 1937, Flohr allowed Black
to play Q-R5 and after 18. Kt
B1, Kt-K3; 19. P-Kt5, Black
obtained a very dangerous attack
with B-B6! ! (20. P X B, Kt-Kt4;
21. K-Kt2, Q-R4; 22. B-B5,
followed).
Q-Kt4
17. .. ... .
QxB
18. B x B
19. P-KR3
Q-Q2
20. P-QKt4
Kt-K3
21 . QR-Ktl
Kt-B2
22. P-QR4
P-QR3
23. Kt-B1
R-K2
Black probably expected 24.
Kt-Q2, when 24. . . . . Kt-K1;
25. Kt-Kt3, Kt-Q3; gives him a
good defensive position. Had he
comprehended White's deep stra
tegy he would have played 23 . . . . .
R-QB1; (intending 24 . . . . . Kt
K1; when the Rook prevents
White's break - through by 24.
P-Kt5) 24. Q-Kt3, R-Kt3; 25.
K-R1, Q-B4; 26. R-K2, Kt
K1; 27. P-Kt5, RP x P; 28. P x
P, Kt-Q3; with sufficient counter
play.
. . .
R(R3)-K3
24. . . . . . .
25. Kt-B3
P-KB3
White has, by subt1e play, completely secured his King's side,
since the Black Rook cannot be
transferred to this wing without the
intermediary P-KB4, after which
the White Knight could be estab
lished at K5 with great effect.
26. Kt-Q2
R-K1
27. Kt-Kt3
R(K3)-K2
Q-B1
28. Kt-B5
29. KR-QB1
R-Q1
Q-Ktl
30. Kt-Q3!
White threatened 31. P-Kt5. If
30. . .. . Q-B4; 31. Q-B5, R-B2;
32. R-Kt3, follows with the threat
Q-Kt6.
31 . Kt-B4
Kt-K3
In the long run Black cannot
avoid the exchange of Knights and
White was also threatening 32.
Q-QB5, followed by Q-Kt6.
R x Kt
32. Kt x Kt
33. P-Kt5
RP x P
34. P x P
PxP
A dubious move, but if 34.
Q-Q3 (35. P x P, R x BP; 36. Q x R!
must be prevented) 35 . Q-R2!,
with threats on both the Rook's file
and the diagonal, makes Black's
position very difficult.
P-QKt3
35. R X P
If 35 . . . . . R-B3? 36. Q X R.
36. Q-Kt3
Q3
R-QKti
R x KtP
QxQ
RxR
K-R2
K-Kt3
K B4
P-Kt4
R-Kt7 eh.
K-B3
-
R-Q2
QxR
RxQ
K-B2
K-K2
R-R2
P-KKt3
R-R7
K-K3
Resigns.
Since all the previous games have featured the Minority Attack from
White's point of view, it may seem as if White has almost a 'walk over.'
However, it must be remembered that it always takes some considerable
time for a sufficient counter to be found to any attack. In the following
games we shall examine this problem of finding an adequate defensive
system by showing its gradual evolution at the hands of the great masters.
We commence our study with the original system played by Capablanca
in his World Championship match against Alekhine.
8. Q-B2
55
White
A. Alekhine
Black
J. R.
Capablanca
P-Q4
P-QB4
Kt-KB3
Kt-B3
B-IH5
P-K3
R-Bl
P-Q4
P-K3
Kt-KB3
QKt-Q2
B-K2
Castles
P-QB3
P-QR3
P-R3
9. P-QR3
In the second match game, Capa
blanca played the more exact 9.
. . . . R-Kl and avoided being
forced into the exchange variation
as 10. P x P, is answered by Kt X PI
10. B-R4
R-K1
11. P x P
KP x P
Now 11 . . . . KtxP is answered
by 12. B-Kt3.
.
12. B-Q3
104
CHESS
Kt-K1
15. . . . . . .
16. Kt-K2
If White now plays 16. P-QKt4,
Black replies 16 . . . . . Kt-Q3; 17.
P-QR4, P-QKt4; 18. Kt-K2,
Kt-B5; and he can block the QB
file without having to put his
Queen's Bishop out of play at Kt2.
16.
17.
18.
19.
20.
21 .
22.
23.
24.
25.
Kt-Q3
Kt-Kt3
Kt-B1
Kt-K5
P-KB3
Kt X Kt
Kt-Kt6
B x Kt
B-K3
Kt-K2
Q-Q2
Kt-B4
B-B4
QxB
BxB
QxQ
Kt x Q
Kt-Q3
Kt-Q3
Drawn.
P-KKt3
12. . . . . . .
With the idea of playing the usual
manreuvre Kt-K3-Kt2 and B
KB4, which may be called the
modified Capablanca system.
23. Q-Kt6 !
R-K2
If 23. . . . . Q-Q2; 24. P-Kt5,
RP x P; 25. RP x P, R-K3; 26.
R-R1, R-QB1; 27. R-R7 would
follow and White has considerable
pressure.
13. Kt-K5
Kt(B3)-Q2
14. B-KB4
Kt x Kt
1 5. B x Kt
B-Q3
16. B x B
QxB
17. Kt-R4
If 17. P-R3, Kt-K3; 18. PQKt4, Kt-Kt2; 19. R-Ktl , B84; 20. P-QR4, B X B; 21. Q x B,
P-QKt4 follows and Black will
eventually be able to secure the
strong square QB5 for his Knight
via Kt-B4-Q3.
17 .
18.
19.
20.
21.
22.
......
Kt-B5
Q x Kt
P-QKt4
BxB
P-QR4
Kt-K3
Kt x Kt
Q-B3
B-B4
QxB
RP x P
24. P-Kt5!
25. P x P
PxP
Now Black must allow his Pawn
position to be broken up, since 25.
. . . . R-QB1; 26. P X P, Q-K3; is
refuted by 27. P X P! !
K-Kt2
26. R-B5
R-Q1
27. Q X P(Kt5)
R(2)--Q2
28. Q-R5
P-Kt5
29. R(1 )-B1
QxP
30. P x P
31. R-Kt5
K-R1
32. Q-Kt6
Avoiding the trap 32. R X KtP?
R-KKtl .
R-Q3
32. . . . . . .
33. Q-B7!
Not 33. Q x P, R-KKtl ; 34.
P-Kt3, Q-R6l with the threat
R x P eh.
R-KKtl
33. . . . . . .
Now if 33.
R-KR3; 34.
Q-K5 eh., P-B3; 35. Q X QP!
repulses the attack.
Q-K3
34. P-Kt3
35. R-K1
In view of the threat 35.
R x P eh.
22 . . . . . . .
P-KKt4
P-Kt3
35. . . . . . .
36. P-K4!
Just when it looks as if Black
has set up a defensible position,
106
38. P-Q5
P-R4
38 . . . . . Q-R8 eh.; 39. K-Kt2,
R-R3; 40. Q-K5 eh., Q X Q; 41.
R x Q, gives Black better drawing
chances.
39. K-Kt2
Q-Kt3
40. R-KB4
R-Kt2
41. R-KR41
The threat of 42. R x P eh. forces
the Black Rook to an inactive post
on R2, a weakness which later
proves to be decisive.
41 . . . . . .
R-R2
42. R(5)-Kt41
Q-B3
43. R(R4)-KB4 Q-QI
44. Q-B3 eh.
K-Ktl
45. R(Kt4)-B41 Q-KB1
46. R-B8
R-Q1
47. R(4)-QB41
This is the key of White's skilful
manreuvre. The opposing Rooks
are driven away, whilst his own
pieces are established at their most
effective posts. A masterpiece of
strategy.
.
47
48. R x R
49. R-B8
36 . . . . . .
37. R x KP
.
PxP
Q-B3
. . . . . .
R-R3
QxR
Resigns.
The first part of the game demonstrates how Black should handle this
defence; that is by the exchange of the Queen's Bishop for White's King's
Bishop and the deploying of the Knight via KKt2 to Q3, keeping it
always in close proximity to the centre, so that he can readily deal with
any possible change of plan by White.
The second phase of the game is remarkable for the middle-game play
by Najdorf, the foremost tactician of our time, who correctly exploits
with his heavy pieces Black's Pawn weaknesses.
In the other main line of the Exchange Variation, after the early
exchange of the centre Pawns, instead of developing the Queen's Rook,
White tries to give the game a sharper note by Castling Q'side.
Fifteen years ago, this line used to be looked upon as an independent
system in which the Minority Attack had no place. However, the following
game shows its introduction as an effective counter to the defensive
system illustrated in the last game.
S. Reshevsky
G.
Black
Stahlberg
Kemeri, 1937
Kt-KB3
I. P-Q4
2. P-QB4
P-K3
P-Q4
3. Kt-KB3
4. Kt-B3
B-K2
QKt-Q2
5. B-Kt5
6. PxP
PxP
Better is 6 . . . . . Ktx P; 7. B X B,
Q X B; ( Alatortsev - Capablanca,
Moscow, 1935), and Black has eased
his position by the exchange of
Bishops.
P-QB3
7. P-K3
8. Q-B2
With this move White chooses a
more elastic system than we have
seen hitherto. Not only does he
save the move QR-B1 (the Rook
usually has to return to QKtl to
support P-QKt4) but he retains
the possibility of castling on the
Queen's side.
Kt-B1
8. . . . . . .
But Stahlberg is also on his guard
and likewise selects a non-commit
tal move, which according to
White's play can either transpose
into regular lines or, as in the game,
can be the prelude to a modified
defensive system.
Kt-K3
9. B-Q3
P-KKt31
10. B-R4
Now Black's plan becomes ap
parent. He wants to exchange the
opposing King's Bishop by playing
the usual manreuvre Kt-Kt2 and
B-KB4, but wishes to save a move
by dispensing with R-K1, which
in order to make room for the
Knight, is necessary after castling.
1 1 . Castles QR
Reshevsky changes his plans
since he realizes that to adopt the
minority attack leads to nothing
after 1 1 . Castles KR, Kt-Kt2; 12.
QR-Ktl , P-QR4; 13. P-QR3,
18. P x P
B x Kt
108
R-B l
19. Q x B
20. P-K4!
RxP
21. Q-R3
Now White is threatening Q X P,
and on 21 . . . . . P-QR4; 22.
Kt-Kt5, Q-Q3; 23. P x P, wins
a Pawn, as after 23. . . . . Kt x Kt;
24. P X Kt, R-Q1; 25. Q-R3
follows.
Q-Q3!
21. . . . . . .
22. P x P
If 22. Q x P, Q-B51
R-Q1 !
22. . . . . . .
The key to Black's play, which
enables him to win the QP and
open up the centre files.
23. Q x P
24. R x R
25. Q-K3
RxP
QxR
35. . . . . . .
P-B5
P-KKt4
36. R-Kt4!
KxP
37. P x P eh.
K-R5
38. R-Kt5 eh.
39. R-K5!
Forcing a Knight ending in which
chances are roughly equal.
Kt-Q5 eh.
39. . . . . . .
RxR
40. K-B3
Kt-K3
41 . Kt x R
42. Kt-Q3
P-B6
P-Kt6
43. P-Kt4
KxP
44. P x P eh.
Kt-B5
45. P-R5
46. Kt-B5!
K-Kt7
On 46 . . . . . P-B7; 47. Kt-K4
eh. , K-Kt7; 48. Kt X P, K x Kt;
49. K-Q4 follows.
109
Kt-K4
K-Kt3
K-B4
P-Kt5
Kt-Q2
Kt-Q4 eh.
Kt-B2
Kt-K3!
Kt-Kt4
P-B7
52.
53.
54.
55.
56.
P-R6
P x P!
K-B3
P-Kt8(Q)
K-Q3
Kt-K5
Kt x Kt eh.
P-B8 (Q)
Q-B8 eh.
Drawn.
IX
THE QUEEN'S GAMBIT ACCEPTED
THE Queen's Gambit Accepted occupied the minds of the analysts of the
past, and we are indebted to them for some interesting variations which
are analysed in the 'Gottinger Manuscript' in 1500, and later (1536) by
Ruy Lopez.
They show that after the moves I. P-Q4, P-Q4; 2.
P-QB4, P x P; 3. P-K4, P-QKt4; 4. P-QR4, P-QB3; 5. P-QKt31
(an important improvement given by Ruy Lopez instead of first taking
the Pawn 5. P x P, P x P; 6. P-QKt3, B-Kt21), White regains the sacrificed
Pawn. More important by far was Damiano's (1512) assertion that Black
would remain with the inferior game, a contention that Philidor tried to
confirm by a fine analysis, claiming that after the continuation 5 . . . . .
P x KtP; 6. P x KtP, P x P; 7. B x P eh., B-Q2; 8. Q x P, B x B; 9. Q x B
eh., Q-Q2; 10. Q x Q eh., Black's isolated Pawn is weak and might get
lost. A very advanced statement that conforms with present-day views.
This was the analytical background to the games between de la Bour
donnais-McDonnell, and is the starting point of our historical study.
Thus we can understand why McDonnell never attempted to hold the
Pawn, but tried to free his position by playing early 3. . . . . P-K4.
Even in this form the acceptance of the gambit was considered a risk,
and it is said that although McDonnell realized this, nevertheless nothing
could induce him to decline the gambit. (For the present-day view, see
notes at the end of Game 59, page 1 12.)
THE QUEEN'S
58
White
C. M. de la
Bourdonnais
L.
Black
A. McDonnell
I. P-Q4
P-Q4
2. P-QB4
PxP
3. P-K4
P-K4
It is difficult to form an opinion
on the opening moves as this line
has been so rarely played. Euwe
suggests that 3. . . . . P-QB4; 4.
P-Q5, P-K3; is better since 4.
P x P, Q x Q eh.; 5. K x Q! and
110
5. Kt-QB3
Kt-KB3
6. B x P
B-B4
7. Kt-B3
Q-K2
8. B-KKt5
A mistake. Necessary is 8. Castles
when Black must play 8. . . . .
P-KB5; followed by . . . . B-Q3;
closing the position so that he can
castle.
8.
B x P eh.
9. K-Bl
Lasker pointed out that a modern
player would have preferred 9.
K xB, Q-B4 eh.; 10. K-Kl ,
QxB; 11. Kt x P, and White has
eliminated the dangerous Bishop
and regained his Pawn.
. .
9. . . . . . .
B-Kt3
With the threat 10 . . . . Q-B4.
This move looks very strong and,
indeed, enables Black to prod uce
one uf the most beautiful combina
tions seen on the chess- board.
Nevertheless, a logical modernist
would have played 9 . . . . . B-B4;
followed by 1 0 . . . . B-Q3, not
onl y defending the King's Pawn but
circumventing the thre at of P-Q6.
After castling, Black with a Pawn
plus and attack along the King's
Bishop file, would ha v e a greatly
su peri or game.
10.
11.
12.
13.
P-B5
Q-K2
R-QI
B-Kt5
P-Q6
PxP
K t Q5
It a ppear s as if White has
obtained counterplay in the centre
--
P-QKt4
B x Kt
22.
23. B-B4
24. K-B2
25. R x P eh.
26. R-B7 eh.
27. R-K7
and Black won.
111
Kt-Q5
Kt x P eh.
Kt x QR
K-B3
K-Kt3
QKt x B
Playing through this beautiful game, we can see why lovers of romantic
chess speak so appraisingly of such games and the era in which they were
played. Nevertheless, whilst we share their admiration for the abundance
of original ideas displayed and the ilaring play involved, wc cannot shut
our eyes to the fact that these combinations should never have been
allowed to come into being.
In an opening in which both players r'eientlessly pursue their respective
aims-without acknowledging the requirement8 of the position-rapidly
changing situations are produced culminating in McDonnell's masterly
Queen sacrifice. Our judgment is that whilst some phases were beauti
fully played, too much was left to the element of chance in situations
where to-day pure technique would decide the game. Also, the phases
of the game are too disconnected and do not form a co-ordinated whole.
WHITE
Whilst the previous game bears little resemblance to the modem form
of the Queen's Gambit Accepted, the following game is a definite step
forward, displaying some of the familiar features which we associate with
this debut. White is left with an isolated Queen's Pawn, but gains control
of the vital central squares and is able to carry out a successful King's
side attack.
59
White
Black
L. C. M. de la
Bourdonnais
A. McDonnell
6. Kt-QB3
7. 1\t-B3
B-K2
Castles
8. B-K3
P-B3
Stronger is 8. . . . . B-KKt5; 9.
Castles (9. Q-Kt3, B x Kt; 10.
P X B, Kt-B3!) 9. . . . . Kt-B3;
with a good game.
QKt-Q2
9. P-KR3
Kt-Kt3
1 0. B-Kt3
KKt-Q4
1 1 . Castles
The position is similar to the
modem Queen's Gambit Accepted
set-up with the important differ
ence that Black's Queen's Bishop
is not shut in and so Black has no
worries about the development of
this piece.
12. P-QR4
This move is not only unnecessary
but it gives Black undisputed
control of his QKt5.
112
P-QR4
12.
B-K3
13. Kt-K5
P-KB4
14. B-B2
Too committal, since it allows
the Knight at K5 to dominate the
game.
With 14. . . . . Kt-Kt5;
followed by Kt(3)-Q4 Black would
have a strong position, and White
has few attacking chances to com
pensate for his isolated Queen's
Pawn.
15. Q-K2
P-B5
16. B-Q2
Q-Kl
White threatened Kt x P.
B-B2
17. QR-K1
Black sets a trap.
17.
B-KB4; 18. B X B , R x B; 19.
Q-Q3, still gives White the superior
game, but Black has fighting chances
18. Q-K4
19. B x P
20. Q x Kt
P-Kt3
Kt x B
B-B5
B-Q6
K-Kt4
K-B4
113
The previous games indicate the struggles that are liable to result from
the acceptance of the gambit Pawn; and we can see why our forebears
considered it risky to accept the gambit.
Our next example introduces a new defensive system adopted by
Staunton. At the time that this game was played the practice of White
playing first had not come into general usage and Saint-Amant was
actually Black. However, to avoid confusion the colours have been
reversed.
White
60
P. C. F.
de Saint-Amant
Black
11.
Staunton
B-B3
1 2.
Kt-Q3
13. R-K1
14. B-R2
P-KR3
Staunton, imbued with the attitude of 'wait and see' prevalent at
that period, fails to profit from the
position. Here, for instance, Black
can exploit White's isolated Pawn
by 14 . . . . . B-Kt3; followed by
Kt-B4,
B-R4 or
according to White's play.
15. Q-R4
Staunton comments: 'The object
of this sally of the Queen is not at
all clear to us.'
Kt-K2
15.
16. QR-Q1
Kt-Kta
17. B-B1
As Saint-Amant observes: 'To be
able to play Kt-K5,' proving that
White's 15th move was not devoid
of purpose.
17.
18. Kt-K5
P-B3
1 14
18.
Q-B2
Staunton remarks: '18. . . . . K
R2; would have been stronger play,'
indicating that he considered his
subsequent difficulties arose out of
this oversight. But on 18. . . . .
K-R2; 19. P-KKt4! appears
strong, e.g. 19 . . . . . B-B 1 ; 20.
B x BP, Kt x B; 21. Kt x Kt(6),
K X Kt; 22. Q-B2 eh! or 19. . . . .
B-Q2; 20. B X BP, Kt x Kt; 21.
P x Kt, Kt x B; 22. P x B. To us it
seems obvious that with the strong
Bishop at R2, the Knight at K5
and the centralization of all White's
pieces, he should have some way of
demonstrating his superiority.
P-Kt4
19. P-KKt4!
The only move to avoid losing a
piece.
20. Q-Kt4
21. R-Q2
22. Q-B5
23. P x B
Black has played
B-B7
P-QR4
B x Kt
Kt-Kt2
very cleverly.
24. Kt x KtP!
The best. If 24. Q-K3, P-Kt5;
saves the piece.
Kt x Q
24.
Kt-Q6
25. Kt X Q
B xR
26. R x Kt
R x Kt
27. Kt x R
The way Staunton created com
plications is admirable as is also
Saint-Amant's ingenuity in meeting
them. However, whilst the game
seemed in the balance to last cen
tury's onlookers, we with our accu
mulated knowledge, would never
hesitate to assert. that White will
ultimately emerge with the superior
game, simply because he entered
into complications with all the
advantages one can hope to have
in such a position.
28. P-B4
Too slow. 28. P-K6, P x P; 29.
R x P, wins a second Pawn, and
with two Bishops White has a very
quick win.
28.
R-K1
29. R-Q1
B-K5
30. R-Q4
B-Q4
31. B x B
PxB
32. K-B2
Better is 32. R X P, R-QB1 ; 33.
B-K3, and Black has no counter
chances whatsoever.
32.
R-QB1
Kt-K2
33. B-K3
R-Ktl
34. K-K2
K-B1
35. B-B1
R-Kt4
36. P-Kt4
Staunton remarks that this is
Black's best move. Probably he had
in mind the avoidance of the trap
36 . . . . . P x P; 37. R x KtP, R x R;
38. P x R, Kt-B3; 39. B-K3! with
the threat P-QKt5.
37.
38.
39.
40.
41 .
42.
43.
PxP
Kt-B3
R-R4
Kt x RP
B-Q2
Kt-B3
B-Kt4 eh.
K-K1
P-R4
P-Kt4!
BP x P
PxP
R-R8 eh.
K-Q2
44. P-R5
Kt x B
45. P-R6
White's best chance.
45.
Kt-B3
R-Kt7 eh.
46. P-R7
R-IH6 eh.
47. K-Q3
According to Staunton 47. . . .
Kt X P eh.; 48. K-B3, R-KR7;
49. P-R8(Q), R X Q; 50. R X R,
Kt x P; would lead to the same
position as in the game.
.
48. K-B2
R-KR6
49. P-R8(Q)
RxQ
50. R x R
Kt x P
5 1 . K-B3
The previous part of the game
was played in the true 'romantic'
style, but whilst Staunton makes
use of his chances in a praiseworthy
manner, Saint-Amant's play de
serves censure, since he had many
simpler and more convincing ways
of demonstrating his superiority.
115
51.
Kt x P
5 2 . K-Q4
Kt-B3
53. K-K5
K-K2
54. P-R4
Kt-Q2 eh.
55. K-B5
If 55. K x P? Kt-Kt3 eh.
55.
P-Q5
Kt-B4
56. P-QR5
P-Q6
57. K x P
P-Q7
58. K-B4
K-Q2
59. R-Rl
60. K-K3
K-B3
61. R-QKtl
Not only cutting off the Black
King, but threatening 62. K x P.
P-QS(Q)
61. . . . . . .
K-Kt4
62. R X Q
63. R-Q5
With this move White at last
assures himself of victory.
K-B3
63.
Kt-K3 eh.
64. K-Q4
K-Kt2
65. K-B4
K-R3
66. R-Q7 eh.
67. R x P!
A fine move. If now 67.
K x P; 68. R-B5 eh., K-R5; 69.
R-B6, Kt-B2; 70. R-B6, wins
the Knight.
R-B5
R-B6
K-Kt5
K-B5
R-KR6
P-R6 eh.
R-R7
R-Kt7 eh.
K-B6
K-B7
K-Kt6
R-Q7
Kt-QI
Kt-B3
K-Kt2
Kt-R2 eh.
Kt-Bl
Kt-R2
K-Ktl
Kt-Bl
K-Rl
Kt-R2 eh.
Kt-B3
Kt-Kt5
Resigns.
116
Black
D. Harrwitz
P. Morphy
10.
B-Kt2
1 1 . Castles
B-K2
12. B-K5
Though this move looks logicaldefending the QP and preparing
Q-K2 and QR-QI-the usual
method of development in this
variation, it is out of place here.
Better is 12. B-K3, or 12. B-B2,
followed by Q-Q3 and QR-Ql .
12 . . . .
Castles
ll7
B-K3
PXP
R-QKti
R-Ql
. . . . R-QR1;
R-QR1
33. R-Kt6!
Necessary, otherwise 34. B-Kt7
ties down the Black pieces and
K-Q2-B3-Kt4 decides.
34. K-Q2
B-Bl
RxB
35. B x B
36. R-Kt5
R-QRI
If 36 . . . . . R-Ql ; 37. K-B3,
R-B1 eh. ; 38. R-B5, R-Ql; 39.
K-Kt4, R-Ktl eh.; 40. K-R3 ,
winning a Pawn.
37.
38.
39.
40.
41.
42.
43.
44.
45.
46.
47.
RxP
PxP
R-B5
K-K2
P-Q5
R-B6
R-B6
P-Q6 eh.
P-K6
R x P eh.
P-Q7
P-R6
RxP
K-Bl
K-K2
K-Q2
P-R4
K-K2
K-Kl
PxP
K-B2
R-Rl
118
48. R-Q6
K-K2
If 48.
R-QI; 49. K-K3,
and the White King enters deci
sively.
KxP
49. R x P
50.
51.
52.
53.
54.
55.
R-Kt5
K-B3
K-Kt3
K-Kt4
P-Kt3
R-KR5
R-RI
K-K3
P-R5 eh.
P-R6
K-B3
Resigns.
We have seen that a century ago the technique of attack excelled the
technique of defence. This is the more remarkable, since in the Queen's
Gambit Accepted Black had an easier task than he has to-day, as he was
able to play the freeing move 3 . . . . . P-K4; and did not need to shut in
his QB, by . . . . P-K3. It was an innovation of Blackburne' s (I . P-Q4,
P-Q4; 2. P-QB4, P x P; 3. Kt-KB3!) which forcibly transposed the
game into a closed formation. That the defence had a far more difficult
task to solve soon became apparent.
It was left to Steinitz to work out a system that McDonnell had already
tried against de la Bourdonnais (see Game 59, page Ill). His idea con
sisted of placing a Knight on his Q4 square blocking White's isolated
Queen's Pawn, thus erecting a barrier behind which he could safely
develop his pieces to meet White's attack. How far he was ahead of his
time can only to-day be appreciated. His system is considered the best
method of playing against an isolated Pawn (instead of attempting
conquest by direct attack).
62
White
J.
H. ZukeTtort
Black
W. Steinitz
7. P x P
8. Castles
Better is 8.
next game).
B-K2
Castles
Kt-B3! (see
9. Q-K2!
Even to-day this is considered to
be most forceful, but it is playable
only if Black adopts an indifferent
continuation like 8 . . . . . Castles.
B-Kt3
QR-B1
Kt-K5
Q-B3
KR-K1
B-KR4
QKt-Q4
Q-R4
B-Q2
KR-Q1
B-K1
QR-B1
119
21.
RxB
22. P-QB4
This only weakens the Pawns still
further, since White cannot now
support their advance with minor
pieces.
o
17. . . . . . .
Kt x Kt
Appearing to give up the idea of
playing against White's isolated
Queen's Pawn, but it is part of
KR-Ql
22.
23. R-K3
This move shows that when
White played 21 . B x Kt, he had an
idea of bringing over the Rook to
the King's side for attack. To us
it seems a doubtful enterprise, since
the Knight can always be driven
away by . . . . P-B3 (there is no
fear that White will be able to
obtain counter-chances along the
QKt3-KKt8 diagonal).
0
0 0
Q-Q3
23. . . . . . .
P-B3
24. R-Q1
P-KR3
25. R-R3
On 25 . . . . . P X Kt; 26. Q X P eh. ,
K-B1; 27. R-B3 e h . , B-B2; 28.
Q-R5, Q-Q2; 29. Q-R8 eh.,
K-K2; 30. Q-R4 eh. , draws.
120
26. Kt-Kt4
27. Kt-K3
Q-B5
B-R5!
7. . . . . . .
Forcing the Rook off the first
32.
33.
34.
35.
36.
37.
38.
K-R2
RxP
R-B8 eh.
Q-B5
R-Kt8
R-QB1
Q x R(5)
P-B5
R x KP
Kt-Q1
Q-Kt2
Q-B3
RxB
Resigns.
Steinitz' Defence System had to stand a much more severe test eight
years later against Pillsbury, at that time the most feared attacking
player. In this game Steinitz plays a variation that he formerly thought
inferior to his original line (see previous game), an opinion which he may
have later revised.
63
White
Black
H. N. Pillsbury
W. Steinitz
P-Q4
P-QB4
Kt-QB3
Kt-B3
P-K3
BxP
P-Q4
P-K3
Kt-KB3
PxP
P-B4
Kt-B3!
line
PXP
is 7.
B-K2
8. P x P
9. B-B4
An indifferent move often adopt
ed by Pillsbury, without success.
R-Ql
11 . . . . . . .
B-Q2
12. KR-Q1
13. Q-K2
The strength of Black's system
lies in the fact that White has to
lose time with the Queen to attain
his most favourable formation.
13.
14. B-Q3
B-K1
121
QKt-Kt5
15. P-KR3
QKt-Q4
16. B-Ktl
B-B3!
17. B-K5
By his 14th move Black has
gained time in which to deploy his
Bishop on this diagonal, a man
reuvre characteristic of the varia
tion, as will be seen later.
18. KKt-Kt5
P-KR3
19. KKt-K4
QKt x Kt
Kt x Kt
20. P x Kt
21 . B x Kt
BxB
Q-B3
22. Q x B
Black has beaten back \\'bite's
attack and has left him with weak
hanging Pawns.
B-Bl
23. Q-Kt4
24. P-QB4
Though weakening, this move is
necessary, otherwise Black can
blockade the Pawns with
Q-Q4 and . . . . R-B5.
24.
P-B4
Q-Kl
25. Q-Kt6
26. Q-Kt3
P-QKt3
Q-B3
27. Q-Kt3
28. P-QR4
P-QR4
Black's decision to play this move
must have been a difficult one since
it leaves the QKtP backward,
and it might become weak after the
exchange of the Bishops.
14. . . . . . .
QR-Bl !
A fine manreuvre which can best
be appreciated by comparison with
a later game Pillsbury-Tarrasch,
Nuremberg, 1896, where Black play
ed 14 . . . . . QKt-Kt5; 15. B-Ktl,
QKt-Q4; 16. B-K5, QR-Bl ; 17,
KKt-Kt5, P-KR3; 18. KKt-K4,
QKt x Kt; 19. R x Kt, R x R; 20.
Kt x Kt eh., B x Kt; 21 . B x B,
P X B; 22. P X R, and White was
able to break up Black's King's side.
B-Q3
29. R-B3
Q-B2
30. P-Q5
QxB
31. B x B
32. R-K3
If 32. R-KB3, to prevent
P-K4; 32. . . . . R-B4; follows.
32.
P-K4
33. R-Ktl
P-K5
34. R-QB3
If 34. Q x P, Q x Q; 35. R x Q,
R x BP; 36. R-R3, R-B4; wins
a Pawn.
Q-K4
34. . . . . . .
Threatening 35 . . . . . R X QP.
122
R-Q3
35. R-B2
36. R(1 )-QB1
Better is 36. R-K1, Q-Q5.
36.
37. P-B5
38. R x P
P-B5
PxP
RxR
39.
40.
41.
42.
43.
RxR
Q-Q1
P-Kt4
Q-K1
R-B1
44. Q-B3
Resigns.
P-B6
R-KKt3
P-K6
P-K7
QxP
R-QB3!
This game was played during Steinitz' declining years, and it is a tribute
to the strength of his system that Pillsbury had no success in his games
against him in this line of the Queen's Gambit Accepted. That Pillsbury
was unable to find any means of initiating an attack shows that he had
not sufficiently understood his former failings.
WHITE BUILDS UP AN ATTACKING FORMATION
SCHLECHTER'S CONTINUATION
Black
K. Schlechter
M. I. Tchigorin
London, 1 899
P-Q4
I. p_:_Q4
PxP
2. P-QB4
P-QB4
3. Kt-KB3
Kt-KB3
4. P-K3
P-K3
5. B x P
QKt-Q2
6. Castles
B-K2
7. Kt-B3
Castles
8. Q-K2
P-QR3
9. R-Q1
10. P-QR4
The game runs on lines similar to
the modern variations, and by
delaying the exchange of Pawns by
. . . . BP x P; Tc.higorin shows much
more insight into the requirements
of the position than his contempo
raries.
Still, his inaccuracy in
developing his QKt at Q2 early on,
and later playing . . . . P-QR3;
brings him into difficulties. Had he
played . . . . QKt-B3; a possible
development is 10 . . . . . Q-B2; 1 1 .
123
Kt-B1
17 . . . . . . .
B-Q2
18. R-Ktl
19. Kt-K5
A very strong move, with the
intention of playing Q-K4, threat
ening Q x KtP also B-B4.
26. Q-K4
P-Kt4
This looks very risky, but he has
no choice; if 26 . . . . . Kt-Kt3; 27.
B-Q2, B-B3; 28. B X P, R-KB1 ;
29. B-B6, followed b y B-Kt7
and P-B6.
B-Q3
1 9. . . . . . .
20. Kt x B
R x Kt
21. P-Kt3
P-QKt3
A mistake, but White's reply was
not easy to foresee, and White was
threatening P-B5.
27. B-K3
P-B4
Kt-Kt3
28. Q-Kt7
29. B-Kt31
White now turns to the weakened
King's side.
K-B2
29.
30. Q-B3
K-Kt2
P-B5
31. B-QB4
P-K4
32. B-Q2
If 32 . . . . . R X P? 33. B-B3.
33. B-B3
R-B1
34. Q--K4
R-R2
P x KtP
35. R-Kt6
Q-R6
36. RP X P
Q-R4
37. B-B1
38. B-K2
Q-R3
39. K-Kt2
P-Kt5
There is no other way to extricate
the Queen, for if 39. . . . . K-R 1 ;
40. R-KR1, Q-Kt2; 41 . R x Kt.
22. P-R51
A fine Pawn sacrifice creating a
passed Pawn.
PxP
22.
R(2)-Q1
23. B-R4
B-K2
24. P-B5
25. B-B41
The first move by White's Queen's
Bishop, which, however, comes into
action with decisive effect. Com
paring White's strategy with that
of Pillsbury in the last game, we
cannot but admire Schlechter's
economical and purposeful devlop
ment, enabling him to advance his
QB Pawn successfully, instead of
having to allow it to be blockaded.
25 . . . . . . .
Q-B1
40. Q X KtP
B-Q1
Preparing the following desperate
sacrifice.
41.
42.
43.
44.
45.
46.
47.
48.
49.
50.
51.
52.
53.
54.
55.
B-Q2
KxR
K--K3
PxB
P-Q5
R-KB1
BxR
K-K2
Q-Q7 eh.
B-R3
B-K6 eh.
P x Kt
QxQ
BxP
B-Kt4
R x P eh.
Q-R7 eh.
BxR
R-K2
R-KB2
RxR
Q-Kt8 eh.
Q x QKtP
K-Ktl
Kt-B1
Kt x B
Q-Kt4 eh.
PxQ
K-Kt2
Resigns.
124
X
THE
65
White
Black
M. M. Botwinnik
M. Euwe
Hastings, 1934-5
1.
2.
3.
4.
5.
6.
7.
8.
P-QB4
P-QB3
P-Q4
P-K4
KP x P
PxP
P-Q4
Kt-KB3
Kt-QB3
Kt-B3
B-Kt5
P-K3
Kt-B3
PxP
BxP
B-K2
9. Castles
Castles
Now White has no chance of
playing Q-K2 without prepara
tion, since his QB is already at
10. R-B1
P-QR3
1 1 . B-Q3
Aimed at preventing P-QKt4,
which is now met by 1 2. Kt-K4!
B-Kt2; 13. B X Kt, B X B; 14.
Kt-B5.
P-R3!
11. . . . . . .
An important move, the object
of which is to gain control of his
KB5 .
12. B-K3
Preferable to the text-move is 12.
B-R4, Kt-QKt5; 13. B-Ktl,
P-QKt4; 14. P-QR3, QKt-Q4;
1 25
R-K2
31 . . . . . . .
R-K4
32. B-B5
B-K5
33. B-Ktl
Kt x B
34. B x B
35. R-B6
Better is 35. R-B8 eh., K-R2;
36. B-Kl .
R-B4 eh.
35. . . . . . .
36. K-K1
If 36. K-Ktl , R-B7; 37. P
QR4, R-Kt71 or if 36. K-K2,
R-B7 eh. ; 37. K-K3, R x RP.
36 .
37.
38.
39.
40.
41.
42.
43.
......
P-QR4
R x QRP
PxP
R-R8 eh.
B-Kt6
P-R5
P-R6
44. P-R7
R-B7
RxP
PxP
RxP
K-R2
R-QR7
P-R4
P-R5
P-R6
R-K2
20. B-B5
B x Kt
2 1 . B-R3
Q x KP
22. P x B
23. B-B4
If 23. B-Q4, R-QI.
Q-Q4
23. . . . . . .
24. Q x Q
Not 24. B x P, P x B; 25. Q x P,
12
Kt-B3
45. B-Ktl
46. K-Q1 !
Necessary, for if 46. R-Q8,
R x P; 47. B x R, P-R7 wins.
Kt-Kt5
46. . . . . . .
P-R7
47. R-K8
Not 47 . . . . R x P? 48. B x R,
P-R7; 49. R-K1 (the idea behind
White's 46th move) but 47. . . . .
Kt-B7 eh! 48. K-K1, Kt-Q6 eh.;
49. K-Q1, R X P! 50. B x R, P-R7;
wins, since White's K1 is no longer
.
BxP
B-Kt8
R-Q8
B-B7
BxR
K-K2
K-K3
B-B7
K-B2
Resigns.
RxP
R-R1
Kt-K4
RxR
K-Kt3
K-B4
K-Kt5
Kt-B6
P-B4
LASKER'S TREATMENT
Black
Em. Lasker
S. Reshevsky
Nottingham, 1936
1. P-Q4
P-Q4
2. P-QB4
PxP
3. Kt-KB3
Kt-KB3
P-K3
4. P-K3
P-B4
5. B x P
6. Kt-B3
According to modern theory, this
move is best deferred until later.
P-QR3
6. . . . . . .
7. Castles
Or 7. P-QR4, Kt-B3; 8. Castles
B-K2; 9. Q-K2, P x P; 10. R-Q1,
P-K4; 1 1 . P x P, P x P; 12. Kt x P,
Kt X Kt; 13. Q-K5, Q-Q3; with
equality.
7. . . . . . .
P-QKt4
8. B-Q3
8. B-Kt3 is better, but even so
127
Kt x Kt eh.
Q-Kt4 eh.
Q-Q4!
16. . . . . . .
17. Kt-B3
If 17. P-KB4, P-Kt5.
17.
18.
18.
is no
......
KR-B1
B-Kt2
P x P, P x P; 19. B x P, R x P;
better.
18 . . . . . . .
19. R-B1
Kt-K5
128
at KKt5 if he can force Black to weaken his King's side (e.g. by forcing
P-KR3, giving White a point of attack at KKt5), but is weak if Dlack
can simplify by KKt-Q4. Secondly, Black can often develop his
Queen's Bishop at QKt2, using it aggressively along the long diagonal
instead of following Steinitz' passive deployment of the piece for defence
of his King's position via Q2 to Kl.
BY TRANSPOSITION FROM THE ORTHODOX DE FENCE
BOTWINNIK'S CONTINUATION
The question has often been posed whether our attacking technique
has advanced at all. On the other hand it is debatable whether this
age of scientific play encourages attack.
For providing an answer to this problem our study of the Queen's
Gambit Accepted with its numerous transposition possibilities is most
useful. In the following game Botwinnik, who is considered a 'strategist'
rather than 'tactician,' challenges his opponent to create a position
characteristic of the Steinitz Variation, by avoiding the 'tempo struggle'
continuation which results after 7. R-Bl. The game itself has some
resemblance to the Zukertort-Steinitz game (see Game 62, page 1 18) and
Botwinnik's handling of the attack gives a clear answer to the question
whether attacking technique can be acquired.
67
White
M. M. Botwinnik
Black
M. Vidmar
Nottingham, 1 936
P-K3
1. P-QB4
P-Q4
2. Kt-KB3
Kt-KB3
3. P-Q4
B-K2
4. B-Kt5
Castles
5. Kt-B3
QKt-Q2
6. P-K3
7. B-Q3
This move in place of the more
normal 7. R-QBl , allows Black to
play 7 . . . . . P-QB4 with impunity.
P-B4
7.
8. Castles
BP x P
QP x P
9. KP x P
Kt-Kt3
10. B X P
1 1 . B-Kt3
B-Q2
QKt-Q4
12. Q-Q3
By an inversion of moves we have
reached a Queen's Gambit Accepted
formation.
Better was 12 . . . . . KKt-Q4;
and if 13. B-B2, P-Kt3; with the
double threat of Kt-Kt5 and also
129
B-Q4
15.
QKt x B
16. Kt x B
Better is 16 . . . . . KKt X B; 17.
B-B1, R-B1; and Black has some
defensive chances, though White
still has the better game.
17. P-B4
QR-B1
Not 17 . . . . . P-KKt3; 18. B
R6, R-1{1 ; 19. B-R4, winning the
exchange. If 17 . . . . . Kt-K5; 18.
Kt x P! K x Kt; (R x Kt, Q x KP!)
19. QR-K1!
18. P-B5
PxP
No better is 18 . . . . . Q-Q3; 19.
P x P, P x P; (19 . . . . . Q x P; 20.
Q-B3,) 20. QR-K1 !
19. R x P
Q-Q3?
This loses immediately; but even
after the best move 19 . . . . . R-B2;
20. QR-KB1, retains the strong
pressure.
R x Kt
20. Kt x PI
Not 20 . . . . . K x Kt; 2 1. B x Kt
eh.
21. B x KKt
BxB
CAPABLANCA'S
Q-K1
Resigns.
T REATMENT
Capablanca has very rarely accepted the Queen's Gambit and the
following game is one of the few occasions on which he did so. It is a
curious fact that his opponent should have been Salo Flohr, who very
often chose to accept the gambit.
It is indeed fortunate that Capablanca had very little knowledge
of previous theory, for in his unbiassed approach to the opening problems
he succeeds in evolving a system which is, in effect, a compromise between
the old and the new. He isolates White's Queen's Pawn and is able still
to retain mobility for his pieces.
68
White
Black
S. FlohT
J. R. Capablanca
Semmering-Baden, 1937
I. P-Q4
P-Q4
2. P-QB4
3. Kt-KB3
4. P-K3
5. B x P
6. 0-0
7. Q-K2
8. R-Q1
9. Kt-B3
PxP
Kt-KB3
P-K3
P-n4
P-QR3
Kt-B3
Q-B2
B-K2
130
10. P-QR3
Now 10. P-Q5, P X P; 1 1 . Kt X P,
Kt X Kt; 12. B x Kt, can be met by
Castles; 13. P-K4,
12.
B-Kt5.
P-QKt4
10. . . . . . .
P-Kt5
1 1 . B-R2
P x QP
12. Kt-QR4
B-Q2
13. KP x P
Kt x KtP
14. P x P
The manner in which Capablanca
has secured freedom to manreuvre
for his pieces on the Queen's side
and has isolated White's Queen's
Pawn is quite remarkable and re
presents a great advance upon
30.
31. R x P
Draw.
XI
THE QUEEN'S GAMBIT ACCEPTED
IN MODERN TIMES
Queen's Gambit Accepted is a good example of the manner in which
the chess thought of a period is often reflected in the contemporary
handling of the opening. During the nineteenth century this opening
invariably led to a rigid Pawn formation, with an isolated Queen's Pawn
at White's Q4, with compensation for White in the free development of
his pieces (his Queen's Bishop not being shut in). To-day Black avoids
playing . . . . P X QP, but by putting pressure on White's Q4, prevents
his bringing out his Queen's Bishop.
Tension, and the maintenance of tension, is Black's aim until he is able
to complete his development on the Queen's side. This White tries to
counter by a break-through in the centre, often by Pawn sacrifices.
THE
69
White
Black
M. Euwe
A. Alekhine
8. . . . . . .
B-Kt2
9. P-QR4
QKt-Q2! !
A surprising move that keeps
Black's Pawns position intact. If
now 10. P X KtP, P X KtP; 1 1 .
R x R, Q x R; 12. Q x P, B x Kt.
10
. .
B-K2
10. R-Q1
Castles
1 1 . QP X P
This Pawn sacrifice enables Black
to maintain the tension.
1 2. B-B2
Threatening 1 3. P-QKt4, this
move forces Black to play 1 2 . . . . .
B X P; Euwe recommenrls 12. P
B6, B X P; 13. Kt-K5, Q-B2; 14.
181
132
Kt-Ktl
B-Q3
Kt-B3
B-B4
R-Q2
R-Q1? B x B; wins a piece.
21 . . . . . . .
Q-Kt3
The best chance. Black obtains
some compensation for the sacrificed
Pawn.
22. B x B
23. R x P
24. R-Ql
PxB
Kt-Kt5
Kt-B7?
24. . . . . . .
The decisive mistake. With 24.
. . . . QR-B1; 25. B-Q2, R-B7;
26. Q-B1, Kt-R7; Black's strong
position is adequate compensation
for the lost Pawn.
14. Kt x Kt
Kt x Kt
15. Kt-Q2
15. B X P eh. , K X B; 16. Q-Q3
eh . , P-B4; 17. Q x Kt, Q x Q; 18.
R X Q, QR-Ql ; is in favour of
Black, but 15. P-K4 is better than
the text-move.
Q--QB3
25. R-Ktl
QxP
26. B-Q2
27. B-B3
Now the position is clarified. The
Black Knight has nothing to say
jn the following play, whilst White's
Bishop threatens Black's most vul
nerable spot.
15. . . . . . .
P-B4
B-Q4l
Kt-Kt3
B x Kt
b 17. Kt-Q4
P-Kt6?
: 18. R X B
The right move is 1 8. . . . .
Q-Kt3; {9. B-Q2, P-QR4; lock
ing in the White Queen's Bishop.
27.
Q-Kt4
QR-Q1
28. Q-B3
29. Q-Kt3
R-Q2
R(B1 )-B2
30. R-Q6
P-B5
31 . QR-Q1
Alekhine sacrifices a Pawn to
meet the threat of 32. R x R , R x R ;
. 16.
. . . . .
32. P X P
34. P-B 6
35. P-R4
P Kt3
RxR
36. Q x R
P-R4
If 36 . . . . . Q-K1; 37. Q
P-QR4
33. P-B5
P-R5
Protecting the QKt Pawn and
preventing the line mentioned in
the last note.
133
Kt6
Resigns.
37. Q-K6
If 37 . . . . . Q-Ktl ; 38. R-Q7,
Q-KB1 ; 39. R-K7, decides.
EuwE'S CONTINUATION
M. Euwe
70
10. P x P
BxP
P-Kt5
l l . P-K4
Now ll . . . . . B-Kt2, is mean
ingless, but 1 1
Kt-Q2; comes
into consideration.
Black
A. Alekhine
12. P-K5
P X Kt
If 12 . . . . . Kt-Q2; 13. Kt-K4,
is too strong.
13. P x Kt
P x BP
The alternatives are (a) 13.
Q X P; 14. Q-B4! Q-K2; 15.
B-K3, or (b) 13. . . . . Q x P; 14.
Q-B41 P X P; 15. Q X B, P X B ( Q),
(15 . . . . . P X R(Q); 1 0. Q X Kt eh.,
K-Ql; 17. R-Q1 eh., K-K2; 18.
B-R3 Mate) 16. QR x Q, B-Q2;
17. B-R4, R-QB1; 1 8. KR-Q1,
with a strong attack.
14. Q-B4
Q-Kt3
Kt-Q5
15. Q X BP
On 15 . . . . . B-K2; 16. B-K3,
Q-Kt4; 17. QR-Bl, B-Kt2; 18.
Q-B2, gives White the better
game.
16. Kt x Kt
B x Kt
17. B-R4 eh.
K-K2
18. B-K31 1
A surprising move which enables
White to keep up his attack.
18. . . . . . .
B x Q?
A better defence is given by 18.
R-Ql; 19. QR-Q1, P-K4;
20. B x B, R x B; 21 . R x R, P x R;
.
134
B X KtP
2 1 . P-B4
22. R-B3
This quiet move is decisive. If
now 22 . . . . . P-B4; 23. R-QKt3,
B-B3; 24. B-B6, wins a piece.
B-Kt2
22. . . . . . .
23. R-KKt3
B-R6
There is no other way of meeting
the threat of mate. If 23. . . . .
R-B1; 24. R-Q8 eh., R x R; 25.
B-B5 eh.
24.
25.
26.
27.
28.
29.
30.
31.
32.
33.
34.
35.
36.
37.
38.
39.
40.
41 .
RxB
R-KKt3
PxR
B-Kt3
PxB
P-QKt4
B-B5
R-R1
K-B2
K-K3
K-Q4
K-B4
R-Q1
R-Q6
BxR
B-K7
BxP
K-B5
R-KKtl
R xR
B-Q4
BxB
K-K1
R-Ktl
R-B1
R-B3
P-B4
P-B3
K-B2
K-Kt3
K-R4
R xR
K-Kt5
KxP
K x BP
Resigns.
BoTWINNIK's
TREATMENT
1 35
71
White
Black
M. M. Botwinnik
P. Keres
Moscow, 1 941
I. P-Q4
P-Q4
2. P-QB4
PxP
3. Kt-KB3
P-QR3
Kt-KB3
4. P-K3
P-K3
5. B x P
6. P-QR4
P-B4
7. Castles
Kt-B3
8. Q-K2
B-K2
9. R-Q1
Q-B2
10. P-R3
Here we reach the crucial point
of the variation. Can White save
a tempo by dispensing with this
move and give the game a more
dynamic nature by the substitution
of a developing move?
Against
Euwe at Groningen, 1946, Botwin
nik played 10. Kt-B3, (instead of
10. P-R3,) 10. . . . . Castles; 1 1 .
P-QKt3, B-Q2; 1 2 . B-Kt2,
QR-B1; 13. P-Q5, with the better
position, but analysis has shown
that with 10. . . . . Castles; 1 1 .
P-QKt3, P x P ; 1 2 . P X P , Kt
QR4; 13. P-Q5, Kt X B; 14. P X Kt,
P x P; 15. Kt x P, Kt x Kt; 16.
P X Kt, B-KKt5! Black obtains
an easy game.
10 . . . . . . .
Castles
1 1 . Kt-B3
R-Q1
12. P-QKt3
Botwinnik maintains the tension
in the centre. The alternative is
12. P-Q5, P X P; 13. B X QP, Kt
QKt5; 14. P-K4, KKt x B; 15.
P X Kt, B-B4; 16. B-B4, Q x B ;
17. Q X B, (Reshevsky-Fine, Sem
mering-Baden, 1 937), which leads to
interesting complications, but gives
White no advantage.
12. . . . . . .
B-Q2
Keres chooses Steinitz' method of
developing the Queen's Bishop
since if 12. . . . . P-QKt3; 13.
P-Q5, P X P; l 4. B x QP, with the
13. B-Kt2
B-Kl
14. P-Q5
At last White is able to carry out
this characteristic break-through.
14. . . . . . .
15. B x QP
PxP
Kt-Q5!
RxR
Kt x B eh.
R-Q7
Q-Kt3
Q-B7
RxQ
B-Ktft
28. P-R5
Q-K4
Q x Kt
Q-K5
Q-B3
QxQ
R-Ktl
B-B7
BxP
136
29. B x P
ao. P-Ba
31. B-Kt6
B2. B-B5
Preventing 31. . .
B-Q4
B-BB
R-KB1
. . R-B2.
32.
R-Q1
33. P-K4
R-Q2
K-B2
34. R-BS eh.
R-Q7
35. K-R2
36. K-Kt3
B-Kt4
37. P-B4
P-KKt3
Necessary otherwise 38. R-B7
Though this line is not as popular as that shown in the previous two
games, it is still a good illustration of the maintenance of the tension
and of White's striving for a central break-through by P-Q5.
Black's defensive system is characterized by not striving to establish
a Knight on Q4 as in the Steinitz System (even though here it seems
even stronger, since Black can occupy the 'hole' QKt5 with his Queen' s
Knight). Experience has shown that White can obtain more than
sufficient compensation by playing Kt-K5.
CONCLUSIONS
PART Ill
THE ENGLISH OPENING
THIS debut, which was often practised by the English players during the
middle of the nineteenth century, disappeared for a time but was revived
by the 'hypermoderns' in their quest, after the First World War, for an
opening capable of giving expression to their original ideas.
Even at its inception, it did not meet with much favour and Staunton,
in his Chess Players' Handbook, makes this lament: 'The move recom
mended by modern (sic 1847) authors for Black's reply is 1 . P to K's 4th,
and we have then of course the same position as if Black had commenced
the game with I. P to K's 4th, and you have replied with I. P to QB's 4th,
with this difference, that in the present instance you have the advantage
of the move, a circumstance which seems to have escaped the notice of
some writers, since, with a strange inconsistency, they carry on the game
from this position, and decide it in favour of the defending player, who
is a move behind; while in the 'Sicilian game' I. P to K's 4th, P to QB's
4th; }Vhen the position is reversed and you have Black's position, and in
addition the advantage of the move, you can barely make an even game.'
137
XII
THE ENGLISH OPENING IN THE LAST CENTURY
We commence our survey with a game of the Staunton-Saint-Amant
match, in which Staunton uses the English Opening for the first time.
Although we know that most of the modern openings owe their origin
to a chance adoption in an important game, and to their being gradually
worked out by succeeding generations, we here see Staunton deliberately
setting up a formation which even to-day is considered difficult to handle.
To defend oneself against the fierce King's side attacks to which one is
sometimes subjected in this line, still requires great independence of
outlook and much confidence in one's own ability.
72
Black*
White
1 1 . KKt-Q5
Stronger than 1 1 . QKt-Q5,
since it prepares for P-KB4.
11.
B-B3
Kt x Kt
12. Kt x B eh.
13. Kt-K2
Kt-KKt5
P-QKt3
14. P-B4!
Kt-R3
15. P-KR3
Q-R5
16. R-B3
17. R-Kt3
P-Kt3
White has at last forced Black to
weaken his King's position, for if
he plays 17. . . . . R-B2; 18.
R-Kt5, threatening Q-KB1 and
P-Kt3, would follow.
18. Q-K1
As Staunton remarks, this har
rowing of the Queen is not as force
ful as 18. Q-KB1 , (threatening
R-Kt5 and P-Kt3, winning the
Queen) Q-K2; 1 9. Q-Ba, followed
by
. Q--R5, with an irresistible
.
13Q
Q x KP
33. . . . . . .
34. P-R3
Staunton remarks, 'From this
point to the end, the game abounds
with rare and critical situations.'
Kt-QB3
34. . . . . . .
35. Kt-B3
Q X Q eh.
Not 35 . . . . . Q x BP? 36. B-B1 ,
winning the Queen.
36.
37.
38.
39.
40.
41 .
42.
KxQ
P-KKt4
Kt-R4
B xB
RxP
PxP
K-Kt3
R-K3
QKt-K2
B-K5
RxB
PxP
R x P eh.
P-KKt4?
42. . . . . . .
A weak move. Not only does it
render Black's King's side Pawn
140
Kt x R eh. draws.
K-K1
45. R-R7 eh.
46. B-B1
RxP
47. B x P
RxP
48. K-B4
P-R4
This move endangers Black's
position. He should play 48. . . . .
R-R8 in order to bring back his
Rook for defensive purposes. After
49. Kt-K5, R-B8 eh.; 50. K-K4,
it is doubtful whether Black can
play for a win with 50. . . . . Kt
B3 eh.; 5 1 . B X Kt, R X B; 52.
R-B8 eh.
Kt x B
R-B1
that 53. R x R
53. . . . . . .
Kt-Ktl
On 53 . . . . . Kt-B1; 54. P-Kt5,
is too strong.
54. R x P
Kt-B3 eh.
Kt-Q2
55. K-K3
K-Q1
56. R-K6 eh.
57. R-Q6
K-K2
58. R x Kt eh.
K-K3
59. R-Q5
R-B8
60. Kt-Q3
R-KKt8
61 . Kt x P eh.
K-B3
62. P-Kt5 eh.
K-Kt3
63. Kt-K4
and White won on the 89th move.
1851
The fact that the English Opening was played by the English partici
pants in the Tournament of 1851, shows that one eminent player can
create a 'school.' The following game should be considered a step forward
in this opening. For Staunton, though retaining the essential features
of his earlier system, here introduced some distinctly new ideas.
141
Black
H. Staunton
B. Horwitz
London, 1851
1 . P-QB4
P-K3
2. Kt-QB3
P-KB4
Kt-KB3
3. P-KKt3
4. B-Kt2
P-B3
5. P-Q3
Kt-R3
6. P-QR3
This sequence of moves would be
incompatible with modern opening
analysis, but it is not our purpose
to examine it . from that angle. We
aim at seeing how this position was
treated according to the theory of
that period. Here to-day one would
play 6. P-K4.
6. . . . . . .
B-K2
Castles
7. P-K3
8. KKt-K2
Kt-B2
Horwitz regularly played this
move. \Ve see that 'overprotection'
is not just an invention of
Nimzovitch.
P-Q4
9. Castles
Q-K1
10. P-Kt3
Q-B2
1 1 . B-Kt2
The game, characterized by the
cautious manreuvres in the centre,
has quite a modern appearance.
But while White still has moves
with which he can strengthen his
position, Black has not, and he
should, therefore, have started an
action in the centre by 1 1 . . . . .
P-K4; since 12. P-Q4, or 12.
P-B4, could have been answered
by 12 . . . . . P-K5. On other moves
by White, Black could have played
. . . . Q-R4, with an attack similar
to that arising from the Dutch
Defence.
12. R-B1
B-Q2
13. P-K41
Staunton realizes that it is time
to take action in the centre before
Black can play 13. . . . . QR-QI .
Position after 12 . . . . . B
Q2
13. . . . . . .
BP x P
On 13 . . . . . P-K4; 14. P x QP,
P X QP; 15. P X QP, Kt(2) X P; 16.
Kt x Kt, Kt x Kt; 17. B x P, wins a
Pawn.
14. QP X P
QR-Q1
15. P-K5
KKt-K1
On 15. . . . . Kt-Kt5; 16. Kt
B4, Kt x KP; 17. P x P, KP x P; 18.
QKt x P, is the simplest.
16. P-B4
PxP
This looks like a mistake, but
even 16 . . . . . B-B1; 17. P x P,
Kt X P; 18. Kt X Kt, BP X Kt; 19.
Kt-Q4, gives White the superior
game.
17. P x P
B-B4 eh.
B-K6
18. K-R1
1 9. QR-Ktl
P-KKt3
The decisive mistake. This move
weakens his KB3 square, which, in
conjunction with the weakness on
Q3, must prove fatal.
B-B1
20. Q-Kt3
21. Kt-K4
B-Kt3
22. QR-Q1
Kt-R3
RXR
23. Q-QB3
24. R x R
Kt-B4
Q-B2
25. Kt-Q6
A better defence was 25.
Kt-R5; 26. Q-B2, Kt x Kt; 27.
142
26.
27.
28.
29.
30.
31.
32.
33.
Q-B2
P-Kt4
B-Q4
P-QR4
P-QB5
Q-Kt3
Kt-K4
Kt-B6 eh.
Kt-Kt2
Q-K2
Q-QB2
Kt-R3
B-R4
P-Kt3
PxP
43. P x B
44. Kt-Kt5
45. B-K5
46. B x KtP
QxP
Q-Kt2
Q-K2
Resigns.
Black
M. Wyvill
E. Lowe
London, 1 851
l. P QB4
P-K4
2. P-K:l
P-QB4
3. Kt-QB3
Kt-QB3
4. P-KKt3
B-K2
5. B-Kt2
P-Q3
6. P-Q3
Kt-KB3
7. P-QR3
B-K3
8. KKt-K2
With minor deviations and trans
positions the opening is the same
as played to-day, when Black aims
atblockadingWhite's Queen's Pawn,
whilst White, purposely acquiescent
to his opponent's plan, hopes later
to break up Black's centre with
P-Q4. To-day we would play 8.
Kt-Q5, with which move White
retains all his chances in the centre,
whilst those of Black's are non
existent.
143
P-Q4
8. . . . . . .
9. P x P
Kt x P
10. Castles
Castles
1 1 . Q-B2
On 1 1 . P-Q4, BP x P; 12. P x P,
P x P; 13. Kt x P, QKt x Kt; 14.
Q x Kt, B-B3; would follow with
advantage for Black. This shows
White's strategy was faulty in
allowing himself to be blockaded.
Kt x Kt
11. . . . . . .
The right move was 1 1 .
R-B 1 ; with the latent threat . . . .
Kt-Q5.
B-Q4 ,
12. P x Kt
13. P-K4
B-K3
14. B-K3!
A very important move. Now
14 . . . . -. P-B5; can be answered
by 15. P-Q4.
14 . . . . . .
Q--Q2
15. P-KB4!
P-B4
On 15. . . . . B-R6; 16. B X B
Q x B; 17. P x P, Kt x P; 18. Kt
B4, with advantage for White would
follow.
16. P x KP
On 16.
is strong.
Kt x P
P X P; 17. P-Q4,
17. Kt.:_B4
Kt-Kt5
18. B-Q2
P-B5
19. P-Q4
B-B2
20. P-K5
QR-Ktl
21. P-R3
Kt-R3
22. P-Q5
Staunton remarks, 'Now are these
Pawns quite irresistible.'
B-B4 eh.
22. . . . . . .
23. K-R1
Q-K2
24. QR-Kl
Q-Kt4
A mistake, but Black is lost in
any case.
25. Kt-K6
Q-K2
26. B-Kt5
Q-K1
27. Kt x R
and won on the ,n st move.
75
White
M. Wyvill
Black
Capt. G. Kennedy
London, 1 851
(Played with reversed colours)
P-K3
1. P---QB4
2. P-K3
P---Q4
3. P-KKt3
P---QB 4
4. B-Kt2
Kt---QB3
Staunton remarks, 'Taking the
Pawn would have been imprudent,
since it would have disjointed the
centre and Black (here first player)
would win a Pawn in return at once
by checking with his Queen.'
Modern theory tells us that 4
P x P; 5. Q-R4 eh. , B---Q 2 ; 6.
Q x BP, B-B3; 7. KKt-B3, leads
to a variati0n of the Catalan
system, where \Vhite's P-K3 is a
weak move (weakening him on the
light coloured squares on the King's
side).
.
Kt-B3
5. Kt-K2
B---Q3
6. P---Q3
B-B2
7. QKt-B3
P-KR4
8. Castles
This attack is premature,
Staunton observes.
. . .
as
Kt-R4
9. Q-Kt3
An ingenious reply. On 9 .
P-Q5; 1 0 . P x P, P x P; 1 1 . Kt
Kt5, B-Kt3; 1 2. B-B4, gives
White a strong position.
10. Q -Kt5 eh.
Kt-B3
ll. P x P
PxP
12. P-K4!
This push in the centre and the
preparation for it by Q-Kt3, to
bring out the strength of White's
King's Bishop, shows Wyvill's in
sight as a fine strategist.
Even
to-day this is the basis of the
English Opening.
12.
P---Q5
13. Kt-Q5
Kt-Q2
14. B-Kt5
P-B3
15. B-B4
Staunton observed that Wyvill
had now a great superiority of
position.
15. . . . . . .
B-K4
16. B-R3
It looks as if Black cannot now
defend his QB Pawn, but Kennedy
finds a very ingenious reply.
145
45. R x Kt
46. R-K5
47. R-QKt5
R-R5
RxP
R-R3
R-Q3
1 46
48.
49.
50.
51 .
52.
53.
54.
55.
Kt-K5
Kt-B4
K-K4
R x P eh.
P-B5
P-B6 eh.
Kt-K5 eh.
P-B7 eh.
P-Kt3
R-Q6 eh.
R-QB
K-K2
R-QBB
K-B2
K-Ktl
K-R2
This game has two outstanding features, first Wyvill's excellent strategy
in undermining Black's centre and, ater, Capt. Kennedy's tactical skill.
ANDERSSEN' S CONTINUATION
Although Anderssen played this opening very rarely, his system is
extremely important in relation to our modern theory. Here we see him
adopting (with the White pieces) the 'Sicilian Defence,' in order to avoid
the openings of a regular character in which, as pointed out by Lowenthal,
he was usually outplayed by Morphy.
Anderssen made use of the true ' Classical Sicilian style,' omitting the
Fianchetto of the King's Bishop, and for this reason his method of treat
ment is very different from that of the English School under Staunton.
76
White
Black
A. AndeTssen
P. Morphy
P-K5
9. P x Kt
10. Kt-Q2
P-KB4
1 1 . P-KB4
P-KKt4
A sharp attacking move that one
might expect from Morphy. But
even he could not have been satis
fied with the effect of this move,
since in the 8th game of the match
he continued with 11 . . . . . Q-R5
eh.; 12. P-Kt3, Q-R6; 13. B-B 1 ,
Q-R3; without, however, achieving
more than in the present game.
12. B-B4
BxB
13. Kt x B
PxP
14. P x P
Q-K1
White has the superiority in the
centre, which Black should try to
break up by 14. . . . . P-B4; 15.
Kt x B, Q x Kt; 16. P-QR4, Q
KKt3. If here 15. P-QR4, ( 1 5.
P-Q5, P-Kt4;) P X P; 16. Kt X B ,
Q x Kt; 17. B-R3, Q x P; 18.
B X R, Q-K6 eh. ; 1 9. Q-K2, ( 1 9 .
K-B 1 , Q-B5 eh. ; ) Q X P eh. ; 20.
K-B2, P-K6 eh. ; 21 . K-Kt3,
Q-B2 eh. ; 22. K-R3, K X B; with
a good game for Black would follow.
15. Castles
Q-B3
1 47
'
23. B-Kt2
24. K-Rl
25. P-Q5
26. P x P
If 26 . . . . . Kt X P?
QR-B1
R-KKtl
PxP
Q-Q2
27. Q-R5 eh.
27. Kt-B41
K-K2
27. . . . . Kt x P; 28. R-R31 is
decisive.
KxB
28. . . . . .
29. Q-Kt2 eh.
K-B2
30. R-R3
Here Anderssen misses his chancel
First 30. Q-Q4! R-B4; (31 . Kt-K5
eh., B X Kt; 32. P x B, is threatened)
31. R-R3, R-Kt2; 32. R-R6,
B-B2; 33. P-Q6, K- Ktl; 34.
R-Ql, B-Q1; 35. Kt-K5, Q
Kt4; 36. R-K6, P-KR3; 37. P
Q7, Q-K7; 38. Q-Ktl, R-B7;
39. R-K8 eh., K-R2; 40. R x B,
R x KtP; 41. R-R8 eh., K x R; 42.
P-Q8(Q) eh., followed by Mate in
a few moves would have followed.
This fine analysis by Maroczy gives
us an idea how an attack should
be directed.
.
R-Kt2
30. . . . . . .
K-Ktl !
31. Q-Q4
Now we notice that owing to
transposition of moves (by White)
Black escaped immediate danger
(Kt-K5 eh. ).
32. R-R6
B-Bl
33. P-Q6
R-KB2
This part of the defence is well
conducted by Morphy. Now 34.
Kt-K5? is met by 34.
Q-Kt4.
34. R-R3
Q-R5!
35. R-Bl
R-B4!
Preventing Q-K5; and QP-Kt4? would be a
K6, 35.
mistake because of 36. P-Q7,
R-Ql; 37. R-Kt3 eh., B-Kt2;
38. R X B eh., R X R; 39. Q-Q5 eh.,
K-Rl; 40. Kt-K5.
.
28. B x Kt eh.
This move is good enough, but
White should be able to decide the
game by direct attack, keeping his
strong Bishop. We provide a clue
II
B-Kt2
148
K-R1
37. P-R3
38. R x B
This sacrifice should lead only to
a draw; while 38. Q-Q2, would still
have given White by far the better
game. Anderssen might have feared
40. R x P
A mistake. 40. Q-B6 still drew.
40. . . . . . .
R x Kt
41 . Q-B6
Better was 41 . Q-K5.
41 .
42. K-R2
Resigns.
R-B8 eh.
Q x P eh.
These five selected games give a clear picture of the English Opening
as it was played in the second half of the last century. The standard of
these compares favourably with that reached by contemporary games
with other openings: which is not surprising since, in addition to Staunton
and Wyvill, a number of English players including Horwitz and Williams
frequently made use of this opening. Thus we can with truth speak of
an 'English School.'
In the first game of this chapter, we see Staunton adopting the original
line of developing his King's Knight at R3-B4-Q5 (later claimed by the
'hypermoderns' as their own invention) and also clearly controlling all
the central squares with his pieces and Pawns. The succeeding game was
a step forward; for in it, by means of the double fianchetto and by keeping
back his central Pawns, he establishes a kind of Reti system.
Wyvill's treatment in the following games was slightly different. He
clearly demonstrates how the control of the centre should be carried out.
149
XIII
THE ENGLISH OPENING IN MODERN TIMES
IN the latter half of last century the English Opening was seldom played.
Steinitz made a few attempts to bring it to life again, as did Zukertort,
and still later Mason. The latter players, however, used it as a means of
transposing into a favourable line of the Queen's Gambit.
In the early years of this century further attempts at revival were made,
particularly in Bremen where it was often played. Indeed, in Gennany
it became known as the 'Bremer Partie.' Later Rubinstein played it
occasionally, although he did not adopt any definite system.
When, after the First World War, Nimzovitch and Reti evolved some
kind of system, the real re-birth of the English Opening took place.
NIMZOVITCH's CoNTRIBUTION
Black
A. Nimzovitch
R. Spielmann
Carlsbad, 1929
P-K4
1. P-K3
Kt-KB3
2. P-QB4
P-K5
3. Kt-KB3
Nimzovitch remarked that Black
should have been aware of the
missing tempo and be sufficiently
'modest' to play 3. . . . . P-Q3;
4. P-Q4, QKt-Q2; followed by
the fianchetto of his King's Bishop.
Kt-B3
4. Kt-Q4
5. Kt-Kt5
P-Q4
This move is the cause of later
troubles. Black should have kept
the position closed. 5. . . . . P
QR3; 6. KKt-B3, was the right
continuation.
6.
7.
8.
9.
10.
11.
1 2.
PxP
QKt-B3
Q-R4
Kt-Q4
Kt x Kt
B-Kt5
BxB
1 3 . Q x Q eh.
Kt x P
Kt-B3
B-KB4
B-Q2
B x Kt
Q-Q2
QxB
PxQ
150
14.
15.
16.
17.
18.
Castles
B-Kt5
B x Kt
R-Q6
KR-Q1
R-B4
P-KR4
R-B6 eh!
R-Kt5 eh.
P-B5
R-R7
K-Kt2
R x QP
20 . . . . . . .
P-KB4
21 . B-Q4
PxP
22. P x P
R-Q6
23. B x P
Kt x KP
24. P-QKt4
RxB
25. B x Kt
R-QKt6
26. KR-K1
R-Q7
27. R x P
P-R4
28. R-K7
29. R-B7
Black was threatening 29.
P-R5; 30. P-R3, R-Kt6. The
text-move aims at simplifying with
K-B1
......
R-K7
R-KKt6
R(R7)-B7
R-QB5
R-Kt7
K-Ktl
R(5) X BP(7) R x P eh.
R-B8 eh.
RxR
KxR
K-B2
P-B6
44. R-Kt5
R-KR8
-'5. R x P
On 5 . . . . . P-B7; 46. R-B5
37 .
38.
39.
40.
41 .
42.
43.
l 51
R-R6 eh .
s.
FlohT
Black
S. Landau
8. KtP x P
Castles
B-Q3
9. P-Q4
Q-K2
10. B-K2
B-Kt5
l l . CastJes
ll .
. . P-K5; 12. Kt-Q2,
P-B4; 1 3. Kt-B4, at once leads
to a position similar to that of the
Anderssen-Morphy game (Game
76). But now Black threatens 12.
. . . . P-K5; with counterplay.
.
Kemeri, 1937
1. P-QB4
Kt-KB3
2. Kt-QB3
P-K4
3. Kt-B3
Kt-B3
4. P-K3
P-Q4
5. P x P
Kt x P
6. Q-B2
The alternative is 6. B-Kt5,
Kt X Kt; 7. KtP X Kt, B-Q3; (7.
. . . . P-K5; 8. Kt-K51) 8. P-Q4,
B-Q2; 9. P-K4, P x P; 10. BP_x
P, B-Kt5 eh.; l l . B-Q2, B x B
eh.; 12. Q X B, Castles; (Nimzovitch
Spielmann, Berlin, 1928) with the
better game for White.
Flohr's
move aims at avoiding exchanges.
. . . . . . .
B-K2
Kt x Kt
A strateical mistake.
7. P-QRS
12. P-R31
A fine parry! Now on 12. . . .
B-R4; 13. Kt x P, B X B; 14.
Kt x Kt, wins a Pawn. Black there
fore cannot keep up the pin.
.
B-Q2
12. . . . . . .
13. P-B4
P-QKt3
QR-K1
14. B-Kt2
Black tries to maintain the tension in the centre. It was better to
simplify with 14. . . . . P X P; 15.
P X P, B-KB4; 16. Q-QI .
1 5 . P-B51
With this Pawn 1acriftce, White
152
Q-Kt3
B-B4
27.
B-K5
28 . P-R6
B-B4
29. Q-Q7
30. Q-K7
P-R6
B-K5
3 1 . P-R7
On 3 1 . . . . . P x P; 32. B x P,
B-R6; 33. P-R8(Q), R x Q; 34.
R x R eh. , K-R2; 35. Q-R4 eh.
wins.
R-Rl
32. Q-Q7!
33. Q x RP
The way in which Flohr has
beaten back Black's attack is very
impressive.
P-QB4
33.
Q-QB3
34. Q-Q7
BxQ
35. Q x Q
36. R-R5
B-K5
The Bishop must retain the con
trol of the diagonal, otherwise on
36. . . . . B-Q2; 37. B-K2, wins.
37.
38.
39.
40.
41 .
P-B3
B-Kt2
RxP
RxP
R-B7
P-B3
K-R2
K-Rl
B-Kt5
R-R6
and Black resigned.
1 53
R. Reti
79
Black
....
D. Przepiorka
Marienbad, 1925
Kt-KB3
P-K4
2. Kt-QB3
3. Kt-B3
Kt-B3
4. P-Q4
PxP
The alternative is 4 . . . . . P-K5;
5. Kt-Q2, Kt x P; 6. KKt x P,
Kt-K3; 7. P-KKt3, Kt x Kt; 8.
Kt X Kt, B-Kt5 eh.; 9. B-Q2,
B X B eh.; 10. Q x B, Castles; 1 1 .
B-Kt2, P-Q3; 12. Castles K , B
Q2; 1 3 . Kt-B3, B-B3; 14. Kt-Q5,
P-QR4; 15. P-K4, Kt-B4;
Flohr-Botwinnik, 5th match game,
1933, and though Black has a firm
position he has not yet obtained
full equality.
I . P-QB4 .
5. Kt x P
B-B4
This was the fashionable move at
the time the game was played, con
forming to the current conception
of developing a piece, which forces
White to declare his intentions in
the centre.
6.
7.
8.
9.
10.
Kt x Kt
P-KKt3
B-Kt2
Castles
Q-R4
KtP x Kt
P-Q4
B-K3
Castles
154-
Resigns
From this game we see that Reti's main contribution to our modern
theory was his illustration that control of the centre does not imply
occupation with Pawns or even with pieces. This concept of 'remote
control' formed the underlying idea of the brilliant and profound 'Reti
Opening' which he adopted so successfully in these years.
Reti's method of allowing his opponent to occupy the centre temporarily
so as to demonstrate the weaknesses of his Pawn skeleton has extended
our knowledge of the implications of strong and weak centres.
Another important contribution to the theory of the centre was provided
by Reti in the following game.
Black here avoided committing himself to a Pawn-centre, but held
back his Pawns, and continued the development of his pieces-a line of
play setting this problem: Can White prove that his control of the central
squares gives an advantage sufficient to be transformed into material gain?
Black
R. Reti
E. Griinfeld
155
P-B4
1 3. . . . . . .
At last Black decides to make a
Pawn move in the centre, but
instead of 13 . . . . . P-Q4; which
would leave him with hanging
Pawns, he tries to erect a solid Pawn
formation akin to the Steinitz Var
iation of the Ruy Lopez. Still, this
move gives White the control of
his Q5 square, a characteristic
feature of this variation.
On the alternative 13. . . . . P
Q3; 14. Q-R4, Q-Q2; 15. B-Kt5,
B-K2; 16. B x Kt, B x B; 17.
Kt-Q5, with the threat of Kt-Kt4
could follow.
14. B x B
RxB
1 5 . B-Kt5
This move is now very strong,
since the square Q5 is weakened.
15. . . . . . .
B-K2
P-R3
1 6 . Q-R4
A Pawn is lost in any case, but
Black hopes at least to obtain some
counter-chances by exerting pressure
on White's QKt2 square.
B xB
17. B x Kt
Q-Ktl
18. R x P
19. R-Q2
The simplest way to secure an
advantage, though it appears that
White could have tried for more
with 1 9. Kt-Q5, B x P; 20. R--Q1 ,
and he has then many threats (e.g.
21. Kt-K7 eh. , followed by Kt
B6, or 2 1 . Kt X P).
19.
B x Kt
20. P X B
R-Kt8 eh.
21. R x R
Q x R eh.
R-K3
22. K-Kt2
23. Q-B2
QxQ
24. R x Q
R-K5
Though Black regains his Pawn,
White still has a sound Pawn more
on the King's side.
25.
26.
27.
28.
P-B3
P-K4
K-B2
K-K3
RxP
K-B1
K-K2
R-R5
156
CHESS
K-Q3
29. K-Q3
30. R-QKt2
P-B5 eh.
K-B4
31. K-K3
R-R6
32. P-B4
33. R-QB2
P-Kt3
Black suffers in the end-game
from his inability to bring his Rook
into action.
Therefore 33. . . . .
R-R4; with the idea of playing 34.
. . . . R-Kt4; gave him some saving
chances. He could have then con
tinued with . . . . R-Kt8; or P
QR4, P-R5, P-R6 threatening
R-Kt7.
34.
35.
36.
37.
38.
39.
40.
41.
42.
K-B3
K-K3
P-R4
P-B5
PxP
K-B4
P-Kt4
KxP
P-R5
K-Q3
K-B4
P-KR4
PxP
K-Q3
P-KB3
PxP
K-K2
K-B2
K-Ktl
43. P-R6
44. K-R5
K-R2
45. R-Q2
Now the Rook comes decisively
into play.
45.
R x BP
K-R1
46. R-Q7 eh.
R-Kt6 eh .
47. K-Kt6
P-B4
48. K x P
48. . . . . R-KR6; would have
given White a more difficult task.
49. K-Kt5, R-Kt6 eh. ; 50. K
R4, R-KB6; 51 . K-Kt4 followed
by 52. R x P.
49.
50.
51.
52.
53.
54.
55.
56.
R-QB7
RxP
K-B7
P-B6
P-R4
P-R5
R-B6
K-Kt7
P-B6
K-R2
KxP
R-B6
R-Q6
R-B6
K-Kt4
Resigns.
Black
M. M. Botwinnik
G. Levenfish
P-K4
1 . P-QB4
Kt-KB3
2. Kt-QB3
3. Kt-B3
Kt-B3
4. P-Q4
PxP
5. Kt x P
B-Kt5
6. B-Kt5
P-KR3
Interesting is the newest line fl.
..
Castles; 7. R-B 1 , P-Q4!; 8.
Kt x Kt, (if 8. P x P, Q x P; 9.
. .
B x Kt, P x B; ) 8 . . . . . P x Kt; 9 .
P-QR3, ( o n 9. B X Kt, Q X B; 10.
P x P, P x P; ll. Q x P, B-K3;) 9.
. . . . B-K2; 10. P-K3, B-K3;
1 1 . P X P, P X P; 12. B-K2, P-B4;
(Samarian-Balogh, Brasov, 1 947).
B x Kt eh.
7. B-R4
8. P x B
Kt-K4
8. . . . . P-Q3 is also playable
but after 9. P-B3, Castles; 10.
P-K4, Kt-K4; 1 1 . B-K2, Kt
Kt3; 1 2. B-B2, Kt-Q2; 1 3. Q
Q2, Kt-Kt3; 14. Kt-Kt3, B-K3;
13. P-B4!
Kt-Kt3
Kt-K5
Kt x B
P-Q3
Q-K2
157
158
Black
J. Mason
J. Mieses
B-B3
10. Q x Kt
P-B3
1 1 . Q-R4 eh.
B x Kt
12. " Kt x Kt
13. R-Q1
White's strategy, starting from
the 8th move, is clearcut; and after
a few moves Black has a hopeless
position, which to-day, when this
type of manreuvre is common know
ledge, might not appear surprising.
In 1902, however, such treatment of
the position was unknown, showing
how far Mason was ahead of his con
temporaries in his positional con
ceptions.
13.
14. Q-B2
P-QKt4
Q-B1
15. P-K4!
More convincing than 15. B x B,
P x B; 1 6. Q x Q eh., R x Q; 17.
R X P, P-QR3; 18. R-Q6, K-K2;
19. R x P, KR-Q1 ; 20. B-K3,
B x P; 21. R-Ktl, R-B7; and
Black has a strong position for the
lost Pawn.
15.
1. P-K5
17. P-Kt3
B-B5
B-K2
B-Q4
159
18. B x B
PxB
19. Q x Q ch.
RxQ
20. R x P
It is obvious that White has
gained three moves by his man
reuvre which started on the 1 6th
move, and has forced the Black
Bishop off its strong diagonal.
20 . . . . . . .
21. R x R
22. B-Kt2
23. R-QBI
24. K-Bl
25. K-K2
26. P-B3
Stronger than 26 .
R-B4
BxR
K-K2
B-Kt3
R-QI
K-K3
. . . . P-B4.
R-Q2
26. . . . . . .
27. R-B6 eh.
K-B4
28. P-Kt4 eh.
K-B5
R-K2
29. P-K6
30. B x P
PxP
R-Kl
31. B-B8
32. B-Q6 eh.
P-K4
On 32 . . . . . K-Kt4; 33. B-Kt3,
and 34. P-KR4 eh. , would follow.
33. B-B5!
Now White threatens 34. R X B,
P x R; 35. B-K3 Mate, and forces
a favourable Rook ending, in which
Mason shows his mastery of the
end-game.
33.
34.
35.
36.
37.
38.
39.
40.
41 .
42.
43.
44.
45.
46.
47.
48.
......
B xB
P-QR3
RXB
P-R3
R-B7!
R-B6
P-K5
R-B6 eh.
K-Kt4
R-QBI
R x QRP
P-R4 eh.
KXP
R X P eh.
K-Kt6
PxP
R-B7 eh.
RxP
K-Q3
KXP
R-QKt6
RxP
R-R8
R-Q5
R-Q8 eh.
K-B4
R-B8 eh.
K-Kt5
K-B5
P-K5 and White won.
Mason shows with crystal clearness how an attack in the centre should
be carried out. His idea of exchanging the centre Pawns in order to
make way for his own, judiciously held back until the right moment, is
masterly.
The importance of the game lies in this strategy, and not in its opening
theory. The latter, indeed, has been superseded, for (as shown in note
to move 5) White can be prevented from making an early break-through
in the centre, and a later one will bring him no advantage.
ALEKHINE's CoNTINUATION
From the preceding game we have learned that Black, while able to
delay White's central thrust, is powerless to prevent it. However,
although Black in the Sicilian Defence obtains an equal position as soon
as he has played . . . . P-Q4, and has eliminated the hostile King's Pawn,
White, on the contrary, if he were to attempt the same policy, would find
it insufficient, since it leads only to a drawish game. It is, therefore,
easy to understand why players have sought more forceful methods of
160
exchanging Black's King's Pawn, and for this purpose an early P-KB4
by White has been found most effective.
This is by no means a new idea, as it was adopted by Wyvill (see game
74, page 143), but he played as a preliminary, P-K3 and KKt-K2, a
manreuvre undoubtedly too slow and elaborate for modern praxis.
83
White
Black
A. Alekhine
S. Tarrasch
Vienna, 1922
1. P-QB4
P-K4
2. Kt-QB3
Kt-QB3
3. P-KKt3
P-KKt3
4. B-Kt2
B-Kt2
5. P-Q3
KKt-K2
6. P-B4
To-day this method of breaking
up Black's centre is considered to
be stronger than the central push
P-Q4.
P-Q3
6. . . . . . .
7. Kt-B3
For the newer method 7. Kt-R3,
see the following game.
7.
Castles
8. Castles
P-KR3
9. P-K4
P-B4
10. Kt-Q5
The key-move in this variation
which had been already adopted by
Staunton (see Game 72). The only
difference is that Alekhine estab
lishes his Knight on Q5 before ex
changing Pawns, while Staunton
eliminated the tension in the centre
before carrying out the same idea.
Alekhine's method gives the game
a more dynamic character.
10.
Kt x Kt
l l . KP x Kt
Kt-Q5
12. P x P
Kt x Kt eh.
13. B x Kt
PxP
14. B-K3
B-Q2
1 5 . Q-Kt3
This is the second characteristic
manreuvre which had been adopted
in the nineteenth century, exerting
pressure against Blsck'8 QKt2
R-QKt7
P-Kt5
161
K-B3
B-K4
K-Q2
P-Kt6
P-Kt7
K-K3
R-R8 eh.
P-Kt8(Q)
RxR
R-Kt4
P-R5
P-R6
R-Kt8
R-B8 eh.
R-B5
RxB
R-Kt5
B-B5
K-Kt2
RxQ
P-R4
B-Q4
P-Kt6
Resigns.
In this instructive game Alekhine proves not only that the control of
more space can by itself be decisive, but also that the style of a modern
master must be very elastic. For after many complications and exchanges,
he arrives at a position (see diagram after the 45th move) where he holds
an advantage, which although very slight is nevertheless sufficient for
victory.
GoLOMBEK's CoNTINUATION
162
White
H. Go lombek
84
Black
0. Cruz
19. . . . . . .
Q-R3
20. Q-B2
Kt-B1
A necessary Pawn sacrifice. On
20. . . . . P-Kt3; 21 . B-Q3, Q
R4; 22. Kt-Kt5, would follow.
21. B X P eh.
K-R1
22. B-Q3
Q-Kt3
22 . . . . . Q-R4; was the only
move to continue the game, though
wih a Pawn down and a bad posi
tion, there was little hope. The
text-move leads to an interesting
combination.
23. Kt-R4
Kt x P
Kt-B3
6.
7. Castles
B-K2
8. P-B4
Castles
9. P-Q3
B-KKt5?
This move involves loss of time.
Better was 9 . . . . . P-B3; to keep
a firm hold on the centre.
10. Kt-B2
B-K3
Q-Q5
ll. P x P
Black rejects the better move l l .
. . . . R-Ktl; since 1 2 . B-B4,
P-Kt4; 13. B-Q2, Kt x P; would
have seriously weakened his King's
side. But it was still the lesser of
the two evils, since now his Queen
gets into trouble.
12. P-K3
Q x P(K4)
Q-QR4
13. P-Q4
This is the only square to avoid
immediate loss of material. On 13.
. . . . Q-KKt4; or . . . . Q-KB4;
14. P-K4, followed by P-Q5 wins.
B-B5
14. P-QR3
QR-Q1
15. R-K1
16. B-Q2
Threatening 17. Kt-Q5, followed
by 18. Kt x P.
Q-R3
16 . . . . . . .
B-Q6
17. P-Kt3
Q x Kt
18. Kt x B
19. B-K4
Forcing the Queen back.
RxB
R x Kt
27. Q-R5 ch. ,
Mate, follows.
K-Ktl
QR-Q1
Resigns.
163
The following two games deal with other defensive systems in which
Black avoids the committing 1 . . . . . P-K4; but tries to contest the Q5
square with 3. . . . . P-Q4.
Although its value has not yet been established, it is considered to give
a better defence for Black than the previous systems, since the omission
of an early . . . . P-K4; deprives White of a target for attack (by means
of P-Q4 or P-KB4).
85
White
Black
S. Flohr
I. Kashdan
Folkestone, 1933
1. P-QB4
Kt-KB3
2. Kt-QB3
P-K3
P-Q4
3. P-K4
With this move Black tries to
clarify the tension in the centre,
but 3. . . . . P-B4; is more solid.
If 4. P-K5, Kt-Ktl; 5. Kt-B3,
Kt-QB3; 6. P-KKt3, KKt-K2;
7. P-QKt3, Kt-Kt3; 8. Q-K2,
P-Q3; 9. P X P, B X P; and Black
has a good game (Landau-Euwe,
7th match game, 1939); while 4.
Kt-B3, Kt-B3; 5. P-Q4, P X P;
6. Kt x P, B-Kt5; transposes into
a Sicilian Defence, leading to
equality.
P-Q5
4. P-K5
P x Kt
5. P x Kt
QxP
6. KtP x P
7. P-Q4
P-QKt3
8. Kt-B3
B-Kt2
9. B-K2
Kt-Q2
10. Castles
B-Q3
This move is the cause of later
troubles. 1 0.
P-KR3, was
necessary.
Q-B4
1 1 . B-Kt5
P-QB3
12. Q-R4
13. P-B51
White opens up the lines at just
12
1 6. R x Kt
A fine sacrifice, which gives White
a lasting initiative, and is the more
praiseworthy, since White gains no
material advantage immediately.
16
. . .
KxR
164
17. B-K3
Q-R6
If 17 . . . . . Q-B4; 18. P-Kt4!
Q-B3; 19. R-Ktl , KR-QKtl;
20. B-Q4, Q-B5; 21 . Kt-K5 eh.,
K-B1; (21. . . . . K-K1; 22. R x B,
R x R; 23. Q x P eh., K-Q1; 24.
Q x R, ) 22. R x B, R x R; 23. Q x P
eh., K-Ktl ; 24. Q-K8 eh., wins.
These variations illustrate the
strength of the minor pieces on the
board.
18. Q-Q4 eh.
K-K1
19. Q x KtP
R-KB1
20. Kt-Kt5
R-Q1
21. B-R5
White avoids the trap. On 2 1 .
Kt x RP, Q-Kt7!; 2 2 . R-K1, Q x
B; wins.
21 . . . . . . .
B x Kt
R-Q4
22. B x B
RXB
23. P-QB4
Black is forced to give the ex
change back. Otherwise after 23.
. . . . R-Q2; 24. Q-B6, Q-Q3; 25.
R-K1, White threatens R x P
eh., which would soon decide the
game.
K-Q2
24. Q x R
24. . . . . Q-Kt7; 25. R-Q1 ,
Q.:...K
._ t3; gave Black some defensive
chances.
25.
26.
27.
28.
29.
30.
R-Q1 eh.
B x PI
BxP
R-Q8 eh.
Q-K7 eh.
P-B5 eh.
K-B1
K-Ktl
QxP
K-B2
K-Kt3
Resigns.
86
Black
White
A. Nimzovitch
A. Rubinstein
Dresden, 1926
I. P-QB4
P-QB4
Kt-KB3
2. Kt-KB3
P-Q4
3. Kt-B3
Rubinstein regularly played this
move. The idea is to try to gain
the advantage in the centre by
forceful methods before White can
secure an iron grip on the position.
4. P x P
Kt x P
5. P-K4
An idea of Nimzovitch, where
White allows his Queen's Pawn to
be backward, but obtains adequate
compensation in the better develop
ment of his pieces.
5. . . . . . .
Kt-Kt5
P-K3
6. B-B4
After 6 . . . . . Kt-Q6 eh. ; 7.
K-K2, Kt-B5 eh.; 8. K-B 1 ,
leaves White with the powerful
threat of 9. P-Q4, at once ridding
7. Castles
QKt-B3
Preferable is 7 . . . . . KKt-B3.
8. P-Q3
Kt-Q5
Now Black must play this in
order to secure a retreat for his
Knight at Kt5.
P x Kt
9. Kt x Kt
10. Kt-K2
P-QR3
White threatened 1 1 . B-Kt5 eh.
1 1 . Kt-Kt3
B-Q3
1 2. P-B4
12. Q-Kt4, Q-B3; (12.
Castles; 13. B-KKt5, B-K2; 14.
B-R6,) 13. P-B4, (not 13. Kt
R5, Q-Kt3!) is stronger.
12.
13.
14.
15.
16.
17.
Q-B3
B-Q2
QR-Kl
R-K2
PxP
Castles
K-R1
P-B4
Kt-B3
Q-B2
PxP
15
23. Q-R5
P-KKt3
24. Q-R4
Having compelled Black to weak
en the dark-coloured squares around
his King, White now aggravates
this weakness by forcing the King's
Bishop to leave the King's side.
K-Kt2
24. . . . . . .
B-B4
25. Q-B2
If 25. . . . . Q-Kt3; 26. P
QKt4! threatening 27. B-B3,
follows.
26. P-QKt4
B-Kt3
27. Q-R4!
Having driven away the Bishop,
the Queen returns to the attack,
with additional threats on K7.
R-K1
27. . . . . . .
28. R-K5!
Kt-B2
If 28 . . . . . R x R; 29. P x R,
Q x P; 30. Q-R6 eh., followed by
mate, or if 28. . . . . P-R3; 29.
P-Kt4, P X P; 30. P-B5, Q X R;
31 . P-B6 eh., Q X P; 32. Q X P
mate.
QxB
29. B x Kt
30. Kt-Kt5
Q-Ktl
BxR
31 . R x R
32. Q-K1
B-B3
In spite of the reduced material,
White's attack is irresistible. If 32.
. . . . K-B1; 33. Q-K5, B-Q1;
34. Kt-K6 eh. , K-K2; 35. Q-B5
eh. , K-Q2; 36. Kt-B8 eh., an im
pressive variation given by Nimzo
vitch.
166
K-R1
33. Q-K7 eh.
34. P-Kt5
To bring the Bishop into action.
Q-Kt2
34. . . . . . .
If 34. . . . . P X P; 35. Kt-K6,
CONCLUSIOS
In this section, dealing with the English Opening of last century and
with its modern form, our object has been to show the development
during the past hundred years of this complicated type of opening. As
played from 1840 to 1860, it is difficult to classify, but when viewed with
the eyes of to-day, it seems a mixture of the English and Reti Openings
and of the Catalan System. To transpose from one system to a favourable
line of the other is still the most important feature of the opening. As,
however, the examination of the systems and transpositions would go far
beyond the scope of this book, we have discussed, therefore, the 'pure'
English Opening only.
We have classified the English Opening by dividing it into four systems.
I. White, by waiting moves and by developing his pieces quietly
(without the fianchetto), tries to induce Black to occupy the centre.
This system is illustrated by the games of Nimzovitch and Flohr (see
Games 77-78, pages 149-151). They were successful because Black did not
realize that aggressiveness in the centre was bound to fail on account
of the missing tempo.
2. The Four Knights' variation. White plays 5. P-Q4, and by the
fianchetto (as shown in the games of Reti, Games 79-80, pages 1 53-155)
or by playing B-KKt5 (shown by the game of Botwinnik, Game 81,
page 156), tries to gain control of key square Q5.
3 . The modern form of the English Opening. The early fianchetto
(3. P-KKt3, and 4. B-Kt2) with the same idea of controlling the vital
Q5 square, but without playing an early P-Q4, a move which often
leads to simplification.
4. An attempt by Black not to play I . . . . . P-K4; but by playing
I. . . . . P-QB4; or 1.
P-K3; to avoid committing himself to such
weaknesses and to keep control of the Q5 square. The two games by
Nimzovitch and Flohr ( Games 85-86, pages 163-1 64) show, that even in
these Black has plenty of difficulties in solving his opening problems
satisfactorily.
.
PART IV
T H E K I N G ' S GAM B IT
TIIIS most controversial opening has undergone, in the march of time,
a metamorphosis which is a particularly good illustration of our change
in outlook during the last hundred years.
Even in the last century we find a diversity of views. The sober
thinking Staunton called it an 'admirable opening which gives birth to
the most intricate and beautiful combinations,' while Mason, in his Art
of Chess, writes that, 'In the main these Gambits are regarded as unsound,
and in consequence they occupy no very conspicuous place in present-day
play.'
To-day many are inclined to take Mason's view, although the more
discerning will agree with Blackburne who wrote, 'At the present time
the King's Gambit is rarely played in important contests because when
there is a great deal at stake few players dare venture into the shoal of
intricate and hazardous positions to which it gives rise. Accordingly if
anyone more venturesome than his fellows ventures to offer it, the usual
plan is to resort to one or other of the numerous methods of declining.'
Many prominent players, indeed, discounted the gambit in the belief
that it may be easily met. But can it? That is where complacency has
assisted the inherent torpitude of the human mind that likes to avoid
problems which cannot be easily resolved. This question was investigated
by a few masters who concluded that Black cannot solve the opening
problems as easily as it was thought. To emerge from the opening with
a sound position, Black must either adopt a complicated and venturesome
defence, or he must cede the first player a lasting initiative in return for
one of the safer defence structures.
There has been much prejudice in the approach to the King's Gambit.
In 1 920, however, Rubinstein and Tartakower, followed by Stoltz
in 1 930 and Keres and Bronstein in 1 940, tried to prove that the King's
Gambit is a solid positional opening. Their several endeavours are only
now slowly lifting the veil of glamour and mystery that enshrouded the
opening in the last century and which still obscures the real issues to-day.
167
XIV
THE
87
White
Black
A. Anderssen
L. Kieseritzky
London, 1851
I. P-K4
P-K4
2. P-KB4
PxP
P-KKt4
3. Kt-KB3
4. P-KR4
P-Kt5
5. Kt-K5
P-KR4
This move, recommended by
Kieseritzky, is aimed at retaining
the Pawn at KKt5, essential to the
maintenance of Black's position.
Its value was certainly appreciated
at that period.
R-R2
6. B-B4
7. P-Q4
P-Q3
In the game Bronstein-Dubinin,
U.S.S.R.
Championship,
1 947,
Black played 7. . . . . B-R3; 8.
Kt-QB3, Kt-QB3; 9. Kt x BP!
R x Kt; 1 0. B x R eh. , K x B; 1 1 .
B X P , B X B ; 1 2. Castles, Q X P ; 13.
R x B eh. , K-Kt2; 14. Q-Q2,
P-Q3; 15. QR-KBI , Kt-QI ; 1 6.
Kt-Q5, B-Q2; 17. P-K5! P x P;
18. P X P, B-B3; 19. P-K6!
B X Kt; 20. R-B7 eh. , Kt x R; 21.
R X Kt eh., K-Rl ; 22. Q-B3 eh.,
Kt-B3; 23. R x Kt, and Black
resigned on the 27th move. A more
energetic attack than Anderssen's,
the German master missing the
strongest continuation (see next
note).
8. Kt-Q3
A timid move ! The sacrifice on
KB7 was still decisive according to
Schlechter.
P-B6
8. . . . . . .
9. P-KKt3
Also recommended by Kieser
itzky, but to-day considered weaker
than 9. P X P, B-K2; 10. B-K3,
B X P eh.; 1 1 . K-Q2, P X P; 1 2.
Q x P, a suggestion of Staunton,
endorsed by the modern Liiro bo k i
Schack.
9. . . . . . .
B-K3
A fine defensive move later
adopted in the Philidor Defence of
the King's Gambit. \'Vhite is com
mitted to a rigid Pawn formation
in the centre.
10. P,.-Q5
B-Q2
1 1 . P-K5
PxP
B-Q3
1 2. Kt X P
13. B-B4
Kt-K2
14. Castles
B-KB4
15. Kt-B3
Kt-Q2
16. Kt x Kt
Q x Kt
17. B-QKt5
P-QB3
18. P X P
B-B4 eh.
The defence is cleverly conducted
by Kieseritzky, who has eliminated
all White's attacking chances on
the centre files. It is interesting to
note the contemporary view ex
pressed by Staunton who annotates
Black's 18th move 'Fortunate
enough for White (the game was
played with colours reversed) that
he had this check in store.'
Evidently Staunton did not con
sider this move part of Kieseritzky's
defensive plan. To-day this check,
as part of a combinative defence,
would evoke no special mention.
168
19. K-R2
20. B-Q3
PxP
BxB
169
R--K2
B-K3
RxB
QxQ
QR-KBI
RxP
K-Bl
BxB
Q-Q5
RxQ
P-B5
Kt-B4!
PQB5
K-K5
P-B6
K-Q6
Better is 47.
R-Kt5 eh.
47. . . . . . .
48. K-Kt5
R-QB5
K-K7
49. R-Q5 eh.
50. R-K5 eh.
K-B7
On 50. . . . . K-B8; 5 1 . R-B5
eh. , K-Ktl; 52. R-K5, and 53.
R-Kl, holds the Black Pawn.
5 1 . R-Kt5
K-Kt6
171
53. K-B6
If 53.
draws.
K-B5
K x P; 54. K-K6
54. R-QB1
55. R x P
K-K5
Drawn.
T HE BERLIN DEFENCE
88
White
Black
J. Rosanes
A. Anderssen
Breslau, 1863
I. P-K4
P-K4
2. P-KB4
PxP
P-KKt4
3. Kt-KB3
4. P-KR4
P-Kt5
5. Kt-K5
Kt-KB3
This so-called 'Berlin Defence'
has superseded the original Kieser
itzky variation as it has been
demonstrated that Black can in
directly protect the Pawn at KKt5
(or obtain sufficient compensation
if it should be lost) as well as being
able to exert pressure on White's
centre. It is an important link in
the chain of development of Black's
defence.
Kt x Kt
K-B1 !
6. B-B4
This instinctive reply was accept
ed for nearly seventy years, until
Rubinstein recommended the im
proved 6. P-Q4 (see Game 92,
page 176).
6.
P-Q4
7. P x P
B-Q3
8. P-Q4
Kt R4
9. B-Kt5 eh.
This move is not good, but it
requires Anclerssen's genius to de
monstrate its inferiority. We can
not, however, condemn it for the
same reason put forward by nine
teenth century commentators-the
old axiom that a piece should not
be moved twice in an opening when
other pieces are undeveloped, un-
13. B X R
Kt-Kt6
14. R-R2
On 14. K-B2, Kt x R eh.; 15.
Q x Kt, P-Kt6 eh. ; 16. K-K1,
Q-K2 eh.; 17. K-Q1, B-Kt5 eh.;
1 8 . B-B3, B X B eh. ; 19. P X B,
R-Ktl; 20. Q-Kt2, R-Kt3! 21 .
Kt-B3, R-R3; 22. Kt-K2, R X
P; 23. B-Q2, R-R7; wins.
14.
1 5 . B-Q5
1 6. Kt-B3
17. K-B2
Threatening 17. .
B-KB4
K-Kt2!
R-K1 eh.
Q-Kt3
. . . B-K4.
18. Kt-R4
Q-R3
With the threat 19 . . . . . Q-K7
chl
1 9 . Kt-B3
On 1 9 . P-B4, Q X Kt; 20. Q X Q,
R-K7 eh. ; 2 1 . K-Ktl , R-K8 eh.;
22. K-B2, R-B8 Mate follows.
19.
20.
21.
22.
23.
P-R4
QxQ
B-K3
K-Ktl
White
P. Morphy
89
Black
G. W. Medley
London, 1858
1.
2.
3.
4.
5.
6.
7.
8.
9.
P-K4
P-KB4
Kt-KB3
P-KR4
Kt-K5
B-B4
PxP
P-Q4
Kt-QB3!
P-K4
PxP
P-KKt4
P-Kt5
Kt-KB3
P-Q4
B-Q3
Kt-R4
171
B-K4
Q-B8 eh.
B x P eh.
RxB
R-K8 Mate.
ATTACK
172
R; 1 6. Q x P, and according to
Maroezy the attack would not have
been as easy to continue as in the
game.
14. P-B3
1 5 . Castles
16. R x B
17. Q x P
18. R-K1
A weak move.
Q-Q3
Kt-Kt2
Kt x R
Kt-K2
P-KR4
19.
20.
21.
22.
23.
24.
25.
26.
R-R2
P-QB3
PxP
QKt x Kt
K-B1
QxB
BxR
Resigns.
Q-B3
B-Kt5 eh .
PxP
Kt x QBP
B x Kt eh.
B x Kt eh.
RxQ
BxR
PAULSEN DEFENCE
173
It is not easy to grasp the novelty of his idea to-day when our theoretical
knowledge is so far advanced, since these variations are now taken for
granted. By way of i1lustration, here is a brevity, to-day classed as an
opening trap and widely known, which is one of the earliest practical
examples of the new system.
White N.N. Black L. Paulsen. 1. P-K4, P-K4; 2. P-KB4, P X P;
3. Kt-KB3, P-KKt4; 4. P-KR4, P-Kt5; 5. Kt-K5, B-Kt2! At
first sight this move appears unsound as it allows White to break up
Black's King's-side Pawns which it is normal to endeavour to retain
intact. 6. Kt X KtP (the correct move is 6. P-Q4), 6 . . . . . P--Q4!;
7. P x P? (7. P-Q4 is still the right move) 7 . . . . . Q-K2 eh. ; 8. K-B2,
B-Q5 eh. ; 9. K-B3, B X Kt eh. ; 10. K x B, Kt-B3 eh. ; 1 1 . K-R3,
Q-Q2 eh. ; 12. K-R2, Kt-Kt5 eh. ; 1 3. K-R3, Kt-B7 double eh.
and wins.
90
White
W. Steinitz
Black
J. J.
Zukertort
Vienna, 1882
1. P-K4
P-K4
PxP
2. P-KB4
P-KKt4
3 . Kt-KB3
P-Kt5
4. P-KR4
Kt-KB3
5. Kt-K5
P-Q4
6. B-B4
7. P x P
B-Kt2
Castles
8. Kt-QB3
9. P-Q4
Kt-R4
10. Kt-K2
P-QB4
This is the key-move to Paulsen's
defensive system. Black starts an
immediate counter-attack against
White's centre. Thus we see, even
in the romantic King's Gambit, the
same principles obtaining as in all
other openings.
P-Kt4!
1 1 . P-B3
For the more complicated coun
ter-attack, 1 1 . Kt x P, see following
game.
PxP
11. . . . . . .
This is the simplest answer. 1 1 .
. . . . P-QKt4; recommended by
L. Paulsen is also good but leads
to a very complicated game. The
game Spielmann-Leonhardt (Match
Munich, 1906) continued 1 1 . . . . .
P-QKt4; 12. B-Kt3, P-B5; 13.
B-B2, Q X QP; 14. QKt X P, Kt X
174
CHESS
17. Kt x Kt
18. Q-QR3
19. B-Q2
20. B-B3
21. R-K1
22. R x R
23. P x B
If 23. Q x B,
decisive.
23.
B-R5
eh.;
is
Q-Kt8 eh.
24.
25.
26.
27.
28.
29.
30.
31.
32.
33.
K-Q2
K-K3
K-Q4
K-B5
P-Q6
KxP
K-Kt3
Q-Kt4
PxR
K-Kt2
Resigns.
Q x P eh.
R-K1 eh.
Q-K5 eh.
Q-K2 eh.
Q-K4 eh.
Q-K5 eh.
R-Ktl eh.
R x Q eh.
Q-Q 6 eh.
Q-Q5 eh.
BLACKBURNE'S CONTRIBUTION
W. Steinitz
Black
K.
Schlechter
Vienna, 1897
P-K4
1. P-K4
PxP
2. P-KB4
P-KKt4
3. Kt-KB3
P-Kt5
4. P-KR4
B-Kt2
5. Kt-K5
Kt-KB3
6. P-Q4
P-Q4
7. B-B4
Castles
8. P x P
Kt-R4
9. Kt-QB3
P-QB4
1 0. Kt-K2
1 1 . QKt x BP
This is Blackburne's innovation.
White makes no attempt to hold
the centre but tries to disrupt
Black's somewhat loose Pawn posi
tion, which is the thematic idea in
this variation.
11. . . . . . .
Kt-Kt6
P X Kt
1 2. Kt-K6
The game Blackburne-L. Paulsen,
Vienna, 1873, continued 12. . . . .
B x Kt; 13. P x B, Kt x R; 14. Q x P,
Q x QP; 15. P x P eh. , K-R1; 16.
BxP
13. P x P
K-R1
14. B x B eh.
Kt x R
15. Q x P
PxP
16. B-K3
Simpler is 16 . . . . . Kt-B3; 17.
Kt X Kt, P X Kt; 18. R-Q1, Q-B2.
17. B x P
Kt-B3
18. Q X Q
19. Kt x Kt
There is nothing better. On 19.
Q-Ktl , B X Kt; 20. Q X Kt, B
Kt6 eh.; 2 1 . K-Q2, QR-Q1 eh.
Black's attack is stronger than in
the game since the White Queen is
out of play.
P x Kt
19. . . . . . .
The decisive mistake. Black over
estimates his position. With 19.
. . . . B x Q; 20. Kt x B, Kt-Kt6;
2 1 . Castles QR, he could have
obtained an even game.
QR-Ktl
20. Q-QB4
On 20 . . . . . Kt-B7; 2 1 . K-K2,
would follow.
175
21. Castles
The best move. If 21. P-B3,
Kt-B7; is too strong.
21.
B x P eh.
22. K-Q2
Kt-B7
23. R-QKU
QR Q1 eh.
24. K-K2
B-Kt2
25. R-Kt7!
A very important defensive move,
as will be seen.
-
25.
26. Q x P
27. K-Q2
28. K-K3
Not 28 . . . . .
Q x R.
R-Q5
R-K5 eh.
R-Q5 eh.
Kt-Q8 eh.
R-K5 eh.; 29.
29. K-K2
B-R3
30. B-B7!
Defends both mating threats on
Q2 and KB2.
30.
31. Q x B
KR-Q1
Resigns.
176
Black
G. Stoltz
F. Siimisch
Swinemiinde, 1932
I. P-K4
P-K4
2. P-KB4
PxP
3. Kt-KB3
P-KKt4
4. P-KR4
P-Kt5
5. Kt-K5
Kt-KB3
6. P-Q4
This simple move explains Rubin
stein' s idea. White tries to eliminate
Black's BP even at the price of a
centre Pawn.
P3
6.
7. Kt-Q3
Kt x P
8. B x P
Q-K2
Black follows an analysis of
Philidor. Rubinstein gives here the
other possible continuation 8 . . . . .
B-Kt2; 9. P-B3, Castles; 10.
Kt-Q2, R-K1 ; 11. Kt x Kt, R x
Kt eh.; 12. K-B2, Q-B3; 13.
P-KKt3, B-R3; 14. B-K2, with
the better game for White.
B-Kt2
9. Q-K2
P-KR4
10. P-B3
Black does not realize the danger.
He thinks he is safe with a Pawn up
and hopes to refute White's im
pending attack by the exchange of
Queens which he can always force.
Safer was 10 . . . . . B-B4; with the
idea of preparing Castles Q.
1 1 . Kt-Q2!
This move must have come as a
complete surprise to Black who did
not expect White to force the
Queen exchange with a Pawn down.
Philidor recommended here 1 1 . P
KKt3, P-Q4; 12. B-Kt2, P-
P-KR4
Kt-Q2
177
1 7. QR-K1 eh.
K-Q1
Or 17. . . . . K-B 1 ; 18. B X B,
Kt X B; 19. Kt-Q5, R-Q1; 20.
Kt x P, Kt-B3 (20 . . . . Kt-Kt3;
21. B-Kt5, } 21. B-Kt5, winning.
.
18. B-Kt5 !
BxB
19. R x Kt!
Resigns.
If 19 . . . . . B x R; 20. B x B eh.,
K-Q2; 21 . R-K7 eh., K-Q1; 22.
R x KBP dis. eh., K-K1 ; 23. R
K7 eh. , K-B1; 24. R x P, wins.
The attack with such reduced
material could hardly have been
conducted more energetically.
This is one of the oldest defences to the King's Gambit and is considered
more solid than the above defences, since Black is able to keep his Pawn
chain intact on the King's side which White can break up only by the
sacrifice of a piece. To-day it is considered one of the most important
defences to the King's Gambit. Once it was thought that Black could
forcibly transpose into this defence from the King's Gambit Accepted
and avoid the Kieseritzky Gambit and the Bishop's Gambit. It was
therefore universally adopted. However, it will be shown that this
transposition is not altogether feasible, since after 1 . P-K4, P-K4;
2. P-KB4, P X P; 3. Kt-KB3, P-KR3; 4. P-QKt3, White can prevent
Black from playing 4. . . . . P-KKt4.
Every opening variation has its history, and in the King's Gambit
almost every move. In order to trace the historical development of this
variation, an example of one of the earliest games, followed by one of
the more recent, is given.
93
THE GAMBIT OF GRECO
I. P-K4
P-K4
PxP
2. P-KB4
3. Kt-KB3
P-KKt4
4. B-B4
B-Kt2
5. P-KR4
P-KR3
6. P-Q4
P-Q3
7. Kt-QB3
P-QB3
Recommended by Philidor but
to-day 7 . . . . . Kt-QB3; 8. Kt
K2, Q-K2; 9. Q-Q3, B-Q2; 10.
B-Q2, Castles Q; is considered
better.
8. P x P
PxP
9. R x R
BxR
10. Kt-K5
A very interesting but incorrect
sacrifice. It was supposed to have
been invented by Greco ( 1600-1634},
but in fact it was published first in
a book by Polerio which appeared
between the years 1 585 and 1590.
10.
P x Kt
Q-B3
Q-Kt2
Kt-KB3
13. P-K6
Still simpler is 13. . . . . B X P;
14. B X B, Kt-KB3; 15. B X P eh.,
K-K2; 16. Q-Kt6, Q X B; with
decisive advantage for Black.
l l . Q-R5
1 2. P X P
14. P x P eh.
K-B1?
178
94
White
Black
R. Spielmann
E. Griinfeld
Vienna, 1 922
P-K4
1. P-K4
PxP
2. P-KB4
Kt-QB3
3. B-B4
A waiting move by which Black
tries to transpose into the Classical
Defence.
15. B x P! 1
A beautiful sacrifice. Now on 15.
. . . . Kt x Q; 16. B-Q6, mates
while on 15 . . . . . P X B; 16. Q-B5
mate.
K-K2
15. . . . . . .
16. B-Q6 eh.
Schlechter . recommended
B x P.
1 6.
KxB
16. . . . . . .
Not 16.
K-Q2; 17. Q x B,
Q X Q; 18. P-BS(Q) .
17. P-K5 eh. !
KxP
Or 17
K-K2; 18. P X Kt eh.,
Q x P; 19. Castles.
. .
QXQ
1 8 . P-B8(Q)!
On 18 . . . . . Kt X Q; 19. Q-B5
eh., wins.
K-Q3
19. Q x P eh.
K-K2
20. Q-B4 eh.
21. Castles QR and wins.
4. Kt-KB3
With 4. P-Q4, White could have
avoided the transposition into the
Classical variation, but after 4 . . . . .
Kt-B3; 5. P-K5, P-Q4; 6. B
Kt5, Kt-K5; 7. B x P, P-B3; 8.
Kt-KB3, P X P; 9. Kt x P, B-Kt5
eh.; 10. P-B3, Castles; 1 1 . Castles,
the game is about even according
to the Liirobolc i Schack.
P-KKt4
4.
P-Q3
5. Castles
B-Kt2
6. P-Q4
7. P-B3
On 7. Kt-B3, Schlechter recom
mends 7 . . . . . B-K3.
P-KR3
7.
P-Kt5
8. P-KKt3
P-B6
9. Kt-R4
10. Q-Kt3
The other line is 10. Kt-Q2,
B-B3; 1 1 . QKt x P, P x Kt; 12.
Q X P, R-R2?; (best is 1 2 . . . . .
Q-K2! ) 13. Kt-Kt6! Spielmann
Griinfeld, Teplitz-Schonau, 1 922, in
which game Spielmann was success
ful. Analysis proved, however, that
the sacrifice of the piece is not
correct. The strategy adopted in
this game is considered the most
promising line of attack in this
variation.
10 . . . . . . .
1 1 . Kt-B5
12. P x B
Q-K2
B x Kt
B-B4
Kt-Q2
P-KR3!
B-Q3
PxP
K-B2
R-R1
Kt-KB3
Castles
P-KR4
Q-Q2
PxP
Kt-B3
KR-K1
179
P-Q4
Kt-K5 eh.
21. . . . . . .
PxB
22. B x Kt
P-K6 eh. !
23. P-B6
The only satisfactory answer.
BxP
24. B x P
RxB
25. R-R5
Now the fortunes have changed
and Black is the attacker.
26. K x R
27. K-Q3
28. K-B2
29. Q--'-B4
Against the
Q-Q6 eh.
B x P eh.
R-Q1 !
B-K6
threat
29.
29 . . . . . . .
Q x Kt eh.
30. K-Kt3
Q-Q2
31. R-Kl
P-B7
32. QR-KR1
If 32. R X B, Q-Q8 eh.; and PB S ( Q) .
32 .
33.
34.
35.
36.
37.
......
QxQ
KR-R4
R x P eh.
R-K4
R-KB1
Resigns.
Q-K3
PxQ
R-KBl
K-B2
K-K2
R-B6
1 80
Since the Second World War, the Defence has been revived by Kmoch,
who, following the suggestion of Bilguer' s Handbuch des Schachspiels,
recommends 4.
Kt-KB3; (instead of 4 . . . . . B-R5 eh. ).
95
White
H. Kramer
6
P-Q4
7. B-Kt3
Safer was 7. B-Q3, while 7.
P x P e.p., B x P; would have been
bad for White.
.
Black
M. Euwe
Match, 1941
1. P-K4
P-K4
2. P-KB4
PxP
3. Kt-KB3
B-K2
Kt-KB3!
4. B-B4
That this simple developing move
has escaped attention for the last
hundred years is further proof of
how the evolution of chess is hind
ered by prejudice. Formerly, the
move 4 . . . . . B-R5 eh. was ex
clusively played, and the following
complicated line based on a Rook
sacrifice extensively analysed: 4.
. . . . B-R5 eh.; 5. K-B1 , P-Q4;
6. B x P, Kt-KB3; 7. Kt-B3,
Kt X B; 8. Kt X Kt, P-KB4; 9 .
Kt x B, Q x KKt; 1 0 . Kt x P eh.,
K-Q1 ; 1 1 . Kt X R, P X P; 1 2. Q
K1, Q-K2; 13. Q-B2, Kt-B3.
This was considered favourable for
Black, but later analysis has shown
that White, with 14. P-QKt4,
(threatening 15. P-Kt5, also 15.
Q-B5) 14. . . . . Q X P; 15. Q-R4
eh., K-Q2; (15 . . . . . Kt-K2; 16.
Q x BP,) 1 6 . Q-Kt4 eh. , K-Q1;
17. Q x KtP, would obtain the
better game.
B-R5 eh.
7. . . . . . .
P-QKt3!
8. K-B1
Naturally not 8. . . . . Kt-B7;
9. Q-K1, Kt x R; 10. Q x B, and
the Knight is locked in.
B-R8 eh.
9. B X BP
10. P-B4
There is nothing better (10. K:
Ktl ? B-B7 Mate).
10 .
11.
12.
Or
1 2.
13.
14.
15.
On
QKt,
15 .
16.
17.
18.
......
PxP
B-R4 eh.
P--QKt4
Kt-B3
12. B-B2, P-Kt5.
PxB
Q x P eh.
P-B3
P-KR3
Kt-R3
P-Q5
15. P-K6, Castles; 16. B x
B-QKt4! iiaves the piece.
.....
R-Q1
P-KKt4
Q-B2
.
Kt-B4
Castles
Q-Kt3
5. P-K5
Or 5. Kt-B3, Kt x P; 6. B x P
eh., K x B; 7. Kt x Kt, R-B l .
Kt-Kt5
5. . . . . . .
This move is now strong, since
the Knight cannot be driven off at
once because of 6. . . . . B-R5 eh.
6. P-Q4
If 6. Castles, Kt-QB3; 7. P-Q4,
P-Q4; 8. P x P e.p., B x P; 9.
R-K1 eh., Kt-K2; and Black
stands welL
18
. . . . .
Q-K6! !
19. B x Q
20. K-K2
21.
22.
23.
24.
25.
181
PxP
B-Kt2
BxR
Kt-Q5 eh.
Kt-K3
Kt x B
RxP
R-QB1
Kt x B
K-K3
Resigns.
Black
R. Spielmann
E. D. Bogoljubov
Carlsbad, 1 923
1. P-K4
P-K4
2. P-KB4
PxP
3. B-B4
Dr. Tartakower considers the
Lesser Bishop's Gambit to be better,
but the old continuation 3. B-K2,
P-KB4! ; 4. P-K5, P-Q3; 5.
P-Q4, P x P; 6. P x P, Q x Q eh.;
7. B X Q, Kt-QB3; gives Black a
good game.
3. . . . . . .
Kt-KB3
P-B3
4. Kt-QB3
This line is far more energetic
than 4. . . . . Kt-B3; 5. Kt-B3,
B-Kt5; 6. Kt-Q5, Kt x P; 7.
Castles, Castles; 8. P-Q4, Kt-B3;
9. Kt x B, Kt x Kt; 10. B x P,
(Spielmann-Bogoljubov,
Triberg,
1921) with the better game for
White.
5. P-Q4
Castles
PxP
B-Kt5!
maintains the
B x Kt!
10. Q x BP
ll. K x B
After 1 1 . B X B, R-K1 would
prevent White from castling, while
Spielmann hopes to move his King
into safety by this move.
1 2
ll.
Kt-B3
R-Kl
12. B-K3
13. KR-KBI
Preparing for R-B3 and K-B l .
Q-K2
13. . . . . . .
14. R-B3
QR-Q1 !
Avoids White's clever trap. On
14. . . . . Kt x P eh.; 1 5 . Q x Kt,
B-B4; 16. Kt x P, would follow.
15. K-B1
R-Q3
16. Q-R4
The passive defence with 16.
K-Ktl , B x Kt; 17. P x B, Kt
K5 ! would leave White with the
inferior position, therefore Spiel
mann initiates an attack.
16 . . . . . . .
B x Kt
17. B-KKt5
Now it seems as if White has
turned the game in his favour, but
Bogoljubov finds the right reply.
17 . . . . . . .
B x QP! !
18. B x Kt
19. Q x P eh.
Resigns.
Q x B!
K-B1
XV
THE KING'S GAMBIT ACCEPTED
IN MOD E RN TIMES
THE MODERN DEFENCE TO THE KING'S GAMBIT
THIS modern line was introduced by Louis Paulsen in 1884 at a time when
his idea in the Kieseritzky Gambit was considered to give Black a good
defence. However, the latter is very involved, while this modern line
looks simple and straightforward. It is based on the same idea as the
Paulsen Defence, the relief of tension in the centre. It has the advantage
over the older defences that it does not commit Black to weakening his
King's wing at an early stage of the game. The value of this defence
is not yet established, since the problems of the opening have not been
exhaustively analysed, nor has it undergone the searching test of tourna
ment play. The following game is one of the earliest occasions on which
it was played.
2. P-KB4
97
PxP
3. Kt-KB3
White
Black
Kt-KB3
4. Kt-B3
L. Paulsen
E. Schallop
P-Q4
5. P x P
Kt x P
Nassengrund, 1884
6. Kt x Kt
Q x Kt
P-K4
I. P-K4
7. P-Q4
B-Q3
183
PXP
20. P-Kt6!
B-Ktl
21. P X P
K-Kt2
22. R-B1
Paulsen must have had great
confidence in his powers in playing
four pieces onto the diagonal of his
opponent's Bishop.
8. P-B4
Q-K3 eh.
9. K-B2
P-QB4
Q-B3
10. B-Q3
1 1 . R-K1 eh.
K-B1
12. P-QKt4
This Pawn sacrifice is White's
most promising continuation.
12.
P x QP
13. P-B5
B-B2
Kt-B3
1 4. B-Kt2
Kt-K4
1 5 . P-Kt5
B-Kt5
16. B x QP
In this difficult position, Paulsen
found the only move to secure the
defence. The combinations with pin
and counter pin give the game a
very interesting character.
17. B-K4
White avoids the trap. 17. Kt x
Kt?, Q-R5 eh.; wins.
17.
B x Kt
18. B x B
R-Q1
1 9 . K-B1
19 . . . . . R x B; 20. Q x R, KtKt5 eh. was threatened.
19. . . . . . .
P-Kt4
It seems rather rash to allow a
third piece to be pinned by the
Bishop, but Black has no other
course, and the move is an inge
nious way of meeting the threat
20. B X P, on which would follow
20. . . . . P-B6; 21. P X P, (21 .
B X P? , P-Kt5!; which was the idea
ofthemove 1 9 . . . . . P-Kt4; ) 21 . . . . .
Q-K3! with the double threat of
22. . . . . Q-B5 eh. and 22. . . . .
Q-R6 eh. A very fine defensive
combination.
23. R-B7
A picturesque position. Black's
chances appear rather doubtful, but
it is hard to see how White can
increase the pressure on the Knight
at K5. If 23. R-B5, Q X P; 24.
R{K1 ) X Kt, {24. R(B5) X Kt, Q X
B ! ) 24 . . . . . B x R; 25. B x B eh.,
P-B3; 26. R-B7 eh., K-R3;
leads to complications which are
not unfavourable for Black.
23. . . . . . .
R x B!
Paulsen was clearly prepared for
White's 23rd move.
BxR
24. Q x R
Kt x B
25. P x B
KxQ
26. Q x Q eh.
R-QB1
27. P x Kt
28. R-B1
K-K3
P-B3
29. R-B5
After this masterly defensive
play, Black was able to hold the
gambit Pawn. The irony lies in the
fact that he was unable to make use
of it. If 29. . . . . P-B4; 30. P
KR4, P-Kt5 ; (30 . . . . . P-R3; 31.
P-R5,) 31 . K-Kt2, P-Kt3; 32.
R---B4, K-K4; 33. P-R4, and
184
K-Q3
RxP
K-K4
R-B7 eh.
34.
35. K-R3
RxP
K-B5
36. R x KtP
37. R x P
KxP
38. R-KB7
R-R3
K-B5
39. K x P
P-B4
40. K-R3
41 . K-Kt2
R-R7 eh.
K-K5
42. K-B1
K-B6
43. R-QKt7
K-Kt5
44. R-Kt3 eh.
P-B5
45. R-QB3
R-KR7
46. R-QKt3
47. R-QR3
and on the 59th move a draw was
agreed.
The end of the first "\Vorld War saw the emergence of the Hypermodern
School of chess. Rubinstein also introduced some new ideas and tried
to revive the King's Gambit by asserting that it could be treated posi
tionally; and that White, by sacrificing a Pawn, could gain control of the
centre, with prospects of breaking up Black's Pawn position on the King's
side. He did not confine his opinion to the fine analysis in the Liirobok
i Schack but adopted the precepts he outlined in tournament play. We
owe to him brilliancies equal to those of Anderssen. The following game
was his second attempt to combat by new methods the sound formation
of the Defence.
98
White
A. Rubinstein
Black
F. D. Yates
Hastings, 1 922
I. P-K4
P-K4
PxP
2. P-KB4
Kt-KB3
3. Kt-KB3
P-Q4
4. Kt-B3
Kt x P
5. P x P
6. Kt x Kt
Q x Kt
7. P-Q4
B-K2
This move, recommended by Tar-
185
cost of a Pawn.
However, the
slower method 1 1 . B-Q2, (if 1 1 .
. . . . Q X P; 1 2 . R-QB1,) followed
by 12. Castles QR, comes into
considcration.
11. . . . . . .
Q-Q2!
A much better move than 1 1 .
. . . . Q-K3; 12. Q x Q, P x Q; 13.
P-KR4, P X P; 14. P-Kt5, Castles;
1 5 . R x P, B-Q3; 16. B-Q2, Kt
B3; 17. P-B4, (Rubinstein-Kostic,
The Hague, 1921 ) when Black main
tained a satisfactory game. The
fact that Rubinstein adopted the
variation in this game suggests that
he might have found a stronger line
for White. However, Yates gave
him no chance and the text-move,
sacrificing a Pawn, is more in keep
ing with the spirit of the opening,
since 12. Kt x P, would be bad for
White after 12. . . . . Kt-B3; 13.
P-B3, Castles QR; 14. Kt-B3,
KR-K1 ; or 1 2. . . . . Kt-B3; 13.
B X P, Kt X P; 14. Q-K4, Castles
QR; 1 5 . Castles QR, Q x P; 16.
R X Kt, B X Kt; and Black keeps
his extra Pawn.
Kt-B3
12. B-Q2
13. Castles QR
Castles QR
P-B3
14. P-KR4
1 5 . P-B4
Q X KtP
The beginning of a rather adven
turous combination which gives
White some chances, while the purely
defensive move 15 . . . . . QR-K1 ;
1 6. P x P, P x P; 17. P-Q5, Kt
Q1; 18. Q-B2, K-Ktl ; would have
been entirely in Black's favour.
1 6. P x P
PxP
17. P-Q5
Kt-Kt5
If 17 . . . . . Kt-Ktl ; 1 8 . QR
Ktl , Q-Q2; 19. B-B3, KR-K1 ;
20. R x RP.
18.
19.
20.
21.
QxB
K-B2
Q-K6 eh.
R-R3
Kt-Q6 eh.
Q x Kt
K-Ktl
21 . . . . . . .
Q x R eh.!
The sacrifice of the Queen is the
only move which gives Black a
chance. Giving up a piece after 21.
. . . . Kt-B4; 22. R X Q, Kt X Q;
23. P X Kt, QR-K1 ; 24. R-K1 ,
P-QR4; would have left him with
a lost game.
Kt-B7 eh.
22. K x Q
Kt X R
23. K-K1
P-KR4
24. Q X Kt
P-Kt5
25. B-B3
KR-Ktl
26. Q-R4
Better than 26 . . . . . QR-K1 eh.;
27. K-B 1 , R-R2; holding the
Rook's Pawn, in which case White
would have pushed on his Queen's
Pawn quickly, while blockading
Black's Pawns.
P-Kt6
27. Q x RP
QR-K1 eh.
28. B-Q4
29. K-Q2
29. K-B1, loses on account of
29 . . . . P-B6.
QR-KB1
29. . . . . . .
30. P-Q6
If 30. Q-B3, P-Kt7; 31 . B
Ktl , R-Kt6; 32. Q-B2, P-Kt3;
and Black threatens . . . . R-Kt5
and . . . . P-B6.
30.
31. Q-R6
32. Q x QP
33. Q-B5
PxP
K-R1
R-Q1
R x B eh.!
1 6
34.
35.
36.
37.
QxR
Q-Ktl
P-Kt4
K-K2
P-Kt7
R-Kt6
P-R3
P-B6 eh.
In the following game White aims at controlling the centre before Black
has time to consolidate and support the KB5 Pawn. This line was just
becoming popular before the Second World War, but progress was slow
because the opening was not in favour.
White
A. Santasiere
99
Black
J.
Levin
P-Q4
Kt x P
Q x Kt
6. Kt x Kt
B-K2
7. P-Q4
8. P-B4
A more vigorous continuation than
the established 8. B-Q3.
Q-K5 eh.
8.
9. K-B2
B-KB4
1 0. P-B5
QKt-Q2
10. . . . . Kt-B3; is considered
better, and the continuation 1 1 .
B-Kt5, Q-Q4; 1 2 . B x P, Castles
QR; 13. B-K3, B-B3; 14. Q-R4,
B-K51 leads to equality. (Kienin
ger-Eliskases, Stuttgart, 1 939).
1 1 . B-Kt5
1 2. R-K1
13. Q x Q
14. B x KBP!
15. B-B4
16. R-K2
17. QR-K1
18. K-Ktl
1 9 . B-K6
Necessary, for
threatened.
P-QB3
Q-B7 eh.
BxQ
Kt-B3
R-Q1
B-K5
Kt-Kt5 eh.
P-B4
P-KKt3
20. B x P, is
P-KR4
20. Kt-Kt5
There is no answer to the double
threat of Kt x B, and Kt-B7.
21. Kt x B !
This move is much stronger than
187
21 .
22.
23.
24.
25.
26.
27.
28.
29.
30.
31.
32.
B x Kt
RxP
B-Q6
K-B2
B x B eh .
RxR
RxR
K-Kt3
KxP
K-Kt5
KxP
P x Kt
PxB
R-R2
R-Q2
K-Q1
QR x B
RxR
K xR
K-K3
K-Q4
KxP
Resigns.
D. Bronstein
100
Black
V. Ragosin
Saltsjobaden, 1948
1. P-K4
P-K4
P-Q4
2. P-KB4
3. P x QP
PxP
4. KKB3
KKB3
QKt-Q2
5. B-Kt5 eh.
5. . . . . P-B3; is supposed lo be
better, but 6. P X P, Kt X P;
7. P-Q4, Q-R4 eh. ; 8. Kt-B3,
B-QKt5; 9. Q-K2 eh., B-K3;
10. Castles, Castles K; 1 1 . B-Q2,
Q-Kt3; 12. B X Kt, P X B; 1 3 .
B x P, ( A . R. B . Thomas-E. G .
Sergeant, Felixstowe, 1 949), does
As
not seem to confirm this.
this line hai been iO little played,
Castles
Kt X P
Kt-B3
P-B4
B-K2
P-Q4
BxP
Castles
Kt-QKt3
B-R4
B-KKt5
l l . B-QKt3
P-B3
12. Kt-B3
P-QR4
13. Q-Q2
By this move Black weakens his
Pawn position; but he has very
little choice, since White's Pawn
centre restricts his mobility.
14. P-QR3
P-R5
188
1 5 . B-R2
QKt-Q2
1 6 . QR-K1
KR-K1
17. Kt-KKt5
B-R4
18. K-R1
B-Kt3
19. Kt-B3
Kt-R4
20. B-K3
Q-B2
Q-R4
21. Q-Ql
22. B-Q2
Q-R2
P-Kt3
23. P-B5!
If 23. . . . . P-Kt4; to keep the
QRP defended 24. P x P e.p.
BXB
24. B-Kt5
25. Kt x B
Kt(4)-B3
This Pawn sacrifice is probably
Black's best chance.
RxR
26. R x R eh.
QxQ
27. Q x P
PxP
28. Kt x Q
R-K7
29. P x P
30. B-B4
R-QB7
31 . B-Kt3
R-K7
32. Kt-KB3
Kt-K5
33. B-Ql
R-K6
If 33. . . . . Kt-B7 eh.;
K-Ktl, Kt X B; 35. R X Kt.
34.
35.
36.
37.
K-Ktl
Kt x Kt
R-Kl
Kt x R
341.
Kt(lS) x P
Kt x Kt
R x R eh.
These two games represent the modern style in the King's Gambit
Accepted. They do not answer the question whether this variation has
189
any future, since Black has eschewed the main problem of the opening
(see note to Black's 5th move). It is therefore unlikely to be revived
in tournament play until masters are found who, like Steinitz, are willing
to embark on hazardous variations or to cope with complicated defensive
lines in the manner of Louis Paulsen.
XVI
THE KING'S GAMBIT D ECLINED
THE King's Gambit Declined is as old as the King's Gambit Accepted,
but it never achieved the popularity of the latter and was considered
inferior. As the acceptance of the King's Gambit led to complicated
variations which grew in numbers, declining the proffered Pawn seemed
to offer the simplest solution. Although the possibilities have not been
exhausted, it is generally recognized that the defence is far from being
simple.
MORPHY'S CONTINUATION
Black
P. Morphy
S. Boden
London, 1 858
P-K4
I. P-K4
B-B4
2. P-KB4
3. Kt-KB3
P-Q3
4. P-B3
This is one of the oldest continua
tions, in which White attempts to
establish a Pawn centre. To-day
this line is considered the only one
that maintains the initiative for
'Vhite.
Here 4. B-B4, Kt-KB3; 5.
Kt-B3, Kt-B3; 6. P-Q3, B
K3; 7. B-Kt5, P-QR3; 8. B x Kt
eh., P X B; 9. Q-K2, P X P; 10.
B x P, Q-Kt1 ! ; 1 1 . Kt-Q1 , Castles;
. .
5. . . . . . .
Kt-QB3
6. P-Kt4
On 6. Kt x P, B x B; 7. Kt x Kt,
B x Q; 8. Kt x Q, B-B7; 9. Kt x
KtP, B-Kt3; 10. P-QKt4, B X P;
would follow with the better game
for Black.
B-Kt3
6
Kt-R4
7. P-Kt5
Lowenthal, in his 4th match game
against Morphy, played 7. . . .
.
190
P-Q4
21. B-Q2
Q-R2
22. Kt-B4
23. P-K5
QxQ
Kt-B5
24. Kt x Q
Not at once 24. . . . . Kt-K5;
25. B X Kt(K4), P X B; 26. B X Kt,
P x Kt; 27. B x B, RP x B; 28.
R-QI .
Kt-K5
25. B-QKt4
RxB
26. B x R
Black's defensive strategy was
based on this sacrifice. But now
comes the surprise!
Kt-QR4
14. Q-Q3
Castles KR
15. Kt-B3
Now 15 . . . . . Kt-Kt5; 16. KtQ5, Kt x B; R X B; is in White's
favour, who is compensated for the
loss of the Pawn by his strong
Knight on Q5.
Q-R3
16. P--Kt3
QR-KI
17. K-Kt2
K-RI
18. QR-KI
Q-Kt3
19. B-K3
20. Kt-K2
Morphy's play is characterized by
the almost perfect interco-operation
of the pieces, a factor which some
times tends to obscure the implica
tion of the individual moves. Com
paring this position with that on
the 13th move, we see that all
\Vhite's pieces are now centralised,
whereas Black's have been forced
to the flanks. The text-move is a
positional trap. It aims at driving
the Black Queen to an insignificant
post at R2, and at controlling the
Q5 square, to restrict Black's
mobility.
P-KR3
20. . . . . . .
ot 20 . . . . . Kt X P? 21. Kt-B4!
Q-B4; 22. P-Kt4!
27. Kt-B4!
More decisive than 27. B X Kt,
P X B; 28. Kt-B4, (28. R X P?,
Kt-Q7; ) K-Ktl; and Black is
threatening to win a second Pawn
for the exchange.
Kt(K5)-Q7
27. . . . . . .
Now 27 . . . . . P-QB3; 28. B x
Kt, P x B; 29. Kt-Kt6 eh. , wins
the exchange, which again shows
that the thematic idea of the King's
Gambit Declined, the open KB file,
is the deciding factor.
28. B x P!
White gives back the exchange,
which is the quickest way to win.
Morphy's end-game play recalls
Capablanca's easy, elegant styJe.
191
P-Kt4
P-K7
R-K1
P x Kt
B x BP
PxP
RxP
R x R and wins.
Black
R. Spielmann
S. Tarrasch
Carlsbad, 1923
P-K4
I. P-K4
2. P-KB4
B-B4
P-Q3
3. Kt-KB3
B-KKt5
4. P-QB3
An interesting line is 4. . . . .
B-Kt3; 5. P-Q4, (safer is 5.
B-Q3 and B-B2) Kt-KB3; 6.
BP x P, P x P; 7. Kt x P, P-B4;
8. B-Kt5 eh., QKt-Q2; 9. B
Kt5, P-KR3; (better first 9 . . . . .
P x P;) and Black has compensation
for the sacrificed Pawn (Spielmann
Karlin, Lundt, 1939).
PxP
5. P x P
6. Q-R4 eh. !
This manreuvre introduced in
the game F. Marshall-E. Cohn,
Carlsbad, 1907, refutes Black's play
192
Kt-B3
9. B-B4
10. P-Q3
White has now achieved his stra
tegic aim. He has control of the
open KB file and a sound centre.
26. QR x Kt
Kt-K2
10. . . . . . .
1 1 . Castles
If 1 1 . P-QR4, to deprive Black
of counter-play 11 . . . . . P-QR3;
12. B-Kt3, P-B4; would follow.
Kt-Kt3
11. . . . . . .
P-QKt4
12. B-K3
P-QR4
13. B-Kt3
PXP
14. P-QR3
15. BP x P
Castles
15. . . . . B x P?; 16. Kt-Kt5,
Castles; 17. Kt X BP, R X Kt; 18.
B X R eh., K X B; 1 9. Q-Kt3 eh.,
and Q x B winning the exchange.
P-B3
16. Kt-B3
Q-K2
17. P-R3
B-Ktl
18. Kt-K2
A rather cumbersome manreuvre,
with the idea of exchanging the
White QB. Better was 18. . . .
QR-B1 ; to be able to play . . . .
B-K3; also threatening P-B4.
.
19. K-R2
B-R2
P-R3
20. B-Kt5
QxB
21. B x Kt
Q-Q3
22. KKt-Q4!
23. Kt-B5
B x Kt
Kt--B5
24. R X B
The pressure against KB2 is
becoming embarrassing, and Black
tries to close the file, hoping to trap
the KR.
P-Kt3
25. QR-KB1
25 . . . . . Q x QP?; 26. Q x Q,
Kt x Q; 27. R x BP, R x R; 28. R x
R, is too strong.
KP x R
26. . . . . . .
26 . . . . . KtP x R; 27. R X P, fol
lowed by Kt-Kt3 would give
White an irresistible attack. The
sacrifice of the exchange, though
not difficult to conceive, is remark
able as a logical conclusion to
White's earlier strategy.
27. P-K5
Q-K2
28. R-B6
K-Kt2
Slightly better was 28. . . . . KR1; 29. Q-B3, K-R2; 30. P-Q4,
QR-Q1 ; 31. Q-B2, with the threat
of B x P, and Q x P eh.
29. P-Q4
BxP
30. B x P!
Not 30. Kt x B, Q x KP.
30. . . . . . .
B x P?
Loses at once, but after 30.
R X B; 31. Q X P eh., K-B 1 ; 32.
Kt x B, R x R; 33. P x R, Q-KB2;
34. Q X P eh., K-K1; 35. Kt X BP,
with the threat Kt-K5 is decisive.
31. Q X P eh.
32. Q x P Mate.
K-R1
193
'fhe small margin of initiative with which Spielmann was able to force
the win proves that the defence has been considerably improved since
the days of Morphy.
RETI'B CONTINUATION
This is the latest line in the King's Gambit Declined in which Black
allows White to set up a centre in the hope of breaking it up by . . . .
P-KB4. The following game is one of the best examples of this variation,
which ha& not been clarified because of its complicated character.
103
White
G. Stolts
Black
B. Spielmann
P-K4
B-B4
P-Q3
P-B4
This move was recommended by
Cordel and has the advantage of
forcing White to disclose his inten
tions. The game now takes a very
complicated turn, and if White
intends to proceed energeticalJy he
must be prepared to sacrifice.
5. P x KP
QP x P
6. P-Q41
The only continuation that pro
mises to give White the initiative.
On 6. P x BP, B x P; 7. P-Q4,
P X P; 8. P X P, B-QKt3! Black has
a good game.
6. . . . . . .
P x QP
7. B-QB4!
Recommended by Reti. White
endeavours to capitalise the weak
ness of the diagonal (the theme of
the variation) in a tactical fashion.
7. . . . . . .
P x KP
This continuation, analysed by
Svenonius, is based on a very in
volved sacrifice of a Rook. The
alternative, no less complicated, is
given by Reti in the Liirobok i
Schack: 7 . . . . . Kt-QB3; 8. P
QKt4, B-Kt3; 9. Q-Kt3, Kt-R3;
(9 . . . . . Kt-B3; 10. P-Kt5, Kt-
194
22. Q x P eh.
QxQ
K-K2
23. Kt x Q
24. Kt-Kt3
R X Kt
The Knight is captured at last,
but in the meantime Black has lost
one of his central Pawns: the game
is now decided by White's material
advantage.
16. P-KKt4!
Kt-B3
17. P-B4
Driving off the Queen.
17 . . . . . . .
Q-Q2
25.
26.
27.
28.
29.
30.
31.
32.
33.
Kt x B
R-R2!
RxP
R-Ql
B-B4
K-B1
R-Q5
B-Kt3
P-Kt4
P x Kt
K-B2
R-K1
KKt-K4
R-K3
K-Kt3
K-B4
R-K2
Resigns.
XVII
THE KING'S GAMBIT D ECLINED
(coNTn .)
THIS is an opening of which the opinion of the experts has been constantly
changing during the last hundred years. Attacking players, like Morphy
and Pillsbury, have successfully adopted it; but real gambit players, such
as Tcbigorin, and later Reti and Keres, considered that Black could ill
afford to sacrifice a Pawn on the 3rd move for the liake of temporary
195
J. W. Schulten
104
Black
P. Morphy
1 1 . P-B4
On 1 1 . P-KR3, Q x P; 12. P x B,
Q x KtP; would follow.
P-B3
11. . . . . . .
12. P x P
If 12. P-KR3, B X B; 13. Kt X B,
Q-K2; would prevent White
castling.
12.
13.
14.
15.
16.
17.
K-B1
Kt x R
Q-Ktl
K-B2
K-Ktl
Kt x P
RxB
Kt-Q5
B x Kt eh.
Kt-Kt5 eh.
6. B-Q2
P-K61
Theory still considers this move
the best, emphasising Morphy's in
sight into the position. The struggle
is concentrated on White's K4
square; but as Black can no longer
maintain his hold, he seeks counter
chances by opening the King's file.
7. B X P
Castles
Again the best. Many would have
been tempted to win the Pawn back
with 7. . . . . Kt X P; 8. B-Q2,
B X Kt; 9. P x B, Castles; (9. . . . .
Q-B3; 10. Kt-K2, B-Kt5; 1 1 .
P-KR3,) 1 0 . Q-B3! with a ten
able position for White.
8. B-Q2
9. P x B
10. B-K2
B x Kt
R-K1 eh.
B-Kt5
17.
Kt-B6 eh.!
18. P X Kt
Q-Q5 eh.
1 9. K-Kt2
Q-B7 eh.
20. K-R3
Q X BP eh.
21. K-R4
Kt-R3
and Black forces Mate with Kt-B4
eh. and Q-R4.
This game has become a classic. It is one of the few early examples
in which no improvement, either of opening theory or execution of attack,
has been advanced.
14
196
The little known game that follows deals with one of the most important
lines against the Falkbeer Counter Gambit. It was played late by
Tchigorin, who adopted it after he had made many unsuccessful attempts
to refute the Falkbeer. It was declared by Marco and contemporary
theoreticians the best available to the first player.
105
White
Black
J. W. Schulten
P. Morphy
Kt x KP
7. P x KP
Morphy might have expected
White to play here 8. Kt-K2, when
8. . . . . B-Kt5; with an attack
could follow; however, he meets
with a surprise.
8. B-Q2!
Very fine! Now 8 . . . . . Q-R5
eh. ; 9. P-Kt3, Kt x P; 10. P X Kt!
Q x R; 1 1 . Q-K2 eh. , followed by
Castles QR, and White would
obtain a decisive attack.
8
9. B x B
10. Q-R5
1 1 . Castles I !
B x Kt
Castles
R-Kl
P-B3!
5. . . . . . .
But Morphy is no less alert!
This move is certainly better than
5. . . . . B-QB4; 6. KKt-K2,
Castles; 7. P-Q4, P x P e.p.; 8.
Q X P, R-Kl; 9. P-KR3, Kt-R4;
10. Q-B3, Q-R5 eh.; 1 1 . K-QI ,
(Tchigorin-Marshall, Carlsbad, 1907)
when White can safely keep the
Pawn.
6. P-Q3
Whether the text-move is superior
to 6. P-Q6, B x P; 7. P-Q3, with
an about equal game, is doubtful.
6. P x P, Kt x P; 7. KKt-K2,
B-QB4; 8. Kt-Kt3, Q-Q5; 9.
Q-K2, B-KKt5; 10. Q-B l , Kt
Kt5; (Heyersmans-Blackburne) is
favourable to Black.
6. . . . . . .
B-QKt5
Morphy continues in his aggres
sive style, but the simplifying 6.
. . . . BP x P; 7. B-Kt5 eh., B-Q2;
8. P x P, P x P; 9. B-K3, was
preferable.
'- Kt x B
197
Resigns.
Schulten proves himse)f worthy of his great opponent, and the game
is a very valuable contribution to opening knowledge.
TARRASCH'S
CONTRIBUTION
Black
R. Spielmann
S. Tarrasch
5. . . . . . .
Kt x KP
6. Kt-KB3
Alapin's continuation, the idea of
which is not only to meet Black's
threat . . . . Q-R5 eh. but to pre
pare an attack against the Kt at
K4 with Q-K2 and KKt-Q2.
6.
7. Q-K2
B-QB4
B-B4!
198
P-Kt4, P-B3;
18. B-Kt2,
Wheatcroft-Keres, Mar!!.ate, 1 938,
and White stands better) . 14. R
QKtl ! P-QKt3; 15. Kt-Q4, fol
lowed by 1 6. B-Kt5, with advan
tage to White.
8. . . . . . .
Castles!
A surprise!
Spielmann's blind
adherence to the book is soon
punished.
9. P x B
R-K1
10. B-Kt2
After the game it was thought
that 10. Q-Kt2, would have
afforded better drawing chances,
but 10 . . . . . Q x P; 1 1 . B-K2,
Kt-QB3; would still have given
Black an overwhelming attack.
10.
11. Kt-K5
12. B x Kt
Kt-B7
Kt x R
12. . . . . . .
Kt-Q2!
A well-considered move. If 12.
. . . . P-KB3; 1 3. P-Q6, P X Kt;
25. B x Kt
PxB
26. P-KR3
R-Ktl eh.
Resigns. For 27. B-Kt2 loses the
Queen.
199
V. Castaldi
107
Black
P. Trifunovic
Hilversum, 1947
P-K4
I. P-K4
P-Q4
2. P-KB4
3. KP x P
If 3. Kt-KB3, QP x P; 4. Kt x P,
Kt-Q2; 5. P-Q4! P X P e.p . ; 6.
Kt x QP, KKt-B3; White lacks
harmonious development.
P-K5
3. . . . . . .
4. P-Q3
Kt-KB3
5. Kt-Q2
Keres' move, which strikes at
the K4 square at once without
interference by . . . . B-QKt5. Now
on the natural 5. . . . . Q x P; 6.
P x P, Kt x P; 7. B-B4, Q-QB4;
8. Q-K2, P-B4; 9. Kt x Kt, leads
to advantage for White.
5. . . . . . .
PxP
6. B x P
Kt x P
7. Kt-K4
This move endangers White. 7.
Q-K2 eh., would have been better,
although after 7 . . . . . B-K2; 8.
Kt-K4, Castles; White's advan
tage would be very slight.
......
B-Q2
K-K2
B-Kt3
P x Kt
P-Kt3
R-QB1
K-B2
K-Kt2
P-R3
R-Q1 eh.
Kt-Q4
Kt-B4
Kt x B
B-Q3
K-B2
B-B2
B-Kt3 eh.
KR-Kl
Kt--K6 eh.
Kt-Kt5!
7. . . . . . .
P-QB3!
8. B-Kt5 eh.
A disagreeable surprise for Cas
taldi who might have expected the
'theoretically correct' 8. . . . . B
Q2; 9. B X B eh. , Kt X B; which
would still only have given equality
for White.
KxQ
9. Q x Q eh.
10. B-R4
If 10. B-Q3, Kt x B eh. ; and
200
R-Q6
KR-Ql
Kt-Q8
27. P-Kt4
B-K5
28. Kt-Kl
R-Q7 eh.
Resigns.
For 29. B x R, R x B eh.; 30.
K-Kt3, B-B7 eh.; 3 1 . K-R2,
B X Kt(K8) dis. eh. wins.
CONCLUSIONS
The games in this part, dealing with the King's Gambit of the last
century and the 'modern' King's Gambit, give us a clear picture of how
the older generation conducted this romantic opening, and how it is handled
to-day.
We have not investigated the Muzio and Salvio Gambits and other lines
which may be classed as mainly tactical variations. They do not occur
in modern tournament games, and as they cannot be forced, it is not
considered a practical proposition to spend time studying them. They
are the products of a past age in which players were willing both to adopt
and defend them.
Is the King's Gambit an opening of the past or of the future? This
is a vexed question, but the few games played nowadays indicate that it
probably belongs to the future, for the problems arising are chiefly Black's
problems, a fact which has influenced young players like Keres and
Bronstein to support Tartakower in his contention that the Gambit is
correct, since it permits White to retain the initiative.
SUMMING UP
ON playing over these games, we realize that our ideas have developed
considerably with the passage of time; in other words, there has been an
evolution in the technique of chess. Steinitz recognized this as far back
as 1 886, when he defended himself and his contemporaries against their
critics, who compared the games of the world championship match between
himself and Zukertort unfavourably with those of Morphy, saying the
former were lacking in brilliancy, full of blunders and inferior in every
way. Steinitz replied by showing not only the blunders, but the strate
gical errors Morphy had made. While paying tribute to Morphy's genius,
he emphasized the progress which had been made by stating that 'Morphy
of 1886, if he had been alive, would undoubtedly have beaten the Morphy
of 1859.'
In what way is this progress apparent? Here again we may hear
Steinitz answering the critics. 'When it is so freely asserted that Morphy's
style was all genius and inspiration throughout, while the play of modern
masters is all book and study, I would take leave to answer frankly that
just the very reverse can be proved in the only part of the game in which
knowledge and study can be of much use, and in which a test of the
assertion can be applied, namely, in the openings. For Morphy possessed
the most profound book knowledge of any master of his time, and he
never in his practice introduced a single novelty, whereas since his day
the books have had to study the players.'
But did this progress in the 25 years between Morphy and Steinitz
apply only to the openings? Once more Steinitz gives us the answer
'We may all learn from Morphy and Anderssen how to conduct a King's
side attack and perhaps I myself may not have learnt enough. But if
you want to learn how to avoid such an attack, how to keep the balance
of the position on the whole board and how to expose the King and invite
a complicated attack which cannot be sustained in the long run, you must
go to the modern school for information.' The years between the death
of Steinitz and the first World War-the so-called 'golden age' of chess
saw a great deal of detailed work based on the principles laid down by
Steinitz. Progress was slow, since chess had become ridden with dogma.
When new players such as Rubinstein, Nimzovitch, Capablanca and
Alekhine appeared, whose inventive ideas promised to give new life to
the game, the first World War intervened. After the war there emerged
the so-called Hypermodern School. At first its opening methods-the
fianchetto and keeping back the centre Pawns-met with success against
the older generation of masters, but when it came to the real test in the
New York Tournament of 1924, to quote contemporary critics, 'They
came, they saw, and they lost.' Capablanca writes in his Primer o.f Chess,
'A great deal has been written in the
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The games
have been
have been
In preparation.
...